DCD34375-CD

The Witch Trials

In The Witch Trials,Ellie Slorach and Kantos confront one of Britain’s darkest histories. Framed by spoken testimonies from the seventeenth-century Pendle trials in Lancashire, music by Byrd, Gesualdo, Allegri, Barbara Strozzi (arranged for the choir by Slorach herself) and Hildegard of Bingen stand beside new works by Rory Wainwright Johnston, Camden Reeves and Anna Disley-Simpson, creating a compelling dialogue across four centuries. Structured as a requiem for the accused, The Witch Trials explores fear, prejudice and the enduring persecution of women, balancing moments of extraordinary beauty with music of violent accusation and sometimes gleeful defiance. By placing masterpieces from the time face to face with powerful twenty-first-century responses, the programme reveals the unsettling persistence of these stories from four hundred years ago.

'The Witch Trials, subtitled a mirror to our callous hearts, goes some way to explaining the dark period in the history of northern England. Kantos, under the direction of Ellie Slorach, present what they describe as a 'sequence of tracks ... structured, loosely, as a requiem mass for the dead'. It opens with Requiem Aeternam and closes with In Paradisum, as a conventional requiem would, but in between explores a range of emotions while telling the story of the trials and the eventual - though never doubted, and very probably foregone - conclusion ...this is an interesting historic documentation as well as a chilling survey of a period in English history which should not be forgotten.The choral work is quite superb - subtle and dramatic in equal measure.'

CLASSICAL MUSIC DAILY
read the full review here

'“Double, double toil and trouble”, incant the witches from Macbeth. It’s a line that feeds more than literally into this enchanting new album by director Ellie Slorach and her versatile vocal group Kantos. The Witch Trials is a genuinely complete experience, an uninterrupted sequence of plainsong and motets connected by the spoken word, which confronts the concept of witchcraft in both mythical and real human terms. Kantos present a panoply of musical evocation ranging from the traditionally sacred and devotional (Renaissance classics from Allegri’s sublime Miserere to the spiritual perfection of Byrd, Palestrina, Strozzi and the gloriously eccentric Gesualdo) to edgier modern settings such as Anna Disley-Simpson’s cackling theatrical version of the Macbeth witches text, Rory Wainwright Johnston’s uncommonly ritualistic Ave Maria, and Camden Reeves’ feverishly irreverent Spells, Remedies & Potions. The narrative thread - whether sung or spoken - journeys with fluid intent to the final Amen.'

★★★★

Release Date: 30 October 2026
Recorded on 17-19 November 2025 at Hallé at St Michaels, Ancoats, Manchester
Producer/Engineer: Paul Baxter

24-bit digital editing: Jack Davis
24-bit digital mastering: Paul Baxter
Design: Drew Padrutt
Booklet editor: Henry Howard
Session photography: Ben Reason

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KANTOS and Ellie Slorach perform Double, Double Toil and Trouble by Anna Disley Simpson.

Album Booklet

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