"This recording of Benjamin Britten's five Canticlescaptures the essence of the composer's unique voice with remarkable emotional depth and technical precision. Tenor James Way, alongside his wife and pianist Natalie Burch, creates a compelling intimacy that echoes the special relationship between Britten and his partner and muse, Peter Pears, for whom these works were originally written ... Britten's gift for tenor writing and his operatic sensibilities shine throughout this superbly recorded album. Way demonstrates exceptional control of phrasing and dynamics, particularly in the softer passages where his nuanced delivery creates moments of profound beauty ... [Way and Lotte Betts-Dean's] distinct, pure tones blend beautifully in the conversational elements of Abraham and Isaac ... Burch's piano accompaniment provides sympathetic support throughout, while countertenor Hugh Cutting adds atmospheric depth to the ensemble. Annemarie Federle's horn playing in the third Canticle grows increasingly confident and warm as the piece progresses ... Credit must also go to the Delphian recording team for capturing the subtle nuances of these performances with exceptional clarity and warmth. The outcome is an essential recording for admirers of Britten's vocal writing and a testament to the artistry of all performers involved"