DCD34317

Cantabile: Anthems for Viola

The Jamaican–American violist Jordan Bak has already achieved international acclaim for his radiant stage presence, dynamic interpretations and fearless power.

In his Delphian debut,joined by the outstanding pianist Richard Uttley, he offers powerful readings of two substantial twentieth-century works – Arnold Bax’s Sonata for Viola and Piano and Benjamin Britten's Lachrymae: Reflections on a song of John Dowland, written respectively for Lionel Tertis and William Primrose – and sets them alongside more recent music for solo viola by Jonathan Harvey and Bright Sheng.

The viola’s capacity for deeply felt, wordless song is further explored in Augusta Read Thomas’s Song without Words, receiving its premiere recording in a version specially composed for Bak and Uttley.

"What’s special about this release is the eclectic menu assembled by a young Jamaican-American, Jordan Bak, who is clearly going places. Bak opens with a three-minute Chant by Jonathan Harvey, dinking back and forth between tonal and post-tonal contemplation. A Romance by Ralph Vaughan Williams, discovered among posthumous papers, is just what I need in these stressed-out times ... The album’s two most substantive, and sumptuous, pieces are by British composers. Arnold Bax’s viola sonata of 1922 is massively mellifluous, rippling with tunes that sound half-remembered and might even be original. Imagine Copland and Holst taking a country walk. The finale is so satisfying ... Benjamin Britten’s Lachrymae: Reflections on a song of Dowland is at once deceptive and self-revealing. Britten uses only the first phrase of Dowland’s song but he enters so fully into the Tudor’s composer’s dolorous outlook that the two composers feel like brothers across two Elizabethan ages. Britten’s erudition, his elegance, his improvisational inspiration, power this piece like a runaway truck. Bak is skilled enough to bring it under control, and then some. His pianist, Richard Uttley, is daringly empathetic. If you don’t love viola, you will after hearing this"


★ ★ ★ ★

Piquant melodic fragments one second, furious double-stopping the next, the rough- voiced mixed up with the ethereal: that's the arresting substance of Jonathan Harvey's Chant. Happily, Bak's command of his instrument isn't remotely diminished when the musical language is more conventional. Vaughan Williams's early Romance might be pallid at first, but the height of passion is still reached; while the 27 minutes of Arnold Bax's Sonata, premiered by Tertis in 1922, inexorably lead us from Celtic melancholy to bumptious vigour and back again, with extra energy deriving from the constant interplay between Baks's viola and Richard Uttley's incisive piano. The two make a wonderful team, and are further blessed by the warm acoustic afforded by Edinburgh's Greyfriars Kirk ... The rest of the 'anthems' in this collection traditionally showcase the viola's gifts for projecting the plaintive and rueful ... it's left to Britten's Dowland-inspired Lachrymae, written for Primrose, to shower us with magic, right from the opening bars of limpid arpeggios, shivery tremblings and John Dowland's solemn melody crawling along at the piano's lower end. With music- making as succulent as this, who needs jollification anyway?



★ ★ ★ ★

"The viola, middle voice of the string family, has had the advocacy of several virtuosic exponents over the past century, from pioneers such as William Primrose and Lionel Tertis in the past, to Lawrence Power and Tabea Zimmermann now. A new generation is coming forward with confidence. Jamaican-American Jordan Bak, already a recipient of many awards, is at the forefront. As the title suggests, his Cantabile: Anthems for Viola, with the British pianist Richard Uttley, emphasises the instrument’s singing qualities. The range of works, from Vaughan Williams to Jonathan Harvey, Augusta Read and Bright Sheng, creates an album of arresting variety. The most substantial works are Arnold Bax’s Sonata, a showcase for the expressive powers of this duo, and Benjamin Britten’s Lachrymae – in which the ghost of the Elizabethan John Dowland hovers"

"We should commend Delphian for its ability to identify future talent and introduce a wealth of rarely recorded music. It’s a label that is not afraid to delve deep into different repertoires and produce brilliant soloists to capture the artistry of their instruments, which is laudable. This disc does just that ... on this release, Jordan Bak demonstrates his various skills and stage presence in captivating performances, whether solo or joined by Richard Uttley on piano. The selected pieces truly reflect the disc's title ... We hear Bak's viola's rich, full tone in the main work, Arnold Bax's rhapsodic sonata, with wonderfully controlled accompaniments from Uttley. The opening has Uttley's fingers tinkling high on the keyboard, before we hear the deep hues of Bak's lower register; both give a striking and impressive account. They convey the drama with an engaging rhythmic energy throughout, although the agitation subsides into an intense and sensitively played end to the final movement. The opener, Jonathan Harvey's Chant, is particularly noteworthy because Bak demonstrates his technical brilliance through his harmonic virtuosity ... The disc ends with Britten's Lacrymae Reflections on a Song of Dowland, and once again, Bak manages to showcase his instrument's timbre and tonal colours. Like so much on this disc, the considered playing with well-phrased lines, distinctive tone and technical brilliance, permeate through an assortment of delightful pieces"

Release Date: 20 May 2016
Catalogue No: DCD34158
Total playing time: 1:06:00


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PREVIEW

Vaughan Williams:Romance

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Jordan and Richard perform Vaughan William's haunting Romance during recording sessions in Greyfriars Kirk, Edinburgh ...

Album Booklet

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