DCD34369-CD

Dialogues: Schubert | Errollyn Wallen

'Titled The Lake, the cycle’s five songs reflect on nature and place and paths less travelled. Nikolovska got the honour of the premiere performance, but Van Mellaerts was the first into the recording studio, and has just released the gorgeous album Dialogues, with pianist Dylan Perez.

The dialogue that Wallen engages in is with Franz Schubert. The Lake seeps between the feathers of SchwanengesangSwansong – the 14 lieder collected and published just after Schubert’s death.

Dialogues appears on the Delphian label. It’s known for the high fidelity of its recordings, and its catalogue is quality packed and selective. '

'The idea that Schubert can cohabit lieder recitals in “dialogue” with complementary song settings is not new. But this one, in which songs from the posthumously-published Schwanengesang are reordered and interspersed with equally questioning and personal poetry by composer Errollyn Wallen, is both intuitive and potent. It’s also a dynamic coupling, Wallen having given carte blanche to baritone Julien Van Mellaerts and pianist Dylan Perez to present her collection, The Lake, in any format they wish. For this recording the ordering of both the Schubert and Wallen interact to tell a unique story. You hear in Wallen’s songs music that is often powerfully elemental, hearteningly beautiful, even teasingly inconclusive, serving up a contemporary reaction to the spiritual disquiet of Schubert’s Rellstab, Heine and Seidl settings. A magical segue from Wallen’s Courage - where the subject finds internal peace - to Schubert’s haunting Der Doppelgänger concludes a thoughtful, reflective performance.'

★★★★

'her music grows just as naturally out of Schubert’s as his sheds illumination on hers. The emergence of her ‘Ready’ out of Schubert’s ‘Kriegers Ahnung’, as if colouring the echoes of the warrior’s anxious cries into the night, is simply gorgeous. The shift in viewpoint, from that of a soldier to that of an uncertain artist, that Wallen’s words provide is pregnant with suggestion. Just as important to effects like these, of course, is Mellaerts’ and Perez’s sequencing, which is throughout attuned to continuities of tone, texture and mood.

There have been musically more radical approaches to this kind of Schubert+ recital ... But few have done it quite as sensitively or as thoughtfully as Wallen, Van Mellaerts and Perez do here.'

'Musically, the songs’ language is immediately engaging, but also questioning, rhythmically and harmonically alive and alert to the unexpected, dancing around the edge of tonality and with a penchant for insistent motifs – gnawingly so as ‘All my life’ turns sour. ‘Courage’, the final song in the cycle, hints at musical theatre with its breezy rhythmic identity, before leading almost directly into ‘Der Doppelgänger’ – a segue not as jarring as one might expect.

And generally Van Mellaerts and Perez are at their best in the new songs, the baritone’s natural gift for communication making an eloquent case for them ... a fascinating album, produced with all the care and skill that one expects from Delphian.'

Release Date: 3 July 2026
Recorded on 23-25 April 2025 in the Parish Church of St Cuthbert, Edinburgh
Producer/Engineer: Paul Baxter

24-bit digital editing: Jack Davis
24-bit digital mixing & mastering: Paul Baxter
Cover image: Hansjörg Rath / unsplash

Design: Eliot Garcia
Booklet editor: Henry Howard
Session photography: Sandy Butler

Dialogues presents baritone Julien Van Mellaerts and pianist Dylan Perez in a recital shaped as a continuous narrative, interweaving Schubert’s Schwanengesangwith The Lake, a newly commissioned cycle by Errollyn Wallen. Rather than contrasting past and present,the programme unfolds within a shared, intimate soundworld: Wallen’s reflective songs frame and reshape Schubert’s, allowing familiar numbers to emerge with new focus and perspective.

Van Mellaerts and Perez approach the sequence as a single arc, their close partnership emphasising text, colour and atmosphere. The result is a compelling reimagining of Schubert’s late songs, where new music becomes part of the same expressive landscape rather than a commentary upon it – a powerful meditation on love, distance, memory and hope.

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