When Bojan Čičić and The Illyria Consort’s debut recording was released last week, it went straight to No. 5 in the Specialist Classical Chart. ‘These performances are eloquent, engaging and really nicely ornamented. It’s one of my favourite discoveries this week’, said Andrew McGregor on Record Review. ‘Taut and el... Read More
July sees the release of new recordings from two new Delphian artists, and we are delighted to introduce you to The Epiphoni Consort and their director Tim Reader with this behind the scenes footage from their recording sessions last October.
David Bednall: Sudden Light (choral works) is released on 21 July.
The E... Read More
The EMAP project, with its pioneering research and painstaking reconstructions, is quite astonishing in its ambition, and the fourth instalment in our five-part recording series is one of the most ambitious yet. Around 40,000 years ago, towards the end of the last Ice Age, the upper Danube region was settled by anat... Read More
In 2018 Astor Piazzolla’s operita María de Buenos Aires will celebrate its 50th anniversary and to mark the occasion Mr McFall’s Chamber will unveil the first major recording of the work since the 1980s – released on Delphian in June 2017. For the group, it has been a long-held ambition to perform and record this no... Read More
Rory Boyle‘s ‘Burble’ for solo clarinet was commissioned by and written for Fraser Langton while he was studying for a Master’s degree at the Royal Conservatoire of Scotland. In this, the second of three behind-the-scenes videos made during recording sessions, we gain an insight into just how challenging – and rewa... Read More
On the eve of its release, Nicky Spence and Iain Burnside‘s Buxton Orr: Songs has garnered glowing praise from The Herald. Commending both the ambition of the project itself, and the performance and recording standards, Keith Bruce writes:
‘Without making it sound like missionary work by Scotland’s ridiculously pr... Read More