{"title":"Song","description":"","products":[{"product_id":"dcd34002","title":"Songs from the Exotic","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea807c0ae8861005e2326f7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea807c0ae8861005e2326f7\" data-shogun-page-version-id=\"61f7e8c29cba8200d3dea1f3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61f7e8c29cba8200d3dea2c8\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-15293875-a3fa-447f-8776-16c1e87fc3f7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-dcb379ea-13c0-4c0f-a621-ba9f02df828b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis debut from mezzo-soprano Polly May includes premiere recordings of the original versions of Judith Weir’s Songs from the Exotic and Luciano Berio’s Quattro canzoni popolari.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-0e08ed7c-b9bc-40ad-8a3a-f32f81a075cb\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-0e08ed7c-b9bc-40ad-8a3a-f32f81a075cb\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d1341be2-4f8d-4224-8eed-ae2ec8d5f7bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The musky, warm mezzo-soprano of Polly May, and the robust piano-playing of Lucy Walker... are well-suited to this earthy repertoire... much to enjoy in this fresh and courageous venture\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8cd9c1eb-bfee-4516-be0d-c6ac421b6099\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eThe recording is quite superb, the voice and piano are very well captured within an acoustic that is airy and clear, quite deep and just a little “dark”. A splendid CD that comes with a very high recommendation\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"257\" height=\"87\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-0e08ed7c-b9bc-40ad-8a3a-f32f81a075cb\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-bb0ce61a-d055-442f-b415-0ec2be07480b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eVenue: Reid Concert Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 2001\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34002\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 43:00\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296354943062,"sku":"DCD34002-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/songs-from-the-exotic-cd-delphian-records-438376.jpg?v=1606219327"},{"product_id":"dcd34005","title":"Within a Mile of Edinburgh","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea810d3ae88610050260dc6\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea810d3ae88610050260dc6\" data-shogun-page-version-id=\"6615a6051f548c00f83422d0\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615a6051f548c00f83423e6\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-fcedf837-501d-4e25-a814-df3110d4e6b9\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-18da017e-ec2a-46b5-a748-0fea623cee77\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBaritone Malcolm Green joins John Kitchen in a sprightly drawing-room concert from eighteenth-century Scotland, with folk songs from Robert Burns and The Scots Musical Museum and the sets of fortepiano variations they inspired. Includes premiere recordings of works by J.C. Bach and J.L. Dussek.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a428bdc8-7e96-481a-8239-192c047d2182\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/gb\/album\/within-a-mile-of-edinburgh\/1561289634?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-eac528da-94d1-45ac-957d-b27936557bfa\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-eac528da-94d1-45ac-957d-b27936557bfa\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-42d48fea-beb1-45ae-8d6a-58b6fb78ee36\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"A generous, attractive programme\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b58c406c-3f05-4d1c-b0e2-bc1744f3279e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"203\" height=\"70\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3e5c671e-fa2e-4139-ab5d-577a2b12dfdf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eThe result is a delightful programme of melodies and melodic invention performed with refinement by baritone Malcolm Greene and pianist and organist John Kitchen on fortepiano, a somewhat clangorous precursor of the pianoforte which lends a suitably authentic late 18\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e century flavour to the material. Highlights include Neil Gow’s lively “Loch Eroch Side”, the sombre “Roslin Castle” and the tender, traditional “Yellow Hair’d Laddie” whose variations by J C Bach are the most musically substantial – but even the more lightweight confections are a treat.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eINVERNESS COURIER\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4d2f7e66-2b71-4057-bf09-e16aa6d5663a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eIn the songs, Malcolm Green reveals a pleasing timbre and attractive manner, though his final consonants and Scots accent leave something to be desired. That excellent player John Kitchen vanquishes the occasional recalcitrance of the piano, phrases beautifully, and his cogent shaping of Ross's extensive variations on Busk ye, is all one could wish for.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-eac528da-94d1-45ac-957d-b27936557bfa\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-62f8b4b6-9d33-4237-b118-f92c3376f99f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 September 2002\u003cbr\u003eCatalogue No: DCD34005\u003cbr\u003eTotal playing time: 1:11:46\u003cbr\u003e\u003cbr\u003eRecorded in July 2001 at Barnes Collection, Edinburgh\u003cbr\u003eProducer \u0026amp; Engineer: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003eCover image: Edinburgh and Leith from the West by James Skene\u003cbr\u003e(1818) reprinted by courtesy of Edinburgh City Libraries.\u003cbr\u003eSession photography: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355008598,"sku":"DCD34005-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/within-a-mile-of-edinburgh-cd-delphian-records-979887.jpg?v=1606219114"},{"product_id":"dcd34006","title":"A’e gowden lyric: songs by Ronald Stevenson","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea8184ca3862e0050b665ba\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea8184ca3862e0050b665ba\" data-shogun-page-version-id=\"6615a6fdd868f600dec6f5b3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615a6fdd868f600dec6f6cd\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-0f128bef-0792-4005-887f-520706d9f69f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-3ad01280-af80-492f-83f9-3c743fa3754e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSince first performing Ronald Stevenson’s music as a treble in 1985, when she gave the first broadcast performance of A Child’s Garden of Verses, Susan Hamilton has brought Stevenson’s songs to audiences throughout Britain and abroad. The present recording features her unique, clarion voice in the soprano version of that work, alongside settings of Scots poems by Hugh MacDiarmid and William Soutar and a short translated verse by the Gaelic poet Sorley MacLean.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9439f84d-0427-4702-8311-aed5e4565ccb\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9439f84d-0427-4702-8311-aed5e4565ccb\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d2682391-5ab9-49e0-9af6-95d502cd42ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"an astonishingly pure voice…the ringing accuracy of Hamilton’s intonation is a continual marvel…The recording is beautifully balanced and clear as a bell\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-289d1130-9ed1-40bf-b55e-bcc862337c1d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Susan Hamilton’s soprano is exactly right for this music; unknowing, keenly boyish, dead centre-of-the-note, it has a perfect foil in John Cameron’s pianism, which is superbly nuanced and characterised.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"260\" height=\"88\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-08ea722e-e0f9-4749-8a6a-63d9468e9af4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Artistically, this is a fine advertisement for the energy of contemporary Scottish culture. There are the usual excellent production values and the Delphian disc can be recommended without hesitation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMUSICAL POINTERS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8f8ed3ef-8f26-4947-9458-aae4a4b61c0b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"\u003cspan class=\"s1\"\u003eScots composer Ronald Stevenson is 75 and we don’t hear enough of his music, especially his song-settings. So, well done Delphian Records and Scots duo Susan Hamilton and John Cameron, for committing this delicious collection to disc. Hamilton’s pure-grained voice is near perfect for Stevenson’s settings of his namesake Robert Louis Stevenson’s “A Child’s Garden of Verses”.\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"292\" height=\"83\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-9439f84d-0427-4702-8311-aed5e4565ccb\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c8d21b65-7a40-4ce0-8545-664f0f48bf43\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: May 2003\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34006\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:59\u003cbr\u003e\u003cbr\u003eRecorded 21-22 November 2001 at St Mary's Collegiate Church, Haddington\u003cbr\u003eProducer: Kevin Findlan\u003cbr\u003eEngineer: Paul Baxter\u003cbr\u003e24-bit mastering: Paul Baxter\u003cbr\u003e24-bit editing: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003eCover photograph: Paul Baxter\u003cbr\u003eSession photography: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355074134,"sku":"DCD34006-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/ae-gowden-lyric-songs-by-ronald-stevenson-cd-delphian-records-339864.jpg?v=1606218881"},{"product_id":"dcd34020","title":"Dallapiccola: a portrait","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eaae06abb55ad0052c6c6ac\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eaae06abb55ad0052c6c6ac\" data-shogun-page-version-id=\"6615ac1d2a119f01066fd34c\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615ac1d2a119f01066fd45e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-fe5aebef-cdb3-4a9e-9174-c7acc4d46899\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-72d1a05a-f8a8-4529-a14b-ac93cbf44461\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLuigi Dallapiccola is one of the most celebrated Italian composers of the twentieth century. This disc features chamber music and songs alongside his complete works for solo piano. Whether drawing on the music of the past to nourish the contrapuntal organisation of his own, or concentrating on the opportunities for gentle lyricism afforded by bell-like vocal and instrumental sonorities, Dallapiccola’s commitment to traditional expressive nuance has been seen by critics as a powerful aspect of his Italian insistence upon cantabilità – songfulness.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-92881cb7-0e49-4f1e-a39a-0e33dcfedb9f\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/luigi-dallapiccola-a-portrait\/1557757647?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-42ddc4b9-78ff-42a5-b748-63afd910dc47\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-42ddc4b9-78ff-42a5-b748-63afd910dc47\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c74e29c1-21c0-46af-b685-59befcad24f4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"a marriage of discipline and imagination of which Wilde is fully aware…[Nicola Stonehouse] is eloquence itself in the Goethe-Lieder\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-441f8309-88b5-49d7-a780-3fdd68803835\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"This is an expertly programmed and very finely performed selection. David Wilde is the motor and he displays a sure affinity with Dallapiccola sufficient to warrant admiration.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"216\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-42ddc4b9-78ff-42a5-b748-63afd910dc47\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-47191095-51d4-4aa3-95a4-0b0330fbeda1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 12 March 2007\u003cbr\u003eCatalogue No: DCD34020\u003cbr\u003eTotal playing time: 1:14:12\u003cbr\u003e\u003cbr\u003eRecorded 16-17 December 2003 at St Mary's Parish Church, Haddington; 10 January 2005 at Saint Silas the Martyr, Kentish\u003cbr\u003eTown, London; 10 February 2005 at Reid Concert Hall, University of Edinburgh; and 17 April 2005 at Gartmore Parish\u003cbr\u003eChurch, Gartmore\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003cbr\u003eEngineer: Adam Binks\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355827798,"sku":"DCD34020-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/dallapiccola-a-portrait-cd-delphian-records-451053.jpg?v=1606223229"},{"product_id":"dcd34058","title":"Gavin Bryars: The Church Closest to the Sea; Eight Irish Madrigals","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb17dd32157ad00565013ef\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb17dd32157ad00565013ef\" data-shogun-page-version-id=\"6499d4e7649ff300ebc830fd\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499d5ca649ff300e6c6d6e8\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-30daf1a5-d5a7-4050-8036-74c356137c89\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-c688f985-6cfe-4dfb-9cec-d993a317ede3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe double bass has always been close to Gavin Bryars’ heart. His own instrument, it has also featured strongly in his music for other players – as in The Church Closest to the Sea, written for Mr McFall’s Chamber and their bassist Rick Standley.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eVoices, meanwhile, are a more recent concern, displayed here in typically understated settings of Petrarch translations by the Irish playwright J.M. Synge. Bryars’ music straddles worlds: classical and jazz, composition and improvisation, the works on this disc moving between the lushly sensuous and the coolly laid-back as they meditate on geographical and emotional borderlands.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-53f72cc1-e761-403e-a8bc-31c027035624\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/gavin-bryars-epilogue-from-wonderlawn-eight-irish-madrigals\/1561279374?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e6cfc538-7fb1-4d59-8524-9ff2711439b9\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e6cfc538-7fb1-4d59-8524-9ff2711439b9\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b2cebfa6-d64c-4e81-9c62-13422896c3e4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The inexorable ebb and flow in Bryars's music distils the sense of musical portraiture represented in The Church Closest to the Sea…There are moments of distilled beauty, too, in the earlier, Ave Maria-esque Epilogue from Wonderlawn. The work's calm veneer exposes at times a deeper restlessness, effectively communicated by Mr McFall's Chamber in a recording which brings out the very essence of Bryars's expressive voice\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-928e6142-7bed-4b61-a488-78be1272c966\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Always seeking new sonorities and means of expression, Bryars is one of the most interesting and exciting composers at work today. This disc isn’t an easy listen, but it is a very worthwhile one and the time spent with it can only enrich your life.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"222\" height=\"75\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e6cfc538-7fb1-4d59-8524-9ff2711439b9\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-0c0f8bb6-8c6e-4e0a-849a-cc31acc16f08\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease date: 9 November 2009\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCatalogue No: DCD34058\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 0:50:02\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecorded on 12-13 January 2009 at St Mary's Parish Church, Haddington\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEngineer: Ben Seal\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eDesign: John Christ\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCover image: Chris Humphreys Photography\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296360153174,"sku":"DCD34058-CD","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/gavin-bryars-the-church-closest-to-the-sea-eight-irish-madrigals-cd-delphian-records-436139.jpg?v=1606218686"},{"product_id":"dcd34060","title":"Scotland at Night: choral settings of Scottish poetry from Burns to McCall Smith","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea6f5e4d2893100516f47c4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea6f5e4d2893100516f47c4\" data-shogun-page-version-id=\"6499db700d804000cc13eb28\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499dc42a50c1e00f5f7e821\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-62617b13-1f7a-4e92-9d15-c69a441c2e0a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0f8404c8-b1eb-4cdc-a6c6-4e334994ef06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe virtuosic young singers of the chamber choir Laudibus take on an inventive programme of settings of Scottish poetry by some of today’s leading composers. The texts range from John Barbour and Henry the Minstrel to Alexander McCall Smith, and the latter’s two choral song cycles written together with composer Tom Cunningham are at the heart of the disc. From the ethereal tenderness of Cunningham’s ‘Lullaby’ to the muscular angularity of Ronald Stevenson’s A Medieval Scottish Triptych, Laudibus responds with affection, athleticism and an extraordinary expressive range. Mezzo-soprano Beth Mackay contributes solo Burns settings by Arvo Pärt and Howard Skempton.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-2bb8a65a-32ea-4d54-bdc2-68abf3584298\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/scotland-at-night\/1561275766?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e293baf3-78a0-4ef4-99e9-8429637c38d1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e293baf3-78a0-4ef4-99e9-8429637c38d1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-77fd57d3-a413-43c2-8461-bccb783798bb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Laudibus and Mike Brewer are particularly good at creating vocal effects, meaning this programme is tailor-made for them. Their rich lower body of voices and silvery sopranos combine beautifully in So Deep, the rippling of Trout Loch is perfectly done, and they've had a good crack at the breathless excitement of Ceilidh\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9d240e6b-abd9-4f3f-aae2-25ea2bda7301\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"What a joy! Bravo Delphian! This is a superbly sung and recorded disc of ravishing music, ranging from the granitic mediaeval triptych of Ronald Stevenson to the honeyed close harmonies of Tom Cunningham’s two cycles - ‘Scotland at Night’ and ‘The Painter’s Eye’. It’s an entertainment that succeeds in presenting something of Scotland without a trace of the ubiquitous tartan.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"240\" height=\"81\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e293baf3-78a0-4ef4-99e9-8429637c38d1\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-7854b95b-308d-4006-a7f4-ef05a6f8433c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 27 July 2009\u003cbr\u003eCatalogue No: DCD34060\u003cbr\u003eTotal running time: 1:04:18\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 3-5 January 2009 in Colinton Parish Church, Edinburgh; 30 March 2009 at St Cuthbert's Parish Church, Edinburgh; 21 May 2009 at Prestonkirk, East Linton\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Sir Henry Raeburn, Revd Dr Robert Walker (1755-1808) \u003cem\u003eSkating on Duddingston Loch\u003c\/em\u003e, National Gallery of Scotland\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Dr Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296360317014,"sku":"DCD34060-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/scotland-at-night-choral-settings-of-scottish-poetry-from-burns-to-mccall-smith-cd-delphian-records-999377.jpg?v=1606223867"},{"product_id":"dcd34097","title":"Songbook","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb9c8174ca1550070b527df\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb9c8174ca1550070b527df\" data-shogun-page-version-id=\"67ab91b98fce3c57c469dc53\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab91e33d05cb7b95e6fb0a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-14bacd06-710f-4f08-860c-5a4a3d5f5334\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8956b5f8-425f-400d-938b-08c6848169da\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis ‘songbook’ is unique to the choristers of Tewkesbury Abbey Schola Cantorum, now housed at Dean Close Preparatory School. ‘Essentially, it’s a showcase for the Abbey trebles,’ explains Director of Music Benjamin Nicholas. ‘I’ve always been keen to build each boy up as a soloist, not with the express idea of them singing lots of solos, but so that they can learn to sing in a soloistic way.’ This is evident above all in the already highly distinctive singing of 11-year-old Laurence Kilsby, whose gifts won him the BBC Chorister of the Year competition in 2009 and who features here in two Shelley settings by Roger Quilter, the Bach\/Gounod Ave Maria and John Ireland’s sincerely felt Passiontide motet Ex ore innocentium.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-2edcc3f2-f71e-4811-8f6d-527c7640b7db\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/songbook\/1561286549?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-997f0739-fd25-4af6-b703-9a7dd4d7a15a\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-997f0739-fd25-4af6-b703-9a7dd4d7a15a\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bacc336f-0121-40c8-8df5-f64ee67631d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Throughout, the trebles of the Tewkesbury Abbey Schola Cantorum give excellent performances of impressive consistency under the leadership of their director, Benjamin Nicholas. They have an uninhibited, fresh sound, coupled with the skill to sustain lengthy phrases with even tone...[Kilsby] displays tremendous maturity both in vocal timbre and in his musicianship...I can foresee a glittering future for him.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6ee77bfc-78f3-4022-a466-05b9ff1d7fbc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"One thing seems evident from the results that we can hear on this disc: the boys love singing. Throughout the programme enthusiasm and commitment are abundantly in evidence\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"201\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-997f0739-fd25-4af6-b703-9a7dd4d7a15a\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-90ff6aa0-dd82-4271-ba75-05f357303ede\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 25 July 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34097\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:42\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361693270,"sku":"DCD34097-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/songbook-cd-delphian-records-262179.jpg?v=1606213724"},{"product_id":"dcd34099","title":"The Shadow Side: contemporary song from Scotland","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb9cba08b58750052d81a89\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb9cba08b58750052d81a89\" data-shogun-page-version-id=\"67ab939cf94699a55869e7c1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab939cf94699a55869e8cf\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-260673f7-7f7b-46a5-988f-42a4f70d47f1\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-56b51315-3873-494c-b9ca-e81851f8c045\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFor many years Irene Drummond has been the leading exponent of contemporary song in Scotland. With her partner Iain Burnside – peerless in this music – she offers here a fascinating snapshot of her repertoire. From the rarefied sparseness of James MacMillan to the sustained luminosity of Paul Mealor and the emotionally charged dramatic outbursts of John McLeod, The Shadow Side explores a world of half-lights and visceral intensity.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-f4149de1-e5a9-4205-85b6-fdb469d2d148\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/the-shadow-side-contemporary-song-from-scotland\/1561287389?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-56a2210a-5c39-4e49-8b7c-eebb6fe10ded\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-56a2210a-5c39-4e49-8b7c-eebb6fe10ded\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a7eda61d-532f-49e2-9bbe-b8501368c7eb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"As Jane Manning has been to London's new music, so more recently Irene Drummond to Scotland's, her bright vocal timbre and agile movement the inspiration for many composers. This collection is of songs Drummond has commissioned, premiered or championed...Iain Burnside shares the credit for performances of total focus\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7aae77c7-a947-4ec7-bf38-be6271844800\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"That the range of recent Scottish song is a wide one can hardly be doubted on hearing this disc from Irene Drummond...Unfailingly attentive accompaniment from Iain Burnside and spacious but always focused sound further enhance a most desirable disc\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ebb14dcc-356b-4211-808c-46f0324a1aab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-style: italic; font-family: 'Abhaya Libre';\"\u003e\"The byword here is diversity, from the gratifying immediacy of James MacMillan’s Soutar Settings to Edward McGuire’s uncompromisingly modernist The Web...Irene Drummond sings endearingly, although sometimes her expressive restraint borders on reticence; and, at the piano, Iain Burnside handles everything with aplomb and insight.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ebf81d7a-a939-41f4-87a2-f6d3b32eee79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This new and magnificent collection of contemporary Scots song on the Delphian label – with soprano Irene Drummond at her most breathtakingly stellar and seductive, along with the astonishingly perceptive pianist Iain Burnside – is a compelling demonstration of the care and quality our finest composers lavish on creating works which sustain and enrich that tradition\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-56a2210a-5c39-4e49-8b7c-eebb6fe10ded\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ec504072-4181-47aa-8d9c-c19ea7c25a11\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 June 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34099\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:09:04\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361758806,"sku":"DCD34099-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/the-shadow-side-contemporary-song-from-scotland-cd-delphian-records-353391.jpg?v=1606218293"},{"product_id":"dcd34105","title":"The Airmen: songs by Martin Shaw","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebaadcc53f0700075b13d0f\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebaadcc53f0700075b13d0f\" data-shogun-page-version-id=\"67ab9b491e6fec82f297762d\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab9b491e6fec82f297773b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-3e873c3e-b849-4c23-a8aa-d5fc77f1108c\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1af78132-8c83-459e-9462-a7b5cb754b8a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDespite a compositional career spanning both World Wars, remarkably little is known about Martin Shaw’s music. It has yet to enjoy the revival of interest that has benefited the legacies of close friends such as Ralph Vaughan Williams and John Ireland. Shaw’s songs range from the whimsical and effervescent to the deeply melancholic, and will be a revelation to many. In rescuing these gems from obscurity, Iain Burnside and his first-class singers have given new life to an unjustly neglected figure.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-23bb9c97-6a7b-452a-ae8d-8da82b8d36f1\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/the-airmen-songs-of-martin-shaw\/1558854731?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3810f381-e479-4b78-ad33-038f2d9850eb\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3810f381-e479-4b78-ad33-038f2d9850eb\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d5f4ff13-4a7f-49ff-a96d-3d77f6c5af14\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"This is music full of character, and some of that character is complex and contradictory. Cleanly crafted, the songs are mostly easy to perform, though they need ringing passion and a quick tongue in the texts...Tenor Andrew Kennedy and baritone Roderick Williams are gorgeously eloquent; Iain Burnside's piano satisfies, too.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4f4740a0-1a2f-4cdf-98ea-a1c7bd7fbfbd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This attractive selection benefits from havig three excellent singers, all with good diction. With persuasive performances like these it looks as if there's a case for making room for another English song composer.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-152afe97-d7c4-4cc1-ba25-f152033f96e2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eTheir style is bold, diatonic and memorably melodic...These performances, with Burnside the immaculate accompanist, are exemplary: there is no better interpreter of English song today than Roderick Williams, and it's a huge tribute to soprano Sophie Bevan and tenor Andrew Kennedy that their contributions are a match for his.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1c9d4b6d-8bc6-4d4c-affa-8ae1348c63a4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"[Shaw's] lyrical gift is elegant, as is the intelligence of his text setting. There are surprises, too: atmospheric settings that offset the big-boned ballads\"\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"141\" height=\"106\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f0f50e9b-b534-4462-ac36-a370e0391128\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Iain Burnside’s effortless pianism holds the disc together. All three singers impress, and Delphian’s production values are handsome.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3810f381-e479-4b78-ad33-038f2d9850eb\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3e98130b-08a8-410b-97e0-0a90382630d5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 6 February 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34105\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:17:35\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362053718,"sku":"DCD34105-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/the-airmen-songs-by-martin-shaw-cd-delphian-records-935729.jpg?v=1606223862"},{"product_id":"dcd34116","title":"Insomnia: a nocturnal voyage in song","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebad54c6aa640005750b5f9\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebad54c6aa640005750b5f9\" data-shogun-page-version-id=\"6837058db8d9ade5a58fb040\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6837058db8d9ade5a58fb15a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ed5ea34c-5210-43c6-acbf-6fad6cf9d20d\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-565cffb3-bbfc-4665-b41f-29aff9627aa8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFor his solo debut on disc, William Berger has devised an ingenious sequence of seventeen songs describing a sleepless night experienced by a man who reflects on his love for an unnamed woman. From Viennese classicism to fin-de-siècle Romanticism, shadowy English pastoral to the contemporary worlds of Richard Rodney Bennett and Raymond Yiu, this wide-ranging programme is brought to nuanced life by an outstanding young baritone, while the indefatigable Iain Burnside provides lucid and imaginative accompaniment. Together, their performances capture the full gamut of nocturnal emotions.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-220f7fdc-2965-49ef-8710-f98b0bc28b87\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/insomnia-a-nocturnal-voyage-in-song\/1561074646\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-acbca874-dbf2-44de-823e-aa23c7f7b42f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-acbca874-dbf2-44de-823e-aa23c7f7b42f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-06ef80b5-b35b-4dc0-904b-4fd49297fccc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Berger's grainy baritone is pleasing more than awe-inspiring...But he communicates with keen enthusiasm, and his word-lively Mozart Abendempfindung immediately draws the listener in to this artfully selected and ordered programme. With Iain Burnside as accompanist, there are light-filled starry nights aplenty\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b5d0ef13-bb27-4a27-83a6-53d657ed3972\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Burnside handles everything with aplomb and insight\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-04e852ae-6522-4c4d-a90a-36c79f517121\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Berger is a gem of a singer\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/eec951bd-5d42-4468-87f9-c1024fd18164\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"284\" height=\"36\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-513cb85d-3c6b-4b3b-94c9-b7e6739c0e4b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Berger has a warm, resonant baritone and an hour spent in its company is a pleasurable experience…the partnership between Berger and Iain Burnside yields some fine performances.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a4cc03af-08b3-4cbf-9019-1a55381c181d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Much in this recital gives satisfaction and pleasure. First of all comes the sound of the voice, warm, full, smoothly emitted and steady. One notes too the use of legato, enabling lines and notes to flow\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-293f2af6-3274-486e-8205-23737ffadf9c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"His tone is beautiful, his technique immaculate. He does extraordinary things with breath control in Oh! Quand Je Dors and Wolf's Um Mitternacht, and his sense of line is exceptional...Iain Burnside is wonderfully responsive to his shifts in mood and style. An idiosyncratic disc, but very fine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d33f5c57-fd40-424e-8ca0-55bde2d65159\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"[the programme] plays out its chronological narrative – songs depicting specific hours of a sleepless night – with logical and psychological inevitability...Berger sustains a magnetic affection throughout the varied sequence, aided by Iain Burnside’s deft pianism\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"192\" height=\"54\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-12397d17-4134-4a75-9541-3fcc37750821\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"[Burnside] is unfailingly sensitive and powerfully communicative throughout. The dreamy undulations of Mandoline are a knockout, as is the gently suggestive accompaniment to Wolf’s Um Mitternacht, to name but two examples.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"256\" height=\"87\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f9f69a81-e2f0-4a17-b074-ad5658d404a6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"You’ll be beguiled by Berger’s voice and entranced by the more left-field musical choices...Songs by Wolf and Liszt dominate post-midnight, and after Morgen we get a couple of encores, including a tiny Gounod number sufficiently breezy to banish the introspective mood and leave one feeling invigorated, not depressed\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"206\" height=\"93\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-acbca874-dbf2-44de-823e-aa23c7f7b42f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b7deb247-f6cb-442f-b760-257874207457\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Queen’s Hall, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 13-14 February 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 19\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 30 July 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 0:55:42\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34116\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362414166,"sku":"DCD34116-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/insomnia-a-nocturnal-voyage-in-song-cd-delphian-records-755303.jpg?v=1606218462"},{"product_id":"dcd34117","title":"From a city window: songs by Hubert Parry","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea800154a992d0060bfb3d8\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea800154a992d0060bfb3d8\" data-shogun-page-version-id=\"67ae0cc88f20aa4552c06ad3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae0d7ae9a6bbab4dcf5f53\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b31ebc48-15d6-4bcb-a34a-b5e843183fc6\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0c0017ae-13f8-4b4a-a85e-4a6c80273097\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded in the music room of Hubert Parry’s boyhood home, Highnam Court in Gloucestershire, this disc sees three of our finest singers shed illuminating light on an area of the repertoire that has rarely graced the concert hall in recent times.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAs English song came into full flower at the turn of the 20th century, Parry’s substantial contribution to the genre became buried. Iain Burnside and his singers rediscover what has been forgotten by historical accident – and what a treasure chest of song they have found! Still best known for two short choral works, Parry is at last undergoing something of a revival, and these beautiful performances return his songs to the heart of his output, where the composer always felt they belonged.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-5a90444c-3484-46b1-aeb7-cfabdecf963d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/from-a-city-window-songs-by-hubert-parry\/1559803591?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-59214af9-e92e-4cc8-a64a-70da12d4ab1b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-59214af9-e92e-4cc8-a64a-70da12d4ab1b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ef3b5a01-a5dc-477c-8385-a913ac1040ba\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Superb singing combines with Iain Burnside's eloquent handling of Parry's piano textures.\u003c\/em\u003e\u003cem\u003e\" ★★★★★\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-89d95daf-7a30-4756-b21b-b6a9c9604244\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The emotional range of these songs, almost faultlessly conceived in terms of textual rhythm, reminds us of just how expert a song-writer and pioneer of the English art Parry was...Full of subtle vocal nuance, excellent diction and discerning accompaniment, the performances are exquisite.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-25427342-e826-4b7d-900f-82e1793a0cac\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Among the 27 songs here, fastidiously set to texts from Shakespeare to Scott, are some well-known gems. But many more are revelations. Recorded in Parry’s boyhood home near Gloucester, Ailish Tynan, Susan Bickley and William Dazeley sing them with ardour and sensibility, and Iain Burnside’s piano accompaniments are full of subtle insight.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ff60f035-ecb5-488f-89cc-c5c93027cfe3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This release testifies to the rare talent of a composer still to be adequately recognised...There could surely be no finer champions of this art than the singers heard here\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/fac32779-ce0b-4e43-80ee-9c9259dd762c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"334\" height=\"54\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-281ec51f-035a-4964-818b-6a5d2ab0896c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"The performances are excellent. All three singers do very well by Parry\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"218\" height=\"74\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f6288a9d-7958-407e-b2fb-65a4a8bd7cbb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This beautifully programmed recital reveals Parry combining an innately English sensibility with the fastidious craft of the great German lieder composers. Sincerity and proper declamation of text are clearly paramount, and if the melodic invention doesn’t always rise to quite the same level, this is still an enjoyable and important survey.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLIMELIGHT\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-055060c7-839e-4bc8-a7ca-565bcb0c2cf0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Soprano Ailish Tynan, mezzo sopranoSusan Bickley and baritone William Dazeley offer clear and affectionate performances, stating strongly the case for Hubert Parry, master song setter of English lyrics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"80\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-59214af9-e92e-4cc8-a64a-70da12d4ab1b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-521aadcb-3db2-4135-8a42-bf83c692d316\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Highnam Court, Gloucestershire\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 22-24 May 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 27\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 14 January 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:12:42\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34117\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a15fb69e-d620-4cef-8d0e-f14388dd5d08\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-e91a8dfb-1f5f-418b-9c74-532abfc1b941\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-e91a8dfb-1f5f-418b-9c74-532abfc1b941\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362479702,"sku":"DCD34117-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/from-a-city-window-songs-by-hubert-parry-cd-delphian-records-405261.jpg?v=1606222664"},{"product_id":"dcd34120","title":"La Pasionaria","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebae277d2f4010061de59b3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebae277d2f4010061de59b3\" data-shogun-page-version-id=\"67ae10474a6ff1f548d08009\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae10474a6ff1f548d08117\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-63394533-dd66-449e-83bf-4aefb7e9c713\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f3c3661d-b7b5-458e-85b4-8f6850ba66c0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eValentina Montoya Martínez’s songs of life as a Chilean exile are complemented by the music of the tango nuevo, including songs and instrumental interludes from Ástor Piazzolla’s ‘operita’ María de Buenos Aires, where the character of María represents the tango itself. ‘La Pasionaria’ was the nickname of Dolores Ibárruri, a Basque Communist leader during the Spanish Civil War.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLikewise both engaged and passionate, the songs brought together here – including Valentina’s deeply personal odes to her late mother and to the political activist Sola Sierra – pay tribute to the private and public lives of women across Spain and Latin America.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d16fe12b-2091-4113-8b63-021193e4004e\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/la-pasionaria\/1560232165?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-7cf5a22b-b679-4a58-ac33-fa6dc43f314b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-7cf5a22b-b679-4a58-ac33-fa6dc43f314b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-733f5e4e-802c-4519-be3a-2e2487cdfbd1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"McFall's Chamber find themselves yet again triumphantly defining the innovative edge of the Scottish scene.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d7236398-9903-4e56-b066-4c034ca0daa4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"pungent and zesty...A glorious, loveable disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"177\" height=\"80\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0feee166-a530-4ed2-ba53-707f87832f07\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"This is more than just a really good tango disc: it's a document of fervently expressed personal history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eOPERA NEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5416f9b5-8697-4ce2-88df-16c6ae989015\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"[Martínez] captures the full spectrum of emotions that the music demands. Whether performing Piazzolla or Martínez, the group’s performances are snappy and vibrant throughout demonstrating a relaxed comfort with the repertoire.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMCALLISTER MATHESON\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-7cf5a22b-b679-4a58-ac33-fa6dc43f314b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-534f0f45-6578-477a-b4c3-4d0b65e7c772\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Tom Fleming Centre, Erskine Stewart’s Melville Schools\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 17-18 March 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 16\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 29 April 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 0:57:14\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34120\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362578006,"sku":"DCD34120-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/la-pasionaria-cd-delphian-records-869810.jpg?v=1606222634"},{"product_id":"dcd34127","title":"Rachmaninov: Songs (3 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebb0404b1b706005035926b\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebb0404b1b706005035926b\" data-shogun-page-version-id=\"6441567cbfdc1500cb83edfa\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6441567cbfdc1500cb83efa7\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-87f1f31a-c890-437b-945e-2073ab7d3c20\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-278341f4-8e88-46fe-9116-73f38bb28495\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis first complete recording for twenty years of Rachmaninov’s published song output (with the addition of two delightfully comic occasional pieces) lays two further claims to importance: our seven singers – hand-picked by renowned pianist Iain Burnside – are all native Russian speakers, and every song is performed in the key in which Rachmaninov wrote it, respecting both the specificity of vocal colour and the carefully designed tonal and expressive trajectory within each opus.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFor the first twenty-five years of his career Rachmaninov regularly expressed himself in song, from Tchaikovskian beginnings to the extraordinarily personal range of vocal and pianistic utterance in his final two collections. Almost a century after exile brought down the curtain on this period of his creative output, Burnside and his singers bring these works to shimmering, gushing, crackling, magnificent life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-ec51303c-859f-4a05-980c-4b8445a59946\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/rachmaninoff-songs\/1098259236?app=music\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-bd50eb20-347a-4569-b639-02f1c21a0c5c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-bd50eb20-347a-4569-b639-02f1c21a0c5c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ecb91e78-584e-4086-8936-f82f76c548ba\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Burnside remains a firm, clear companion throughout.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0aacf239-30f4-4769-a815-2f024f91d905\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"there are distinct pluses to this new Delphian set. One of them is unquestionably the pianism of Iain Burnside, who recognises the integral expressive role of the piano in these songs...Practically everything...rings true in this set, sung gloriously with palpable heart and soul.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-333108b8-8bd0-45d4-8321-807724622c25\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Burnside’s brilliant playing...allures the ear at every turn...The stars are Andrei Bondarenko and Alexander Vinogradov, both young but mature interpreters...Ekaterina Siurina’s sweet soprano comes into its own in the Op 38 set, while she and Vinogradov make something special of Two Farewells...the best is superb.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-93bda1ec-a86d-4914-84c8-a67d8b0fe61f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The famous Vocalise - popularised in innumerable variants for solo instrument and orchestra - was in fact originally a song from Rachmaninov's Op. 34. Here, Iain Burnside accompanies seven native Russian-speakers in a complete set of Rachmaninov's vocal music, which contains some of his most personal and intimate writing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f84c611d-b0c9-456b-bf02-eb1637381327\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eBondarenko, who won the song prize at Cardiff Singer of the World in 2011, is a delight with his honeyed, even tone and faultless phrasing. Burnside accompanies with his usual tact and intelligence. As a whole, the set is a very distinguished piece of work.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"195\" height=\"34\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b03bd655-3eaf-4795-af8a-8cb0c8954a00\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This is a richly rewarding and fascinating set...[Vinogradov] sings these epics with a marvellously fluent legato...But the star of the show is undoubtedly Burnside, playing throughout with unfailing intensity and sensitivity: voice and piano are truly equal partners here, and the results are electrifying.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b05d0754-1529-40a0-8113-4d011968ec45\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"247\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-30692d29-64e0-45b6-b998-f6c9318cc944\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"[Vinogradov's] beautiful rich dark tone and musicality single him out with distinction...Burnside, throughout, displays great sensitivity in his accompaniments. Technically accomplished, he meets the virtuosic challenges that Rachmaninov sets the performer...This set would be hard to beat by any standards – a deeply rewarding and truly stimulating musical experience.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"254\" height=\"86\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-bd50eb20-347a-4569-b639-02f1c21a0c5c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-691aaada-5c7d-4a71-9b10-4e62a42a60fb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Queen’s Hall, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 15-16 September 2012, 12-24 November 2012 \u0026amp; 11-12 January 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Box set\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 3\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 73\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 3:00:18\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 10 March 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34127\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-477be013-71bf-4cf3-b372-b75fd1d0fc32\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-3aa2ec91-e466-4e58-84a9-b9f5de78406e\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-3aa2ec91-e466-4e58-84a9-b9f5de78406e\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-3fee1154-3657-4caa-b368-acb0f9c2ff1b\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-3fee1154-3657-4caa-b368-acb0f9c2ff1b\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\n\u003cdiv id=\"s-ad5ea69d-b661-4e9c-bc54-4be78330c8bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9487f3a6-d4b2-42ae-a6ca-50a0221017df\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"54\" height=\"65\"\u003ePresto Recordings of the Year 2014\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296363298902,"sku":"DCD34127-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/rachmaninov-songs-3-cds-cd-delphian-records-192489.jpg?v=1606221214"},{"product_id":"dcd34129","title":"Remember me my deir: Jacobean songs of love and loss","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebbdd5c9a8cee005738609b\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebbdd5c9a8cee005738609b\" data-shogun-page-version-id=\"67ae19702920e586f96d8af7\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae19702920e586f96d8c2d\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-9f78c03c-b987-4fca-a7ac-c90f413b4ca0\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a02c03a8-bde5-4eff-8dbf-e2bcde86404e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDelphian’s own band of troubadours, Fires of Love, follow in the footsteps of King James VI on a varied journey through song and instrumental music – deftly weaving their way through Scotland’s rich tapestry of historic manuscripts to unveil attractive unsophisticated melodies, often heavily imbued with the French style, before travelling south to London, where James and his musicians would have been taken aback by the highly active theatre scene. Shakespeare’s texts give rise to compelling settings, from the plaintive ‘And will he not come again’, poignantly rendered here by Frances Cooper, to the risqué joviality of ‘St Valentine’s Day’. As the Scots courtier-musicians nimbly traded French influence for London’s ‘Englished’ Italian style, one wonders: did they regretfully look homewards? ‘Remember me, my deir …’\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b3057095-47a7-45c2-9de3-83d62c85f9d8\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/remember-me-my-deir-jacobean-songs-of-love-and-loss\/1561270686?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-63530984-c326-4e7a-8a2b-75a5351ecbc8\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-63530984-c326-4e7a-8a2b-75a5351ecbc8\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a37b1f39-220e-4491-a269-4f5daa011fd3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Rather than clamouring for attention, individual tracks contribute to a single unfolding arc of musical narrative...There's a sense of eavesdropping on something private and intimate, so delicately understated are the performances.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b105cf2c-83e3-4e6d-a71b-b586ab5edc0b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"The performances are gentle, intimate and never less than beguiling.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-34a730d9-f173-43bf-8ef9-0f52990d3351\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The greater sophistication of the early 17th- century English composers must have shocked the Scots musicians, but it’s to the quartet’s credit that the two strains blend seamlessly here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"224\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3b66b517-80f8-4c3a-9881-c6fbe26e23e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Frances Cooper proves the most able and beguiling of interpreters...the blending of timbres and tone colours is nothing short of perfect.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"194\" height=\"60\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e5ea7da5-c4ad-4ad9-9c37-cee50b2c2038\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The Scottish airs often bear traces of dance-like elegance, well suited to the lustrous tone of Frances Cooper, whose hauntingly beautiful sound is one of the chief delights of the recording.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-63530984-c326-4e7a-8a2b-75a5351ecbc8\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-cc0c32a2-75ce-43c3-bbee-7df419eb7260\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 9 December 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34129\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:02:02\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-010951f6-e50b-4fc2-b128-2b0c340dccf9\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-c4c7e892-ebc1-4cbb-b0cc-913ac21c3f4f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-c4c7e892-ebc1-4cbb-b0cc-913ac21c3f4f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296364085334,"sku":"DCD34129-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/remember-me-my-deir-jacobean-songs-of-love-and-loss-cd-delphian-records-236101.jpg?v=1606213905"},{"product_id":"dcd34153","title":"Luminate: Live Music Now Scotland celebrates 30 years","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd2716182bb2005293135c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd2716182bb2005293135c\" data-shogun-page-version-id=\"67ae2edc116cdb54aed8cdc5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae2f12724b05887973bc9d\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-45e87292-306a-4d1f-8ff8-1751821ab928\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0ca757dc-908d-485f-85b7-38550a208263\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn 2014, Live Music Now Scotland – an organisation that promotes the work of stellar young artists – celebrates its 30th birthday. A blazing trail of commissions has followed in the charity’s wake.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn recognition of these three decades’ achievements, Delphian has taken a snapshot of LMN’s activity, itself a miniature picture of the wider cultural endeavours taking place in Scotland. Some of the country’s shining young artists have recorded recent works commissioned or co-commissioned by LMN, including several works developed in conjunction with innovative community projects.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA broad canvas of activity, flecked with intriguing and beautiful details.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9c977813-8552-4c95-b97b-020ee179b101\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/luminate-live-music-now-scotland-celebrates-30-years\/1561061689?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-b53df8df-aee0-447d-8ce7-5952327c94c1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-b53df8df-aee0-447d-8ce7-5952327c94c1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3768e2a0-15e3-4fb8-8386-d53d7b90d5a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Lots of Celtic influences, astringently reimagined and atmospheric.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"142\" height=\"107\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-96334578-14e7-4e00-a930-f8a9644cc866\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eit works very well actually, it’s a lovely showcase.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8853051c-047f-4a2e-adf4-92e27deee08c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The sheer quality of the work produced in the name of LMNS rings through this CD, with music from McGuire, Sweeney, Nicolson and Geddes, and committed playing from Wildings, the Astrid Quartet and others, reflecting the commitment. More of this anon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c0f77dce-18a5-4fd1-be46-74a8fbb7fc35\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e07e0cb2-081f-46ae-88b0-68c82ccddf8d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"It’s a fascinating snapshot of contemporary classical music in Scotland...serves to highlight the breadth of LMNS’s reach, as well as the supple creativity of the organisation’s young musicians.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTHE LIST\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f2b9be56-5d79-4426-8676-c76cd6b4d360\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"beautifully performed\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-b53df8df-aee0-447d-8ce7-5952327c94c1\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e11639b5-a86c-4f6a-bb7a-a006f3222030\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Greyfriars Kirk, Edinburgh [songs]; Chapel of Loretto School, Musselburgh [duo, quartet]; Gran’s House Studio, South Lanarkshire [Wildings]\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 2 \u0026amp; 4 December 2014 [songs]; 14 \u0026amp; 23 December 2014 [duo, quartet]; July 2013 \u0026amp; March 2014 [Wildings]\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 18\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:14:41\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 6 April 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34153\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366280790,"sku":"DCD34153-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/luminate-live-music-now-scotland-celebrates-30-years-cd-delphian-records-767841.jpg?v=1606220526"},{"product_id":"dcd34165","title":"Nacht und Träume: Schubert Lieder","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd728203bd260050ed9eb5\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd728203bd260050ed9eb5\" data-shogun-page-version-id=\"67af9a94c9d4db5b53589096\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af9a94c9d4db5b535891ac\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-363e36b1-f108-4d23-8b8d-933eebc43761\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ce4db604-5f03-41c8-a30a-faf8132b638c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eThis selection of songs could carry the subtitle ‘Women in Love’. ‘L’Education sentimentale’, perhaps. Ailish Tynan and Iain Burnside have assembled a portrait gallery: a whole bevy of Schubert’s women pursuing different sorts of love, nurturing different Biedermeier dreams.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eGoethe’s Gretchen finds an intriguing counterpart in Schiller’s Amalia. Ellen gazes out over Loch Katrine, while Serafina looks down affectionately at her fortepiano. A young nun welcomes her destiny as the bride of Christ. This, the first volume in Burnside’s carefully crafted voyage of Schubert song, sees Ailish at the height of her powers, in music that has been her ‘life’s dream’ to record.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-dbd0599d-67aa-4fa8-bdb4-82b81531976b\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/nacht-und-tr%C3%A4ume-franz-schubert-lieder\/1559123376?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c6cfd1ba-7948-47e2-a308-8ee7042f70c2\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c6cfd1ba-7948-47e2-a308-8ee7042f70c2\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1243e989-f9dd-49cf-b184-3d483883ac28\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"She has the kind of voice one associates with Despina in Cosi fan tutte...It goes without saying that Iain Burnside's accompaniments are ideal, detailed in the modern manner but never obtruding, and in all respects the disc shows two dedicated artists who have given a lot of thought to every aspect of these marvellous pieces. Where I have doubts is in that edge which Tynan's voice sometimes takes on\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2935e1ca-0b49-457a-997a-bd620117e129\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"a superb disc\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c0f77dce-18a5-4fd1-be46-74a8fbb7fc35\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-58b62417-f28c-4bab-86c4-fe07a48b4f86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eTynan’s bright, bell-like sound and flexible control is amply matched by Burnside’s imaginative mastery at the keyboard, and what is billed as a first volume in a series benefits from fine recorded sound\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"203\" height=\"54\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dc6f8757-92c4-411e-96e2-3ad956380c39\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"Iain Burnside is, as always, excellent and the recording is good\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ce456936-a940-4e7b-94ad-309d85732b3d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This first issue in Iain Burnside's meticulously crafted foray of Schubert song is nothing short of captivating, with delight after delight following each other in quick succession, and his support of Ailish Tynan's interpretations, which are full of sensibility, ardour and vocal nuance, is insightful and sensitively gentle.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eMUSIC \u0026amp; VISION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9ec3d136-119e-41da-95e0-d3c39cf79bed\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Tynan brings her own soft-edged sense of rueful poetry to Schwanengesang, the meditative Todesmusik and dark-crystal purity of Nacht und Träume. But it’s not all doom and gloom: the smiling Die Forelle is delightfully animated, and Ständchen dispatched with becoming buoyancy. Burnside provides more than solid support throughout in a partnership of obvious subtlety and sophistication.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/3d9fa34c-09ea-43df-8469-fcfb095de7db\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"169\" height=\"103\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-c6cfd1ba-7948-47e2-a308-8ee7042f70c2\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ae9b94ac-cb3f-497a-be60-1937e0b17ea6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary’s Parish Church, Haddington, East Lothian\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 4-6 January 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case with cardboard outer sleeve\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 17\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:02:51\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 13 November 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34165\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366837846,"sku":"DCD34165-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/nacht-und-traume-schubert-lieder-cd-delphian-records-848190.jpg?v=1606214292"},{"product_id":"dcd34167","title":"Duet: Schumann – Mendelssohn – Cornelius","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd9fff6a296d005876ee63\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd9fff6a296d005876ee63\" data-shogun-page-version-id=\"67af9c32235c45a1555c503e\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af9c32235c45a1555c517c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-bb18d65f-5ea3-4ada-bc29-14387176d4b7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a75ee813-7eba-4244-b1bd-31b652ed55a0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDuet singing reached its zenith in the Victorian age, and has since fallen out of fashion. Did artists become concerned with grander solo projects? Did audiences think duets too lowbrow?\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWilliam Berger follows up his acclaimed Delphian debut recital with Iain Burnside, in a programme of duets with the delectably voiced Lucy Crowe that resoundingly demonstrates just how musically rich the genre can be. Published sets and individual songs by Mendelssohn, Schumann and the slightly younger Peter Cornelius span the middle decades of nineteenth-century Germany, and also represent the literary life of the country in that period. Nestled at the end of the disc, ravishingly beautiful and sad, is Schumann’s memorial to his deceased young son.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-e3b76e08-fa1a-4b46-824d-847ea25d1a17\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/duet-mendelssohn-schumann-cornelius\/1561282707?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9a36fd98-9aef-4f63-b0da-f16c63bd9c45\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9a36fd98-9aef-4f63-b0da-f16c63bd9c45\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4025fcaf-fee1-4eca-a103-0ca21750767b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Lucy Crowe and William Berger are vocal soul mates…this CD is a small miracle to be cherished\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-12290884-40d4-436e-82f1-05fa99047296\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The prime pleasure of the disc overall is Crowe's silvery beauty of tone…in the right relaxed mood, Delphian's bouquet of duets could be just what is required\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-68459cd8-f230-4579-9abf-0b9e0fa5b2ea\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Crowe and Berger make for characterful, pleasing-sounding and intelligent duettists in these suave, elegant and sometimes deeply touching pieces\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e6126f35-d7a4-44ed-b91c-7bc7127de8a8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"in terms of interpretation they remain in seamless, serene sympathy\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b6881fae-66f9-4ba6-bc70-89c04220c90d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b6dca3dc-d492-43df-9294-5ad17dad5cc8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"a delicious confection of songs and duets... reminding us of a golden age of domestic music-making. It's a gentle joy from start to finish\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d50d3372-19fd-444a-a4e6-c4de05d5d7a8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"The two soloists exude immaculate performances full of smooth, silky singing, where every nuance behind each word and note is brought to light with translucent artistry. Burnside is wonderfully responsive in his playing, and his sympathetic support throughout is unflinchingly consistent. Some off the beaten track repertoire that should not be missed. Sound and notes are exemplary.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eMUSIC \u0026amp; VISION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f56a4920-5fe3-4f68-8364-5ea0ea2f6340\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Soprano Lucy Crowe and baritone William Berger’s voices are ideally suited to this repertoire and the blend well together. Interspersed amongst the duets are five solo songs, allowing their solo voices an airing. Iain Burnside’s accompaniments are sensitive, restraining the power of the piano to acceptable levels.A fascinating repertoire, beautifully expressed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEARLY MUSIC REVIEWS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-9a36fd98-9aef-4f63-b0da-f16c63bd9c45\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-180e5461-798a-4447-a453-804f2dae7c84\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary’s Parish Church, Haddington, East Lothian\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 24-26 March 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 25\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 26 February 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:00:23\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34167\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-fbb77f93-f8f6-4279-9aaa-e00747587d75\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-794a937c-b2e4-4cf0-b830-bd384e246edc\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-794a937c-b2e4-4cf0-b830-bd384e246edc\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366903382,"sku":"DCD34167-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/duet-schumann-mendelssohn-cornelius-cd-delphian-records-641342.jpg?v=1606224984"},{"product_id":"dcd34170","title":"Der Wanderer: Schubert Lieder","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebe6671ab6186005fc7cf86\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebe6671ab6186005fc7cf86\" data-shogun-page-version-id=\"67af9ea2439fa92b6e54cdc0\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af9edc829f4fb65325208e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-e0a6b353-4684-48c1-b97a-8e5dc4ead6df\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9ef5ec7a-9932-4d5b-a499-7bf813b3d567\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFollowing the critical acclaim for Iain Burnside’s partnership with soprano Ailish Tynan in the first volume of Burnside’s Schubert song series on Delphian, this second volume sees him partnered by another friend and long-term collaborator, baritone Roderick Williams. Their lovingly designed programme takes its tone from the strand of journeying and farewell that threads through Schubert’s song output. Burnside’s pianism is as masterful and vivid as ever, while Roderick Williams, fresh from his triumph at the 2016 Royal Philharmonic Society Awards, combines drama and intellect and shows the qualities that continue to endear him both to critics and to audiences.\u003c\/span\u003e\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-c4333037-9923-4a0d-99f8-b58949b403d6\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/der-wanderer-schubert-lieder\/1593395166?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ab867d57-a3a9-409f-a783-8e3d4254dd9f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ab867d57-a3a9-409f-a783-8e3d4254dd9f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bdcfc89b-aa8a-4d9f-aec4-ca8b28f9df0c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"an exceptionally imaginative and satisfying piece of programming\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b25c35e5-7b6e-4519-9de0-7fe135d659f8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Williams is an unfailingly intelligent singer and is matched every step of the way by Burnside. Interpretatively they barely put a foot wrong... This is an enjoyable - and beautifully recorded - programme.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0dd8d6c5-dde8-41cd-bea1-f99c97c9f37a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This is a most intelligently planned programme and the execution by Roderick Williams and Iain Burnside is superb. The recital is as enjoyable as it is distinguished.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9187f83a-aa62-4d5d-a57c-2b02cc480192\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"There’s a wonderfully unfussy openness and sincerity to Williams’s delivery that I’ve only ever heard rivalled by Christian Gerhaher...even in the darkest nights of the soul there’s always a flicker of hope which asserts itself more tangibly than in rival interpretations...little miracles from Iain Burnside, too, who plays with such clarity that details which are often glossed over make their presence felt.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ca9c9f95-1831-486a-a87a-3e6eb855bb6d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3d4a4369-3f32-4798-a6b6-c229c7bf2528\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Both as an exploration of the theme implied by the disc’s title, Der Wanderer, and as a straightforward illustrative sampling of the composers singular mastery as a custodian of the Art ofSong, this disc is as intelligently-conceived a recital of Schubert Lieder as has been recorded since the advent of digital technology. That alone makes Der Wanderer a desirable release, but it is the awe-inspiring display of musicianship that makes this disc unmissable. Der Wanderer also reaffirms that, whether employing vocal cords or piano keys, Roderick Williams and Iain Burnside can sing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eVOIX DES ARTS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2c895e4d-0814-4d99-a758-f872e93cfea2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Exile and expatriation, the lament of Der Wanderer, have seldom sounded so personal as in Williams’s intimate evocation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eLE SCENA MUSICALE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ab867d57-a3a9-409f-a783-8e3d4254dd9f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e81a79fb-00c1-4d44-b3b0-b09f1df18e4f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary’s Parish Church, Haddington, East Lothian\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 21-24 October 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case with cardboard outer sleeve\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 22\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 26 August 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:12:41\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34170\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-539c5c8d-bfea-40f5-be3c-e20f2cf533ad\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\n\u003cdiv id=\"s-9d0abb46-9a98-412c-a466-bde89d5c5698\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9487f3a6-d4b2-42ae-a6ca-50a0221017df\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"51\" height=\"62\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePresto Recording of the Year Finalist 2016 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296367919190,"sku":"DCD34170-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/der-wanderer-schubert-lieder-cd-delphian-records-459617.jpg?v=1606219062"},{"product_id":"dcd34175","title":"Buxton Orr: Songs","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebe794bab6186005fc94565\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebe794bab6186005fc94565\" data-shogun-page-version-id=\"67afa25753101a1cf1e63a55\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afa25753101a1cf1e63b6f\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6eb13b0f-6024-4643-a6c1-a10ee69788f7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-d84fe558-0d92-4f0b-a5d7-b0ee28755a3d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWhen Nicky Spence was first shown the score to ‘The Boy in the Train’, the last of Buxton Orr’s Songs of a Childhood, he was transported to the late 1980s – his own childhood in Scotland. ‘Something about Buxton’s sense of humour, excitement and honesty resonated with me,’ Spence says, ‘and fed my desire to discover more about his work. On contacting his widow, I was led to a treasure trove of unrecorded works for voice.’ Sometimes thrillingly complex and always beautiful, and given character and verve by Orr’s delightful setting of the Scots language, this rich body of work has finally found a worthy modern-day advocate. In his sensitive and intelligent curating of this programme, Spence has brought together artists from Delphian’s roster – pianist Iain Burnside and members of the Edinburgh Quartet enjoy themselves in music that is firmly ‘home ground’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-6cecd1fc-15bb-4b86-8a73-234cad9d2a39\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/buxton-orr-songs\/1593394239?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-396aecd6-efea-49f2-b4e1-ddb9413322ff\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-396aecd6-efea-49f2-b4e1-ddb9413322ff\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-98465c50-86fb-4a97-8aba-0829558c8d64\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eThere’s no denying the virtuoso deftness of Orr’s settings for voice and solo double-bass (about the most technically difficult medium any composer could opt for)...and the performances here are consistently fine; tenor Nicky Spence has a lot of words to get through, does so with nicely pointed fluency, and conjures a pretty decent Scots accent also.\u003c\/span\u003e\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9ed58447-49b1-4bab-9329-2cbf8f9760e4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Performances are first-rate. Tenor Nicky Spence sings with unstinting eloquence and receives characteristically immaculate support from Iain Burnside. The other instrumental contributions are also of the highest quality. Everyone involved with this rewarding release can be very proud of their efforts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bdbb2bdc-c760-44b5-a2d6-a65236165278\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eOrr’s music has heavy tints of Britten, but has its own quirky colour and, sometimes, a harder edge...[it is] can have a brittle and rather relentless quality, but it is humanised by Spence’s emotional honesty and warmth of expression.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"187\" height=\"141\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-baef0dd6-235f-4d93-acaf-c1c399449c98\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Nicky Spence is the first singer to record a full disc of his songs and it’s a revelation. Imagine a gentler, quirkier Britten with dabblings in 12-tone technique and old Scots poems set to generous vocal lines and off-piste instrumentation...Spence himself sounds terrific throughout – nimble, direct, deftly playful and expressive with the text.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-967ab974-4dd1-4957-8a82-b7b8ae96cf79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The diversity of his art songs is quite astonishing...Beautifully captured at Crear in Argyll by Delphian's Paul Baxter...a superb showcase for Buxton Orr.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c0f77dce-18a5-4fd1-be46-74a8fbb7fc35\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"169\" height=\"60\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c005547a-29ee-4981-b152-bd33bd8f7dcd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Spence is perfect for this repertoire: his communicative zeal and light, bright tenor matched by Burnside and his colleagues’ witty, dynamic playing. Listeners unfamiliar with Orr should start with this fine release from a most enterprising label.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"230\" height=\"61\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3cbad818-4013-4bd3-ac10-9b92bebf3f32\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Nicky Spence, has an attractive lyric voice. He is also sensitive to the different demands of the various songs. There are small accompanying ensembles; the pianist (Iain Burnside) and the clarinetist (Jordan Black) are especially good.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/69be1bc9-25ca-4deb-8ef4-ae5735206099\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4e9e1c8f-ffed-4be1-b601-6e667593dc45\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This is an important disc, all the songs except for the Lear setting, are receiving their first recordings and we must be grateful to Nicky Spence and Delphian for bringing this rich music to life. But this is not dutiful excursion into the archive but a series of richly vibrant songs in strongly characterful and subtle performances from Spence, Burnside and the other musicians. Highly recommended.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePLANET HUGILL\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-396aecd6-efea-49f2-b4e1-ddb9413322ff\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-602ef491-b50d-4ca1-be6a-e79dbcb52feb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 17 February 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34175\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:12:36\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296368148566,"sku":"DCD34175-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/buxton-orr-songs-cd-delphian-records-627022.jpg?v=1606223487"},{"product_id":"dcd34177","title":"Medtner: Songs (2CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebea194a991b00051c92074\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebea194a991b00051c92074\" data-shogun-page-version-id=\"67afa40676b129f547644271\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afa40676b129f5476443c1\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ca201ee6-333e-4ff6-a16f-0b1fd099a907\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6e3e54dd-367e-42d2-88bf-04560980549d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFollowing the rapturous reception given to his complete Rachmaninov: Songs on Delphian, pianist Iain Burnside set out to bring together six regular collaborators in a survey of songs by Nikolai Medtner. Born into a family that was both prosperous and well read, Medtner was deeply immersed in the heady intellectualism of the era.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMore than any other genre, his songs exemplify his dual German\/Russian heritage, manifest in his devotion to both Goethe and Pushkin. Musically, too, there are paradoxes, with the self-proclaimed defiant conservative’s work shot through with moments of striking modernity. Pianistically, he was a giant – the writing makes Herculean demands of the player – yet he is often most eloquent when simplest. From an output of over 100 songs, Burnside has selected just over fifty, carefully matching them to his chosen singers to reveal a compositional voice that is itself unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-7f47a9f0-edee-4787-9872-0565f1aac826\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/nikolai-medtner-songs\/1594420833?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-b713d4ba-ade0-40fe-9067-eaf418200e57\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-b713d4ba-ade0-40fe-9067-eaf418200e57\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fd346576-5c7d-4bf2-8839-f47fcbf319e0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Medtner is a true original, closer to Wolf than Rachmaninov in depth and philosophy, and a surprising companion if you listen to each disc at a single sitting, which you can, with pleasure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e71ac169-f92f-4de3-8fc0-786c1800c2a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Burnside has enlisted singers who can bring an apt kaleidoscope of colour to this repertoire…Medtner is give a new, fresh perspective here, one that embraces his dual interests in Russian and German literature and reveals how it could ignite his imagination to create evocative images as well as keeping the pianist perpetually on his toes.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a62fe817-0f55-471d-8cc4-a5fecd5e3fc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"There are some stunning young voices on display, too: Justina Gringyte and Robin Tritschler stand out in the Goethe songs, but all six singers are distinctive and idiomatic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-edd3a554-62b2-4dd2-93dd-3b9ab1008989\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Bass Nikolay Didenko has terrific weight and authority in Russian...Robin Tritschler is as excellent as ever in his various German song...The baritone Rodion Pogossov has many of the best songs, or perhaps it is just that his vocal quality and ringing ardour make them sound among the best\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"234\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5ca7728e-70af-4278-ad37-23370c3650fd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"An enthralling issue that should help further the resurgence of interest in the composer's less known output. Sound and annotations are first-rate.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eDAILY CLASSICAL MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-be29e47e-4928-4073-9709-b505d01346f8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"this is a terrific set which introduces the undeservedly neglected songs of this fascinating composer. These are not easy songs to bring off, as Iain Burnside's booklet note makes clear, not just the technical complexities of the music but also the stylistic and structural idiom. Burnside and his team make us forget any of this, and simply encourage us to listen to the songs in a series of vibrant and striking performances.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003ePLANET HUGILL\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-b713d4ba-ade0-40fe-9067-eaf418200e57\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-73e25427-81b6-4311-a09c-59014f97fee9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording venue(s): Greyfriars Kirk, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording dates: 22-23 March, 31 May, 1, 7 \u0026amp; 8 June 2016 \u0026amp; 17-19 April 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of tracks: 54\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 2:23:50\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eFirst UK release date: 16 February 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAlbum ID: DCD34177\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a3f6c8e0-ac36-4f8a-8b3c-ddf7cf5a7430\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-56388c11-8102-4e99-b315-d1b50ad6b697\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-56388c11-8102-4e99-b315-d1b50ad6b697\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-baccfd93-f32a-499e-9f97-9671d5521568\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch5\u003e SUMMARY \u003c\/h5\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296368246870,"sku":"DCD34177-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/medtner-songs-2cds-cd-delphian-records-102178.jpg?v=1606221951"},{"product_id":"dcd34187","title":"Calen-o: Songs from the North of Ireland","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e988e44fc81ca00514aa0c1\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e988e44fc81ca00514aa0c1\" data-shogun-page-version-id=\"67afaa8bd3ed024db75e6426\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afaa8bd3ed024db75e6538\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-49d966fd-af4f-4891-8ebd-13cab5e27a79\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-fd9d494e-01c2-4b24-ae6f-5774c8f601f1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA passionate advocate for the art music of her native Northern Ireland, mezzo-soprano Carolyn Dobbin has put together this programme that attests to a rich – yet little known – tradition. Who knew that doyen of Anglican church music Charles Wood was in fact an Ulsterman, and a fine composer of art song?\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePremiere recordings of Wood and of the forward-looking Hamilton Harty are interleaved with songs by Joan Trimble and Howard Ferguson in a journey of delightful discovery. Iain Burnside lends his credentials as our leading pianist for song.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d62a5368-4957-491d-840b-96ae9dfb3db7\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/calen-o-songs-from-the-north-of-ireland\/1560236494?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3ca2de4f-64a5-488d-82f6-a7e89e318c6c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3ca2de4f-64a5-488d-82f6-a7e89e318c6c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-185bc33c-1652-4b7f-825e-457022830043\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The three attractive items by Joan Trimble (1915-2000) leave one wanting more, especially in performances as good as these. With her rich palette of tone and colour, Dobbin knows how to communicate text and music while Ian Burnside’s accompaniments are beautifully managed. Both voice and piano are finely captured and well balanced.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d7c61a7e-a172-43dd-998c-10dee437fa65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"These are carefully weighed performances by Dobbin, whose light and shade give life to this attractive programme. Iain Burnside, meanwhile, brings panache to the accompaniments\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"316\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-046994e2-8daf-48c8-8c9d-4be883fc9e8f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"Carolyn Dobbin and Iain Burnside’s spirited and sensitive performances.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"216\" height=\"73\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3ca2de4f-64a5-488d-82f6-a7e89e318c6c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2eae8452-e538-4ce4-9367-aff28b4fc416\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary's Kirk, Haddington\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 23\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 0:56:22\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 16 March 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34187\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370016342,"sku":"DCD34187-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/calen-o-songs-from-the-north-of-ireland-cd-delphian-records-266648.jpg?v=1606225128"},{"product_id":"dcd34229","title":"I and Silence: Women’s Voices in American Song","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e971b6c22d16b0052e7d072\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e971b6c22d16b0052e7d072\" data-shogun-page-version-id=\"62078c469f7c8400cd319a6f\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62078c469f7c8400cd319b6b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-74ca248e-9ae7-4377-a675-3c70098198d0\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1ad36ed8-981a-4650-a9a3-b5a3badac9e2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp\u003e‘\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDid I sing too loud?’ asked Emily Dickinson in 1861, in a poem set a century later by Aaron Copland. The expectations of silence often placed on women, historically and politically, and music’s power to break through them, are the themes of this deeply personal recital by mezzo-soprano Marta Fontanals Simmons and pianist Lana Bode.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTheir programme reflects and channels the voices of female writers and musicians: Dickinson herself, Sara Teasdale and Virginia Woolf are among those whose words are set in the works brought together here, two of which – Dominick Argento’s From the Diary of Virginia Woolf and Peter Lieberson’s Rilke Songs – were written for great mezzo-sopranos of the recent past, Dame Janet Baker and Lorraine Hunt Lieberson.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-44da3d3b-5b9d-435c-9414-1d1ade61de4e\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/i-and-silence-womens-voices-in-american-song\/1561070220?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3c21a7a3-978a-4ad6-80e9-70e7d2a49e0e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3c21a7a3-978a-4ad6-80e9-70e7d2a49e0e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-860779ed-2327-4ade-8400-6228cc4a8971\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"he music is deeply examined by Fontanals-Simmons and pianist Lana Bode…Fontanals-Simmons has great depth of vocal tone that she successfully scales down for Woolf’s more introspective moments, and is particularly effective in ‘Last Entry (March 1941)’…Yet she underplays some significant rhetorical moments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d66e1b5c-5d13-446a-97e0-3d7391256f31\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"A remarkable exploration of “women’s voices in American song”, this five-work, tonally mellifluous sequence begins with three of Copland’s 12 Poems of Emily Dickinson and ends with an early song by George Crumb.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"234\" height=\"66\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b0360fbc-7224-4630-9ab4-01a5bff5b831\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The British-Spanish mezzo emerges as a strong artistic personality and an unflinchingly direct communicator on her imaginatively-conceived debut album, her attractively wiry tone and narrow vibrato the ideal medium for these settings of texts by female writers exploring anxiety, instability and frustration; Argento’s From the Diary of Virginia Woolf is a real tour de force, from the jaded loucheness of Rome to the existential terror of War.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"160\" height=\"226\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b0c76872-33e5-4bd6-a839-5bd753a2de92\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"[‘Why do they shut me out of heaven?’] is a good example of Fontanals-Simmons’s tendency to prioritise solidity of vocal production and excellent diction over flashy point-making and expressive distortions. She prefers the words and music to do the talking, and they do so eloquently in the touching account of George Crumb’s ‘Let it be forgotten’ which caps this satisfying recital.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4a244ef2-39a0-444a-aa86-2268abb015eb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Especially worthwhile for Peter Lieberson’s cycle of five Rilke settings, touchingly done.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"276\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-25a096c1-f537-4653-8c89-50cc5601188a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"With such weighty ideas, this may not be a recital to listen to at one sitting, yet the plush tones of the singer allied to a searing musical intelligence perfectly match the unflinching honesty and seriousness of the verse.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/98a77fbb-b163-4617-abad-569c0a85ddc6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"226\" height=\"61\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d7bf5ace-3117-4784-ad76-759e14bc9c6c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Fontanals-Simmons and her excellent pianist Lana Bode enjoy a close bond.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"238\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3c21a7a3-978a-4ad6-80e9-70e7d2a49e0e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-16945ccf-d6fa-49b6-b366-72b094a8a1be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel Case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 30 August 2019\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34229\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 0:59:46\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a2f99efa-0b1d-4c58-b25f-12ead59ddb39\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-887501a8-260d-4691-a57b-b1bc17c6c413\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-887501a8-260d-4691-a57b-b1bc17c6c413\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371589206,"sku":"DCD34229-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/i-and-silence-womens-voices-in-american-song-cd-delphian-records-980801.jpg?v=1606222902"},{"product_id":"isolation-songbook","title":"Isolation Songbook","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ffee8b96e7979005fc4d9fd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ffee8b96e7979005fc4d9fd\" data-shogun-page-version-id=\"61448be9b962da00aad488ba\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61448be9b962da00aad48abb\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6d5c4942-73f5-44ac-805e-7f89a335aef5\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5adc9b64-e6db-4d4e-98b0-6fbc9faf3313\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThe feeling which many of us experienced in spring 2020 as, country by country, the world went into lockdown – a sense of life gone into standstill – was especially acute for musicians, deprived suddenly of both their livelihoods and the human connections that give their work meaning. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eFor singers Helen Charlston and Michael Craddock, it was not only their art that they could no longer express publicly: they had been due to marry in April. Forced like so many to put plans of any kind on hold, Helen began to find ways of redirecting her creative energies. She wrote a poem for Michael to mark their postponed wedding date, and the composer Owain Park, a friend of the couple, set it to music. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eHelen began to contact other composers and poets, and unexpectedly but quickly a project took shape that would both fill the empty time and bear witness to it. The project - first performed as part of the City Music Foundation Livestream Series from St Pancras Clock Tower - chimed with Delphian’s determination to maintain the flow of album releases while live music was in abeyance, and so – with music again proving its ability to build connections across physical distance – the Isolation Songbook swiftly found a home on disc; recorded during the summer relaxation of restrictions, its release marks the anniversary of the beginning of lockdown in the UK.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003ca href=\"http:\/\/www.citymusicfoundation.org\/\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ce0bb9d2-b861-4a95-a570-09bfc7312e8f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"171\" height=\"52\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-19dc901c-b28f-43bf-b9e3-6b29467f5eef\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0dab25ac-855f-425a-a62c-23970dc006d0\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-0dab25ac-855f-425a-a62c-23970dc006d0\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-651943b7-3294-486a-a44b-cde864f7db4c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-651943b7-3294-486a-a44b-cde864f7db4c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2aa23018-d970-4d43-babe-9e4a45542964\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Witty and touching in equal measure, this personal but deeply relatable lockdown project from a young husband-and-wife-to-be stemmed from Owain Park’s appropriately bitter-sweet setting of a poem which Charlston wrote for her fiancé to mark what would have been their wedding-day last year\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"180\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eEDITOR'S CHOICE - March 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bad881d7-abe8-4d19-b354-908b5b21c374\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"this collection of 15 new songs provides a snapshot of our almost incredible lives [during the pandemic]: from a posponed wedding ... to daily exercise and valuing nature anew, to baking - in Melancholy (and Buttercream) by Kerensa Briggs ... a lovely, accomplished miscellany of composers, poets and moods\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"319\" height=\"67\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1f17a1bf-0cea-405a-9739-efb69f700471\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Some of us baked, others did DIY, and most of us managed our daily walks. Mezzo Helen Charlston and baritone Michael Craddock – lockdown over-achievers par excellence – commissioned, rehearsed, premiered and recorded an album of entirely new music ... The results are varied, from comic miniatures to distilled dramas and contemplative outpourings, but together add up to a recital that’s hard to resist, at once fresh and profoundly familiar\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"323\" height=\"47\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8f951f30-bc72-4b6d-a0c7-c11c18c4cd07\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"It is a mood of introspection, many of the works can read almost as stream of consciousness, thoughts flowing. And faced with Helen Charlston's wondrously plangent voice and terrific sense of strong line, many composers opt for a sort of undulating, expressionist line pointed from beneath by the piano ... [the recital] captures 2020 in a musical microcosm\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eROBERT HUGILL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2021\/03\/a-musical-microcosm-of-2020-isolation.html?utm_source=feedburner\u0026amp;utm_medium=email\u0026amp;utm_campaign=Feed:+PlanetHugill-AWorldOfClassicalMusic+(Planet+Hugill+-+A+world+of+classical+music)\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-23f1e566-cb0b-484b-b4b0-3f71617e28b3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Brixey-Williams’ music conveys strikingly the poem’s mood of intimate isolation. Helen Charlston and Alexander Soares distil a very strong atmosphere ... There are some very interesting songs here and it’s fascinating to see how the 15 composers have responded to the perceived challenges – and opportunities in the case of our increased connection with nature – that lockdown brought.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe standard of performance is extremely high. These songs clearly mean a great deal to Helen Charlston and Michael Craddock – as one would expect, given the circumstances that led to the compositions – while Alexander Soares supports them expertly. The recorded sound is up to Delphian’s usual very high standards and Erica Jeal’s notes guide the listener expertly through the programme\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003ca href=\"http:\/\/musicweb-international.com\/classrev\/2021\/Sep\/Isolation-songbook-DCD34253.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-651943b7-3294-486a-a44b-cde864f7db4c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-122a19e7-02e9-4f42-83dd-ed494a7e24dd\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/isolation-songbook\/1556290528?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_isolation_songbook\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-82c17872-cd66-4420-b1a1-feeabf750fc2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 March 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34253\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded: 3-5 September 2020, The Queen's Hall, Edinburgh \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEditor: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe Isolation Songbook was made possible by the generous support of the City Music Foundation\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ce0bb9d2-b861-4a95-a570-09bfc7312e8f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"138\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-93ab8618-bdbf-44ea-a995-d21ccd988d00\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-560bd789-b205-4d3e-92f0-e70b261b85d4\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-b1c29dbd-b771-4d0d-9815-8c39ea5929e4\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=180 180w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=360 360w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=720 720w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=900 900w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1804\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-b1c29dbd-b771-4d0d-9815-8c39ea5929e4\",\n            \"imageOffsetTop\": 951,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"4915115360342\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"isolation-songbook\",\n            \"productVariantId\": 33277221797974\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-dc2839e0-3496-4b15-9f27-551ba2e20ba5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eOwain Park: \u003c\/strong\u003e18th April\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-4fdab287-e024-4ef5-ad89-774a42b469ac\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/34253_18th_April.mp3?v=1611149399\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":33277221797974,"sku":"DCD34253-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281"},{"product_id":"ina-boyle-songs","title":"Ina Boyle: Songs","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"603f7f4ecf378d00cc67dd66\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"603f7f4ecf378d00cc67dd66\" data-shogun-page-version-id=\"6166ae025e74b000c3a5d506\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6166ae025e74b000c3a5d62c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-e7d476d1-d471-4f9f-9b1f-bc23046b0420\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-df4b3539-59d8-4f33-adb5-0aec046fb05c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eIn lifelong seclusion in rural County Wicklow, Ina Boyle created a legacy of song – tender, often melancholy, illuminated by an exquisite sense for harmony. ‘I think it is most courageous of you to go on with such little recognition,’ wrote Vaughan Williams to his pupil. ‘The only thing to say is that it does come finally.’\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"ydp995e2e2MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eAmid the 2020 pandemic, \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=iain%20burnside*\"\u003eIain Burnside\u003c\/a\u003e gathered three superb Irish singers at London’s Wigmore Hall. Recorded in less than five hours, the resulting 80 minutes of music unveil a composer who is one of Ireland’s ‘invisible heroines’. \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"ydp995e2e2MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eHalf a century after Boyle’s death, is Vaughan Williams’s prediction at last coming true?\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-1cfc91b0-5d98-42eb-8ee8-0e7ad46be090\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/ina-boyle-songs\/1588280379?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-56b649e8-91a8-4fac-9ac2-cf756c36c74b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-56b649e8-91a8-4fac-9ac2-cf756c36c74b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-60c09f6b-aab0-421b-a2c1-633b3c5203a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Recorded in an empty Wigmore Hall last autumn, this is a real box of delights – the Irish composer emerges as a hugely versatile voice and a natural melodist, characterising de la Mare’s ‘Mad Prince’ and E.L. Twiss’s itinerant fiddler with equal aplomb. The real stand-outs, though, are the two lullabies (‘\u003cem\u003eSleep Song\u003c\/em\u003e’ and ‘\u003cem\u003eA Mountain Woman Asks for Quiet That Her Child May Sleep\u003c\/em\u003e’) and the dialogue ‘\u003cem\u003eHave You Heard News of My Boy Jack?\u003c\/em\u003e’, sung with moving eloquence by Murrihy and McAteer\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"190\" height=\"93\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eSeptember 2021\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-05d19683-90e0-4978-a56a-20713d417a1a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Ina Boyle could scarcely have wished for better advocacy than her songs receive here ... Iain Burnside has joined forces here with a fine trio of singers – fittingly, all three of them are Irish. The singing is first rate throughout, as is Burnside’s pianism; all four musicians demonstrate complete commitment to the cause ... These are mature and excellent performances and, furthermore they have been expertly recorded by producer Paul Baxter and engineer Darius Weinberg. As is usual with Delphian, the documentation is excellent. Orla Shannon’s essay is full of information about this unfamiliar composer\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 14px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003ca href=\"http:\/\/musicweb-international.com\/classrev\/2021\/Sep\/Boyle-songs-DCD34264.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cf662496-41ba-4dfa-9442-58d7cab04bd3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"A feat of lockdown music-making: really extraordinary ... these are such committed performances, from Burnside in particular: he's doing so much expressive heavy lifting throughout this disc ... Overall, there's a lovely mix of fast songs which are really good fun. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eA fascinating introduction to a really unfamiliar musical figure\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"151\" height=\"83\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eREECORD REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4d3ab031-aa32-466c-bef7-d6d4ea71abfd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"These performances not only reflect the beauty of the composer’s writing but also the care and attention with which the artists respond to her music. The singers also bring a welcome air of spontaneity to their interpretations that give Ina Boyle’s somewhat rhapsodic style a feeling of unimpeded movement ... there is much to engage one in the drama and delicacy of these settings\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d55721db-00c7-429d-8018-5c293a717343\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"304\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e754fd20-f8da-4193-88c9-708eaeb1580c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp class=\"no_name\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"This new album of 33 of her songs comes from a team of leading Irish singers and Scottish pianist Iain Burnside ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eThey do the high-inertia, pared-back songs proud\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"no_name\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/827fd818-c452-41d3-8b9d-42f58e5e99b7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"317\" height=\"35\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-56b649e8-91a8-4fac-9ac2-cf756c36c74b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4d4e04e7-e85b-450a-9d4e-85bf26474474\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 August 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34264\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded live on 29 October 2020 at Wigmore Hall, London by kind permission of John Gilhooly, Artistic and Executive Director, Wigmore Hall\u003cbr\u003eProducer: Paul Baxter\u003cbr\u003eRecording engineer: Darius Weinberg \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAssistant engineer: Tom Wright\u003cbr\u003e24-bit digital editing: Polly Gamble\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003ePiano: Steinway model D, serial number 597411\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-b931649b-8353-4341-ac86-ac26033c6de1\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-a107c5ff-0fed-481b-af5f-1c8463838c48\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-37bd7ff0-a97c-4324-9160-578c869196ef\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=180 180w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=360 360w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=720 720w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=900 900w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/ina-boyle-songs-cd-delphian-records-298287.jpg?v=1614783676\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1820\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-a107c5ff-0fed-481b-af5f-1c8463838c48\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-37bd7ff0-a97c-4324-9160-578c869196ef\",\n            \"imageOffsetTop\": 925,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-a107c5ff-0fed-481b-af5f-1c8463838c48\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"6552849383609\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"ina-boyle-songs\",\n            \"productVariantId\": 39340438978745\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-a107c5ff-0fed-481b-af5f-1c8463838c48\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-a107c5ff-0fed-481b-af5f-1c8463838c48\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b21dbe32-043e-4b8c-afeb-c3dc6dab4baa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e2. 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font-size: 20px;\"\u003eErik Chisholm made his home as a musician in South Africa but it was in the Gaelic folk tunes of his native Scotland that he found lifelong inspiration for his songs.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eModern yet instantly accessible and engaging, and revelling in the Scots language, their apparent simplicity belies the composer’s sophisticated craftsmanship.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThe master of twentieth-century song, Iain Burnside, and three of the brightest stars in the rmament of Scottish singers bring out the individual characters of these pieces, by turns haunting, tender and irreverent, making of each one a uniquely coloured little jewel.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-add08867-51a8-49c4-90c9-63ee5f9268ee\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/erik-chisholm-songs\/1565547787?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_erik_chisholm%3A_songs\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c1022a99-476e-4c91-9d82-faf20e5639d7\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c1022a99-476e-4c91-9d82-faf20e5639d7\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c7d35aed-4667-4f0d-af6e-13f5f1f1a3ba\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMany of this collection are beautiful, plaintive songs ... it’s impossible not to be intrigued by a musician who carved out a highly individual career for himself, not only as a composer but also as a performer ... [Chisholm]'s simple eloquence touches the heart and the fragile delicacy of Mhairi Lawson’s singing is just right ... Voices and piano register with ideal clarity and the balance between each singer and the piano is expertly achieved. As usual, the standard of Delphian’s documentation is extremely high. John Purser is a Chisholm expert and his booklet essay is as enjoyable to read as it is informative ... Erik Chisholm’s songs deserves to be much better known. This excellent and important disc should win them many new admirers\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cbr\u003eMUSICWEB INTERNATIONAL\u003cbr\u003e\u003ca href=\"http:\/\/musicweb-international.com\/classrev\/2021\/Oct\/Chisholm-songs-DCD34259.htm\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b5a6fe66-6d37-49fa-92c3-40df12d701a0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"A fine showcase for the Glaswegian-born composer ... excellent performances\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"151\" height=\"83\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-241215ad-e071-4423-bd6e-72a6bf0c6460\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'The 36 songs collected here in strong and sensitive performances play for just 68 minutes. They are eclectically characterful musical slivers, many of them are indebted to Scottish traditional music, all are imbued with an independent, sometimes musically spicy spirit and the best are jocular in tone ...'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/827fd818-c452-41d3-8b9d-42f58e5e99b7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"308\" height=\"34\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-c1022a99-476e-4c91-9d82-faf20e5639d7\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1ef9ff36-eb75-4024-abfe-28beb040bc78\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eRelease Date: 25 June 2021\u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eCatalogue Number: DCD34259\u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eRecorded on 31 August \u0026amp; 1–2 September 2020 in The Queen’s Hall, Edinburgh \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eProducer\/Engineer: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital editing: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano: Steinway, Model D, serial no. 599478 (2015) \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano technician: Norman Motion \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eDesign: Drew Padrutt \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eBooklet editor: Henry Howard \u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eCover image: Ernest William Haslehust (1866–1949), Forth Bridge and Coast of Fife, colour lithograph from John Geddie, The Shores of Fife (1922). 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font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eDan Liughair\u003c\/strong\u003e \u003cem\u003eA Tale of Lear\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-7cdd3835-b477-4550-a863-5df749d57495\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/30_Dan_Liughair_A_Tale_of_Lear.mp3?v=1624007188\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":39437529972921,"sku":"DCD34259-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/erik-chisholm-songs-cd-delphian-records-416415.jpg?v=1615378718"},{"product_id":"song","title":"SONG","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"60d1fccc18b03f00d997fcd4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"60d1fccc18b03f00d997fcd4\" data-shogun-page-version-id=\"61f2bb94a9793900c8aab4e0\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61f2bb94a9793900c8aab6fc\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-d703044b-7f78-4102-b75b-9baca559a58f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003eGLOBAL RELEASE DATE: 22 OCTOBER 2021\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-9cb2c28a-8ccf-42de-b06e-33d787866367\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9cd415b3-3d56-4390-bf19-726ae8e641b3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"font-style: inherit !important; font-weight: inherit !important;\"\u003eHot on the heels of their acclaimed debut \u003c\/span\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/products\/here-we-are?_pos=1\u0026amp;_sid=15a4957c0\u0026amp;_ss=r\"\u003e\u003cem\u003eHERE WE ARE\u003c\/em\u003e\u003c\/a\u003e, The Hermes Experiment’s second Delphian album is an equally bold statement. Songs commissioned specially for the ensemble – by Philip Venables, Ayanna Witter-Johnson and others – are interleaved with new arrangements (of composers including Barbara Strozzi, Clara Schumann and Lili Boulanger) for the group’s distinctive line-up of voice, clarinet, harp and double bass. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eMoving and original, \u003cem\u003eSONG\u003c\/em\u003e reinvents a genre: here every instrument is a voice in its own right, and they all carry the drama.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a6b42b58-2faf-4475-af3a-f7761910953f\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-9b44f043-6d88-47cd-9df5-d08363576150\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-9b44f043-6d88-47cd-9df5-d08363576150\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-f1b2f61e-2c90-45cb-9053-958efb098e92\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9ce16ebf-5206-4604-900b-47bf55bd2911\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-f1b2f61e-2c90-45cb-9053-958efb098e92\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-3737db8f-1177-4426-ba3a-4f4211b845f6\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/4ffcc4a4-5fa1-41c4-a397-304e2557ecac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-3737db8f-1177-4426-ba3a-4f4211b845f6\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-53f16da6-8076-4dd7-92f8-8e2c4589f8ca\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/song\/1582852952?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5a039cdb-6d09-4383-99e2-d4abdbf7e3bd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003e\"The Hermes Experiment are a vibrant, deeply musical quartet ... All [songs] are beautifully presented in their new guises, none more so than soprano Héloïse Werner’s of Barbara Strozzi’s dark \u003cem\u003eTradimento!\u003c\/em\u003e ... The performances are impeccably realised, each player a virtuoso in his or her own right, with impeccable intonation and sense of ensemble. Delphian’s sound is first-rate, catching the full dynamic, ranging from the sepulchral bass notes of Anne Denholm’s harp to every nuance of Werner’s voice or Schofield’s bass\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"337\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-884532a6-a60f-480f-8dea-696e9be8bbc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'The Hermes Experiment bring something very special to contemporary music performance: visceral entertainment. In SONG, the package is way more than the sum of its unconventional parts, which includes assorted music by Eleanor Alberga, Helen Grime, Kerry Andrew and Olivia Cheney as well as idiosyncratic treatments of past composers as diverse as 17th century Barbara Strozzi and 19th century Clara Schumann to early 20th century Lili Boulanger. The performances are variously witty, mournful, surreal, edgy and beautiful. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNot every group so compelling in live performance translates that magic onto disc. Here’s a brilliant case of one that can'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"238\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e7213e97-64ee-427d-8ee1-184ab3f1209e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'This album is an extraordinary collection, some songs specially commissioned for the ensemble, others reinvented for it through unexpected, creative arrangements. Seventeenth-century composer Barbara Strozzi’s “\u003cem\u003eTradimento\u003c\/em\u003e!” takes on an unmistakably contemporary palette, while this ensemble’s ethereal instrumentation brilliantly suits 20th-century French composer Lili Boulanger’s “\u003cem\u003eReflets\u003c\/em\u003e” and “\u003cem\u003eAttente\u003c\/em\u003e”. Of the commissioned pieces, Kerry Andrews’ fruit-inspired suite brings out the exuberance of these musicians, and in “A Photograph”, British composer Philip Venables ingeniously juxtaposes spoken narration and song\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"171\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-58eb7b55-370f-419b-bed2-a7ffc6037bd7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"I love the way that distinctions between voice and instruments slide in and out of focus on this sophomore album from the intrepid contemporary music quartet, with Héloïse Werner's pure soprano often mirroring the timbre of Oliver Pashley's clarinet; highlights include Olivia Chaney's \u003cem\u003eRoman Holiday\u003c\/em\u003e (an evocative, bittersweet little monodrama in four minutes), Eleanor Alberga's unexpectedly poetic treatment of text from the shipping forecast in \u003cem\u003eDeep Blue Sea\u003c\/em\u003e, and Kerry Andrew's coolly sensuous setting of William Carlos Williams's much-memed poem about plums in an icebox\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"264\" height=\"39\"\u003e\u003cbr\u003eEDITOR'S CHOICE - October 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dccedd46-efd6-46d6-8548-2fe9f4ed5eec\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e            \"\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eso much delights and engages our ears, hearts and minds, from Jeremy Thurlow’s delicately wrought “\u003cem\u003eQuiet Songs\u003c\/em\u003e” to the dramatic impact of Philip Venables’ “\u003cem\u003eA Photograph\u003c\/em\u003e”. Britain’s music scene offers numerous dynamic small-sized groups, but The Hermes Experiment, so spellbinding, so imaginative, continue to stand alone\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"176\" height=\"133\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9b7af923-6937-48b5-ba4e-bf06c969a1b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 22 October 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34274\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 67:37\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 15-17 February 2021 in Greyfriars Kirk, Edinburgh Producer\/Engineer: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-7b3a95b3-e6b8-4a6f-b514-c03c4b345809\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-41ac7736-1a68-4ad0-885f-2765dad1d433\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=180 180w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=360 360w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=720 720w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=900 900w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1616\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-41ac7736-1a68-4ad0-885f-2765dad1d433\",\n            \"imageOffsetTop\": 1042,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"6795163566265\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"song\",\n            \"productVariantId\": 40320641990841\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b440af64-a74a-43b7-aa7a-3e9d47db2353\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e1. Olivia Chaney: \u003c\/strong\u003e\u003cem\u003eRoman Holiday \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-c7f12d4e-d23b-42b2-8c6f-9a0615f9ba69\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/01_Roman_Holiday_4ea538e3-5511-4440-ac20-4305913fd8e0.mp3?v=1634116480\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":40320641990841,"sku":"DCD34274-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/song-cd-delphian-records-839400.jpg?v=1624559512"},{"product_id":"heloise-werner-phrases","title":"Héloïse Werner: Phrases","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6184647e4ceb8800ad05dce3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6184647e4ceb8800ad05dce3\" data-shogun-page-version-id=\"652fa8b26e5a3700d2adc34b\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"652fa8b26e5a3700d2adc6f9\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-630f38cf-4dce-47a7-b109-617f1b542d89\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-676cf48a-1f33-470f-9cea-456a57bbe724\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLuminous and daring, this celebration of Héloïse Werner’s multifaceted gifts is nourished by rich dualities. \u003cem\u003ePhrases\u003c\/em\u003e reveals Werner as both singer and composer, as an artist shaped by both her native France and her adopted UK, and as a soloist of captivating individuality who is also an intrepid collaborator. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe solos and duos that make up the album comprise five of Werner’s own compositions, four of Georges Aperghis’s avant-garde classic \u003cem\u003eRécitations\u003c\/em\u003e, and six newly commissioned works, by composers ranging from Elaine Mitchener and \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=Nico%20Muhly*\"\u003eNico Muhly\u003c\/a\u003e to \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=Hermes*\"\u003eOliver Leith\u003c\/a\u003e. The calibre of Héloïse’s instrumental partners in the duos reflects the degree to which this extraordinary young performer is already valued and cherished by her peers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-16fba75b-8294-41a1-bcb1-a18b26e8d41d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/phrases\/1608560308?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-36b433f5-1e6b-4c86-ae6e-a8b4713c3ef5\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-36b433f5-1e6b-4c86-ae6e-a8b4713c3ef5\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-57426166-8723-4c54-9b40-3da8e6623972\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e'The point where language and music collide is an abiding preoccupation for the French-born, London-based Héloïse Werner, whose new solo album, \u003cem\u003ePhrases\u003c\/em\u003e displays her versatility as a singer and composer, but as musical catalyst too. The 12 tracks, mostly premiere recordings, include works by Elaine Mitchener (the sensuously surreal \u003cem\u003eWhetdreem\u003c\/em\u003e); Nico Muhly’s prayer-like Benedicite Recitation, with beautiful solo flute; Oliver Leith’s \u003cem\u003eYhyhyhyhyh\u003c\/em\u003e, an exploration between voice and detuned cello; Cheryl Frances-Hoad’s tiny scena \u003cem\u003eSomething More Than mortal\u003c\/em\u003e; and Josephine Stephenson’s hypnotic \u003cem\u003eComme l’espoir\/you might all disappear\u003c\/em\u003e, with guitar ... Werner’s four songs, from vocal acrobatics to verbal confession, and \u003cem\u003eRécitations\u003c\/em\u003e by the Greek experimental composer Georges Aperghis complete this distinctive album. Werner is joined by her first-rate regular collaborators: Colin Alexander (cello), Amy Harman (bassoon), Calum Huggan (percussion), Lawrence Power (viola), Daniel Shao (flute) and Laura Snowden (guitar)'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"268\" height=\"56\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0fc499d3-015f-4db4-ab25-57e2e262fcef\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Werner has a versatility that is rare today; her clear resonance with the music of our time, her faultless technique, her laser focus and her presence all imply that soon she will be mentioned in the same breath as the likes of fellow singers, Cathy Berberian, Phyllis Bryn-Julson and Jane Manning ... A prime contender for the definition of new music madness, Mitchener’s piece was at once hugely enjoyable and fully in the spirit of the occasion; Calum Huggan the intrepid percussionist ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"With a programme without a single dud piece and Héloïse Werner – a performer of stellar talent – supported by a galaxy of young stars, what’s not to like?\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSEEN \u0026amp; HEARD INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: normal;\"\u003e\u003ca href=\"https:\/\/seenandheard-international.com\/2022\/06\/not-a-single-dud-piece-in-the-wigmore-hall-album-launch-of-heloise-werners-phrases\/?fbclid=IwAR3jO0L48GtubYkS-4tDQzOA-HLtXPT89wTreRTfrLV810mnkauYZ0GJ_2M\"\u003eon Phrases' launch concert at Wigmore Hall \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6b060d17-eab0-4b92-bc40-274c944b2b79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'lt is hard not to be in awe of Héloise Werner: a soprano of extraordinary range, tone and vocal abilities, possessing a seemingly inexhaustible expressive range, whether singing, speaking or - as in Elaine Mitchener's curious, nightmarish, baffling \u003cem\u003ewhetdreem\u003c\/em\u003e - sighing, moaning, and is that snoring at one point? ... Werner is a composer and arranger of subtle imagination ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eIt is Werner's own pieces that I will come back to most often: \u003cem\u003eMixed Phrases\u003c\/em\u003e, \u003cem\u003eUnspecified Intentions\u003c\/em\u003e and especially the opening track for voice and bassoon, \u003cem\u003eLike Words\u003c\/em\u003e, with the terrific Amy Harman as her partner. It sounds like a medieval chanson the identity of which, maddeningly, remains just out of reach. Delphian's sound is first-rate, catching the full dynamic range and every nuance of Werner's voice ...'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"254\" height=\"37\"\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px; font-weight: 100; letter-spacing: 1px;\"\u003eEDITOR'S CHOICE JUNE 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ef72c13f-7c4c-4331-9250-3f4e595c378f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e'Phrases\u003c\/em\u003e is a brilliant showcase for the limitless talents of singer, composer, arranger, cellist and percussionist Heloïse Werner. Sometimes compared to the composers and vocal pioneers ... she uses her own voice —not just sung, but spoken, moaned or even sighed—to achieve miracles. Her own pieces, especially “Like Words”, for voice and bassoon, haunt the memory. Cheryl Frances-Hoad’s “Something More Than Mortal” shows Werner’s abilities as a singer and actor, while Elaine Mitchener’s disconcerting “whetdreem” stuns in its originality and Georges Aperghis’ four \u003cem\u003eRécitations\u003c\/em\u003e use the voice in an entrancing way. More conventional, Nico Muhly’s “Benedicite Recitation” and Oliver Leith’s mesmerising “yhyhyhyhyh” are full of delight'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"135\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-38692843-47df-46d3-a1a8-fbe92da878a3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'It will make you rethink the possibilities of writing or voice - virtuosic, tender, surprising, there’s an almost unschooled immediacy of expression at times that cuts to the heart … [a] solo vocal debut like no other'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"108\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9a00b12a-750e-4739-92ca-6c036d5dc76b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'Heloise has an incredible range and linguistic dexterity ... She plays with phonetics, with breathwork, with different words ... and the sounds that she creates are mesmerising. I also love how she collaborates with other composers such as Cheryl Frances-Hoad ...'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7229c821-2989-4032-a402-1a96eaf3e556\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e'An engrossing exploration of the human voice, which Werner pushes to its limits and beyond on works by herself and fellow visionaries ... a satisfyingly hair-raising exploration to wider shores ....'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"181\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e 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id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9f3084a9-6cc3-4f44-98cc-470d1eb24d55\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 18px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 24 June 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34269\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:03:44\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 5-7 October 2021 at the Church of St John the\u003cbr\u003eEvangelist\/SJE Arts, Oxford \u003cbr\u003eProducer\/Engineer: Paul Baxter (tracks 1-13); Brett Cox (track 14)\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover photograph: Raphaël Neal \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSession photography: foxbrushfilms.com \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-1ab5bbba-ce40-4534-980a-839a6f6a20b0\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 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src=\"https:\/\/i.shgcdn.com\/84b58f00-d0af-4e5b-a09d-9fb772a58f47\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-34d33be2-ba8d-4495-bde2-c9790a8c4f3a\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-86b6fe9b-e13a-46b9-86d9-6ebaba3718ae\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-86b6fe9b-e13a-46b9-86d9-6ebaba3718ae\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-5e32b56a-2098-4d2f-bf0b-5408b052d2f0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eBest Classical Albums of 2022\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-01d09884-477a-42ba-ab70-e76bd6bf14a0\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-6ae3239d-094b-4ed3-ab6c-985d3bf2feda-root\"\u003e \u003cdiv 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data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"65a924f889c57a00dd80009e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1299716a-a752-4ef7-9731-2ea561fcb686\" class=\"shg-c \"\u003e \u003c\/div\u003e \u003cdiv id=\"s-7b612359-dca4-4821-aeb7-92df8209d74b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0a8994e8-f283-41eb-91f0-33839e784e68\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eThis powerful yet understated recital of modern and seventeenth-century works aims to revisit but also to re-balance the obsession of earlier music with female abandonment and lament. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eThe stories of women such as Dido and Ariadne have been told and retold throughout history. Mezzo-soprano Helen Charlston reconsiders the assumed helplessness of those often seen as being left behind by male adventure and success. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eA recent work commissioned for Charlston from the composer Owain Park further takes up the challenge of giving ‘abandoned women’ their own platform, as well as exploring new possibilities for an instrumental pairing – that of voice and theorbo – that remains little explored in contemporary music.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9e99412f-4ed8-4d97-9312-12ec4aa089c1\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/battle-cry-she-speaks\/1618973617?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9fc225a7-aa89-4f9a-b397-3cd629fe3773\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9fc225a7-aa89-4f9a-b397-3cd629fe3773\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7a9d5983-e8aa-4fed-926a-4666bb56d2a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e'Characters come alive in Charlston’s flexible mezzo, surely one of the most exciting voices in the new generation of British singers. The intelligence of the programming is matched in that of her delivery – legatos always reaching beyond the individual phrase for the horizon, articulation that pulls us up short, swift shifts of tone and colour that catch the mercurial play of musical light through Strozzi’s monologues or the battling emotions of Monteverdi’s Arianna...' \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"309\" height=\"45\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRead more below... \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e4975336-1ee0-4a28-849f-98ac6cb45d7f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'How often do you hear new music involving the theorbo? A relic of the Baroque, this versatile lute features in the captivating highlight of this new album ... Park’s work, to evocative texts by Georgia Way, is a hugely powerful centrepiece, sometimes Britten-like in its gaunt transparency, its folk allusions, and monumentally dramatic in the lengthy final song, Marietta. Carr throws in solo theorbo numbers by de Visée and Kapsberger. Charlston’s emotive mezzo is heroic throughout, lustrous and arresting'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"312\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0f5fc00d-0d70-4d24-99de-77c2fd64afd5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'Charlston’s voice is distinctively bright-edged and clear, her words so finely projected and ‘felt’ that the booklet texts are hardly necessary to follow the drama of each item. She also has a rich lower register, and this combination of brightness and an enviably wide range makes a perfect match with the theorbo – a form of lute with an extended lower range and delicate, transparent tone more usually heard as part of a continuo group ... Park makes wonderful use of the surprising range of expression and tone offered by the voice-theorbo combination, and Charlston and Carr rise magnificently to the challenge, so that even when the music employs serial technique, it is thoroughly engaging ... Fine booklet notes by Jeremy Summerly, informed by quotes from the performers and Park, guide the listener through the programme, and the recording and presentation from Delphian Records do handsome justice to the performances themselves. In a year of many fine vocal recordings, this is one of the most outstanding we’ve yet heard'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6b5ed406-937b-459e-b0fd-99cac98392ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8be362b3-8767-4230-bb51-20afbb24983a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'This album by the gloriously expressive, vocally utterly secure and dramatically aware mezzo-soprano Helen Charlston, in duo with Toby Carr’s theorbo, has to be seen already as a clear contender for vocal album of the year ... Something very special indeed is going on here ... The very best comes right at the end. Purcell’s “Evening Hymn” is sung as slow, as low, as dark, as warmly and as touchingly as you could ever wish to hear it. Listen to the diction and the understanding given to every single vocal syllable, the delicious pacing and the wonderful cumulative effect. And the last word of the song? Helen Charlston says: \"The closing Hallelujah could be heard in so many different ways, but mainly it’s trying to find an answer to all of the questions that we’ve asked throughout the recording\" ... . An exquisite anthology'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"186\" height=\"84\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-15f24f6e-d9c7-4c1f-b4a2-a6124b7c88ab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This recital, opening with Henry Purcell’s “\u003cem\u003eO lead me to some peaceful gloom\u003c\/em\u003e” and featuring works by Barbara Strozzi, Giovanni Kapsberger, Monteverdi and others, challenges the old platitude of the abandoned, hapless woman. Think Dido, Ariadne, Boudicca.\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003ca href=\"https:\/\/www.helencharlston.com\/\" data-link-name=\"in body link\"\u003eCharlston\u003c\/a\u003e’s take – to say argument would give the wrong impression; there is no rant, here – is that in their abandonment they also find strength. Several of the songs, such as Strozzi’s L’Eraclito amoroso and La Travagliata, have their own internal drama. Carr’s theorbo playing is sensuous and vivid, and works especially well in the sonic explorations of the four songs by Park. Charlston’s distinctive, expressive lower register, and the clarity of every word, contribute to an outstanding disc\"\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"249\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3132065f-d962-43a0-b2f9-e657e5bb8a63\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv class=\"c-product-block__header\"\u003e \u003cp class=\"c-product-block__subtitle\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'The grave beauty of Charlston's inky mezzo is a joy in itself, and the fierce directness of her delivery makes a formidable impact in this programme of laments by Eccles, Purcell, Strozzi et al, with a terrific new commission by Owain Park (which feels perfectly integrated into the framework of the recital) also making its mark; Carr, always completely attuned to his singer's imagination, conjures some magical colours from his theorbo throughout'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"c-product-block__subtitle\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003ePRESTO MUSIC - EDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a8e7cae3-4622-4895-b163-f919b7c6754c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"There's such a beautiful, rich darkness to Helen Charlston's tone....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eBBC RADIO 3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-26d34dc5-ba0f-4b43-8bcf-0dbea72a627a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'Helen Charlston and Toby Carr focus on the close relationship between voice and theorbo in their recital, scaling down several works to create the intimacy of a duet. Charlston's mezzo is as dark and full bodied as a good claret, and she offers highly expressive readings of the texts, plumbing their depths with glass-cut diction and a glorious range of colours ... wistful pieces, eloquentley played'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"205\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3c007af5-6938-4eb2-a3c5-a89586fabe44\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 May 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34283\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 57:20\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 29-30 October and 1 November 2021 in Crichton Collegiate Church, Midlothian \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003eTheorbo: Klaus Jacobsen, 2015\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover \u0026amp; Session Photography: foxbrushfilms.com \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-395d74a8-f981-496a-ac10-46a9ee977036\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-d61f50f3-4083-44d8-92b5-48a6c6754d3f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-d61f50f3-4083-44d8-92b5-48a6c6754d3f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-220fb860-9892-4dc5-9118-adca80ec25f1\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-220fb860-9892-4dc5-9118-adca80ec25f1\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-0de89a6d-a61e-4576-93d0-5d997140e828\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Aboreto; font-size: 10px;\"\u003eRECORDINGS OF THE YEAR 2022\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-e0da82c8-4838-4d14-8ffa-e5ab07f2572f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" 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class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-543bd175-7a56-45b5-a280-a85c6400e1e1\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-dd501397-698a-4882-87a2-d6c97fe7d381\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Aboreto; font-size: 14px;\" data-fontfamily=\"Aboreto\"\u003eVOCAL AWARD WINNER\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2b02c05f-02af-4cad-a436-e0251fb0540e-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-2b02c05f-02af-4cad-a436-e0251fb0540e\" id=\"wrap-s-2b02c05f-02af-4cad-a436-e0251fb0540e\"\u003e \u003cdiv 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src=\"\/cdn\/shop\/products\/battle-cry-she-speaks-cd-delphian-records-613380.jpg?v=1642181413\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1694\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-77ce72b2-4c48-48ba-9dcb-eb7e04c3a333\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-68ed39f2-e67c-403c-86ec-0e5274839ed6\",\n            \"imageOffsetTop\": 1509,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n     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shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eShe Ventures, and He Wins: \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRestless in Thought disturb'd in Mind\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-b9507666-a3fc-4a78-8684-c00a91b2a7a5\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/04_Restless_in_thought_from_She_Ventures_and_He_Wins.mp3?v=1644318643\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":42345823666390,"sku":"DCD34283-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/battle-cry-she-speaks-cd-delphian-records-613380.jpg?v=1642181413"},{"product_id":"love-reconquest-music-from-renaissance-spain","title":"Love \u0026 Reconquest: Music from Renaissance Spain","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"62cc23c69c9cfd00c734cf5a\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"62cc23c69c9cfd00c734cf5a\" data-shogun-page-version-id=\"62f116ea7cc10f00e3f546a6\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62f116eb7cc10f00e3f54791\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-2df87268-b44c-43ec-8e12-89fdfeebbe7f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-bf083cbc-0ada-4388-a601-4ca3aefafe20\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eScottish early music ensemble Fires of Love serve up a feast of songs and ballads from the Spanish Renaissance and early Baroque, with a freshness critic Norman Lebrecht calls simply ‘beautiful’. Repertoire includes works by Luys de Narváez, Miguel de Fuenllana, Luis Milán, Alonso Mudarra and Juan del Encina.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-c3f3ce07-8dd7-455d-8f76-2321aec39173\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/love-and-reconquest\/1559625287?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e244a63c-670b-45a3-9de1-dd1b3b1abe3e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e244a63c-670b-45a3-9de1-dd1b3b1abe3e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a7ff4c45-5b4f-4e90-aca2-1dbd04fd01be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"another well-produced disc from the Edinburgh-based company Delphian…reaching those parts of the repertoire many of the bigger boys fail to reach\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a529f5ad-ab1e-4d81-9732-aa4c2aefddd3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"184\" height=\"77\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3dc3d960-4250-4d3a-8774-bfc6bc6538d3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"full of vitality and will soon have your foot tapping... delightfully sung\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e244a63c-670b-45a3-9de1-dd1b3b1abe3e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4718b6bb-d55e-44b7-9d3b-5fcfa9f2275e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: August 2001\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34003\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 70:00\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 3-4 and 10 February 2001 at Crichton Collegiate Church, Midlothian\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer:\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003ePhotography: Gordon Ferris\u003cbr\u003eSession photography: Paul Baxter\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":43197908680918,"sku":"DCD34003-CD","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/love-reconquest-music-from-renaissance-spain-cd-delphian-records-726171.jpg?v=1657546264"},{"product_id":"guacamaya-songs-chamber-music-from-mexico","title":"Guacamaya: Songs \u0026 Chamber Music from Mexico","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"63500f729c18a300e3f6d3dd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"63500f729c18a300e3f6d3dd\" data-shogun-page-version-id=\"64be44097f57f434209e2768\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"64be440a7f57f434209e2901\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-77426b1b-b45c-4e55-954e-8c06f364ba34\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a5041b40-8a38-4a44-b91f-20824bae1b56\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eConfessing to a thirty-year love affair with the music of Mexico, Scottish tenor Jamie MacDougall enthusiastically joins forces with Delphian regulars Mr McFall’s Chamber, whose involvement in Latin American music goes back nearly as far. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThe resulting album of songs and chamber music covers the whole of the twentieth century, charting a journey through nationalist, modernist, folk and Aztec influences to the work of Arturo Márquez and Javier Álvarez, two of the most prominent and successful composers in Mexico today. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eAt the heart of the programme are the classic songs whose writers grew up in the drawing-room culture as well as the bars and brothels of turn-of-the-century Mexico, a repertoire MacDougall reckons the equal of the American Songbook, that should be much better known and more widely heard.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-114b6803-7147-41d6-8ee0-9e765bc97c01\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; 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line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Scottish tenor Jamie MacDougall thinks the songs and tunes of Mexico are “up there with the American songbook”, and devotes his album \u003cem\u003eGuacamaya\u003c\/em\u003e to unearthing gems from the Mexican tradition. Agustín Lara’s \u003cem\u003eGranada\u003c\/em\u003e is the best known song in the recital, and MacDougall’s affectionate rendition is abetted by the buoyant support of the instrumental group Mr McFall’s Chamber, complete with clacking castanets. Manuel Ponce’s \u003cem\u003eEstrellita\u003c\/em\u003e is another popular favourite which glows in MacDougall’s fondly sentimental reading, and includes a marvellously sinuous solo for the musical saw. Between the songs sits a selection of instrumental pieces, including the contemporary composer Javier Álvarez’s bustlingly rhythmic \u003cem\u003eMetro Chabacano\u003c\/em\u003e and Pablo Moncayo’s Aztec-inspired Sonata for Viola and Piano—all winningly performed\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f07fbd73-7114-44b1-9795-00e3fcdc636e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"203\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1a044334-5984-4e0f-b147-09e2604d52d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"It is tempting to speculate that the title of this collaboration between violinist Robert McFall’s chamber ensemble and tenor and media music presenter Jamie MacDougall was born of a shared sense of humour as well as musical compatibility. A splendid red macaw adorns the cover of the disc, which appropriates the Mayan name for those birds, but nothing in the recording is mere parroting of the music of others ... Modestly, McFall has chosen not to be credited as the arranger of that music, on the basis – he explains in the booklet notes – that he has merely transcribed the work of others, to retain the authenticity of the Mexican originals. The way he has combined these sources, however, as well as adapted them from other instruments, gives the group’s way with the music its own unmistakable originality ... That approach governs the whole project, which combines six songs from MacDougall with chamber music for strings and piano (Claudio Constantini), with Stuart Semple on percussion and cellist Su-a Lee adding her individual ability on musical saw to the disc’s closer, Estrellita ... Those contrasts are what make Guacamaya a very fresh and lively way to soundtrack the summer. It seems quite a long time since either McFall’s or MacDougall issued a new recording and this one is a great credit to both\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f058ff4a-4a10-48f1-8e01-57d39d38928c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"340\" height=\"71\"\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/voxcarnyx.com\/2023\/06\/20\/guacamaya\/\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-df228d74-cf24-49a1-97c8-e418c7d337ba\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"\u003c\/span\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eIf you loved the balladic side of the Buena Vista Social Club you'll go for this ... Joaquín Heras's \u003cem\u003eCanción en el puerto\u003c\/em\u003e is for cello and piano, a deceptively simple song-like piece, but a long way from the earlier popular song styles on the album. It is romantic, but with an edge, and played so by cellist Su-a Lee and pianist Claudio Constantini ... All performers give this music a splendid outing, as soloists or a group, and the recording is beautifully balanced and clear. MacDougall may not let himself go as much as a latino singer might in some of these songs, but his voice is warm and expressive, and he obviously has a great love and knowledge of this material. The mix of styles might put some purists off, but they'd be missing out on a very interesting and well-presented disc\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2023\/06\/guacamaya.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3a904c7d-69ae-46f9-90a1-58a19e150ab7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"dcr-4hero5\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThis versatile group – here, a string quartet with percussion, piano and double bass – have a strong sideline in South American music, so ensemble and singer are well matched. Eight composers are featured in a wide range of styles, from drawing room culture to folk, bolero and bordello, with compositions dating from 1912 to 1993. Instrumental music is interwoven, by Javier Álvarez, Joaquín Gutiérrez Heras, Arturo Márquez, Silvestre Revueltas and others. The songwriters to note are Manuel Ponce, María Grever (who had success in Hollywood) and Agustín Lara, whose Granada is the most familiar track: hot, passionate and with a lingering hint of the bullfight\"\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"dcr-4hero5\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"244\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-78f72c07-1fe6-46bf-8a5b-673649445f91\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-077f0894-1e8f-4e79-8f5f-eda19cd14789\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 16 June 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34286\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:15:00\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eRecorded on 27-29 April 2022 in the Parish Church of St Cuthbert, Edinburgh Producer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003ePiano: Steinway, model D, serial no. 600443 \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePiano technician: Norman Motion\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: Henry Howard\u003cbr\u003eCover photo: James Naphtali\/Unsplash\u003cbr\u003eSession photography: foxbrush.co.uk \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-a39964cd-7a24-432f-a994-75e35be5f385\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-25733767-1f57-46d6-bc48-6da7ad451732\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-466c8390-f8c0-4c58-9555-2ec6b7460770\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-b31d4782-2af9-4e45-aba5-a74cd37602f3\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=180 180w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=360 360w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=720 720w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=900 900w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"919\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-466c8390-f8c0-4c58-9555-2ec6b7460770\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-b31d4782-2af9-4e45-aba5-a74cd37602f3\",\n            \"imageOffsetTop\": 1067,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-466c8390-f8c0-4c58-9555-2ec6b7460770\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"7895227072726\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"guacamaya-songs-chamber-music-from-mexico\",\n            \"productVariantId\": 43723941839062\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-466c8390-f8c0-4c58-9555-2ec6b7460770\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-466c8390-f8c0-4c58-9555-2ec6b7460770\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-916c88c0-fd37-44a0-ae1b-4ca445085aa3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAgustín Lara: \u003c\/strong\u003eGranada\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-18833445-8fc4-4631-baa3-ba900f651bcf\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/12_Granada.mp3?v=1686910432\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":43723941839062,"sku":"DCD34286-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/guacamaya-songs-chamber-music-from-mexico-delphian-records-553836.jpg?v=1666196237"},{"product_id":"unveiled-britten-tippett-gipps-browne-thomas","title":"Unveiled: Britten | Tippett | Gipps | Browne | Thomas","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"63d12023a6ac2b00e57b9f24\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"63d12023a6ac2b00e57b9f24\" data-shogun-page-version-id=\"64f5e7ae8aaa1a00ef349c0a\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"64f5e7ae8aaa1a00ef349e35\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-970db2f2-de3e-48a3-8ec2-1e9842f1ded4\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a7f0c1ab-4984-4924-86ef-1fe39b8cb460\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eIn Jeremy Sams’ new English-language singing version of \u003cem\u003eBritten’s Seven Sonnets of Michelangelo\u003c\/em\u003e, the passionate sentiments are liberated from the safe historical distance of the Italian Renaissance and unveiled in a way that was not possible in 1940, when Britten wrote the cycle – his first for his partner Peter Pears. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTenor Elgan Llŷr Thomas presents it alongside Michael Tippett’s equally ardent \u003cem\u003eSongs for Achilles\u003c\/em\u003e and a short item by W. Denis Browne, a close friend of the poet Rupert Brooke, as well as premiere recordings of four Brooke settings by Ruth Gipps and a new song-cycle by Thomas himself, to poems by Andrew McMillan. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTackling themes of love, shame, acceptance, war and death, the programme traverses a history of male homosexuality from necessary discretion to the (relatively) liberated present.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-c7e7c145-4a95-417e-94f6-337808a1a47a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/unveiled-britten-tippett-gipps-browne-thomas\/1688172151\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e9217aa6-7178-416c-b6de-4d21db07cceb\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e9217aa6-7178-416c-b6de-4d21db07cceb\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-abb89bc4-35af-4d16-999e-7fbd23f20e99\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Elgan Llŷr Thomas, possessor of a strong yet lyrical tenor voice, is an arresting narrator through this exploration of male homosexuality. Headlining his programme of songs by Tippett, Ruth Gipps and Thomas himself, is Britten’s Seven Sonnets of Michelangelo, setting love poetry by the Renaissance artist, but presented here in a new singing version that liberates the original language from its sanitised translations. Pianist Iain Burnside and guitarist Craig Ogden add ample magic to an enchanting album\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"171\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9230a592-67b6-4b27-a8a7-f0062f1838be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"As a young gay man, Thomas devotes his album to LGBTQ+ representation in music, focusing on gay composers and poets….We progress …on to Elgan Llŷr Thomas’ own composition Swan, eight short songs that are a nod to both the closeted Tchaikovsky and Matthew Bourne’s all-male Swan Lake. They show off Thomas’ range and clarion top as well as his excellent diction…Ian Burnside is the committed and passionate pianist. It is an interesting album on a fascinating theme\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/39e563a0-e7fe-4e8a-932e-7b4dcac873c6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"230\" height=\"65\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-47f4afd7-d567-4b69-b6c9-2a7eb62e66a2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Hearing Britten's \u003cem\u003eMichelangelo Sonnets\u003c\/em\u003e in Jeremy Sams's direct English translations is quite a revelation, underlining the fact that this is a cycle about a 'love that dare not speak its name' with a frankness which would have been nigh-on impossible at the time the work was premiered. Thomas and Burnside do it full, impassioned justice, and the Welsh tenor's own \u003cem\u003eSWAN\u003c\/em\u003e (combining tenderness and flashes of quirky humour) acts as a most effective counterpart; Tippett's \u003cem\u003eSongs of Achilles\u003c\/em\u003e, meanwhile, reveal a muscular core to the voice which suggests that the more dramatic Britten roles could well figure in his future...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"304\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-160ad303-f565-4f19-8ec6-331b74faf3a3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e“With Unveiled, in which Welsh tenor Elgan Llÿr Thomas is joined variously by pianist Iain Burnside and guitarist Craig Ogden, an underpinning theme of openness offers fresh perspective on Britten’s Seven Sonnets of Michelangelo (presented in a \"new English singing version” by Jeremy Sams) and […] the singer’s own theatrically-charged song cycle Swan, which he and Burnside perform with thoughtful elan”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"53\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e99b98c4-60c8-4496-8745-1301c7340e06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"There is nothing remotely ambiguous about Thomas’s jewel-like tenor, an authoritative voice of considerable stature that could carry with ease across his hometown of Llandudno. There are echoes of both Pears and Robert Tear in the clarity of execution and the communication of emotion ... there’s real energy and passion in the voice, nowhere more discernible than in the Michelangelo sonnets. ... Thomas pours his heart and soul into these songs; wonderfully tender in ‘Sonnet XXX’, elsewhere fiery, lovelorn and adoring, movingly so in the final song when his singing of the ‘flawless face I love so dearly’ is beyond beautiful. Throughout the disc, accompanist Iain Burnside is a sensitive and poetic collaborator with a chameleon-like ability to adapt to the varied musical characterisations within this confessional-style programme. Well worth investigating!\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c85e97fb-f583-4433-aca8-ec53c8cd5d65\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"311\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e9217aa6-7178-416c-b6de-4d21db07cceb\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3539cdad-7109-43c1-8c65-e4842465c8b6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 June 2023\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34293\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:03:58\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 22-24 November 2022 at St Mary's Parish Church, Haddington\u003cbr\u003eProducer \u0026amp; Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxer\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003eCover photograph: Cody Murray\u003cbr\u003eSession photography: foxbrushfilms.com\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-cc1c4565-3ec0-492c-905b-691cee42bd7d\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-af4181ca-2e3a-4f40-85b5-899a7b922606-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-af4181ca-2e3a-4f40-85b5-899a7b922606\" id=\"wrap-s-af4181ca-2e3a-4f40-85b5-899a7b922606\"\u003e \u003cdiv class=\"s-af4181ca-2e3a-4f40-85b5-899a7b922606 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-af4181ca-2e3a-4f40-85b5-899a7b922606 shogun-image-container shg-align-center\" id=\"s-af4181ca-2e3a-4f40-85b5-899a7b922606\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/39dddc97-6a13-44ec-8d8a-d2f5857b12a9\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-af4181ca-2e3a-4f40-85b5-899a7b922606\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-a72e8411-27a3-4b52-bd76-92ee09611cbb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(27, 64, 165);\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif;\" data-fontfamily=\"Arial\"\u003eTOP 20\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-223c0996-695d-4e5a-878e-d90c1c2fa81c-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-223c0996-695d-4e5a-878e-d90c1c2fa81c\" id=\"wrap-s-223c0996-695d-4e5a-878e-d90c1c2fa81c\"\u003e \u003cdiv class=\"s-223c0996-695d-4e5a-878e-d90c1c2fa81c shg-align-container\"\u003e \u003cdiv class=\"shg-c s-223c0996-695d-4e5a-878e-d90c1c2fa81c shogun-image-container shg-align-center\" id=\"s-223c0996-695d-4e5a-878e-d90c1c2fa81c\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-223c0996-695d-4e5a-878e-d90c1c2fa81c\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-279f845b-9b50-4cf8-8685-005fc9a24d83\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":43969929543894,"sku":"DCD34293-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/unveiled-britten-tippett-gipps-browne-thomas-cd-delphian-records-773033.jpg?v=1674738316"},{"product_id":"our-indifferent-century-britten-finzi-marsey-ward","title":"Our Indifferent Century: Britten | Finzi | Marsey | Ward","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"644264f2af819600f94e3f9f\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"644264f2af819600f94e3f9f\" data-shogun-page-version-id=\"659c0eecb3a5c100cb7932f8\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"659c0eecb3a5c100cb79348a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-268b5287-a174-4b4b-81b2-e9f8a7337433\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-abb61fad-3de6-47a6-9382-23ec818a9185\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eIn 1914 Thomas Hardy wrote of ‘our indifferent century’; a generation later W.H. Auden urgently sought to fuse the political with the creative. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eToday, profoundly unsettled by the turn of the world’s politics, three artists respond with a programme that explores the changes and challenges we face presently, but one that also offers hope, levity an even a degree of irreverence, and never loses sight of the joy and beauty of nature. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eHardy and Auden found their perfect musical counterparts in the songwriting of Finzi and Britten; in our own times William Marsey and Joanna Ward add their own musical voices of political urgency and wistful yearning.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-790273c2-fab4-440c-9287-f630472ef7ff\" class=\"shg-c \"\u003e \u003ciframe id=\"embedPlayer\" src=\"https:\/\/embed.music.apple.com\/us\/album\/our-indifferent-century-britten-finzi-marsey-ward\/1710621053?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; transform: translateZ(0px); animation: 2s ease 0s 6 normal none running loading-indicator; background-color: rgb(228, 228, 228);\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9e345d19-6e11-42f7-b8b1-1f5916fc90fe\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9e345d19-6e11-42f7-b8b1-1f5916fc90fe\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-325ed58a-920f-4ac1-a10a-bba3b7e0dad1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e[Francesca Chiejina] is equally at home in the coloratura of the first verse of \u003cem\u003e‘Let the florid music praise!’ [On this Island] as\u003c\/em\u003e she is in the reflective, cantabile second verse. She finds the right tone of irony, and the cheeky, relaxed cabaret\/jazzy drawl necessary for the final \u003cem\u003e‘As it is, plenty’ ... \u003c\/em\u003eWilliam Marsey has achieved something close to pathos in his short and highly unusual piece '\u003cem\u003eRemoval and other powers'\u003c\/em\u003e. It is beautifully sung by both singers ... Fleur Barron’s rich mezzo is ideal [in Finzi's \u003cem\u003e'Before and After Summer']\u003c\/em\u003e, and she makes a wonderful job of the songs. It is clear from the opening song that assertiveness will be one of the qualities she will bring to her performance. She takes her cue, no doubt, and quite rightly, from the overall atmosphere of the set. Yet she adopts a pleasing simplicity of utterance for ‘\u003cem\u003eAmabel\u003c\/em\u003e’, and more particularly still for the preceding ‘\u003cem\u003eEpeisodia\u003c\/em\u003e’, a performance of exquisite lightness. If the songs appeal, so will Barron’s singing of them ... Binding the whole recital together from the keyboard is pianist, Natalie Burch ... Her playing throughout is very fine indeed, full of character, whether it be in forceful passages or in the more transparent, flowing textures that run in and out of the vocal line in some of the songs. She is totally at one with the singers, but you never forget she is there. All this is, I believe, the mark of a great accompanist\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eMUSICWEB INTERNATIONAL\u003cbr\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2023\/12\/our-indifferent-century-britten-marcy-finzi-ward-delphian\/\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9ff92ea9-41a0-4904-8fb8-20825963f304\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Chiejina’s and Burch’s compelling performance is richly mature and painstakingly coloured [Britten \u003cem\u003eOn this Island\u003c\/em\u003e] ... Chiejina’s luxuriant voice always holds our attention ... William Marsey’s 2022 \u003cem\u003eRemoval and other powers\u003c\/em\u003e flows naturally from Britten, hypnotic and unmoved, were it not for the women’s compassionate voices ... Finzi’s \u003cem\u003eBefore and after Summer\u003c\/em\u003e dates from the years surrounding the Second World War. Barron’s enunciation is pinpoint precise. Her account of ‘Channel Firing’ is heart-breaking, while ‘He Abjures Love’ is turbulent and unsettling ... This perfect counterpart to Marsey [Joanna Ward's \u003cem\u003eSummer Dresses\u003c\/em\u003e] is unnerving, hallucinatory and exquisitely played, offering sun-drenched shards of memory ... Burch evokes countless, varied pictures and moods while always supporting and balancing the singers, despite many dense textures. She is a gifted sound-painter, breathing life into every detail, such as the random fall of leaves which opens ‘\u003cem\u003eThe Too Short Time’. \u003c\/em\u003eTogether with clear texts, fine recorded sound and Lucy Walker’s eloquent liner notes, this album is thought-provoking, beautifully executed and timely\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"272\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-9073016d-c8ab-4c1c-9c75-4cec38c295ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; color: rgb(186, 55, 42);\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-16394699-bf63-40a4-bd3b-7beceb642dee\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"There is nothing indifferent about this recording, which takes its title from a poem by Thomas Hardy, \u003cem\u003eChannel Firing ...\u003c\/em\u003eFrom the opening of \u003cem\u003eLet the florid music praise!\u003c\/em\u003e from Benjamin Britten’s \u003cem\u003eOn this Island, Op. 11\u003c\/em\u003e, words by WH Auden, soprano Francesca Chiejina sets the standard for the quality of this disc. Burch’s accompaniments and Chiejina’s strong voice sensitively capture the sentiments in the five songs, and together they perform with a persuasive sophistication. Chiejina’s diction is clear, and whether it be the ‘almost stereotypical word-painting in Seascape’s surging waves of piano figures’, the textures of the Nocturne, or, as Dr Walker notes, the short-lived cabaret style of \u003cem\u003eAs it is plenty\u003c\/em\u003e, the detail is dynamically explored and executed ... Barron continues with the ten songs that make up Finzi’s \u003cem\u003eBefore and after Summer.\u003c\/em\u003e She, too, has excellent diction and articulation and sensitively expresses the feelings in Thomas Hardy’s poetry ... All are performed with empathy, with Burch’s contribution elegantly played; she is able to deftly tap into the consciousness of each of the composer’s intentions\u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"273\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2cab7af2-d004-4c38-9681-360c9543db9e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 20 October 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34311\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:04:33\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 30 November and 1-2 December 2022 in Greyfriars Kirk, Edinburgh \u003cbr\u003e\u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover image: Seven Sisters, South Downs National Park, Sussex; photo: Andy D Parker \/ Shutterstock\u003cbr\u003e\u003cbr\u003eSession photography \u0026amp; videography: foxbrushfilms.com \u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-f8fb4930-2f64-4fed-97ac-927645a55126\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b9081e22-1833-49ab-b67c-899f2d66db31\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-d3a84f76-6f74-48f5-9495-70de7df51f2f\" 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role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-69a0c2cb-405b-47e1-911e-918c9474fa61\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; color: rgb(0, 0, 0);\" data-fontfamily=\"Abhaya Libre\"\u003eConceived by soprano Samantha Crawford and pianist Lana Bode with the aim of telling often unheard stories about womanhood primarily through women’s own words and music, \u003cem\u003edream.risk.sing \u003c\/em\u003ebrings together songs about adolescence, bodies, love, work and legacy, while a palpable thread running throughout reminds listeners of the constraints on freedom that still exist in women’s lives. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; color: rgb(0, 0, 0);\" data-fontfamily=\"Abhaya Libre\"\u003eBringing forward this subject matter – far from the staple of traditional song recitals – has involved Crawford and Bode in commissioning new music and reviving other, often unfamiliar repertoire, and the album includes a new song-cycle by Charlotte Bray and words by Nicki Jackowska, new arrangements of two songs from Judith Weir’s groundbreaking cycle \u003cem\u003ewoman.life.song\u003c\/em\u003e, recent works by Helen Grime, Libby Larsen and others, as well as earlier \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; color: rgb(0, 0, 0);\" data-fontfamily=\"Abhaya Libre\"\u003etwentieth-century contributions from Rebecca Clarke and Florence Price.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-22389bd2-ed71-4650-8771-e72f0ab9bd19\" class=\"shg-c \"\u003e \u003ciframe id=\"embedPlayer\" src=\"https:\/\/embed.music.apple.com\/us\/album\/dream-risk-sing-elevating-womens-voices\/1706853194?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" 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font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e17. My Daughters \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-f67e5209-77a7-4788-b717-b8c1b879eba4\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/17_My_Daughters.mp3?v=1693394930\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44348621619414,"sku":"DCD34279-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/dreamrisksing-elevating-womens-voices-cd-delphian-records-602890.jpg?v=1689018281"},{"product_id":"schubert-lieder-love-s-lasting-power","title":"Schubert Lieder: Love’s Lasting Power","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6529442c31257500d55fef25\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6529442c31257500d55fef25\" data-shogun-page-version-id=\"65f984f9ff0b9800e0b1bfa9\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"65f98500e642d000d1cd5fad\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ef1d3a81-84a6-438b-82aa-1b6d7dd62ffb\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-bd7fb049-3d6b-4746-811b-95ae1c39317c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eLove – from many-splendoured and joyous to tragic and rejected, homo- and heterosexual, light-hearted and broken-hearted, heavenly and earthly, innocent and anything but: in their first joint recording, long-term performing partners Harriet Burns and Ian Tindale make a deeply personal choice of Schubert’s lieder, exploring the theme of love, but also the friendships and relationships between poets and the composer out of which he crafted songs of astonishing empathy.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eFormer Winners of the Contemporary Song Prize in the International Vocal Competition at ’s-Hertogenbosch, Ian and Harriet bring an outstanding empathy of their own to songs in which we hear, in Ian’s words, ‘young artists being creative together and exploring things’.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7\" id=\"wrap-s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7\"\u003e \u003cdiv class=\"s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7 shogun-image-container shg-align-center\" id=\"s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1200x\/ 1200w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/fadac61f-adef-49a7-b490-de92e12d0f98\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-d73abfef-31b7-4d44-ba94-e1c85a41ebe7\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-198b6ecc-11cf-4037-b584-a921b1314bce\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-198b6ecc-11cf-4037-b584-a921b1314bce\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c04c86c4-d98c-4265-8952-c37dd8daff86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Harriet Burns has a strong yet subtle, clear, expressive, operatic-sounding voice, and Ian Tindale's accompaniment is very sympathetic to the twists and turns of Schubert's narrative in, for example, \u003cem\u003eViola\u003c\/em\u003e, setting Franz von Schober. This is the album's longest song, at nearly thirteen minutes, in which, to quote Katy Hamilton's astute and fascinating liner notes, 'a tender flower who is over-eager and subsequently blighted' is 'dying alone and ashamed ... This is a fabulous and unique recital featuring some of Schubert's most popular songs, such as \u003cem\u003eAn mein Herz\u003c\/em\u003e, \u003cem\u003eLachen und Weinen\u003c\/em\u003e, \u003cem\u003eSuleika I\u003c\/em\u003e and \u003cem\u003eVersunken\u003c\/em\u003e, and exploring many different facets of human love. If, like me, your German is \u003cem\u003eein bisschen schlecht\u003c\/em\u003e, then you'll find it useful that the booklet includes all the song texts and English translations ... Harriet Burns and Ian Tindale - definitely two names to watch out for ... \" \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2024\/01\/schubert.htm\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5e2a0b99-3582-4b2d-98fd-20fcb2a098b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"... a striking disc in many ways. The subject is the nature of love and desire, which constitutes a vast theme in Schubert’s songs, barely containable on a single disc, you might think. But the recital perceptively structures familiar and unfamiliar material to encompass both a wide range of mood and a convincing emotional narrative that takes us from calm to anguish and back again ... The performances are for the most part superb. The amplitude of Burns’s voice, with its bright warmth of tone and wonderful gleam at the top, confers a certain grandeur of scale on the proceedings, though her dynamic range is tellingly wide and often deployed with considerable subtlety. The way she moves from the assertively sweeping phrases of ‘Freudvoll und leidvoll’ to the rueful intimacy of ‘Lachen und Weinen’ at the start is particularly beautiful ... [\u003cem\u003eViola\u003c\/em\u003e] is finely shaped and you’re repeatedly struck by the intensity both she and Schubert bring to so fragile a narrative ... Her tonal and dynamic range is matched by the expressive breadth of Tindale’s playing. The erratic heartbeats of ‘An mein Herz’, for instance, are powerfully and unashamedly hammered home, while subtle dynamic gradations mean that the elegant turns of ‘Hippolits Lied’, another study in obsession, gradually become increasingly creepy ... There’s little doubt of the strength of this partnership or the excellence of much of their music-making. A very fine disc indeed\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"259\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7e2acca5-9d28-42f0-b1e0-1314cd698518\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"With a youthful flexibility, emotionalism and sense of urgency to the performances, this is a finely engaging and thoughtful debut recital for the duo ... Burns sings with lovely long, considered lines and the song forms a fine opening showcase for her vibrant, lyric soprano ... There is a lovely vibrancy to her performance of Dass sie hier gewesen with an almost Richard Strauss-like line, supported by Tindale's sensitive piano. The youthful anxiety in Suleika I is finely drawn, along with the suggestions of Gretchen am Spinnrade.   The two performers are adept at suggesting the complexities that lie beneath, so though emotion in Wiedersehn is rather civilised, there is a hint of vulnerability too, whilst the lyric beauty in Heimliches Lieben hides more complex yearning ... drama really comes to the fore in Der Zwerg where Burns' story telling is complemented by the dark drama in Tindale's piano ... The selection of songs here is admirably varied, not just to the top twenty hits, and it perhaps reflects the duo's long experience of performing Schubert together (some eight years, I believe). There is a youthful flexibility, emotionalism and sense of urgency to many of the performances, and overall you feel that the two bring out the interesting colours and darker elements that underpin even the most straightforward of songs\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eROBERT HUGILL - PERSONAL CHOICE\u003cbr\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2024\/02\/personal-choice-loves-lasting-power.html?m=1\"\u003eread his full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1f255503-d54c-4e14-9cc2-266f6ffd5708\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"There's potent motivation behind a collection of songs neatly packaged by soprano Harriet Burns and pianist Ian Tindale to explore the title theme. Most are short, ranging from the bittersweet, major-minor duality of \u003cem\u003eLachen und Weinen\u003c\/em\u003e and soft-scented sighs of\u003cem\u003e Dass Sie Hier Gewesen\u003c\/em\u003e, to the whirlwind sensuality of \u003cem\u003eVersunken\u003c\/em\u003e and darkly dramatic \u003cem\u003eDer Zwerg.\u003c\/em\u003e On a more epic scale, \u003cem\u003eViola\u003c\/em\u003e - written in troubled times is a restless torrent of shifting emotions. Burns and Tindale bring soulfulness and fervour to a glowing, inspired programme\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"262\" height=\"53\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-675b0963-1276-433c-a07f-6d26a5025889\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eHarriet Burns's voice is brilliant and rich, comfortable even in stratospheric heights. She completely inhabits each character or scenario she depicts, her emotional range spanning deepest tragedy to naïve girlishness. Ian Tindale matches her colour, adds layers of expression by teasing out inner voices, and grounds the sound with a rich bass. Katy Hamilton's engaging liner note illuminates the artists' intention to showcase Schubert's 'gentle and compassionate probing of the human condition' ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003e the album is striking for its dignity and grace, recalling Schubert's Viennese Classical roots as well as his debt to contemporary opera - the robust opening of \u003cem\u003eErster Verlust\u003c\/em\u003e is more Greek tragedy than weeping teenager ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eTempos lean towards the stately, revealing new depths even in songs as trivial as\u003cem\u003e Die Männer\u003c\/em\u003e \u003cem\u003esind méchant\u003c\/em\u003e or fragmented song-structures like \u003cem\u003eLambertine\u003c\/em\u003e. There are moments of magic, such as the key change in \u003cem\u003eSuleika I\u003c\/em\u003e, when Burns sings of the thousand kisses she will receive before the hills darken. Burns delivers the opening of\u003cem\u003e Die Liebe hat gelogen \u003c\/em\u003elike a Handelian queen; \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003eDer Zwerg\u003c\/em\u003e is likewise characterised by noble pathos; \u003cem\u003eViol\u003c\/em\u003ea - extremely challenging in its length - unfolds and holds together superbly ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe extremely high standard of musicianship is matched by moving, evocative and thoughtful interpretation\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"172\" height=\"70\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07a78193-b79f-4d47-b3f6-55ff47446d3a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'there is a great deal to celebrate here ... First impressions are of the sheer beauty of Burns’ voice, which is a full, lyric soprano ... \u003cem\u003eViola -\u003c\/em\u003e almost 13 minutes long - is in the nature of a mini-scena, its many changes of attitude signposted by the accompaniment and masterfully managed by Tindale ... The final song is \u003cem\u003eSeligkeit\u003c\/em\u003e, one of those songs which is often taken much too fast, but for which she and Tindale find the perfect tempo here. Burns is delightful, responding well to its note of blithely carefree happiness. A perfect way to end a highly enjoyable recital. Both soprano and accompanist are clearly ones to watch'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eMUSICWEB INTERNATIONAL \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-198b6ecc-11cf-4037-b584-a921b1314bce\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-d121c32e-4fca-41a7-9891-652489627366\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eRelease Date: 26 January 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eCatalogue No: DCD34251\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eTotal playing time: 1:08:27\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eRecorded 8-10 February 2023, St Mary's Haddington\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eSession photography: foxbrushfilms.com\u003cbr\u003eDelphian Records Ltd. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-420d810c-2b04-4e02-8723-9ce3575fe90e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-dc592968-773b-4495-ab68-1ef3a995710f\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-71b5e707-6442-4a5b-8fbf-8081e3757a5f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-71b5e707-6442-4a5b-8fbf-8081e3757a5f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44536856903894,"sku":"DCD34251-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/schubert-lieder-loves-lasting-power-cd-delphian-records-623238.jpg?v=1697217296"},{"product_id":"heloise-werner-close-ups","title":"Héloïse Werner: Close-ups","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"652d1baaec1eeb00cade39c4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"652d1baaec1eeb00cade39c4\" data-shogun-page-version-id=\"679222b58d8d686cbaaddbc1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"679222b58d8d686cbaadddaa\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-810479e9-9399-4324-9af8-e4ec913ab36a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-00d20c67-36ab-4935-a4bf-6d5aee8a67a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eHéloïse Werner’s first album, Phrases, was received ecstatically. For her second, she wanted to create a programme with a cohesive narrative arc – a journey, but one that the listener can take in their own time and their own way. For it, she has assembled a group of musicians who both share in her concept but also bring to the project their own varied musical personalities to complement Héloïse’s own distinctive voice. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eRightly described by Héloïse as ‘amazing people’, her collaborators – Colin Alexander, Julian Azkoul, Max Baillie, Kit Downes, Ruth Gibson and Marianne Schofield – stitch their individual contributions into \u003cem\u003eclose-ups\u003c\/em\u003e in colours just as vibrant as Héloïse’s own.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-50fb2745-4ce4-4190-abaf-377ffdbd7f4a\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shogun-image-linked shg-align-center\" id=\"s-d67a24ca-6124-4950-8e46-e06bdabb46e3\"\u003e \u003ca class=\"shogun-image-link\" href=\"https:\/\/music.apple.com\/gb\/playlist\/women-in-classical-music\/pl.03392dae73604942b02ab8e53c482ae0\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/e92713b3-bb36-4f6d-bb0c-5828ac7f90e9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"Apple Music Women in Classical playlist icon\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/a\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-d67a24ca-6124-4950-8e46-e06bdabb46e3\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-3082911c-4134-4393-8fab-bdadcb91aace-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-3082911c-4134-4393-8fab-bdadcb91aace\" id=\"wrap-s-3082911c-4134-4393-8fab-bdadcb91aace\"\u003e \u003cdiv class=\"s-3082911c-4134-4393-8fab-bdadcb91aace shg-align-container\"\u003e \u003cdiv class=\"shg-c s-3082911c-4134-4393-8fab-bdadcb91aace shogun-image-container shg-align-center\" id=\"s-3082911c-4134-4393-8fab-bdadcb91aace\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/060ab1c4-4a7e-4d62-beb2-ee9f5a7e7245\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-3082911c-4134-4393-8fab-bdadcb91aace\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a03340bd-edd7-447d-8e04-bd154e8a9247\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:2000px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/close-ups\/1740098154\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-a992b579-747c-49a3-8e89-a0c6066f16af\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-a992b579-747c-49a3-8e89-a0c6066f16af\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4608ddda-d976-478d-9431-432a26b79297\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\"A hotly-awaited second album from soprano-composer Héloïse Werner weaves together a dizzying tapestry of conceptual threads - from a melancholy, fatalistic song by Barbara Strozzi, via a scathing survey of male attitudes to quote-unquote 'hysteria' from the fifth century BC up until the early 2020s, to the macaronic \u003cem\u003eclose-ups\u003c\/em\u003e by Werner herself (to words by her sister), it is an exhilarating and unique journey of discovery\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"325\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3502f0e2-153c-442c-97a2-65b704a80a72\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'French-born, UK-based Heloïse Werner always creates a buzz of activity and makes good things happen ... Werner describes herself as “soprano and composer” (with Meredith Monk it has tended to be the other way round) and it is the central role of Werner’s voice, in a context where both the material and stylistic intent cover a wide range, that is a unifying factor. And yet, one might argue, she has also invited herself to do the impossible ... hat philosophy of uttering interesting or provocative things with brevity is the product of a preternaturally lively and busy mind, and is invariably fascinating'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"250\" height=\"113\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.theartsdesk.com\/classical-music\/classical-cds-bare-feet-hardback-books-and-giant-snails\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cdd231bc-cb2b-4435-9f86-8e9fa6e0e01c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'Héloïse Werner is a unique voice in contemporary music performance, literally as a soprano with the same astonishing acrobatic versatility as, say, the late Jane Manning, and also as a composer whose music evokes a uniquely translucent freedom of expression. She’s been a key member of the experimental ensemble The Hermes Experiment, but teams up here with a miscellany of similarly minded instrumentalists for a refreshingly personal musical journey chiefly of her own music, interspersed with the fragile simplicity of Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e and sublime arrangements of songs from earlier centuries by Barbara Strozzi, Julie Pinel and the iconic Hildegard of Bingen. Her own \u003cem\u003eclose-ups\u003c\/em\u003e is the centrepiece, encompassing spectral enchantment and fiery absurdity. \u003cem\u003eUnexpected Intentions \u003c\/em\u003eis as madcap as any Maxwell Davies music theatre piece, Les Leçons du mardi a hysterical musical menagerie. Three improvisations (Echoes) act as transitional meditations. \u003cem\u003eLullaby for a Sister\u003c\/em\u003e makes a deeply moving conclusion'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a529f5ad-ab1e-4d81-9732-aa4c2aefddd3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"212\" height=\"89\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b307c2e3-d9af-47d7-8ee4-1e7f058fb93e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'After demonstrating her remarkable versatility in her debut album, \u003cem\u003ePhrases\u003c\/em\u003e, singer\/cellist Héloïse Werner pushes the boat out further in \u003cem\u003eclose ups\u003c\/em\u003e, her virtuoso vocal effects reaching a new level of rapid-fire intensity ... Werner’s more expressionistic vocal tracks, of which the title track is the virtuosic centrepiece, are reassuringly balanced with several soulful songs, all by women composers. One is Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e, the composer’s own arrangement of the original here ending with a beguiling Purcell fantasia-like postlude for strings ... The most effective bridge between those reflective songs and Werner’s pyrotechnics, however, is provided by bass player Marianne Schofield’s arrangement of “Sombres lieux”, a song by the obscure 18th-century composer Julie Pinel. Schofield’s tenebrous, downward slithering glissandos suggests the song’s “dark forests”, whose menacing presence intrudes even as Werner sings'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"165\" height=\"55\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4ceb1f0b-2a9e-4d3e-a1fd-e0839fdd94c8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'As I listened to each captivating track, I felt a sense of the musicians moving around me, almost like a ghostly presence emanating from the speaker. There was a subtle burst of colour here and there, a thoughtful pace that perfectly matched the moment in time ... Such is the magnetic force of the music, particularly Werner's own compositions, which demonstrate a specialist's in-depth understanding of how to effectively use the instrumentation ... Megan Steller's notes, including those on texts and translations, are exceptional ... The textures often seem raw, but they have an aura of warmth. \u003cem\u003eClose-Ups,\u003c\/em\u003e a piece for violin and soprano, requires an impressive range of tone and technical ability. The focus of the piece is a mixture of sounds that combine in a free style in a piece where the duo needs empathy to get the best effects as they interact with each other ... Originally written for solo voice, \u003cem\u003eUnspecified Intentions \u003c\/em\u003ewas rearranged for voice and string quintet. Steer writes in the notes that the piece, designed for live performance, insisted on being recorded in a single take in the studio, with the energy evident in the final mix. \u003cem\u003eLullaby for a Sister \u003c\/em\u003e sets music by Héloïse’s sister Emma and is written for voice and cello. It is a haunting motif where the voice and cello rebound ... This disc captivates listeners with its improvisational and dramatic concept, blurring traditional sounds while showcasing Werner's technical brilliance, often creating a luminous effect.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6f270255-272a-4960-8b1d-e2afde87dffb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"341\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8ba1909c-eab1-4bb0-8927-381b560e2979\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The centrepiece of an eclectic mixtape, \u003cem\u003eclose-ups \u003c\/em\u003eis an exploration of the human voice, not simply extended techniques (although there are plenty of those: grunts, shrieks and hums are integrated into traditional singing) but shifts between language and tone, those words that are recognisable, those that are not and the spaces in between. The use of spoken word is particularly effective in \u003cem\u003eLes Leçons du mardi\u003c\/em\u003e, a narrative patchwork about women suffering from 'hysteria' forced to act out their symptoms before a Parisian public. Performing her own work - there is surely no better interpreter - alongside a killer ensemble comprising (in different combinations) violin, viola, cello, double bass and hardanger fiddle (a Norwegian violin with eight strings to the usual four), Werner and her collaborators are co-composers for an interlude that reappears in three guises throughout the album. Scratchy spectralism develops into a guttural outpouring; varied, unidentifiable voices create an unsettled soundscape. This comes to a head in \u003cem\u003eUnspecified Interntions\u003c\/em\u003e, Werner's gurgling, haunting wordless adventure. Songs by Barbara Strozzi, Errollyn Wallen, Julie Pinel and Hildegard of Bingen - newly arranged for this collection of first recordings - provide compelling context\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"151\" height=\"61\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0530524e-3063-46b7-97b9-23b688b7af34\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"from lip-smacking to lyrical ... the multitalented Héloïse Werner, a singer, cellist, composer, narrator, verbal acrobat and linguistic chameleon, can hardly be summed up in a short phrase ... This is a record full of poise, curiosity and playfulness, the result of close listening and risk by all invovled. Werner and her colleagues make music that is as singular as it is striking\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"273\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2647f447-9d39-4390-872f-dd92f0e131d2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Listeners familiar with Héloïse Werner's previous recordings ... will know what to expect from the soprano, composersoprano, composer and sometime cellist: jaw-dropping technical agility combined with an innate, instinctive musicality and boundless, breathless creativity. The sheer range and diversity of Werner's voice is on display once more on 'close-ups': restrained and bereft in Barbara Strozzi's \u003cem\u003eChe si può fare\u003c\/em\u003e, enigmatic in Errollyn Wallen's \u003cem\u003eTree\u003c\/em\u003e, radiant in Hildegard of Bingen's \u003cem\u003eO vis eternitatis\u003c\/em\u003eand quietly reflective in the singer's own nostalgic \u003cem\u003eLullaby for a sister\u003c\/em\u003e. Time appears to stand still during these points, especially in Julie Pinel's \u003cem\u003eSombres lieux\u003c\/em\u003e, in a hauntingly beautiful arrangement made by Werner's longtime musical collaborator and fellow performer, virtuoso double bassist Marianne Schofield. Nevertheless, one also hears moments of boundless, unrestrained energy, playfulness and an almost youthful exuberance, as encapsulated in the title-track -- an engagingly dynamic duet between voice and violin exhibiting the kind of vocal gymnastics and pyrotechnics that wowed listeners on Werner's first album ... Despite its multifarious design, 'close-ups' nevertheless possesses a strong sense of its own creative vision and purpose\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"329\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 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\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5e7b86f0-517e-40dc-b0e5-efac07f11ec5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 June 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34312\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 61:35\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 18-20 September 2023 at SJE Arts, Oxford\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover photograph: Raphaël Neal\u003cbr\u003eSession photography: foxbrush.co.uk \u003cbr\u003eBooklet \u0026amp; traycard design: Eliot Garcia \u003cbr\u003eBooklet editor: Henry Howard \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDelphian Records Ltd – Edinburgh – UK \u003ca href=\"https:\/\/www.delphianrecords.com\"\u003ewww.delphianrecords.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cimg style=\"float: left;\" 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src=\"\/cdn\/shop\/products\/heloise-werner-close-ups-cd-delphian-records-334015.jpg?v=1697458419\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1748\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-085f7bd2-d752-4e44-9339-9439deef8f81\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-c350681a-0857-45c4-899c-cbbfd50e4cd9\",\n            \"imageOffsetTop\": 1609,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-085f7bd2-d752-4e44-9339-9439deef8f81\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"8178656772310\",\n          \"staticVariant\": true,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"heloise-werner-close-ups\",\n            \"productVariantId\": 44543777964246\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-085f7bd2-d752-4e44-9339-9439deef8f81\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-085f7bd2-d752-4e44-9339-9439deef8f81\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-57df52a2-2845-48b1-8479-ea04417fe0b2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eBarbara Strozzi: \u003c\/strong\u003eChe si può fare, Op. 8 No. 6\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-d442ed30-2fb9-4ae7-b557-ed41e4157eca\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/01_Che_si_puo_fare_Op_8_No_6.mp3?v=1709552416\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44543777964246,"sku":"DCD34312-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/heloise-werner-close-ups-cd-delphian-records-334015.jpg?v=1697458419"},{"product_id":"brindley-sherratt-fear-no-more","title":"Brindley Sherratt: Fear No More","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"653e68e484208400f61075ff\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"653e68e484208400f61075ff\" data-shogun-page-version-id=\"673f18c06eb629a892f83cf4\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"673f18f6e3b3ba5d5bfdfe4a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-7ee092f0-b6ca-4f78-9990-74b8bf9b3fad\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-566cc8f2-db6a-480b-a06c-d2a93395ed95\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eBrindley Sherratt’s pre-eminence as an operatic bass is the result of two daring career shifts. Initially trained as a trumpeter, he gave up his first instrument as a student to become a singer. Yet even then, it was only in his mid-thirties that he left the professional security of a position in the BBC Singers to explore the world of opera.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eNow, the voyage of discovery continues as Sherratt turns to the intimate medium of the song recital. With the superb pianist Julius Drake as collaborator, in \u003cem\u003eFear No More\u003c\/em\u003e Sherratt draws on all of his accumulated technical and expressive wisdom to traverse death-haunted songs by Schubert, Mussorgsky and Richard Strauss before arriving at a final group of five twentieth-century English songs in which consolation and acceptance are the keynotes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-2036b0f9-12eb-4b71-8ba7-14965ded279f\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/fear-no-more\/1734850050\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ce75ab8f-209f-4e1c-b260-dd28d79a0bd0\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ce75ab8f-209f-4e1c-b260-dd28d79a0bd0\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dbfe0a63-35c0-4058-82a0-03f4f2f94090\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'Sherratt possesses that rare gift: a genuine bass voice that carries its lyrical, expressive clarity from its ringing high notes right down to a full-toned basso profundo delivered without a trace of muddiness ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe opening series of five songs by Schubert includes \u003cem\u003eL'incanto degli occhi\u003c\/em\u003e, a rare setting of an Italian text, in which Sherratt displays a characteristic operatic panache. Elsewhere, there is a lightness and flexibility that sounds positively youthful, culminating in a magnificent bottom D at the end of\u003cem\u003e Der Tod und das Mädchen\u003c\/em\u003e. \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eA centrepiece to the recital is Musorgsky's \u003cem\u003eSongs and Dances of Death\u003c\/em\u003e, which is full of tonal variety and colour, with Sherratt clearly relishing the nuances of the Russian language in these expressionistic songs. Throughout the recording, Sherratt's projection of text is exemplary, and that is especially so in the 20th-century English group that ends this album. The title song, Finzi's '\u003cem\u003eFear No More\u003c\/em\u003e' is typical of the singer's approach as he relishes every fricative and plosive of Shakespeare's text while sustaining a generous, unfalteringly lyrical vocal line ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003ePianist Julius Drake's contribution is superb, sensitive to every dynamic shift in the singer's performance. This is a true partnership of two experienced musicians at the peak of their powers.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 11px;\"\u003e\u003cspan style=\"color: rgb(186, 55, 42);\"\u003e★ ★ ★ ★ ★ \u003c\/span\u003ePERFORMANCE    \u003cspan style=\"color: rgb(186, 55, 42);\"\u003e★ ★ ★ ★ ★ \u003c\/span\u003eRECORDING \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5247caba-569e-4480-867d-1718a4194183\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'If you’ve seen Brindley Sherratt in action, you’ll know him to be a consummate stage animal ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eSherratt performs Gerald Finzi’s masterly setting of \u003cem\u003eFear no More \u003c\/em\u003ewith a lugubrious relish for the text’s gloomier aspects, his obsidian bass the living personification of the Grim Reaper. \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe same sensitivity to words and feeling for the macabre informs his dramatic accounts of Mussorgsky’s \u003cem\u003eSongs and Dances of Death\u003c\/em\u003e. \u003cem\u003eTrepak\u003c\/em\u003e has a deliciously grisly swing while \u003cem\u003eField Marshall\u003c\/em\u003e conjures the horrors of battle, both aided by Julius Drake’s flexible and colourful accompaniments. What makes Sherratt special is his careful avoidance of Gothic excess, something the voice could easily encompass were he a less thoughtful artist ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe first part of the disc shows him to be a fine Schubertian with a granitic account of Mayerhofer’s darkly despairing \u003cem\u003eFahrt zum Hades\u003c\/em\u003e and a lollop through an Italian serenade to words by Metastasio. \u003cem\u003eDeath and the Maiden\u003c\/em\u003e is another pearl and a chance to deploy his spinetingling pianissimo as the most seductive of spectres. \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eHe’s at his finest, however, in the concluding set of five English songs, including a bleak yet salty account of Ireland’s \u003cem\u003eSea Fever\u003c\/em\u003e and an aching resignation in Michael Head’s \u003cem\u003eLimehouse Reach\u003c\/em\u003e. As he waves us off with a Falstaffian turn in Warlock’s \u003cem\u003eCaptain Stratton’s Fancy\u003c\/em\u003e, we are already looking forward to volume two'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2106cdd8-2624-4cff-88ad-a06246a3ef9d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"288\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8f360499-6df5-4f22-a6f2-4c3b4b8077d5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'Sherratt can do no wrong ... \"\u003cem\u003eWenn endet diesel Qualen? Wann?”\u003c\/em\u003e ends with one of those beautifully resonant low notes that are such a joy to encounter throughout the recital ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eAll credit to Drake for dealing with Schubert's demands so comprehensively in \u003cem\u003eDer Schiffer\u003c\/em\u003e, D 526 a better-known song, its storm visceral. But how fascinating to hear on of Schubert's Italian songs: \u003cem\u003eL'Incanto degli occhi\u003c\/em\u003e (The Wonder of the Eyes), slow, miraculous. The same - slow, miraculous - could be said of \u003cem\u003eAuf Der Donau\u003c\/em\u003e , D 563, a least initially: the variety of Drake's part, the entreaty of Sherratt's cries of \"wo?\" (where) in the more disturbed second stanza. \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe song \u003cem\u003eDer Tod und das Mädchen\u003c\/em\u003e, D 531, is one of Schubert's best known. Full of contrast, Sherratt and Drake make it into almost an operatic scena: Sherratt's “voice of Death” is truly disturbing ... Mussorgsky's \u003cem\u003eSongs and Dances of Death \u003c\/em\u003esounds as if it is in his bones from birth, though. Sherratt finds lyricism as well as inhabiting Shostakovich's world, his diction crystal clear, the drama of the final “Field Marshal” in contrast to the desolation of “Trepak” ... Billed as Sherratt's “debut song recital recording,” all I can say is what a way to start'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eCLASSICAL EXPLORER\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003ca href=\"https:\/\/www.classicalexplorer.com\/fear-no-more-bridley-sherratts\/\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c69f28ac-dc01-47db-967f-c47ddc29ac4b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'[this album] captures his drinkably deep bass voice at its peak. Teamed with the pianist Julius Drake, Sherratt offers a programme exploring themes of fear and death, with a final affirmative twist ... He’s in his element in four German songs by Schubert, starting with the journey across the Styx in Fahrt zum Hades ... In Mussorgsky’s Songs and Dances of Death, Sherratt is no pantomime villain, instead chilling us with steady characterisation and long, velvety lines. He closes with English songs, including touching performances of Finzi’s title track and Gurney’s By a Bierside, where contradictory responses to death conclude with the idea that “It is a grand thing to die”. Fear dissipates, and Sherratt’s final two numbers, both old-sea-dog songs, brim with warmth and acceptance\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"55\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9063febd-073a-4676-9ffc-f817a1a7284f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 24px;\"\u003e\"a voice that’s lived in ... [Sherratt] delivers clarity of the text but this grit, this dramatic experience; he’s a real powerful story teller ... it sends shivers down your spine ... \u003cspan style=\"color: #333333;\"\u003e an overdue recital for this hugely experienced singer\"\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 24px;\"\u003e\u003cspan style=\"color: #333333;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"130\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cspan style=\"color: #333333;\"\u003eRECORD REVIEW\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-819c34e4-d65e-4b3f-ade3-a547ae63cd5e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Wow! The resonance and depth of Brindley Sherratt’s voice are impressive from the moment he delivers Schubert’s \u003cem\u003eFahrt zum Hades ... \u003c\/em\u003ePianist Julius Drake accompanies with his usual technical brilliance and sympathetic interpretations. There are many exceptional moments, whether it be capturing the drama of Mussorgsky’s Songs and Dances of Death, especially the Trepak, the control of his low notes at the end of Strauss’ Spatboot, or the richness and warmth of the English songs. Sherratt's striking voice is impressive, and the clarity, reach, dynamics, and emotional fervour are remarkable. He holds the listener captive with an intensity that grips through his tremendous skill at accelerating towards crescendos and carefully decelerating to diminuendos, which showcase his mastery in impassioned performances. This disc is a winner, so let’s hope the Delphian team plans another disc sooner rather than later\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"325\" height=\"68\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/yorkshiretimes.co.uk\/article\/Classical-Music-Brindley-Sherratt----Fear-No-More\"\u003e\u003cspan style=\"font-size: 12px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f48dbedb-5e98-4c06-b716-3d011b24a357\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"As John Fallas puts it in his informative booklet note, 'not many singers record \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003etheir first recital album two decades into a successful international career' ... In short, though, it's been worth the wait ... Right from the start, one marvels at the sheer easy authority of Sherratt's voice, the richness, the baleful depths, the steadiness and smoothness across the range. One starts to look forward to the low notes: the D in an especially imposing 'Der Tod und das Mädchen', the D flat that concludes 'Im Spätboot'. But there's great deal more to the album than just that. With Julius Drake a superb partner at the keyboard, these are considered, affecting performances - as one would expect from an artist with Sherratt's experience. In the best sense, he's a reliable guide through all the songs ... Sherratt's interpretations have an imposing power all their own, the deep, oaky patina of the voice carrying with it a special emotional weight. This is perhaps especially true in the English songs, where his natural delivery brings special rewards: the gnarly authority conveyed in 'Sea-Fever', the grandeur of the climaxes of both 'Fear no more the heat o' the sun' and 'By a Bierside' or the easy swagger of 'Limehouse Reach'. They make for a rewarding conclusion to an imposing, impressive album. Here's hoping for a follow-up.\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"41\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-79a7235e-fcbc-4b60-bd10-9b674fa5565b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Sherratt is magnificent here ... his simple, sincere story-telling skills come to the fore. The particular quality of Sherratt's voice, however, aligned with vocal power and directness of utterance, makes this an awesome performance of Mussorgsky's masterpiece. Julius Drake is magnificent, making the most of Mussorgsky's frequently ungrateful piano writing. His treatment of the piano parts throughout this recital is a model of its kind, supporting the singer in every way yet inventive and full of individual character ... wide-ranging, unusual and deeply satisfying recital.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"215\" height=\"73\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3777e520-ffbf-42b4-8be8-5c816887d237\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"it is in the final five very well-chosen songs in English that the particular expressive power of this voice and its aura really do come into their own. The mature bass voice has a specific kind of communicative directness and warmth that other voices don't. In Masefield\/John Ireland’s “Sea Fever”, ‘the seas’ to which the singer feels drawn are simply more appealing and have more gravitas about them. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eIn Finzi’s “Fear No More…” this splendid voice gives the listener more assurance than others can, that everything really will be all right. And in Michael Head’s “Limehouse Reach” from 1949 - a discovery for me - there is wonderful tenderness which I find I want to go back to. Julius Drake’s playing has real authority too, and Delphian Records have given writer John Fallas the space to write an excellent sleeve note. \"\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"176\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot 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id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-f382fd63-4260-4196-8b0c-b7384f2ee029\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 April 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34313\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 58:20\u003cbr\u003e\u003cbr\u003eRecorded on 26-28 March 2023 at Henry Wood Hall, London\u003cbr\u003e\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter \u003cbr\u003e\u003cbr\u003ePiano: Steinway model D, serial no 607138 (2017) \u003cbr\u003ePiano technicians: Marcus Dods \u0026amp; Nigel Polmear\u003cbr\u003e\u003cbr\u003eCover photography © Benjamin Ealovega \u003cbr\u003eSession photography \u0026amp; videography: William Coates-Gibson \/ foxbrushfilms.com \u003cbr\u003e\u003cbr\u003eBooklet \u0026amp; traycard design: Eliot Garcia \u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-6ae4df40-04ec-4b3f-822c-bd6ea745931e\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-03577cc4-d291-433b-bf0f-6f03fb9a5192\"\u003e \u003cimg 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900w,https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1080x\/ 1080w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-f80030f7-d654-49aa-b1c0-84f17091865f\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-3260692d-ca5b-4d2f-9b51-268984d7ada8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eCHORAL \u0026amp; SONG CHOICE\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e 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none;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44588179882198,"sku":"DCD34313-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/brindley-sherratt-fear-no-more-cd-delphian-records-998963.jpg?v=1698588469"},{"product_id":"jane-stanley-cerulean-orbits","title":"Jane Stanley: Cerulean Orbits","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"65f980640474940105234389\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"65f980640474940105234389\" data-shogun-page-version-id=\"66e987c8160959c16617e4fc\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"66e988370b046f0dcf44a73b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6423621c-e34e-4aa1-ac07-9846ff5e7513\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ba39588a-2c22-411a-9963-f752b7268520\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eThis first portrait album dedicated to the music of the Australian-born, Glasgow-based composer Jane Stanley showcases pieces composed between 2013 and 2023 for different chamber combinations. In addition to some of her favourites among her existing works, Stanley took the opportunity to develop two new pieces: one for each of the two ensembles involved, and specially adapted to their particular talents. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eA song cycle for The Hermes Experiment moves Stanley’s music intriguingly towards the tonal, lyrical sound-world of that group’s two acclaimed recent Delphian albums, while sharing with the purely instrumental music of the rest of the album – performed by Red Note Ensemble, also acclaimed Delphian regulars – an audible preoccupation with gesture, intricately ornamented melodic patterning, and intertwining woven textures, balancing decoration with energetic directed motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-4c81fbaa-eb77-4b0b-9f35-b11af3a2bcbb\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-12\"\u003e \u003cdiv id=\"s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf\" id=\"wrap-s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf\"\u003e \u003cdiv class=\"s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf shg-align-container\"\u003e \u003cdiv class=\"shg-c s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf shogun-image-container shg-align-center\" id=\"s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1200x\/ 1200w,https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1920x\/ 1920w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/d964a478-f630-4df6-aa7f-e0606bc11889\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-850ed84d-fb8d-48b7-a69b-24145a1b3bcf\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-7 shg-c-md-7 shg-c-sm-7 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-137aae13-224f-4a5f-90bb-4bafdb1bef7f\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/jane-stanley-cerulean-orbits\/1747358385\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-5ea38d1a-d506-4bcb-aa10-4feb4ed32462\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-5ea38d1a-d506-4bcb-aa10-4feb4ed32462\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-65304ec6-f44c-440b-a8e2-1d2fcfbcd39c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"dcr-1mdbvj0\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan class=\"dcr-15rw6c2\"\u003e\"F\u003c\/span\u003eive tautly written chamber works make up this first portrait recording of music by the Glasgow-based Australian composer \u003ca href=\"https:\/\/janestanley.com\/\" data-link-name=\"in body link\"\u003eJane Stanley\u003c\/a\u003e, all crafted with an ear for texture, economy and purposeful energy. The title track has violin and piano circling each other almost aggressively, maintaining their own timbral qualities and spiralling towards an exhausted truce; Helix Reflection, the only previously recorded work, is a friendlier dance for flute and clarinet, who bend their pitches and mix their timbres. Suite, written in 2014 and slightly extended for this recording, traverses a strikingly wide yet coherent range of musical colour over its eight miniature movements. Oneiroi is a 25-minute dreamscape in which the notes are Stanley’s but the precise way in which they unfold and intertwine is down to the six players, in the moment. All are sparkily put across by members of the Red Note Ensemble ... Perhaps the most immediate work is The Indifferent, a new song cycle. Written for The Hermes Experiment, it uses the ensemble’s distinctive lineup – clarinet, harp and double bass, with \u003ca href=\"https:\/\/www.theguardian.com\/music\/2023\/mar\/21\/heloise-werner-aurora-orchestra-mira-calix\" data-link-name=\"in body link\"\u003eHéloïse Werner\u003c\/a\u003e’s open, direct soprano on top – to create a seashore meditation in which Judith Bishop’s words interact with a vivid sonic suggestion of the wide sky and the push and pull of the waves\"\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"dcr-1mdbvj0\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"278\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"dcr-1mdbvj0\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cdiv id=\"sign-in-gate\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-eef828e3-60d9-482b-baf3-ee5ef875eae8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Delphian is a label that never shies away from contemporary music and, in doing so, creates a platform for composers to showcase their creative talents. This is particularly evident in the release of music by Australian-born, Glasgow-based, composer Jane Stanley. It showcases pieces created between 2013 and 2023 for various chamber combinations. It’s a fascinating insight into the composer’s mind hearing the interaction between the different textures. In the \u003cem\u003eSuite for B flat clarinet, violin, cello, and piano,\u003c\/em\u003e Stanley’s creativity accentuates the influence of Messiaen and Boulez. The Red Note Ensemble conveys her writing with balance, drawing all its strands into an equilibrium. Stanley writes - ‘Certain stylistic traits weave through these pieces, including an audible preoccupation with gesture (musical ideas that convey evocative feelings of energetic directed motion), intricately ornamented melodic patterning, and intertwining woven textures.’ ... The impressive contribution of the Hermes Experiment - they only appear once - is particularly effective in \u003cem\u003eThe Indifferent\u003c\/em\u003e, combining a group of instruments that includes Helene Werner's striking soprano, clarinet, harp and double bass. The combination of different timbres and the rich resonance of the double bass works well to create a song cycle that draws inspiration from texts by Australian poet Judith Bishop. This cycle, as with all the compositions, creates intriguing outlines that reflect Stanley's formative years and her mother's passion for textile crafting\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a7cade4d-306d-4c18-b775-1dcf50299ac1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"The music of Australian-born (in 1976) Glasgow-based composer Jane Stanley is, to me, by turns beautiful, cheeky, dreamy, engaging, gentle, intimate, modern-sounding, poised, reflective, serious, spatial, swirling and thoughtful ... All the other pieces on this CD are purely instrumental and are played by members of Scotland's Red Note Ensemble. Both groups record regularly for Delphian Records and have a high profile on the British contemporary classical music scene. I can find no fault with any of the performances here ... I believe that Jane Stanley has an important, distinctive voice on the contemporary classical music scene\" \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2024\/06\/stanley.htm\"\u003eread the full review here\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cd6e1754-ac58-411f-8ee5-ab70e1556c9e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eGolven bouwen op tot ze breken, liefde ontluikt en verwelkt – de fatalist berust zich in zijn lot en legt zich erbij neer. Het is het gevoel dat \u003cem\u003eThe Indifferent\u003c\/em\u003e (‘De onverschillige’) oproept, de liedcyclus op het album \u003cem\u003eCerulean Orbits ... \u003c\/em\u003eHet Franse ensemble The Hermes Experiment zucht. De klarinet en harp strooien hun noten uit als een windgong in een zomerbries. Sopraan Héloïse Werner intoneert messcherp. Ze is pas 33 jaar, maar in haar stem schuilt de passie en het zelfvertrouwen van een vrouw die alles heeft meegemaakt. In het duizelingwekkende \u003cem\u003eCerulean Orbits\u003c\/em\u003e staan ferme, tastbare vioolstreken centraal. Een piano omringt ze als een wolk ruimtegruis, maar stort soms als een komeet omlaag. \u003cem\u003eSuite\u003c\/em\u003e bestaat uit acht complexe, natuurlijk klinkende miniaturen voor klarinet, cello, viool en piano, door het Schotse Red Note Ensemble gespeeld met geestdrift en technische perfectie. In de verte echoot de hallucinerende muziek van Olivier Messiaen.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/00148de1-4148-4260-832e-e1ca5301f0e6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"370\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-733244ed-41bc-4254-9aa9-327c3b3d8d0c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e'Helix Reflection\u003c\/em\u003e (2013), for flute and B-flat clarinet, works in quite a different manner. It employs harmonic stasis, microtonal inflections, glissandi and variations in vibrato to produce a shimmering, hypnotic sound world ... \u003cem\u003eThe Indifferent\u003c\/em\u003e is a five-movement song cycle setting of the titular poem by Judith Bishop (b. 1972), scored for the very effective combination of soprano voice, clarinet, harp and double bass. The poem’s complex sea imagery, long understood as a metaphor for emotional turbulence, is reflected in Stanley’s score, which lends the work a beautiful, ancient quality. Two chamber suites, composed with the particular strengths of the Red Note Ensemble in mind, complete an impressive program of works characterised by a sinewy complexity that the composer attributes at least in part to her early exposure to her mother’s work in textiles. This quite wonderful textural quality of Stanley’s work is complemented by a stunning recording, rich and spacious, from Edinburgh’s 17th-century Greyfriars Kirk'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2106cdd8-2624-4cff-88ad-a06246a3ef9d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"304\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 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aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-792b3f20-5e83-436a-a40d-387088cd0a28\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 July 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34281\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:10:00\u003cbr\u003e\u003cbr\u003eRecorded on 4-6 September 2023 at Greyfriars Kirk, Edinburgh\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter \u003cbr\u003e\u003cbr\u003ePiano: Steinway model D, serial no 600443 (2016)\u003cbr\u003ePiano technician: Norman Motion\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: United States Geological Society \/ Unsplash\u003cbr\u003eSession photography: foxbrushfilms.com \u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-b273419f-1414-4dda-953e-b2286176e28c\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shogun-image-linked shg-align-center\" id=\"s-d1260609-4011-44b4-90ae-fbb5f77377a7\"\u003e \u003ca class=\"shogun-image-link\" 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data-shogun-page-id=\"66671655ae1f4ae22fff6771\" data-shogun-page-version-id=\"6846e1b146148484bd61b0ad\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6846e1b146148484bd61b214\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-82a5eb9f-06a3-44b0-a243-2c0132976028\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e Limited Edition: 500 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-7cc73d90-4bb5-4265-803c-3353d13a3de2\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-30c2cd31-9f7b-45e5-966a-4d14dce110ed\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eSecure in his reputation as a mainstay of Anglican church music, Charles Wood reveals a deeper, more versatile talent in his secular songs. Drawing on rich literary influences – from Christina Rossetti to Walt Whitman – as well as a profound interest in the Irish cultural revival, and balancing delicate lyricism with rich harmonic textures, Wood conjures an intricate landscape of emotional and intellectual depth. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eFor Carolyn Dobbin’s \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=carolyn%20dobbin*\"\u003ethird album on Delphian\u003c\/a\u003e, she is joined by masters of British song Roderick Williams and Iain Burnside in heartfelt performances that give vivid life to these evocative works.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-907078f2-4bb3-473d-9064-1ce5d2873dce\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/charles-wood-songs-for-voice-piano\/1796439820\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-8fc34ec6-3255-4198-ae46-84bee361788c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-v3-s-8fc34ec6-3255-4198-ae46-84bee361788c\" class=\"shg-swiper-container\"\u003e \u003cdiv class=\"shg-swiper\"\u003e \u003cdiv class=\"swiper-wrapper\"\u003e \u003cdiv class=\"swiper-slide\"\u003e \u003cdiv id=\"s-7e2ea1b3-8c20-4279-9e90-6d43966d2ea7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e“An excellent introduction to the songs of Charles Wood … I love the spirit in which this album has been recorded: a Northern Irish singer supporting a compatriot composer … ‘O Captain! My Captain!” offers a wonderfully dramatic rolling gesture to start the day: you really feel you’re in safe hands with these musician’s performances … it’s so encouraging that over half the songs on this album are world premieres: it shows the wider heritage of British song that we can be proud of … Carolyn Dobbin makes such a beautiful warm sound; there’s something you just don’t want to let go of – we could listen to those songs all day: the balance that Delphian gets is wonderful because Wood’s Brahmsian piano writing is so immediate; it’s big writing”\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/\" alt=\"\" width=\"220\" height=\"121\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cbr\u003eRECORD REVIEW - \u003ca href=\"https:\/\/www.bbc.co.uk\/sounds\/play\/m002988z\"\u003e\u003cem\u003elisten here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-slide\"\u003e \u003cdiv id=\"s-8f328882-4fee-45ca-8d59-56343ac498d3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\"Putting aside unpleasant memories of singing Wood's well-known anthem 'O Thou, the Central Orb' as a boy chorister, I settled down to this album of 23 songs in hopeful anticipation of better times. And they quickly came. Over half of the items here draw on Irish poetry and Irish folk tunes, and Wood's musical responses, written during the 1890s and beyond, are regularly imaginative and sensitive, sometimes surprising too in their vocal lines and harmonic shifts. The piano accompaniments alone fall into no set pattern: witness the sudden complex contortions if a protagonist suffers emotional distress or, even worse, is drowned\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" width=\"241\" height=\"61\"\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-button-prev\"\u003e \u003csvg width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e \u003cpath d=\"M15 18l-6-6 6-6\" stroke-width=\"2\" fill=\"none\" stroke-linecap=\"round\" stroke-linejoin=\"round\" style=\"transform: translateX(-1px);\"\u003e\u003c\/path\u003e 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\"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            }\n          \n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-10ee9288-9457-4f43-97c8-94bb36637ec5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 March 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34339\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 71:05\u003cbr\u003eRecorded on 8-10 January 2024 and 25-27 March 2017 (tracks 17-21) in St Mary’s Parish Church, Haddington \u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003ePiano: Steinway model D, serial no. 600443 (2015) \u003cbr\u003ePiano technician: Norman Motion \u003cbr\u003eDesign: Drew Padrutt \u003cbr\u003eBooklet editor: Henry Howard \u003cbr\u003eCover photography: Frances Marshall \u003cbr\u003eSession photography: William Coates-Gibson\/ Foxbrush \u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-8fc0d397-c607-4c13-8682-57b9b4043cfa\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e 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Title","offer_id":45768158085334,"sku":"DCD34339-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/charles-wood-songs-for-voice-piano-cd-delphian-records-168923.jpg?v=1729099998"},{"product_id":"songs-from-the-north-of-ireland-dorothy-parke-joan-trimble","title":"Songs from the North of Ireland: Dorothy Parke | Joan Trimble","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"66718ff3ddfbe6987e715400\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"66718ff3ddfbe6987e715400\" data-shogun-page-version-id=\"675acc9401e9908b70319561\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"675acd63bc300e6eefd1e366\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-8e64297a-1537-4705-a2c6-1ce681c975ec\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e Limited Edition: 300 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-a8accd29-3a7e-417f-a441-cb45bdde4416\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-c470184c-65ca-4add-abd7-862e529c1cc6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eFollowing the success of their partnership in \u003ca href=\"https:\/\/www.delphianrecords.com\/products\/dcd34187\"\u003e\u003cem\u003eCalen-O: Songs from the North of Ireland\u003c\/em\u003e\u003c\/a\u003e, Carolyn Dobbin and Iain Burnside return to Ulster’s rich but undervalued musical heritage with a programme of songs by two twentieth-century women, all but a few of them premiere recordings. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eDorothy Parke is well known for her songs for children but is revealed here as a much more wide-ranging composer, steeped in the folk melody and poetry of Ireland. Joan Trimble, an accomplished concert pianist, left behind only a handful of published songs but a small trove of manuscripts, including her opera \u003cem\u003eBlind Raftery\u003c\/em\u003e, written for BBC Television in 1957, two arias from which complete this journey of discovery.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-73077a62-299b-432c-bbae-68dc96c44c01\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/songs-from-the-north-of-ireland-dorothy-parke-joan-trimble\/1761578428\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003cdiv id=\"s-9cfa6dba-845c-4e2c-ae5d-124955c85bd5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3a87f64f-9ad9-42bc-8f0d-1485bc722fff\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3a87f64f-9ad9-42bc-8f0d-1485bc722fff\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a6ea1496-069d-41fc-91c7-301b85c0767f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Parke’s songs are charming, brief, simple, supple and salon-sweet. They’re attractively lyrical and in no way combative. Rather,they’re the product of an imagination that’s effortlessly communicative. She cleverly varies her piano patterns, whether striding confidently or suffused with Irish folkloric spirit ... Though they’re as concise as Parke’s, Joan Trimble’s songs employ a more sophisticated palette. In \u003cem\u003eThe County Mayo \u003c\/em\u003ethe songs are varied, and contrasted strongly, whether athletically fiery, full of bardic melancholy or exuding a rich folkloric sense, complete with exuberant flourishes. It’s an exciting and concise example of her art ... Carolyn Dobbin and Iain Burnside explore the song’s charms – whether winsome or jaunty – with a proper appreciation of theirstatus. Nothing is over-inflated, but neither do they play up the faery elements either. Pianist Ingrid Sawers accompaniesTrimble’s \u003cem\u003eThe County Mayo\u003c\/em\u003e very adeptly. The recording in Greyfriars Kirk, Edinburgh has been sensitively balanced and as in their last album, \u003cem\u003eCalen-O\u003c\/em\u003e, Dobbin and Burnside are adroit explorers of Ulster’s recent musical past\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eMUSICWEB INTERNATIONAL\u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2024\/11\/songs-from-the-north-of-ireland-delphian\/\"\u003eread the full review here\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5dec292a-3d13-47b5-a8d3-3cbe1694b3a4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCarolyn Dobbin and Iain Burnside have come up with another gem of a disc for Delphian (its predecessor, 'Calen-O: Songs from the North of Ireland', deservedly received a cordial recommendation from Jeremy Dibble in May 2018) ...\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Aptos, sans-serif;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThe County Mayo with its two-piano accompaniment emerges as freshly as the day it was conceived, with Dobbin enjoying sparkling support from Burnside and Ingrid Sawers. Captivating, too, are the settings of Thomas Hardy's \"Weathers and John Masefield's 'A Wanderer's Song' ..\u003c\/span\u003e. \u003c\/span\u003eWee Hughie' warms the cockles in its touching simplicity, and is one of a number of items here that still feature in \u003cspan style=\"font-family: Aptos, sans-serif;\"\u003esong festivals ... \u003c\/span\u003eNo praise can be too high for Dobbin's assured and strongly communicative advocacy of all this appealing material, to say nothing of Burnside's customarily exemplary pianism. Paul Baxter's production values are out of the top drawer. First-rate presentation, too, featuring invaluable booklet notes by Nuala McAllister Hart and Joanna McVey (Trimble's daughter), and full texts. A most gratifying issue\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"295\" height=\"43\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv 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\"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ae172283-859e-4d8e-9130-31f11c342f08\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e Limited Edition: 300 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-fcaea80f-c4a7-4e23-8f61-71bf04f46590\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eBenjamin Britten’s five Canticles, written for his lover and muse Peter Pears, stand as some of his most intimate and spiritually charged music. Composed across a period of nearly thirty years, they reflect Britten’s evolving response to poetry, religion and the human condition. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eTenor James Way and his duo partner and wife Natalie Burch lead an exceptional line-up of musicians in performances that capture the emotional depth and complexity of these unique pieces. The programme also features Priaulx Rainier’s unaccompanied Cycle for Declamation, written for Pears in 1955 – settings of Donne that, in their intensity and introspection, find common ground with Britten’s Canticles.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-39bb3d97-3643-49a2-af9a-b065a22038db\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/benjamin-britten-canticles\/1784531024\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-4bb39f82-5d4c-43bc-b0bf-7d20e57456de\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-4bb39f82-5d4c-43bc-b0bf-7d20e57456de\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d4a5569c-69bf-4da2-aac2-51fcec169175\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\" James Way [is] never less than eloquent, and blends wonderfully with the mezzo-soprano Lotte Betts-Dean as the voice of God in Abraham and Isaac. Singing alone as Isaac, Betts-Dean scarcely suggests the voice of a child, but then what was child-like about the contralto Kathleen Ferrier at the work’s premiere in 1952?... \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eOther talent on display includes the solid pianist Natalie Burch, the indispensable countertenor Hugh Cutting and the horn player Annemarie Federle ... The most brilliant turn of all comes from Way alone, singing Priaulx Rainier’s starkly powerful \u003cem\u003eCycle for Declamation\u003c\/em\u003e from 1954. \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eA fascinating and rewarding release\"\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/63686b2c-d4ea-4ba5-a296-1c597991f0b7\/\" alt=\"\" width=\"358\" height=\"90\"\u003e\u003cbr\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7282044e-c738-483c-83ac-2545684db892\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"This recording of Benjamin Britten's five \u003cem\u003eCanticles \u003c\/em\u003ecaptures the essence of the composer's unique voice with remarkable emotional depth and technical precision. Tenor James Way, alongside his wife and pianist Natalie Burch, creates a compelling intimacy that echoes the special relationship between Britten and his partner and muse, Peter Pears, for whom these works were originally written ... Britten's gift for tenor writing and his operatic sensibilities shine throughout this superbly recorded album. Way demonstrates exceptional control of phrasing and dynamics, particularly in the softer passages where his nuanced delivery creates moments of profound beauty ... [Way and Lotte Betts-Dean's] distinct, pure tones blend beautifully in the conversational elements of Abraham and Isaac ... Burch's piano accompaniment provides sympathetic support throughout, while countertenor Hugh Cutting adds atmospheric depth to the ensemble. Annemarie Federle's horn playing in the third Canticle grows increasingly confident and warm as the piece progresses ... Credit must also go to the Delphian recording team for capturing the subtle nuances of these performances with exceptional clarity and warmth. The outcome is an essential recording for admirers of Britten's vocal writing and a testament to the artistry of all performers involved\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6f9e0799-036e-4060-96e2-c9e9363bc98e\/\" alt=\"\" width=\"284\" height=\"50\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-803a09aa-3901-45fe-a22f-83592218f698\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e \"a classy new rendering of Britten's five Canticles to set alongside those distinguished versions from the likes of Peter Pears, Anthony Rolfe Johnson, Philip Langridge, Ian Bostridge and Mark Padmore ... James Way's instinctive understanding of this stimulating repertoire seems remarkably complete, and he displays a technical security, mellifluousness of timbre and range of tone-colour that excite admiration. Moreover, pianist Natalie Burch offers wonderfully empathetic and deftly poised support throughout. The present husband-and-wife duo excel in Britten's radiant, beguilingly Purcellian handling of Francis Quarles's My beloved is wine and I am his, whose intimate closing bars bring with them a piercing beauty that lingers in the memory. Next comes the masterly Abraham and Isaac, in which Way's partnership with the eloquent Australian mezzo-soprano Lotte Betts-Dean effortlessly generates a keen dramatic instinct that recalls Pears's superbly insightful February 1957 recording with contralto Norma Procter and the composer at the piano ... there's an exemplary contribution from LPO and Aurora Orchestra principal horn Annemarie Federle in Still falls the Rain, Countertenor Hugh Cutting and baritone Ross Ramgobin comprise a judiciously matched yet strongly characterful team in Journey of the Magi, indeed, theirs is a reading both illuminatingly appreciative of Eliot's text and one that readily ignites the imagination. As for The Death of Saint Narcissus, harpist Alis Huws shines in the delectable part that Britten fashioned for the incomparable Osian Ellis. A joy from start to finish, then, and we're also treated to a considerable rarity in the shape of the compact \u003cem\u003eCycle for Declamation\u003c\/em\u003e by South African-born Priaulx Rainier - arresting adaptions for solo voice of three meditations ... Suffice to say, Way does them proud. Boasting commendably truthful sound and balance this issue has already afforded me enormous pleasure and should not be missed\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" alt=\"\" width=\"302\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b9b6c7ca-ae7d-4abf-a312-6f9bd3bbf803\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Way and pianist Natalie Burch distil a palpable warmth and sensuality ... Mezzo-soprano Lotte Betts-dean joins Way in 'Canticle II: \u003cem\u003eAbraham and Isaac\u003c\/em\u003e, her convincingly boyish timbre achieved without any loss of textual nuance ... Way, Burch and horn player Annemarie Federle fully embrace the impassioned vision of 'Canticle III: \u003cem\u003eStill falls the rain\u003c\/em\u003e, again not flinching from the raw emotional content of Britten's music ... Interpretively speaking, this is a fresh and nourishing recital\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" alt=\"\" width=\"245\" height=\"62\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-4bb39f82-5d4c-43bc-b0bf-7d20e57456de\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-76fcc4ae-01f7-4395-9ccf-ed561c44798e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 February 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34340\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:07:50\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 15-17 January 2024 in St Mary’s Parish Church, Haddington \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis 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class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eCanticle II: \u003c\/strong\u003eAbraham \u0026amp; Issac\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-670dd239-ae3c-4418-8662-0a3d3d4c66d5\" class=\"shg-c \"\u003e    \u003cmeta charset=\"UTF-8\"\u003e \u003cmeta name=\"viewport\" content=\"width=device-width, initial-scale=1.0\"\u003e \u003ctitle\u003eApple Music Style Audio Player\u003c\/title\u003e \u003cstyle\u003e\n\/* Styles for the audio player *\/\n.audio-player {\n  width: 300px;\n  background-color: #f5f5f5;\n  border-radius: 10px;\n  overflow: hidden;\n  box-shadow: 0 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years","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"66a24088a7fbeb10d96bcc67\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"66a24088a7fbeb10d96bcc67\" data-shogun-page-version-id=\"6a07178746ca281d8ff66fb1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a07178746ca281d8ff671ed\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-8f344b14-93a2-4cb5-ae62-b496f1d160e7\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e Limited Edition: 350 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-be6cd441-0eea-42ef-a788-7e11e363acac\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-de9de1e8-c163-4ffc-9120-bfa767303397\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eBringing together specially commissioned music from five Scottish composers, this album builds on the similar collection released on Delphian ten years ago\u003ca href=\"https:\/\/www.delphianrecords.com\/products\/dcd34153\"\u003e to celebrate Live Music Now Scotland’s 30th anniversary\u003c\/a\u003e. LMNS’s unique approach to commissioning new music fulfils the organisation’s twin aims of supporting early-career artists with professional performing experience and at the same time widening access to high-quality live music for people living in challenging circumstances, including children with additional support needs and older people in care. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eThe first volume was described by \u003cem\u003eBBC Record Review\u003c\/em\u003e’s Andrew McGregor as ‘a lovely showcase’ for the composers and musicians involved and for Live Music Now’s important work; Delphian is proud to ally with the organisation again in this exceptional endeavour.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a1aecdbd-4d5f-48d9-aee9-8344bdad8c71\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/building-castles-live-music-now-celebrates-40-years\/1761577667\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-33efcf08-9022-4b3e-b898-0eda7d281137\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-33efcf08-9022-4b3e-b898-0eda7d281137\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-93e115bf-efab-4e9d-bc50-12ec7c6337de\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"I encourage readers to visit Live Music Now Scotland's website in order to learn more about an interesting organisation that has some unusual and fascinating features. I also encourage them, very warmly, to acquire this lovely disc ... I think that Jennifer Martin’s two pieces, in spite of the technical challenges they present, will be particularly satisfying to get to know and to play. Clarinettist, Calum Robertson, and pianist, Juliette Philogene, do them full justice. Both pieces explore the theme of motherhood. \u003cem\u003eBi-Cycle\u003c\/em\u003e begins with a very affecting, rocking lullaby, and the titles of the movements that follow, ‘Haywire’, for instance, give a fair indication of what to expect. ‘Hammer and Tongs’, though, sounds like good-natured banter to this listener ... The final work in the programme, \u003cem\u003eSongs from Above and Below\u003c\/em\u003e, grew out of a project supported by the Baring Foundation, an independent organisation that provides financial support in the form of grants and whose values turn around human rights, inclusion, discrimination and disadvantage. John McLeod’s composition was part of a programme entitled ‘Late Style’ which supported artists over 70. McLeod produced a song-cycle to his own texts on the subject of the mining industry ...  \u003cem\u003eSongs from Above and Below\u003c\/em\u003e is, to be sure, a serious and sombre work, challenging for the listener, as well as, no doubt, for the artists. It receives a magnificent performance here from Emily Mitchell and Geoffrey Tanti\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2024\/12\/building-castles-delphian\/\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7e899610-2ec2-4a12-93d1-1444c9df3f2d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-weight: 400; font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e'L\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003eive Music Now Scotland does important work, providing a platform for upcoming professionals to experience music-making in a variety of settings: among the elderly and those with special needs, and introducing children to a world of music they might never otherwise encounter. Ten years on from its 30th birthday tribute, Delphian continues its collaborative association with a 40th birthday release featuring music specially written for LMNS, delivered by associated performers. There’s an attractive mixture of styles, from the folkish charm of singer-songwriter Karine Polwart’s Keep Building Castles and Meet Me at Loganlea to the leisurely jazz leanings of Savourna Stevenson’s characterful Mill Memories, the impish quirkiness of Erin Thomson’s The Graceful Art of Walking on Stilts, the playful humour of Jennifer Martin’s Bi-Cycle and What’s for You…, and the bittersweet contrasts expressed in John McLeod’s reflections on the coal-mining industry, Songs from Above and Below.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"261\" height=\"74\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-20b583d5-f7da-43bc-bad5-aef4da9f0869\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eYoung composer Erin Thomson captures the thrills and spills of an exhilarating activity [in \u003cem\u003eThe Graceful Art of Walking on Stilts]\u003c\/em\u003e in a way which also draws a young audience into the possibilities of music making through the soaring, tinkling and percussive sounds of the instruments ... \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eTwo works on the CD preserve memories of Scotland’s industrial past. Harpist Savourna Stevenson was commissioned to write ‘Mill Memories’ a seven minute work for flute and guitar as part of Paisley’s 2021 bid to be European City of Culture and commemorates the work of mill workers there and in Lancashire where all four of the composer’s grandparents worked in the mills. A bustling start mimicking the continual movement of the machinery is followed by an exotic melodic section, perhaps a nod to the famous Paisley pattern, originally copied from Indian patterns. In 1929, Paisley was the site of the largest ever cinema fire in Europe when 71 children were killed, and an elegiac passage recalls this tragedy. Leila Marshall, flute and Sasha Savaloni, guitar are sensitive to all the changes of mood in the music ... \"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eEDINBURGH MUSIC REVIEW\u003cbr\u003e\u003ca href=\"https:\/\/www.edinburghmusicreview.com\/blog\/y6vgcxllmeej04tf22bgef1f4unq5l\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e  \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-33efcf08-9022-4b3e-b898-0eda7d281137\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9068871d-0319-4242-975f-54fe4fbe3e47\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 September 2024\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34327\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:00\u003cbr\u003e\u003cbr\u003eRecorded 11-12 January 2024, St Mary's Haddington\u003cbr\u003e\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eEditor: John Fallas\u003cbr\u003eSession Photography \u0026amp; 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\u003ch1\u003e Limited Edition: 500 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-daa8dc1d-0bb4-465a-b0d1-c8f3395a844a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e 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Four decades after Walton’s death, three imaginative young artists bring fresh voices to the feast, revelling with infectious enjoyment in the composer’s endlessly beguiling inventiveness and sparkling wit.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-cd044978-6125-43be-8641-199b823ac3be\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/william-walton-complete-songbook\/1770785088\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6504a308-f1e8-412b-a56a-2ac87acbff64\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6504a308-f1e8-412b-a56a-2ac87acbff64\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e6585337-8bee-4f41-aa72-5e049a706b6d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px; text-align: center;\"\u003e\n\u003cspan style=\"font-size: 20px;\"\u003e'Young soprano Siân Dicker is partnered by pianist Krystal Tunnicliffe and (in the cycle, originally written for Peter Pears and Julian Bream) guitarist Saki Kato. Recorded in St Mary’s Church, Haddington, they are captured in well-focused sound with an ideal balance and a nice bloom to the sound. Dicker’s voice is comfortable over a wide range, with a notably rich middle register, and she’s alive to the often humorous and sometimes mischievous texts as set by Walton, always keenly projected, but is also capable of tender warmth in the more sensitive numbers ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e‘Daphne’ is trance-like, ‘Through gilded trellises’ hauntingly unsettling, and there’s a real jazzy swing to ‘Old Sir Faulk’, ensuring that this compelling disc ends in similar gleeful high spirits to those with which it began. Walton fans owe a huge debt of gratitude to Delphian, Siân Dicker and her engaging colleagues for this welcome addition to the catalogue'\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 22px; text-align: center;\"\u003e\n\u003cimg src=\"https:\/\/i.shgcdn.com\/71c02b3b-8ba2-4ecb-86dd-fa05e807b5ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"284\" height=\"91\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.europadisc.co.uk\/classical\/242437\/Walton_-_Complete_Songbook.htm\"\u003eread the full review here\u003c\/a\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8c67b6e6-7003-4870-887e-fa26588cfd8c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"The four Swinburne settings have a sincerity sand seriousness a long way from the sophisticated wit of Façade. “The Winds” is the most striking of these student essays, with a turbulent piano part and dramatic vocal, in which Dicker really lets fly ... \u003cem\u003eAnon in love\u003c\/em\u003e is played here with relaxed humour by Saki Kato. “Fain would I change that note” has a sensual vocal line that soars and dips, “My love in her attire” pits an athletic vocal line against a darting guitar, and the finale “To couple is a custom” is saucy and wry, and Walton at his best ... Dicker and Krystal Tunnicliffe turn on a sixpence to capture the satirical opposition of the outgoing bonhomie of city life versus the boredom of being in the country\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"179\" height=\"81\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/theartsdesk.com\/classical-music\/classical-cds-vitamins-kings-and-magic-spells\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a4678f58-f99d-4372-b1b3-9ea6eef890c6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Soprano Sian Dicker kicks off with\u003cem\u003e A Song for the Lord Mayor's Table\u003c\/em\u003e, a bouquet of six songs commissioned by the Worshipful Company of Goldsmiths for Elisabeth Schwarzkopf and Gerald Moore to perform at Goldsmiths' Hall. Schwarzkopf never recorded the work and Dicker makes the songs her own very convincingly, with plenty of spirit and good diction ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"289\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-63fc879f-dc7d-4005-9be9-fdd2c1c27475\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Siân Dicker and Saki Kato give first-rate performance, consistently capturing the diverse moods of the vocal masterpiece, \u003cem\u003eAnon in Love ... \u003c\/em\u003eSiân Dicker is a talented British singer known for her rich, full-bodied voice and dramatic flair. As a spinto soprano, she is equally at home in the opera house and the recital room ... Choral conductor and writer David Wordsworth supplies most useful liner notes ... I cannot fault Siân Dicker’s imaginative and sympathetic performances of these songs, and her wide-ranging vocal accomplishments. She is an ideal interpreter of Walton’s music. Equally wonderful is the outstanding accompaniment by pianist Krystal Tunnicliffe and guitarist Saki Kato. The recital is aided and abetted by the perfect recording conditions in the beautiful St Mary’s Parish Church, Haddington\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2025\/01\/walton-complete-song-collection-delphian\/\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3b0a1449-b755-4b38-b717-4148c9cd88fa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\"The Lord Mayor's Table\u003c\/em\u003e (setting Thomas Jordan) has just the right sense of lyrical exuberance with Dicker producing some vibrant coloratura, all supported by the colour and movement in Tunnicliffe's piano ... \u003cem\u003eGlide Gently\u003c\/em\u003e (setting William Wordsworth) really does glide and slide, with Dicker and Tunnicliffe creating an eerie, intense atmosphere. \u003cem\u003eWapping Old Stairs\u003c\/em\u003e (setting an anonymous text) is a complete delight, as always, with lovely rhythmic appeal and Dicker relishing those terrific words, and she makes the refrain almost seductive ... \u003cem\u003eHoly Thursday\u003c\/em\u003e (setting William Blake) is focused and unsentimental, thankfully, and expands wonderfully towards the end. \u003cem\u003eThe Contrast\u003c\/em\u003e (setting Charles Morris) is vividly articulated and pointed, with a fabulous ending, and then for the anonymous text of \u003cem\u003eRhyme\u003c\/em\u003e Walton takes us back to the mood of the opening and the two performers return to the lyrical exuberance and sheer joy ... This collection makes you wonder why we have not had this type of collection before. The performers bring that sense of enthusiasm and care to both the lively well-known numbers and the lesser known but no less deserving. After listening to this Dicker, Tunnicliffe and Kato certainly make us regret that Walton did not write more songs.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eRobert Hugill\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2025\/01\/the-complete-walton-songs-there-arent.html\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e1dd981e-2c4b-4006-bb1e-e7a26553609a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eWilliam Walton has always impressed me as a composer since I first heard Façade and also Belshazzar's Feast in my youth. I did not know any of his songs so was quite keen to listen to this disc which contains his complete song selection ... Like all of the Delphian recordings I have reviewed or listened to, the sound here is very good indeed, the supplied booklet and additional information is informative and most welcome and the performances are very fine. I thought the pianist, Krystal Tunnicliffe, was a marvellous and responsive supporting artist as was the guitarist Saki Kato ... I was pleased that the booklet also contained the lyrics, as otherwise I may have struggled somewhat. This is my personal feeling and I still feel that this is a fine disc and worthy of your attention, and I am thrilled that these songs have been presented.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003eCLASSICAL MUSIC DAILY\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-f7de2083-ca2c-4925-a317-5e7af65c5cad\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eRelease Date: 25 October 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eCatalogue No: DCD34328\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eTotal playing time: 53:42\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eRecorded on 5-7 January 2024 in St Mary’s Parish Church, Haddington \u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003e\u003cbr\u003ePiano: Steinway model D, 2016, serial no. 600443\u003cbr\u003ePiano technician: Norman Motion\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eDesign: John Christ\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover image: William Coates-Gibson \/ Firefly \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eSession photography: William Coates-Gibson \/ foxbrush.co.uk \u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK \u003ca href=\"https:\/\/www.delphianrecords.com\"\u003ewww.delphianrecords.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 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class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eThe Lord Mayor's Table: \u003c\/strong\u003eVI. 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data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-d2a95fc1-3d79-4eb9-915d-9258ea630133\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e Limited Edition: 500 CDs available worldwide \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-75f0c6a2-dc22-454d-a0b0-183d26ac3fde\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-80603909-0e27-42c6-8326-8a89cf819bac\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 24px;\"\u003eInspired by his Highland heritage, the young tenor Glen Cunningham presents a personal and heartfelt journey through music connected to Scotland, both native and international, old and new. The focus of the new is a commission by fellow Highlander \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=stuart%20macrae*\"\u003eStuart MacRae\u003c\/a\u003e, setting five poems of Robert Louis Stevenson. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 24px;\"\u003eAt the album’s core, meanwhile, are Schumann’s settings of Robert Burns, showcasing the poet’s influence on the world of lieder, alongside arrangements of Burns’ songs by Scottish composers. Joined by pianist, friend and regular duo partner Anna Tilbrook, Cunningham offers a rich, evocative programme that reflects his deep connection to the landscapes and stories of his homeland.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d5086253-787a-494a-9df0-9daac4e1dc3e\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/my-hearts-in-the-highlands-burns-hahn-lehman-schumann\/1777852167\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9b123325-6993-4176-8ea9-8fde799dcecb\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9b123325-6993-4176-8ea9-8fde799dcecb\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3193cae1-0df1-43cd-b692-52c161d7d345\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 24px;\"\u003e \"in a very clever and thoughtfully-compiled recital, Glen Cunningham and pianist Anna Tilbrook run from the Romanticism of Robert Schumann’s Burns settings to a box-fresh commission from Cunningham’s fellow Invernesian Stuart MacRae, bracketed by earlier responses to the lyrics of Robert Louis Stevenson, with side steps into Victoriana and arrangements by neglected Scots composer Claire Liddell en route ... The sequencing of the set is masterly, and the selection full of wonderful surprises ... If the whole project was built around the MacRae commission, that is no less than it deserves. It includes the longest songs on the disc, the composer using two of the well-known Songs of Travel alongside three lyrics from the more esoteric collections, Underwoods. The piano writing for Tilbrook is every bit as compelling as MacRae’s word-setting, already known from his operas to be first-class, and his choices reveal a much less familiar side of Stevenson\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f058ff4a-4a10-48f1-8e01-57d39d38928c\/\" alt=\"\" width=\"322\" height=\"67\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003ca href=\"https:\/\/voxcarnyx.com\/2025\/01\/23\/glen-cunningham-anna-tilbrook-my-hearts-in-the-highlands\/\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-052368d8-5c97-403e-8c65-8f295f2ad88e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"My Heart’s in the Highlands is a timely showcase for Inverness-born tenor Glen Cunningham, given his recent title-role triumph in Britten’s Albert Herring for Scottish Opera. Together with pianist Anna Tilbrook, it’s also a thought-provoking reminder of how composers and arrangers across centuries, borders and cultures have responded to texts by the likes of Robert Burns and Robert Louis Stevenson. Schumann’s multi-hued Burns settings from the Myrthen Op25 Lieder are insightfully free-flowing. Reynaldo Hahn’s Stevenson settings of Five Little Songs make no apology for their characterful, carefree amusement. Among sundry arrangements are the exceptional sensitivity of Scots composer Claire Liddell’s “Ca’ the yowes”, and the virtuosic levity of her “Wee Willie Gray”. What really sets this alight, though, is Stuart MacRae’s newly-commissioned Five Stevenson Songs, where imaginative sophistication rubs shoulders with magical enticement, wistful supplication, manic ecstasy, and much more...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" alt=\"\" width=\"296\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 28px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e4493015-41a5-453e-992f-009efd8bdb3f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"[the whole programme] sounds wonderful via Cunningham’s crisply delivered bright tones. The MacRae set – their sound world often an intense, faintly mystical and otherworldly one – sit especially beautifully in his voice, reminding one of his affinity for Britten. To Hahn’s songs, he brings an emotive feel of purity, playfulness and innocence. Tilbrook makes for a compelling second, wordless voice in moments such as her duetting over ‘Ye banks and braes o’Bonnie Doon’, while pianistic moments to savour include her suddenly jauntily jazzy rhythmic handling of the final bars of Schumann’s ‘Jemand’ ... \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eTheir combined radiant, proudly lilting reading of ‘My heart’s in the Highlands’ makes for a cracking programme closer. I’ve given you that closing song, preceded by the traditional ‘Ae fond kiss’ (arr. Alfred Moffat 1863-1950) and MacRae’s Five Stevenson Songs\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/\" alt=\"\" width=\"212\" height=\"152\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-january-25\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread Charlotte Gardner's full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-73617d19-71fa-48d9-91df-ceaf576143d4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\"Jemand\u003c\/em\u003e is warmly passionate, Cunningham's lyric tenor is finely vibrant. He and Tilbrook bring out the contrasts between the Schumann songs, so the Highland widow is vivid and intense, whilst the Highlander's farewell is vigorously robust and the lullaby is suitably gentle with Cunningham's phrasing here, as elsewhere, beautifully done. \u003cem\u003eHauptmanns Weib\u003c\/em\u003e is characterful, the words and the story counting, whilst the gentle lyricism of \u003cem\u003eWeit, Weit\u003c\/em\u003e gets remarkably intense. There is a vivid swagger to \u003cem\u003eNiemand\u003c\/em\u003e, and a gentle lyricism to \u003cem\u003eIm Western ... [\u003c\/em\u003eStuart MacRae's \u003cem\u003eFive Stevenson Songs] \u003c\/em\u003eresult in an engaging, imaginative and at times magical grouping ... The performers end with a final pair of Scots songs, bringing to an end a disc that combines imagination with a wonderful feel of imaginative engagement. There is a sense of the two performers bringing these different ideas of the Highlands alive. There is definitely no sense of light music to the performances of the Hahn and the Lehmann. Throughout we are intrigued and engaged\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eROBERT HUGILL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2025\/02\/my-hearts-in-highlands-debut-recital.html?m=1\"\u003eread his full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-65e3d5e3-7c46-42a3-84c0-697074bdd801\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"as tartan and haggis as it comes. There is poetry by Robert Burns (in his own Lallans tongue and in German translation), Robert Louis Stevenson and that great lyricist Anon, who also composed some of the music here. Tenor Glen Cunningham hails from Inverness and studied at his country's Royal Conservatoire; Anna Tilbrook's roots are in nearby Alness; Stuart MacRae, whose cycle \u003cem\u003eFive Stevenson Songs\u003c\/em\u003e (a new commission) is included also comes from Inverness; there are three most attractive folk-song arrangements by the Glasgow- born (1938) pianist and composer Claire Liddell; the album was recorded in St Mary's, Haddington (East Lothian); the record label is proudly Scots, even the booklet writer, Lucy Walker, is half-Scot and lives in Caithness ... Cunningham, I note, takes a leaf out of Kenneth McKellar's book and sings the last bars mezza voce. Very effective ... he clearly relishes channelling his inner McCormack with his bright tone, splendid heroic attack and crystal-clear diction\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/28dece4f-f486-40a3-bd9e-5cbe4502aefb\/\" alt=\"\" width=\"275\" height=\"40\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv 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\u003cbr\u003ePiano technician: Norman Motion\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Eliot Garcia \u003cbr\u003eBooklet editor: Henry Howard \u003cbr\u003eCover and session photography: William Coates-Gibson\/Foxbrush \u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK \u003ca href=\"https:\/\/www.delphianrecords.com\"\u003ewww.delphianrecords.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-0858f0d4-291d-4d07-a3f6-904e1027a38c\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-12\"\u003e \u003cdiv id=\"s-fa729467-8c54-4903-969d-dfdbeef2896d-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-fa729467-8c54-4903-969d-dfdbeef2896d\" 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style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-82de9859-26a7-4809-bf07-acd89f71df45\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Themed song recitals can go either way: embrace the listener through exploratory ingenuity, or become stifled by self-confinement. With one as imaginatively-devised as this, versatile soprano Harriet Burns and pianist Ian Tindale are on fertile ground. Conceptually, they leave themselves ample freedom to explore “metaphorical, literal and mystical” ways to fall. As such, the theme becomes intriguingly subliminal, ultimate enjoyment arising from a colourful range of repertoire and styles, from Coleridge-Taylor, Quilter and Vaughan Williams to Judith Weir, James MacMillan, even the whimsical frippery of Donald Swann. More obscure names widen the fascination : Christopher Churcher’s shimmering Skysongs, Muriel Herbert’s seductive Renouncement, Morfydd Owen’s folksy William among them. Burns is a dramatic tour de force in Weir’s unaccompanied King Harald’s Saga; Tindale asserts his own solo prowess in Cheryl Frances-Hoad’s star falling. Together they form a symbiotic, often captivating duo.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"229\" height=\"65\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-607706e5-2e10-4969-9146-fc6578ff2f9b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c31a9e48-bafd-4a82-ab53-fbd151879311\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 29 August 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:14:44\u003cbr\u003eRecorded on 9-11 October 2024 in St Cuthbert’s Church, Edinburgh\u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eSession photography \u0026amp; videography: Will Coates-Gibson\/Foxbrush\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54843320402300,"sku":"DCD34346-CD","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/a-short-story-of-falling-cd-delphian-records-487837.jpg?v=1733953897"},{"product_id":"listen-it-is-here-song-cycles-by-edward-picton-turbervill","title":"Listen. It is here: Song Cycles by Edward Picton-Turbervill","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"67c5cad91989f43cefebcb98\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"67c5cad91989f43cefebcb98\" data-shogun-page-version-id=\"6a071224413ce7fe5ffaa382\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a071225413ce7fe5ffaa583\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f06142be-937d-41ab-953d-e19d5e7d0db7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ecbc91a2-652c-49b4-999c-9bef37832e61\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 30px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eListen. It is here is a bold declaration of intent from a compelling new voice in British song. Edward Picton-Turbervill’s music – fresh, distinctive and unapologetically approachable – draws together themes of love and mysticism in settings of poets as diverse as Hildegard of Bingen, Rilke, Selima Hill and Harold Pinter. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 30px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eFruit of a two-year burst of creative energy after the composer’s return to music, the songs balance emotional immediacy with finely crafted writing for voice and piano. Performed by some of the UK’s most exciting singers, this album announces a striking arrival: a composer writing with sincerity, stylistic clarity, and a clear belief in song’s enduring power to move, to comfort and to connect.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-88346abd-67e2-48a5-b753-81458adf33ce\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/nz\/album\/listen-it-is-here-song-cycles-by-edward-picton-turbervill\/1843643099\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-bd0afcd6-c86a-4280-92ff-9d47004c7c3a\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-bd0afcd6-c86a-4280-92ff-9d47004c7c3a\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a60de197-ae0f-46c1-86a0-e1972deb1420\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The muse for this easygoing anthology of songs by British pianist\/composer Edward Picton-Turbervill stems fundamentally from the rosy, melancholic lyricism of early 20th century English art song. Echoes of Quilter, Vaughan Williams and later influences filter through this charmingly expressive album. The composer, on piano, is joined variously by soprano Harriet Burns, countertenor Alexander Chance, mezzo-soprano Helen Charleston and tenor Elgan Llŷr Thomas. That’s not to diminish the artistry of genuinely distinguished song cycles, among which are the (translated) Rilke settings of Poems in the Sky and the Impressionistic Two Vedic Hymns for soprano; the reverential purity of To The Old Gods for countertenor; the effusive Songs for A (for tenor) that indulge an unmistakable Britten moment; the whimsical parody (veering on Edwardian parlour song) of I Want To Be A Cow for mezzo-soprano. Picton-Turbervill offers momentary diversion with his solo piano miniatures, Seven Portraits.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"243\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-aa771f63-94bb-4b6f-b2d6-03e534f805b8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e'From its haunting opening bars, this disc announces itself as something distinctive. The first track builds with gathering intensity, immediately establishing Edward Picton-Turbervill as a composer of genuine accomplishment in a genre where authenticity of voice matters above all else. Here is music that speaks directly, without artifice or apology – fresh, approachable, and unapologetically sincere(...)\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eThroughout, the performances combine warmth with technical polish, each singer bringing emotional intelligence to their material. The recording, in typical Delphian fashion, captures both the intimacy of the songs and the space around them, allowing Picton-Turbervill's writing its full effect.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" width=\"222\" height=\"72\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-Listen-It-is-Here\" target=\"_blank\" rel=\"noopener\"\u003eRead full review here.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b230108a-71a1-483a-9648-c5b40b5bc2b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003e\u003cem\u003e'Listen. It is here\u003c\/em\u003e announces a significant compositional voice. Picton-Turbervill writes with melodic generosity and harmonic sophistication, trusting in song’s power to move and communicate directly.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eThis is music that deserves to be heard, and to be sung for years to come. One suspects it will be.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e97c05f-9e32-49e8-a171-55d386bef782\/\" alt=\"\" width=\"114\" height=\"97\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/thestuartreview.wordpress.com\/2026\/02\/13\/edward-picton-turbervill-listen-it-is-here\/\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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shg-proportional-font-size\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-cd074a49-b80a-465b-94db-e2753e0ffb73\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 21.8px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRelease Date: 23 January 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eTotal playing time: 1:13:35\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRecorded on 9-11 January 2025 at SJE Arts, Oxford\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2518d96d-8e1d-4c86-9d98-41176c739cd8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-8292f073-008a-4424-aa6e-19afa12e6a24\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a4abb976-577c-4eb1-a450-8acbaffed9c3\" id=\"wrap-s-a4abb976-577c-4eb1-a450-8acbaffed9c3\"\u003e \u003cdiv class=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a4abb976-577c-4eb1-a450-8acbaffed9c3 shogun-image-container shg-align-center\" id=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-a4abb976-577c-4eb1-a450-8acbaffed9c3\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54990318600572,"sku":"DCD34345-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/listen-it-is-here-song-cycles-by-edward-picton-turbervill-cd-delphian-records-121377.jpg?v=1741034583"},{"product_id":"tree","title":"TREE","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6841affdb7e82be49a1a1628\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6841affdb7e82be49a1a1628\" data-shogun-page-version-id=\"6a102a69d47ef59242f1e867\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a102a69d47ef59242f1ea44\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ee353c8d-d71e-4383-ba8c-ded299f9a04f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6788d95c-18f8-4ed4-bc4c-d4f970e131c9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=hermes%20experiment*\"\u003eThe Hermes Experiment\u003c\/a\u003e’s third Delphian album is a meditation on nature, memory and change. Commissioned works and vivid reimaginings are complemented by new compositions by the ensemble’s members, exploring the human instinct to find emotional meaning in the natural world – in birdsong, trees, storms, stars … With its distinctive line-up of clarinet, harp, voice and double bass, the ensemble creates a soundscape by turns intimate, luminous and strange. Joy and grief, fragility and resilience sit side by side in a programme that feels both personal and elemental.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eTREE is a celebration of interconnectedness – between text and music, self and surroundings – brought to life by one of the UK’s most original chamber groups.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/abe11d54-b4e5-42ef-8e8c-57700c0fc855\/\" alt=\"\" width=\"442\" height=\"262\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-0aeaaff9-1bb4-4aeb-86d2-5204c9f409b4\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; 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line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Every track here is a recording first, if only of the arrangements made, mostly, by members of The Hermes Experiment. Once more, the group has constructed an engaging programme that is challenging without alienating the ear, ranging across the centuries, from Elisabeth Jacquet de la Guerre’s \u003cem\u003eLes rossignols\u003c\/em\u003e (1694), arranged beguilingly by Marianne Schofield, to soprano-composer Héloïse Werner’s \u003cem\u003eThunder clears\u003c\/em\u003e, 330 years later ... \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe performances as always with this ensemble (whether on disc or live, say, in the Wigmore Hall) are impeccable. At times they feel like modern-day troubadours, exuberant, delightful, instructive, for instance in \u003cem\u003eLes rossignols\u003c\/em\u003e, Hannah Peel’s \u003cem\u003eThe Almond Tree\u003c\/em\u003e or Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e. Werner’s arrangement is superb ... Delphian’s sound is excellent.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"288\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-71d22747-ae94-4c0a-ba97-686c0f5e7855\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘The Hermes Experiment, an ever pioneering chamber group, has an unexpected instrumental lineup of clarinet, harp, voice and double bass. The voice is that of the French-British soprano Héloise Werner, as much performance artist as classical singer, who can turn herself at a blink into chanteuse, percussion section or yodeller extraordinaire.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"274\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9dbacffc-8ffe-4c2c-ae21-31b394f2536f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘This third album for Delphian examines nature, memory and change through their distinctive mix of specially written pieces and newly re-imagined existing music. The line-up naturally leads to textures that are fragile, elliptical and elusive, all centred around the infinitely flexible, versatile and intriguing vocals of Werner herself.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/\" width=\"175\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-729de349-a2de-4f86-abd8-a145b3cc186d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan data-fontweight=\"Normal\"\u003e‘\u003c\/span\u003e\u003cspan style=\"font-weight: normal;\" data-fontweight=\"Normal\"\u003e\u003cspan class=\"dcr-15rw6c2\" style=\"color: var(--drop-cap);\"\u003eT\u003c\/span\u003ehe third album from \u003ca href=\"https:\/\/www.thehermesexperiment.com\/\" data-link-name=\"in body link\"\u003ethe Hermes Experiment\u003c\/a\u003e again shows what a liberating force in contemporary music this ensemble have become. Beautifully thought through and rewardingly eclectic, Tree begins in a melancholy but open style with Islands by Marianne Schofield, the ensemble’s bassist, and ends with the title track by \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/mar\/05\/errollyn-wallen-top-of-the-pops-master-of-the-kings-music-proms-belize\" data-link-name=\"in body link\"\u003eErrollyn Wallen\u003c\/a\u003e, unfolding over a steady bass like something by Purcell.’\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eErica Jeal - Guardian\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eFIVE STAR REVIEW - \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/oct\/09\/the-hermes-experiment-tree-album-review\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c04e182e-4902-479f-a8c3-bc88bb06eb2b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 28px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'There is a tremendous amount of human energy channelled into this floating, weaving, searching, tonally ambiguous and faintly jazz-coloured music, even beyond the warmer central section, with its depiction of ‘remembering feeling alive’.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2d75d9c2-64d7-467a-b936-627fc27a4633\/\" width=\"128\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(14px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-november?fbclid=PAQ0xDSwOm3kpleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaeLATGcw5FMhKQVbZ3eASAykTbGyUa6gihD1fSsnY9HO_xun4US6thHHNsZtg_aem_O7sI2VUv364GyThI4V2YQg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e365db80-1430-4c67-ab5d-21c11d893629\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Nature and music are potent bedfellows. Think of Beethoven or Mahler. Or to play a more contemporary hand, go to highly-creative ensemble The Hermes Experiment. Their latest album, Tree, explores almost exclusively some of today’s composer’s responses to the natural environment and its emotional influence. Needless to say, the outcome is expressively wide-ranging, from sadness to joy, unspoken intimacy to shared elation - indeed, a universe of sensitivities channelled via this enterprising four-piece ensemble, largely in their own thoughtful arrangements and fronted by the extraordinary vocal agility of soprano Héloïse Werner. There’s music by South African cellist Abel Selaocoe (the elemental vocalisations of Buhle Bendalo), the fitful theatrics of Laura Moody’s Rilke Songs and the improvised playfulness of Werner’s own Thunder Clears, the magical solitude of Hermes double bassist Marianne Schofield’s Islands, and much more besides. 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\u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5c7794ba-d11d-4bf6-8bfa-203a2a2c4e91\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px; letter-spacing: normal; font-weight: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\" data-fontweight=\"Normal\"\u003eRegular Delphian collaborator Lotte Betts-Dean has wowed critics with her ethereal, ‘starkly beautiful’ voice. Here, she teams up with outstanding Greek guitarist Dimitris Soukaras in their first duo album, as they present a terrific array of songs exploring ideas of nostalgia, childhood memory and the state between waking and sleep. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 24px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; letter-spacing: normal; font-weight: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\" data-fontweight=\"Normal\"\u003eThrough borrowing, gathering and reimagining, this eclectic album wanders effortlessly through the creative spaces between genres, taking us from Ravel and Britten to Burt Bacharach and Sinead O’Connor.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-e67c8903-cdef-4f30-8752-42d5e459e469\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/everything-youve-ever-lived\/1828757083\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-712dc211-87ff-46eb-aa83-aa8599b923e1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-712dc211-87ff-46eb-aa83-aa8599b923e1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9599afa3-f251-4f4f-8e9e-0388ff624e02\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003e'Betts-Dean and Soukaras are known for their versatility and eclecticism, and the range of styles and genres here is diverse to say the least.\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003eThroughout, Soukaras is a generous and sensitive accompanist; however, his full range as a guitarist is best appreciated in the too few solos here, such as Vicente Asencio's La calma or Jorge Cardoso's Milonga. ... 'Everything You've Ever Lived' is everything you've ever wanted in a voice-and-guitar recital: a varied and imaginative programme impeccably realised by two prodigiously talented young artists.’\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"349\" height=\"51\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-65714f02-f767-476e-a6a6-7305521df5db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003e‘Betts-Dean’s lyrical mezzo floats wistfully above the texture. With a rich lower range and a more reedy upper register, her voice pairs nicely with the more carefree works… This is aided by an intimate, live-feeling recorded quality from Delphian.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eThe album segues fairly seamlessly into songs by Ravel and Debussy, with Betts-Dean’s woody vocals tightened up but kept in a similarly dreamy sound world.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" width=\"209\" height=\"53\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-adcd7c6a-41fa-4bc5-8308-a36e8d0e1807\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e‘If you’re yet to discover Betts-Dean’s wide, powerful and pure, otherworldly voice with its tremendous range, you couldn’t hope for a more multi-faceted introduction, from the ethereal punch and sensuality she brings to the aforementioned ‘Canto de Ossanha’; to her wide warmth and depth in Caroline Polacheck’s ‘Go as a Dream’, and ethereal treble registers in Debussy’s ‘Les Angélus’. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003eSoukaras’s technique and colouristic paintbox is equally diverse, between but also within individual pieces...’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2d75d9c2-64d7-467a-b936-627fc27a4633\/\" width=\"137\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eCharlotte Gardner\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-playlist-september\" target=\"_blank\" rel=\"noopener\"\u003eRead the full review here.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6e67f1e9-59b2-4e09-b40d-735a7d86d035\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘\u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=lotte%20betts-dean*\" target=\"_blank\" rel=\"noopener\"\u003eBetts-Dean's\u003c\/a\u003e voice, no matter the subject she is singing about, is wonderfully seductive and beautifully smooth and partnered by Soukaras' stunning guitar playing. That at least ten of the tracks on the disc are his own arrangements must be to his credit in creating the sense of coherence and flow...The recording itself is something of a bit of magic too. Soukaras' guitar is recorded with plenty of crunch detail yet with air around the sound which matches Betts-Dean's voice where her seductive, smooth and silky quality is given a positive aura around it. The result is to make the disc a complete package.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003ePlanet Hugill\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2025\/10\/explaining-unexplainable-seductive.html\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRead the full review here.\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-30890d84-d083-43e7-a34d-38a29e832078\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘Betts-Dean's voice proves perfect for this repertoire, fitting the material so wonderfully. Soukaras is equally impressive – his playing is wonderfully atmospheric and warm…The album is a disc I've played repeatedly during the evening. Its evocative theme runs through like a fine thread, and everything is so eloquently performed…It's a tremendous album and something genuinely different to listen to as you settle down for the evening, getting ready to drift off into sleep and dream.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" width=\"214\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22.2px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-351b41cc-a670-4996-89bc-5a871c228482\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘Arranged for the duo, singer Lotte Bett-Dean and guitarist Dimitris Soukaras from their recent album \u003cem\u003eEverything You’ve Ever Lived\u003c\/em\u003e. It’s unique songs like this are so thoughtfully and emotionally curated, they wonder through genres creating their own spaces between them. It’s not a Christmas album but if you given it or move to listen you’ll find reflections on family, nostalgia, childhood memories, and that special state between sleeping and waking that might resonate powerfully at this or any time of year.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/\" width=\"129\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 26px;\"\u003e\u003ca href=\"https:\/\/www.bbc.co.uk\/programmes\/m002n89d\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eListen here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9cc9aa2e-9653-48e9-b2bb-8323088eb8bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-weight: 400; font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e'Originality is\u003c\/span\u003e\u003cspan style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e everything to Australian mezzo soprano Lotte Betts-Dean, not least the distinctive multicoloured versatility that defines her work. It was on show live at the recent Lammermuir Festival, and now again in a new duo album with stylish Greek guitarist Dimitris Soukaras. The recording setting is, in itself, a mood-facilitating feature, the intimate glow within Midlothian’s Crichton Collegiate Church benefitting any style the pair throw at it, whether Richard Rodgers’ Blue Moon (schmalzy and seductive), the vocalist’s chorister-like purity in Seiber’s Réveillez-vous, the haunting delicacy of songs by Ravel and Debussy, Sinéad O’Connor’s ghostly Jackie, or the refined ecstasy of a Britten lute song from his opera Gloriana. This is a highly-personal nostalgic collaboration, which perhaps lends a certain sameness to the collection. But equally there’s something totally beguiling in the mutable allure of this heartfelt programme and its uniquely expressive presentation.'\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"232\" height=\"66\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv 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aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-63fb8cde-6d10-4f9f-aaa5-3537894a429e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp class=\"p1\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eRelease date: 26 September, 2025\u003cbr\u003eRecorded on 2-3 December 2024 at Crichton \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eCollegiate Church, Edinburgh\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital editing: Jack Davis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003ePaintings by Heather Betts: cover – ‘Overthrown’,\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e2017 (detail, reworked); booklet rear – ‘He lets \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eme go’, 2015 (detail)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eCover photograph © Nikolai Matiushev\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eSession photography: foxbrushfilms.com\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eDesign: Eliot Garcia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e \u003cdiv class=\"shg-box shg-c \" id=\"s-05df7251-6425-4fc1-9346-caed5296c1b3\"\u003e \u003cdiv class=\"shg-box-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"shg-box-content\"\u003e \u003cdiv 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style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cstrong\u003eShara Nova\u003c\/strong\u003e: Have You Ever Seen an Angel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-64a01e29-155d-4b23-a74b-3f29b059f016\" class=\"shg-c \"\u003e    \u003cmeta charset=\"UTF-8\"\u003e \u003cmeta name=\"viewport\" content=\"width=device-width, initial-scale=1.0\"\u003e \u003ctitle\u003eApple Music Style Audio Player\u003c\/title\u003e \u003cstyle\u003e\n\/* Styles for the audio player *\/\n.audio-player {\n  width: 300px;\n  background-color: #f5f5f5;\n  border-radius: 10px;\n  overflow: hidden;\n  box-shadow: 0 2px 4px rgba(0, 0, 0, 0.1);\n}\n\n.audio-player audio {\n  width: 100%;\n}\n\n.audio-player audio::-webkit-media-controls-panel {\n  background-color: transparent;\n}\n\n.audio-player audio::-webkit-media-controls {\n  display: flex;\n  align-items: center;\n  justify-content: space-between;\n  background-color: #f5f5f5;\n  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type=\"audio\/mpeg\"\u003e Your browser does not support the audio element. \u003c\/source\u003e\u003c\/audio\u003e \u003c\/div\u003e   \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55475941409148,"sku":"DCD34348-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/everything-youve-ever-lived-cd-delphian-records-218700.jpg?v=1750692928"},{"product_id":"day-of-these-days","title":"Day of These Days: The British Isles Reflected in Song","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68bc35e733500292add523d7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68bc35e733500292add523d7\" data-shogun-page-version-id=\"6a072f4d395b50690cc26730\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a072f4d395b50690cc268e2\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ff88d08d-2559-4e1d-ae44-182855e424ef\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-root\" data-shogun-id=\"68bc3421f75dbde4015e9d40\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68bc3421f75dbde4015e9d40\" data-shogun-page-version-id=\"68bc3421f75dbde4015e9d41\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"68bc3421f75dbde4015e9d42\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e\u003cdiv id=\"s-38577102-c79c-4871-af60-40772ccccc7f\" class=\"shg-c \"\u003e\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-f7a461cb-153a-4357-b503-8ec9f9102578\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9efd8303-10b1-48e4-858a-aecb6ec72348\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px; text-align: left;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e‘Such a morning it is,’ wrote Laurie Lee – and this album, taking its title from his poem, is rooted in such particular moments of lived experience, capturing that fleeting, introspective British light. Bass-baritone Tristan Hambleton and pianist Simon Lepper create a landscape of songs by Britten, Sally Beamish, Judith Weir, Huw Watkins, Tarik O’Regan, Errollyn Wallen and others, many in first recordings, drawn together by themes of time, loss and uncertain footing. Recorded with a close, inward focus, voice and piano search not for display but for connection – a meditation on being, and on what it means, in Robert Louis Stevenson’s words, ‘to know not how it is with you’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-77e27356-ada9-47ff-a4a9-d5721b51a10a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/day-of-these-days-the-british-isles-reflected-in-song\/1870527680\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cfc47134-8f53-49c7-8f2c-0fea3339f225\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Items range from Pur­cell arranged by Thomas Adès (incid­ent­ally ‘Full fathom five’, long attrib­uted to Pur­cell, is now gen­er­ally con­sidered – like the rest of The Tem­pest score – to likely be the work of John Wel­don) through Frank Bridge and Brit­ten, cul­min­at­ing in a var­ied group of today’s cre­at­ives writ­ing in vari­ous styles.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe res­ult is an attract­ive col­lec­tion, voiced with con­fid­ence and an attract­ive bass-bari­tone by Hamb­leton and with Lep­per provid­ing secure, sens­it­ive piano accom­pani­ments.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eHigh­lights include the ini­tial Brit­ten sequence, includ­ing three rare songs from This Way to the Tomb, a play by Ron­ald Duncan ini­tially staged in 1945; Judith Weir’s clean-edged, pur­pose­ful set­ting of Shakespeare’s Son­net 116 (‘Let me not to the mar­riage of true minds’); Tarik O’regan’s Three Motion Set­tings, based on texts by the former Poet Laur­eate, and which show a fresh­ness of com­pos­i­tional voice; and Huw Watkins’s Look Down, Fair Moon, where the per­formers’ dra­matic approach pre­cisely suits the thought­ful mater­ial.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eIndeed, it’s the qual­ity of the per­form­ances as much as the attrac­tions of an unusual pro­gramme (eight items new to disc) that make this assemblage so desir­able. Everything is con­sidered, ima­gin­at­ive and delivered to a high level.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/\" width=\"173\" height=\"70\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eVOCAL CHOICE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-40c94d9b-082d-4cc2-8e54-097bb5237902\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'There is a dark tone to lots of the songs – the booklet explains that several were transposed lower to fit Tristan Hambleton’s range – and this has implications for the tessitura of the piano too. Britten is always unimpeachable, and his short sequence \u003cem\u003eThis Way to the Tomb\u003c\/em\u003e, written during the composition of \u003cem\u003ePeter Grimes\u003c\/em\u003e, is a perfect opener, crisp but always teetering on the brink of melancholy. Sally Beamish’s song gives the album its name, has an admirable pared-back simplicity, as is Judith Weir’s more declamatory setting of Shakespeare’s \u003cem\u003eSonnet 116\u003c\/em\u003e. Thomas Adès’s arrangement of Purcell’s \u003cem\u003eBy beauteous softness\u003c\/em\u003e is both beauteous and soft, while Tarik O’Regan’s settings of Andrew Motion are more troubled, both in the hesitant vocals and peripatetic piano parts. Huw Watkins’ three songs look up to the moon and explore some of the higher reaches of Hambleton’s register, while Stuart MacRae’s \"I know not how it is with you\" is a little gem, tentative and aching.'\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" width=\"159\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4e9a2706-9898-4b89-843c-75b76ef2408f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Hambleton's clarity of tone is a consistent pleasure throughout. Britten's \u003cem\u003eThis Way to the Tomb\u003c\/em\u003e is particularly striking, Lepper's accompaniment percussive and alive to Hambleton's phrasing. Richard Sisson's \u003cem\u003eThe Silver Swan is a delight\u003c\/em\u003e, and Stuart Macrae's \u003cem\u003eI Know Not How It Is with You\u003c\/em\u003e sits at the album's emotional heart. In Huw Watkins's contributions we hear the full expressive range of Hambleton's voice, while Sally Beamish's \u003cem\u003eDay of These Days\u003c\/em\u003e — brief but telling — captures Laurie Lee's words with quiet precision, Hambleton's lower register particularly effective. The album's most elegant moment may be Thomas Adès's arrangement of Purcell's \u003cem\u003eBy Beauteous Softness\u003c\/em\u003e, sung with real poise.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDelphian's recording team have done their customary excellent work, the sound beautifully suited to the intimate nature of the material'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" alt=\"\" width=\"155\" height=\"50\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-Day-Of-These-Days-The-British-Isles-Reflected-In-Song\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-afb43adc-a573-4bd9-9b81-08752f98d48b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'An album subtitled “The British Isles Reflected in Song” sounds as cosy as cheese on toast. It isn’t. After an obligatory pair of Brittens, bass-baritone Tristan Hambleton and pianist Simon Lepper swing down lanes and byways. The title song, by Sally Beamish, is a contemplative ramble. Songs by Frank Bridge, Britten’s teacher, hide like a robin from a hedgerow. And gems by living composers — Tarik O’Regan, Huw Watkins, James MacMillan, Stuart MacRae and Richard Sisson — compose a portrait of an island diverse in temperament and temperature. I was much taken by MacRae’s darkly internalised “I know not how it is with you.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(16px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eNorman Lebrecht for:\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6fcb65a3-af8b-423e-a7f8-2b8f0d2bb3ed\/\" width=\"199\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-978ea107-8629-4fcc-abe9-ba57463afcc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e“You’d have to have a heart of stone not to be moved. It’s really beautiful.”\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/98fe611b-9c7b-49f2-ad99-b5c0f9164cf4\/\" width=\"174\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRECORD OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5b37c740-716a-4e00-91ec-dbd4bfe55b74\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"line-height: 20px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 March 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 27-29 January 2025 at St Cuthbert's Church Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-069a2b7c-9ebe-49aa-81cd-28e082970ae5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-59a237f3-07a6-4a6a-a483-31e5d1f2eb5a\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-a4314f30-3a6d-492f-9277-01596823b868-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a4314f30-3a6d-492f-9277-01596823b868\" id=\"wrap-s-a4314f30-3a6d-492f-9277-01596823b868\"\u003e \u003cdiv class=\"s-a4314f30-3a6d-492f-9277-01596823b868 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a4314f30-3a6d-492f-9277-01596823b868 shogun-image-container shg-align-center\" id=\"s-a4314f30-3a6d-492f-9277-01596823b868\"\u003e \u003cdiv class=\"shg-inner-inline-image\"\u003e \u003cdiv class=\"shg-image-overflow\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/95c4baf7-e6e1-4839-8b07-fd5a04092b19\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV3Elements\": { \"uuid\": \"s-a4314f30-3a6d-492f-9277-01596823b868\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\" id=\"wrap-s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\"\u003e \u003cdiv class=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302 shogun-image-container shg-align-center\" id=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\"\u003e \u003cdiv class=\"shg-inner-inline-image\"\u003e \u003cdiv class=\"shg-image-overflow\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1200x\/ 1200w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1920x\/ 1920w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV3Elements\": { \"uuid\": \"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-b4106c5d-bee0-4031-9932-902371e08853\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: right;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: bold;\"\u003e\u003cstrong\u003eAPRIL 2026 - VOCAL CHOICE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55680858685820,"sku":"DCD34359-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/day-of-these-days-tristan-hambleton-simon-lepper-cd-delphian-records-283326.jpg?v=1757189854"},{"product_id":"mire-revelries","title":"miré: Revelries","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68b2eae168209a5cfe3332fd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68b2eae168209a5cfe3332fd\" data-shogun-page-version-id=\"69e21cec894560bee8ed48c5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e21cec894560bee8ed4a18\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-22450ede-9489-47aa-a3a7-c0ca3ff23a6f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f0b817c4-959c-4baf-b75a-77490a200815\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal; font-family: inherit; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003emiré is the meeting of three fearless musical minds: soprano\/composer Héloïse Werner, pianist-organist\/composer Kit Downes, and cellist\/composer Colin Alexander. In \u003cem data-start=\"549\" data-end=\"560\"\u003eRevelries\u003c\/em\u003e—their debut EP—the trio dissolve boundaries between voice, organ, and cello, weaving a soundworld that is by turns playful, intricate, and startlingly original. Featuring new works by the three performers alongside text pieces by Jasmin Kent Rodgman and Jonathan Cole, the music revels in collision and transformation: ideas expand, unravel, and re-form in unexpected ways. Virtuosic vocals, shimmering organ textures, and mesmerising cello sonorities entwine in an intimate conversation amongst long-time collaborators whose creativity thrives on risk, listening, and reinvention.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-34dd3f64-f205-49da-ac51-dac4d74be5d7\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/revelries-ep\/1843102316\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7a5c4f01-48c7-4a0a-bd19-9671df79576a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘One could easily apply the moniker ‘supergroup’ (or super-ensemble) to miré (...) What marks out miré from other contemporary music ensembles is their clear and shared sense of collective ownership over aspects of performance virtuosity, composition and improvisation. (...) the result is always compelling, absorbing and engaging’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"325\" height=\"47\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRead the review \u003ca href=\"https:\/\/www.gramophone.co.uk\/reviews\/revelries\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d9a08aea-416e-4702-b678-3f5b8621bff0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Part of Revelries’ appeal is the range of sonorities on display, the pitch gap between voice and cello filled by Downes’ organ. How these pieces were created isn’t revealed, the group’s three members sharing compositional credits on three of the five tracks. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eI was beguiled by “Moonrise”, where cello and organ are joined by ecstatic vocal birdcalls, and Jasmin Kent Rodman’s “LaGo” is a tour-de-force for Werner, dispatching a frenzied stream of syllables over ecstatic organ swirls. Jonathan Cole’s title track is a delectable piece of night music, and the closer, “Searching Sleep” has a gorgeous, otherworldly opening, an angular line spoken by the three voices in unison as if they’re performing a baroque sacred work. Revelries is invigorating and entertaining – do investigate'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"182\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/theartsdesk.com\/classical-music\/classical-cds-coffins-cornetts-and-clangour\" target=\"_blank\" rel=\"noopener\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-691e66e6-67fb-434a-8e65-663619b3662a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The French-born, UK-based soprano and composer Héloïse Werner is a performer of striking ingenuity. She uses every natural tool at her disposal – not just vocal cords but face and hands – to make sounds, from percussive to unearthly to yelps and yowls to the purely lyrical. On her EP Revelries, with regular collaborators Kit Downes (organ) and Colin Alexander (cello), an unusual mix of timbres collide and overlap with strange radiance. You have to hear these extraordinary talents to understand how they spin unexpected noise into affecting music.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"250\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7201e152-1d6a-465d-97b5-1dc0ff8c2f86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'For all its sunken atmosphere and knotty texture, there is something carnivalesque about \u003cem\u003eRevelries\u003c\/em\u003e, the debut album from Miré: an upturning of expectations, a pleasure in sound-making for its own sake. The group, consisting of vocalist Héloise Werner (of The Hermex Experiment), plus organist Kit Downes (a regular collaborator with John Edwards, Lucy Railton and others) and cellist Colin Alexander (Phaedra Ensemble), have been playing together for some years, but this is their first recorded release. It features one composition apiece by the three members, plus interpretations of text scores by Jasmin Kent Rodgman and Jonathan Cole. Tracks sound wild and apoplectic one minute, spectral and atmospheric the next. But what’s surprising, given the diversity of compositional voices, is how cohesive the record comes across. This is a group with their own distinct sound. \u003cem\u003eRevelries\u003c\/em\u003e is restless and urgent, fractured and playful. If you’re familiar with Erner, Alexander and Downes’ other projects, you’ll recognise their individual voices straightaway, but you’ll also recognise something else. One thing’s for sure: this isn’t your average chamber ensemble.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 19px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/efb7854c-b4e1-432a-a0b6-8235974b04f4\/\" width=\"190\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 0px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe Best Albums and Tracks of February 2026\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-aacb8510-0804-49aa-8701-f179b21e2287\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e7e0b8d1-7edc-4cb1-9820-b132339b72db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 16 January 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 24:59\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 21-22 August 2025 in Luisenkirche, Berlin, Germany\u003cbr\u003eProducer\/Engineer: Martin Ruch\u003cbr\u003eAssistant Engineer: Hans Bilger\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"im\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55691936006524,"sku":"DCD34357","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/mire-revelries-cd-delphian-records-450831.jpg?v=1756568253"},{"product_id":"harbingers-of-exile-songs-from-the-in-between","title":"Harbingers of Exile: Songs from the In-Between","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"69300678f30fb7b31907044c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"69300678f30fb7b31907044c\" data-shogun-page-version-id=\"69e227bbae83e49433a0a499\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e227bbae83e49433a0a5ff\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b99b81ca-b0ff-4a0c-8f40-623fa7d0852b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ab3223c8-06dd-4bbd-882d-31b7b7c959e5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px; text-align: justify;\"\u003e‘\u003cspan style=\"font-size: 22px; font-family: inherit;\" data-fontfamily=\"(Default)\"\u003eHoneyed intensity’, ‘emotional engagement’, ‘total vividness’, ‘passion and expressivity’: these are the qualities that have won trophies for the bass-baritone Florian Störtz, not least the 2023 International Handel Singing Competition. Now he and pianist Aleksandra Myslek introduce the rich, colourful late-Romantic sound world of Robert Kahn – their own debut album, and the first substantial Kahn recording by the voice for which he predominantly wrote, including fifteen premieres. Hugely admired in his time but forgotten since his crude and senseless vilification by the Nazis, Kahn becomes here the focus of a narrative that presages his exile from his native Germany, given context with songs by Schumann, Korngold – another Jewish émigré – and Hindemith.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b1402a2e-e1c0-4f70-9271-e7e55280c89a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/harbingers-of-exile-songs-from-the-in-between\/1867195853\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-904963f4-1576-44be-9a80-00663eea1c16\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Certainly Kahn couldn't wish for better advocacy than he gets here. Störtz sings with a natural intelligence, secure and persuasive throughout, and Myslek brings out the impressive variety and imagination in the piano-writing (Kahn initially trained as a pianist). Delphian's engineering is impeccable. Whether this album inspires a Kahn revival we'll have to see, but it's a fine achievement and well worth exploring.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"249\" height=\"36\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 0px;\"\u003e'ONE TO WATCH', February 2026\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9b649350-f5a6-428b-842c-a42db9c06673\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'This hugely impressive debut solo recital from the prize-winning bass-baritone centres on the songs of German-Jewish composer Robert Kahn (1865-1951), who fled his homeland for England in the late 1930s: there are shades of his contemporary Richard Strauss in songs like 'Es war der Tag der weißen Chrysanthemen', whilst his compelling response to Schiller's \u003cem\u003eNänie\u003c\/em\u003e recalls Schubert in epic ballad mode. Störtz is a vivid story-teller, and the sheer power on display in Hindemith's German-language setting of Walt Whitman's 'Beat! Beat, drums!' suggests that Wagner may figure in his long-term future...' \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"264\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePresto Team Choices - February 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4c23b7fd-9de7-4935-8149-a400f94dd423\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e'The same age as Richard Strauss, and only a few years older than Schoenberg, Kahn’s conservative musical language is firmly rooted in Schumann and Brahms, a tradition of deeply felt responses to text. These are matched by Florian Störtz’s earnest and sincere delivery of the long melodic lines, and Aleksandra Myslek’s contemplative and luxuriant accompaniments. The exile of the album’s title comes from Kahn’s fleeing from Nazi Germany (he was Jewish), although the 19 songs presented here are on a range of subjects. I can’t imagine them being given a more sympathetic interpretation'\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"200\" height=\"90\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b4c5809d-04fc-4b64-8239-1c8aa9e7a6cd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 February 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 23-25 January 2025 at St Cuthberts Church, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eCover photography: Andrew Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56072360264060,"sku":"DCD34349-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/harbingers-of-exile-songs-from-the-in-between-cd-delphian-records-755671.jpg?v=1764760103"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/collections\/song-719692.jpg?v=1606218090","url":"https:\/\/www.delphianrecords.com\/collections\/song\/percy-grainger.oembed","provider":"Delphian Records","version":"1.0","type":"link"}