In Sorrow's Footsteps

Celebrating its tenth anniversary with its tenth recording on Delphian, The Marian Consort plays to its twin strengths in a lovingly conceived programme coupling two pillars of Renaissance polyphony with twenty-first-century settings of the same texts, including a newly commissioned Stabat Mater by Gabriel Jackson.

A range of subplots – Palestrina’s influence on Wagner, Charles Burney’s collecting of Allegri and Palestrina – make this truly a story of interconnections: a path on which the present’s footsteps constantly overlay the past’s. At the centre is Allegri’s Miserere, whose convoluted reception history itself becomes part of the story and whose performance here fully exploits the world-famous acoustic of Merton College’s chapel.

 Presto Classical Editor's Choice


"The sharp, jabbing gestures at the opening of Gabriel Jackson’s new setting of the Stabat Mater…announce that wilting introspection is by no means the composer’s default position in his response to the sorrowful vision of Mary witnessing her son’s crucifixion…The ten singers of The Marian Consort buy fully into Jackson’s immersive setting, their interactions at times possessing the immediacy of chamber opera"


"The past and the present move hand-in-hand in this well-devised programme. Gabriel Jackson’s setting of the Stabat Mater is startling in its concept. The declamatory opening starkly sets the horrifying scene, but the mother’s grief, which is beautifully expressed, is paramount. James MacMillan’s passionate interpretation is very much of the 21st century, although deeply rooted in the past: with this composer you get the best of both worlds. The Marian Consort is an exceptional group. Here you can savour beautiful vocal lines that are given wonderfully controlled, electrifying performances


"Jackson’s arresting Stabat mater is the stand-out on this tenth-anniversary album from the British vocal consort; the writing almost out-MacMillans MacMillan in places with its Scotch snaps and folkish flourishes in the ‘Eja Mater’ section. The acoustic of Merton Chapel pays real dividends in Allegri’s setting of the Miserere, whilst James MacMillan’s expansive setting of the same text doffs its cap to its predecessor at the same time as being entirely mesmerising on its own terms."

Recording venue(s): Merton College Chapel, Oxford
Recording dates: 8-10 January 2018
Number of discs: 1
First UK release date: July 20, 2018
Album ID: DCD34215