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DCD34235CD

Martin Suckling: The Tuning

GLOBAL RELEASE DATE: 28 JANUARY 2022

The everyday is transfigured in this intimate collection of chamber music and songs by leading young Scottish composer Martin Suckling – settings for mezzo-soprano and piano of five magical, moonlit poems by Michael Donaghy and a string quintet written in collaboration with the poet Frances Leviston, whose readings of her own texts frame the four movements of a piece which pays dual homage to Schubert and to Emily Dickinson.

Nocturne for violin and cello bears witness to Suckling’s night vigils at the composing desk, setting down his pen as the stillness starts to ripple with birdsong, while the cello solo Her Lullaby is a nostalgic reflection on the early years of parenthood that also displays Suckling’s characteristically refined harmonic palette.

"The mesmerising coupling between Marta Fontanals-Simmons and Christopher Glynn on piano, create the perfect ambience as they impeccably communicate with each other ... Words and poetry, like music, stirs emotions within us and Northumberland poet Frances Leviston’s texts, make for an equally engrossing collaboration in Emily’s Electrical Absence. Her words which she reads so effectively, are inspiring and shows Suckling’s adeptness at crafting his music to form an aural painting ... Suckling skilfully shows that whether composing for solo instrument or creating a narrative between two or more performers he is a formidable presence that creates compelling music through understanding the world around him"

Yorkshire Times logo | BRAMLEY ELDERLY ACTION

Release Date: 28 January 2022
Catalogue No: DCD34235
Total playing time: 75:39
Recorded on 6-8 April 2021 in the Sir Jack Lyons Concert Hall, University of York
Producer/Engineer: Paul Baxter
24-bit digital editing: Jack Davis
24-bit digital mastering: Paul Baxter
Piano technician: John Tordoff
Cover image © Desmond Clarke
Session photography: foxbrushfilms.com | Design: Eliot Garcia
Booklet editor: John Fallas

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PREVIEW

Martin Suckling: Emily’s Electrical Absence’: IV

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