{"title":"Piano","description":"","products":[{"product_id":"dcd34009","title":"MacMillan \/ MacRae: Piano works","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea81e664a992d006cbfd057\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea81e664a992d006cbfd057\" data-shogun-page-version-id=\"6615a83e1f548c00df341ddc\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615a83e1f548c00df341f1f\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-28856c64-952d-4d86-b042-dab347072338\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-23afd5fa-3980-4079-bb3c-37e9ea7564eb\" role=\"tab\" aria-controls=\"panel-23afd5fa-3980-4079-bb3c-37e9ea7564eb\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-52da5214-3dde-4419-8003-fee132dc4c44\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe debut of pianist Simon Smith in a programme of works by two leading Scottish composers. The disc includes the complete piano oeuvre to date of James MacMillan, and also features the world premiere recording of Stuart MacRae’s Piano Sonata.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn a rendering that the composer has called ‘extraordinary’, this performance spills forth in a fiery display of technical virtuosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-23afd5fa-3980-4079-bb3c-37e9ea7564eb\" role=\"tabpanel\" aria-labelledby=\"tab-23afd5fa-3980-4079-bb3c-37e9ea7564eb\"\u003e \u003cdiv id=\"s-9c917376-0f2f-434f-a8af-6bec7c355bbf\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/macmillan-macrae-piano-works\/1643922275\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ab1ed6a5-fea8-4320-a8c1-daa8727df74f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ab1ed6a5-fea8-4320-a8c1-daa8727df74f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-30e5f4d4-aaa5-451d-bd87-de4ffa94a588\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"an outstanding player with a huge expressive range: both composers are fortunate indeed to have such an advocate\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f73c7166-a514-49b4-97ea-009b7b243fc7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"Simon Smith...is clearly a talent to watch.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"341\" height=\"49\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ce9caec0-3619-4444-be1e-06c55122c20b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003cspan class=\"s1\"\u003eSmith’s mastery of the sonata – a real heavyweight performance at times – oozes maturity and dazzling technique...Stuart MacRae’s virile 1998 Piano Sonata, which receives the hottest treatment of all.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"243\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c98027e9-a7ed-4ef4-8343-178902f70738\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003cspan class=\"s1\"\u003eHis technical and intellectual prowess with this music has already been demonstrated through recitals. On disc he is no less impressive in his unforced expertise. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eMacRae's piece is hugely demanding; Smith's logical and structural performance is a model of lucidity. Macmillan's music, played with consummate maturity by this astonishing young musician, ranges widely in style, from the blistering Piano Sonata to the heartstoppingly touching elegy, For Ian. A fabulous collection, wonderfully played.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"227\" height=\"81\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ab1ed6a5-fea8-4320-a8c1-daa8727df74f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-413dab6b-8537-491f-98ad-4df7be0f4a52\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 17 May 2002\u003cbr\u003eCatalogue No: DCD34009\u003cbr\u003eTotal playing time: 55:53\u003cbr\u003e\u003cbr\u003eRecorded on 9-10 March 2002 at Reid Concert Hall, Edinburgh\u003cbr\u003eProducer: Kevin Findlan\u003c\/span\u003e\u003c\/div\u003e \u003cdiv\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEngineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: © Delphian Records Ltd\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-e96d17f4-cd70-482b-a41d-25b7d5959f3d\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-d0cd8a42-7336-4200-a877-3a202544e76f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/d728f344-3615-4d89-a6bc-9f23705d768a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-d0cd8a42-7336-4200-a877-3a202544e76f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355369046,"sku":"DCD34009-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/macmillan-macrae-piano-works-cd-delphian-records-633221.jpg?v=1606221930"},{"product_id":"dcd34010","title":"Wilde plays Chopin at the Wigmore Hall","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea8665258f331005f72a84d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea8665258f331005f72a84d\" data-shogun-page-version-id=\"6615a94622288c013ff7e850\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615a94722288c013ff7e96a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1526155d-1e71-401e-8d4e-601555d25e44\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-fe8e5ad6-f5f2-4f45-a2df-2d1d7c104061\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePianist David Wilde brings astounding vibrancy and exuberance to the Polish master in his account of late Chopin. Wilde, for whom ‘every performance is a confrontation with himself’, counts among his mentors Solomon, Reizenstein, Elinson and Boulanger. In this bold live recital, he presents repertoire that conflicts with the feminine, gentle aspect of popular Chopin myth. He argues instead that Chopin’s wide-ranging music ‘includes an element of physical passion and a feeling for the heroic and for dramatic tension no less arresting than that of Liszt’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-df69e275-2754-4b6b-b7c2-6485ba6402ea\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/gb\/album\/wilde-plays-chopin-at-the-wigmore-hall\/1556761464?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-bc5b8d55-9b39-4e21-a8d0-78b9f2945644\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-bc5b8d55-9b39-4e21-a8d0-78b9f2945644\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6ad61450-49a5-4b91-9d74-5cf87722e544\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Wholeheartedly committed, authoritative and at times dazzlingly virtuosic\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-001296e7-8141-46ad-8c48-e79a7e7366c7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Here is some heartfelt Chopin from an artist who has rarely appeared on disc\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"60\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a480e00d-50c2-45a1-88fe-92f8519a8033\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003cspan class=\"s1\"\u003ethe irrepressibly pianistic David Wilde projects a dozen Chopin tracks, including a majestically structured account of the B Minor Sonata Opus 58 and a selection of Mazurkas and an exceptionally thoughtful performance of the Berceuse.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83e67da2-2ada-4048-91ec-fe9c5ff1263c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"234\" height=\"85\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d9fafbb4-d07c-46ca-b696-ec8c56c91506\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\"Composure complements adventure, every note has its place and one senses the touch of a master.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"53\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-bc5b8d55-9b39-4e21-a8d0-78b9f2945644\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-337f12d1-6d8a-42f0-b0f3-705ca0a5c73b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 17 May 2002\u003cbr\u003eCatalogue No: DCD34010\u003cbr\u003eTotal playing time: 1:17:23\u003cbr\u003e\u003cbr\u003eRecorded in July 1994 and February 1995 at Wigmore Hall, London\u003cbr\u003eProducer: Antony Hodgson\u003cbr\u003eEngineer: Geoffrey Addis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image \u0026amp; photography: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355401814,"sku":"DCD34010-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-chopin-at-the-wigmore-hall-cd-delphian-records-741688.jpg?v=1606225138"},{"product_id":"dcd34015","title":"Schumann: Etudes symphoniques, Kreisleriana","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea86e113b5fcb0060ce5341\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea86e113b5fcb0060ce5341\" data-shogun-page-version-id=\"647dfe8cf5c9cb00dc913c49\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"647dffcef889ba00fd3ece7b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-bcdde6e9-2fdb-43d7-a443-b7433968d4de\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-31f9630d-5c0b-4d24-8d2a-c45a1dbae739\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis disc contains some of the greatest music that Schumann wrote for piano. The evident technical demands of the Etudes Symphoniques are matched in Kreisleriana, a work which asserts fresh possibilities for the expressive powers of piano music in terms of form, literary association and adherence to the ideals of high Romanticism.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-c09ddb46-1319-4c7a-8281-e5f1ef2d5645\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/schumann-etudes-symphoniques-kinderszenen-kreisleriana\/1561276540?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c0b22484-f35e-4b4d-8d33-da60dfb27be7\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c0b22484-f35e-4b4d-8d33-da60dfb27be7\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1225a0dd-21a1-494a-9314-0fc536eb7f93\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Many of the leading players today tend to approach Schumann with a reverence which befits a legend. Fulgoni brings us a composer whose genius was always on the edge of a precipice\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83e67da2-2ada-4048-91ec-fe9c5ff1263c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"232\" height=\"73\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-c0b22484-f35e-4b4d-8d33-da60dfb27be7\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-07dad657-3088-4b2a-b75f-0483d86dcd93\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 1 August 2003\u003cbr\u003eCatalogue No: DCD34015\u003cbr\u003eTotal playing time: 1:16:00\u003cbr\u003e\u003cbr\u003eRecorded on 16-18 November 2003 in the Reid Concert Hall, Edinburgh\u003cbr\u003eProducer \u0026amp; Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign \u0026amp; cover design: John Christ\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355598422,"sku":"DCD34015-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/schumann-etudes-symphoniques-kreisleriana-cd-delphian-records-766498.jpg?v=1606219680"},{"product_id":"dcd34020","title":"Dallapiccola: a portrait","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eaae06abb55ad0052c6c6ac\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eaae06abb55ad0052c6c6ac\" data-shogun-page-version-id=\"6615ac1d2a119f01066fd34c\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615ac1d2a119f01066fd45e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-fe5aebef-cdb3-4a9e-9174-c7acc4d46899\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-72d1a05a-f8a8-4529-a14b-ac93cbf44461\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLuigi Dallapiccola is one of the most celebrated Italian composers of the twentieth century. This disc features chamber music and songs alongside his complete works for solo piano. Whether drawing on the music of the past to nourish the contrapuntal organisation of his own, or concentrating on the opportunities for gentle lyricism afforded by bell-like vocal and instrumental sonorities, Dallapiccola’s commitment to traditional expressive nuance has been seen by critics as a powerful aspect of his Italian insistence upon cantabilità – songfulness.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-92881cb7-0e49-4f1e-a39a-0e33dcfedb9f\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/luigi-dallapiccola-a-portrait\/1557757647?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-42ddc4b9-78ff-42a5-b748-63afd910dc47\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-42ddc4b9-78ff-42a5-b748-63afd910dc47\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c74e29c1-21c0-46af-b685-59befcad24f4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"a marriage of discipline and imagination of which Wilde is fully aware…[Nicola Stonehouse] is eloquence itself in the Goethe-Lieder\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-441f8309-88b5-49d7-a780-3fdd68803835\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"This is an expertly programmed and very finely performed selection. David Wilde is the motor and he displays a sure affinity with Dallapiccola sufficient to warrant admiration.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"216\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-42ddc4b9-78ff-42a5-b748-63afd910dc47\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-47191095-51d4-4aa3-95a4-0b0330fbeda1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 12 March 2007\u003cbr\u003eCatalogue No: DCD34020\u003cbr\u003eTotal playing time: 1:14:12\u003cbr\u003e\u003cbr\u003eRecorded 16-17 December 2003 at St Mary's Parish Church, Haddington; 10 January 2005 at Saint Silas the Martyr, Kentish\u003cbr\u003eTown, London; 10 February 2005 at Reid Concert Hall, University of Edinburgh; and 17 April 2005 at Gartmore Parish\u003cbr\u003eChurch, Gartmore\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003cbr\u003eEngineer: Adam Binks\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355827798,"sku":"DCD34020-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/dallapiccola-a-portrait-cd-delphian-records-451053.jpg?v=1606223229"},{"product_id":"dcd34030","title":"Liszt: Sonata in B minor \/ Busoni: Elegies","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eaff7a6c292910073316f0d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eaff7a6c292910073316f0d\" data-shogun-page-version-id=\"67ab6af7907579200afed4f7\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab6af7907579200afed61a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-12860a03-5abf-42b0-be96-71882fafc6cd\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-92c5bb39-d046-4499-a43a-58a107576c19\" role=\"tab\" aria-controls=\"panel-92c5bb39-d046-4499-a43a-58a107576c19\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8f61b53d-068e-497a-8e47-a39d979ad10d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBryce Morrison writes: ‘I first heard David play the Busoni Elegies at London’s Queen Elizabeth Hall. I also heard his earlier recording of the Liszt Sonata.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThese performances, as cogent as they were lucid and powerful, have long stayed in my memory, yet they are far excelled by Delphian’s present offering. Here, surely, is blazing confirmation of what Sir Michael Tippett once called “the immense effort of interpretation”, by means of a rare communicative vividness and force.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn a time of increasing musical homogeneity David Wilde’s Liszt and Busoni stand out for their very special drama and integrity.’\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-92c5bb39-d046-4499-a43a-58a107576c19\" role=\"tabpanel\" aria-labelledby=\"tab-92c5bb39-d046-4499-a43a-58a107576c19\"\u003e \u003cdiv id=\"s-96088ebd-c6c3-4643-ae8b-770f16258bf1\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/busoni-elegies-liszt-sonata-in-b-minor\/1557673296?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ca9a2b01-3176-4cb2-9435-521ee5670188\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ca9a2b01-3176-4cb2-9435-521ee5670188\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a44c0a87-f338-42f6-88d6-ac0f18213233\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"Wilde's love of this music is transparent … he throws caution to the wind\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9e3fa714-7a1b-461b-be47-e1582fe97812\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"this is music-making demanding to be heard. Busoni’s music remains not as known as it should be (Wilde is an outstanding guide to it) – and while Liszt’s Sonata has many claimants among pianists, Wilde has much to say about this titanic masterpiece that is his and his alone.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/98a77fbb-b163-4617-abad-569c0a85ddc6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"207\" height=\"56\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7d19eaea-918b-42b1-b2e5-2647bbb356ce\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"In the Liszt Sonata, Wilde’s authority and drive bring palpable excitement to the bravura sections and allow the yearning D major theme and the soft, slow-moving scales prior to the Fughetta plenty of lingering room.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"292\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2fe45bdc-caa1-4c62-be82-329355187a94\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eWilde lives up to his name in Liszt's B minor Sonata - a blustery opening blows away the heavy-browed Busoni with reckless bravado, before settling into a performance heaving with free-flowing passion, power and zeal. The raw sound quality might not be to everyone's taste, but it grows on you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9874f44d-82af-4325-bf21-c4a010c71b60\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eDavid Wilde gives one of the most intense and involving performances of Liszt’s Sonata in B minor that I’ve heard.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c74fae9d-fb1d-48ae-abe1-bb4e6fc94ac3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003eWhat makes this CD an essential recommendation for the smallish but devoted band of Busoni fans is Wilde’s totally absorbing account of the infrequently played Elegies of 1907.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eMUSICAL POINTERS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ca9a2b01-3176-4cb2-9435-521ee5670188\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2a670703-bd8c-4fa3-b7e1-b84ce7fee136\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 16 July 2007\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34030\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:17:42\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 14-16 June 2005 at Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: John Christ\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296357302358,"sku":"DCD34030-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/liszt-sonata-in-b-minor-busoni-elegies-cd-delphian-records-747402.jpg?v=1606222722"},{"product_id":"dcd34040","title":"Wilde plays Brahms","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb0221f310323005e0f3a1e\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb0221f310323005e0f3a1e\" data-shogun-page-version-id=\"6499a868afc36e00e2d66139\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499a8bf649ff30101afae1c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-839e98b3-bd54-44e6-a97a-6e9f8181f452\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-768528dd-c174-4e9e-a34d-4160e80917ab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDavid Wilde’s power and individuality make a separation between composer and performer, between creator and re-creator unrealistic. He sees the simple grace and lyricism favoured by many pianists as an evasion of a deeper poetic truth, and if he gives us all of Brahms’s exulting strength in the fugue from the ‘Handel’ Variations, he is no less responsive to darker nights of the soul in the Three Intermezzi.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlways there is an open invitation to reappraise Brahms’s genius, not by a radical re-interpretation (the determinedly ‘different’ way of, say, Gould or Pogorelich) but by a probing look beneath the music’s surface life. David Wilde may be true to the composer, but he is a pianist to make you think again.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-fb193806-3917-47fb-b196-5fe66f767ce6\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/wilde-plays-brahms-two-rhapsodies-variations-on-an\/1561286433?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c49dc083-f0ea-4ca8-9cde-7fa869675b28\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c49dc083-f0ea-4ca8-9cde-7fa869675b28\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-887b3daa-9d97-4a17-b953-41028e4f19c5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"…the most impressive aspect of this disc is the beautiful sound Wilde coaxes from his superbly voiced Steinway (recorded by Beth Baxter in the Reith Concert Hall, University of Edinburgh) with its pliant treble and richly resonant bass.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-92439be9-714a-49f2-bbaa-3b3cdbd9c60c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"This Brahms disc is highly recommended covering a wide vista of the composer's music from the full-blooded pair of Rhapsodies in Opus 79 the second of which is particularly exciting.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83e67da2-2ada-4048-91ec-fe9c5ff1263c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"190\" height=\"69\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-19de56cf-67ac-44b9-9fb8-ba54c6a4e907\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Wilde’s pianism is consummate in every way and his technique is effortless with a huge variety of colour and dynamic shading. These were insightful readings, richly successive whilst still placing primacy on the musical line rather than surface beauty; the closing moments of the Handel Variations have an overwhelming sense of direction and culmination. Highly recommended, as is his Liszt disc, and I eagerly await the Schumann disc which is due for release shortly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-c49dc083-f0ea-4ca8-9cde-7fa869675b28\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ae3d6a51-c7b9-4c34-aa8c-8b5c4714cfc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 2 March 2009\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34040\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:21:26\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 3-4 September 2008 at Reid Concert Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEngineer: Beth Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Simon Smith\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter \u0026amp; Raymond Parks \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296358514774,"sku":"DCD34040-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-brahms-cd-delphian-records-710878.jpg?v=1606220313"},{"product_id":"dcd34050","title":"Wilde plays Schumann","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb140f61249c300510eee9d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb140f61249c300510eee9d\" data-shogun-page-version-id=\"67ab72c5fa03d02495093434\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab72c5fa03d02495093546\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-c999a053-8e54-4b11-8fa5-332194795d68\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0a8bc263-1410-4355-80cc-077261d8ccc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe first edition of Schumann’s Fantasie in C, Op 17 has a number of differences from the edition more commonly used today, chiefly concerning the first movement (Schumann had originally planned the work as a single movement titled Ruinen [‘Ruins’]). David Wilde has reinstated many significant details both small and large, resulting in a revelatory reading of this tumultuous love-poem to the young Clara. In contrast, Kinderszenen, a touching and vernal evocation of childhood, is given a performance of artless innocence that chimes with Wilde’s conviction that ‘it shouldn’t sound mature’. Carnaval’s colourful cast of characters is viscerally and imaginatively brought to life, culminating in David’s fearsome ‘March against the Philistines’. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA veteran of the Romantic piano tradition, David Wilde brings six decades of intense experience to this recital. His playing harks back to a time when audiences expected much more from the performer. This is Schumann with personality – listeners searching for a ‘safe’ experience will be disappointed!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-55f2a056-bfdf-4854-97a8-263cf94a18a9\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/david-wilde-plays-schumann\/1557514818?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-7ddab1f5-4df8-4b86-a2c4-ce2dab3e8c0f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-7ddab1f5-4df8-4b86-a2c4-ce2dab3e8c0f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ad1e7f18-4fc0-47be-b29e-9245ec333116\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"performances of mature insight spiced with caprice, and an iconoclastic spirit\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c60cd964-6371-4f25-8e12-6ae2b4be1e9d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Wilde’s darting accuracy in the coda’s notorious skips impresses.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"302\" height=\"44\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-7ddab1f5-4df8-4b86-a2c4-ce2dab3e8c0f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c393d89c-ac3b-4e6e-a3ce-60644aed1688\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 21 September 2009\u003cbr\u003eCatalogue No: DCD34050\u003cbr\u003eTotal playing time: 1:29:18\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 14 March \u0026amp; 1 April 2009 at Reid Concert Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296359727190,"sku":"DCD34050-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-schumann-cd-delphian-records-790909.jpg?v=1606218187"},{"product_id":"dcd34051","title":"Hafliði Hallgrímsson: Music for solo piano","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb144b0561ff20052d55e6f\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb144b0561ff20052d55e6f\" data-shogun-page-version-id=\"6499c7b1c352c400f8dce8d9\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499c893649ff300ebc2702a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-65896c6c-cfac-4865-8aac-ad3442f53483\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-d2ae2ded-6845-4ff9-81a8-c8328ad5b45a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBest known for a series of works for solo instruments and orchestra – including a highly successful concerto for his own instrument, the cello – Hafliði Hallgrímsson is also a master of the epigrammatic miniature. The piano music on this disc spans his career from 1963 to 2008, and the brilliant young pianist Simon Smith is a vital advocate of its varied colours, textures and resonances.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-417020d6-afae-4718-a3e9-45319e59d5ed\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/hafli%C3%B0i-hallgr%C3%ADmsson-music-for-solo-piano\/1561286972?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-943077ab-92e2-4c4a-a36b-b9290c8cfaec\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-943077ab-92e2-4c4a-a36b-b9290c8cfaec\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-25be6bc9-b916-4be7-909e-3c451d778770\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Simon Smith proves an admirable guide to this often engrossing music; his playing enhanced by the close but never airless sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c48f33c9-97c4-45ef-98d2-d03bec17e0b4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"beautifully played\"\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-943077ab-92e2-4c4a-a36b-b9290c8cfaec\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5d7ba1ee-913e-4772-80d0-2e9d68893b17\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 25 August 2008\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34051\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:28\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 26-27 March 2008 at Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEngineer: Beth Mackay\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover painting: Haflidi Hallgrímsson\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter \u0026amp; Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296359759958,"sku":"DCD34051-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/haflidi-hallgrimsson-music-for-solo-piano-cd-delphian-records-774840.jpg?v=1606218248"},{"product_id":"dcd34055","title":"Robert Crawford: Music for solo piano; Piano Quintet","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb14f2d0e0ba300510202b2\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb14f2d0e0ba300510202b2\" data-shogun-page-version-id=\"6499cefd649ff300dac2eeca\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499cfbfc352c400f8e1913c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-e923956f-2087-44a4-8bc5-5fbd3e9d5ed5\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8823bdb1-b3ce-4ca5-9197-2b6553e85c2b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eElder statesman of the Scottish music scene, Robert Crawford has throughout his life lavished intense care upon every one of his comparatively few compositions. The Edinburgh Quartet and pianist Nicholas Ashton are intimately acquainted with Crawford’s work, and mirror the composer’s attention to detail in a long overdue survey of this lovingly crafted music, spanning sixty years of compositional activity.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-45f16d97-e3e0-4a42-91ed-ff66e70e7fc3\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/robert-crawford-music-for-piano-and-strings\/1561285914?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-f58d68e6-64c6-46e5-8ea1-70ff485771e0\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-f58d68e6-64c6-46e5-8ea1-70ff485771e0\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c32fe345-d9e1-489c-b002-0d7313de0272\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Beautifully-crafted music\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"256\" height=\"91\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-90ed5467-7ef3-4497-b3d8-ef9ba8312e71\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Delphian continue their dedication to contemporary Scottish composers with this disc of music by Robert Crawford. The Piano Quintet is in four movements and is alive with music that is rocking and eager as well as haunted. When it is haunted it is at its most hushed...This provocative release is complemented by good liner notes by Adam Binks.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"240\" height=\"81\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8959fd34-8d65-497a-9aab-a46586aa6a93\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"forms are skilfully managed, and with advocacy as persuasive as that of Nicholas Ashton the music regularly takes wing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"320\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-f58d68e6-64c6-46e5-8ea1-70ff485771e0\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-78754881-f1bc-4e82-be41-8f9f5763618c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 4 Feburary 2008\u003cbr\u003eCatalogue No: DCD34055\u003cbr\u003eTotal playing time: 1:04:44\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 8-9 October 2007 at The Queen's Hall, Edinburgh; 17 \u0026amp; 29 November 2007 at the Reid Concert Hall, University of Edinburgh \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEngineer: Beth Mackay\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Lunular (1993) by Robert T.H. Smith\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter \u0026amp; Dr Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296359989334,"sku":"DCD34055-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/robert-crawford-music-for-solo-piano-piano-quintet-cd-delphian-records-848089.jpg?v=1606219924"},{"product_id":"dcd34061","title":"Oxana Shevchenko: winner of the 2010 Scottish International Piano Competition","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb18cc664c43800519fd572\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb18cc664c43800519fd572\" data-shogun-page-version-id=\"649ac3c30d804000cc5b37b1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"649ac4e1b64ba300f55bacd0\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-653b34cf-dc34-48fc-a2f1-f7b699b9dd79\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-090c71fe-91b7-4137-bb8d-3c0d28287319\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eOn 19 September 2010, a rapt audience in Glasgow’s City Halls witnessed the 23-year-old Kazakhstani pianist emerge decisively on the international stage. She had already won the International Music Critics’ Prize at the 2009 Ferruccio Busoni International Piano Competition, and now carried away first prize with unanimous approval from a distinguished international jury.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis recital, recorded just three days after her triumph in the concerto final, reveals her extraordinary command of structure, rhythmic dynamism and sheer pianistic exuberance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-c9a91548-0a5f-4906-8dfa-ccf1d23b6a9d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/oxana-shevchenko-winner-of-the-2010\/1561285513?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-0f4d8ce7-bcfb-461e-9ed9-b885e1c1967d\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-0f4d8ce7-bcfb-461e-9ed9-b885e1c1967d\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-726f9291-26af-48e8-8863-5f2ad2678ee2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This is the most exciting debut disc to come my way for some time...It will only take the opening bars of \"Alborada\" to convince you what a fine Ravel player she is...while Thea Musgrave's specially commissioned Snapshots is convincingly made a welcome addition to the repertoire...it is a rare gift to convey on disc also the sheer joy of performing as Miss Shevchenko does.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-0f4d8ce7-bcfb-461e-9ed9-b885e1c1967d\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e5606c39-7595-42c1-aa37-a5880857bc65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 6 December 2010\u003cbr\u003eCatalogue No: DCD34061\u003cbr\u003eTotal playing time: 1:05:29\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 22-23 September 2010 in the Guinness Room of the Royal Scottish Academy of Music and Drama, Glasgow\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: John Christ\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: Andrew Caskie\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Erik Shakhnazaryan\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-fe56768d-611b-451a-a4d3-a8824295c677\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-a6e7d828-8687-4785-af24-2595a315c71f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-a6e7d828-8687-4785-af24-2595a315c71f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296360349782,"sku":"DCD34061-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/oxana-shevchenko-winner-of-the-2010-scottish-international-piano-competition-cd-delphian-records-149812.jpg?v=1606220999"},{"product_id":"dcd34079","title":"Thomas Wilson: a chamber portrait","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb965a21047d300575c8d58\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb965a21047d300575c8d58\" data-shogun-page-version-id=\"67ab84c3907579200a0545bb\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab84c3907579200a0546c9\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-999a206c-0e10-483c-8ae7-65d78b35cf34\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9a2ac1cd-a3e2-47e2-bfe9-4c6358f68e4f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAn influential figure both personally and musically, Thomas Wilson (1927–2001) was the leading light in a group of composers whose vision and technical assurance brought an international modernism into 20th-century Scottish music. In the chamber works collected here, moments of extraordinary stillness continually release into fast, propulsive music whose compelling energies are matched by the individual and collective virtuosity of pianist Simon Smith, guitarist Allan Neave and the Edinburgh Quartet.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-facef734-1acc-4780-9ae5-b73b4d706dca\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/thomas-wilson-a-chamber-portrait\/1561282557?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-de34fad2-f812-446e-bf84-48cf1091fea2\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-de34fad2-f812-446e-bf84-48cf1091fea2\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d0f5fcd7-f6fb-4521-bf1d-cd3f7948a4be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The performers, above all pianist Simon Smith, lavish every possible care on the music. They bring out the occasional moments of poetry, but they can’t hide the rhythmic squareness or the prevailing atmosphere of worthiness\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b05d0754-1529-40a0-8113-4d011968ec45\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-979725f4-3def-4cb8-a212-dcbd9bf18bcc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This generously filled, magnificently played and beautifully produced release with illuminating and detailed insert notes by John Fallas is thus most welcome\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"295\" height=\"100\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-de34fad2-f812-446e-bf84-48cf1091fea2\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-81af12b3-60a3-4fc8-bdb7-984724fde1d6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 25 May 2009\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34079\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:17:56\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361037910,"sku":"DCD34079-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/thomas-wilson-a-chamber-portrait-cd-delphian-records-393517.jpg?v=1606219626"},{"product_id":"dcd34090","title":"Wilde plays Beethoven","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb9b7e11047d3005263157a\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb9b7e11047d3005263157a\" data-shogun-page-version-id=\"67ab8d6cd43047a21be5f03c\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab8d6dd43047a21be5f14a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-2c1c2ed3-571e-4e83-be90-d65f2b77f916\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1956612e-51bd-45a5-b267-2d502cbe41b5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThree sonatas outlining a progression from the despair of No 17 in D minor, Op 31 No 2 – written at the same time as the start of the famous ‘Heiligenstadt Testament’, when Beethoven’s realisation that his deafness was complete and permanent led him to contemplate suicide – via his courageous fightback, brilliantly expressed in the irrepressible optimism of the ‘Waldstein’, Op 53, towards the lofty spiritual aspirations of No 31 in A flat, Op 110.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d4b8726f-8c1c-4691-961a-062742f9b4db\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/wilde-plays-beethoven\/1561293529?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-d545bf17-8ce8-46b9-ab07-669bd8a05823\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-d545bf17-8ce8-46b9-ab07-669bd8a05823\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-61dfeb2d-5155-4d2d-8a71-fa57e73857e4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Speculative and original, these performances prompt all listeners to reconsider and think again, and they have been excellently recorded.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8a77b619-4097-4d92-9084-5ac0a042ca9f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"central to each performance is a singular lack of pretensions and self-indulgence...Wilde imbues the Waldstein with a natural majesty and poetic presence; he captures the dark questioning of the D minor Sonata, Op31 No2, with magnetic insistence; and rounds off this compelling disc with a mellifluous but powerful reading of the A flat sonata, Op110. Unpolluted Beethoven, and all the better for it\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-86195401-078b-4371-a200-c11ea79ceca6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Wilde brings maturity to his treatment of the \"Sonata No. 17 in D minor\": the melancholy fatalism of the adagio is alleviated by his thoughtful touch. And there's a brilliant momentum to the opening allegro of the \"Sonata No. 21 in C\", which is replaced by the almost completely static Adagio Molto, which hangs like a sea-mist through which the concluding Rondo is approached. Superb.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"343\" height=\"59\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fb3e0344-a1ca-4f27-b116-f8a60ea5b109\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"As on earlier Delphian discs from Wilde, the ear is seduced by his beautiful tone (the piano he uses and his technician quite rightly receive a credit), and try the adagios of 'The Tempest' and A flat sonatas for playing of masterly, hushed introspection that makes you hold your breath. Three well-contrasted works presented with deep insight and understanding - and without any distracting idiosyncrasies - the result of experience and long familiarity.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"208\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5c890aae-61b1-4382-b3a2-d86c61d1ede5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"A Beethoven recital with a flavour all its own. We owe a debt to Delphian for keeping us in contact with a pianist such as David Wilde, whose experience and twinkle-in-the-eye enthusiasm are much in evidence...The sound is not the richest, but the piano's immediacy and rugged power is gratifying as well as being echt for this composer, the instrument's wiry undiluted timbres appropriate to David Wilde’s unvarnished and penetrating performances.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCLASSICAL SOURCE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-d545bf17-8ce8-46b9-ab07-669bd8a05823\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-6e09a1c6-3396-47fb-bbc7-554ac6b83a6e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 10\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 28 March 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34090\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:11:50\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361431126,"sku":"DCD34090-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-beethoven-cd-delphian-records-410932.jpg?v=1606214687"},{"product_id":"dcd34098","title":"Rory Boyle: Music for solo piano; Phaethon’s Dancing Lesson","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb9c9b44ca1550070b551db\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb9c9b44ca1550070b551db\" data-shogun-page-version-id=\"67ab923dff50d3506e424bf1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab92a63d05cb7b95e723c8\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-5ae7310c-6719-411e-8389-f73fb0909b07\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-63cd92b0-0b3f-49ad-b29c-e0ccbe26e2be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn Rory Boyle’s sixtieth year, virtuoso pianist James Willshire’s debut recording pays birthday tribute, exploring the full gamut of Boyle’s compositional personality – from the cragginess of his finely wrought Sonata to the intensely human lyricism of Tatty’s Dance, itself a sixtieth-birthday present for Boyle’s wife. Dancing is also the subject of Boyle’s Piano Trio No 2 (Phaethon’s Dancing Lesson), in which Willshire is joined by his fellow members of the Bartholdy Trio.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-7746acdd-5339-4212-8688-f559a53093b9\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/rory-boyle-solo-piano-music-piano-trio\/1561289713?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-715a2acb-41f1-4346-ae38-1f01a56a5066\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-715a2acb-41f1-4346-ae38-1f01a56a5066\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5b6b8312-b50a-402e-995a-93eb895275e2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Boyle (born 1951) has built a compact oeuvre of predominantly tonal pieces that showcase a gift for natural melody. Too traditional for today’s taste? Judging by this CD he deserves to be better known...In all, Boyle shows a distinctive voice and fluent imagination\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/77907d6f-3d48-4ae3-8991-e628317347b9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b6765d8a-a91e-49d0-b978-66f2e317fa72\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"this entire compilation is a vibrant, all-consuming insight into a composer whose music, with its worldly scope, extends way beyond mere craftsmanship\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"276\" height=\"78\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b66678d8-a0b3-4b46-b98a-cb1abaa3ddbe\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"a composer of considerable range and depth...This is challenging, yet accessible music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"198\" height=\"89\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-09cd0f9a-0a3f-4747-b221-fb070ac1af32\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Boyle’s compact, pungent Sonata makes for compelling listening, especially the central Recitatives and Dreams with its bell-like sonorities...the myth of Phaethon driving the sun chariot allows Boyle to compose a compact sequence of five bleak, pithy dances. It’s not a comfortable listening experience, but it’s so, so exciting.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-715a2acb-41f1-4346-ae38-1f01a56a5066\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2edce796-949d-48e2-8860-5de1f227377d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 25 April 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34098\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:07:58\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361726038,"sku":"DCD34098-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/rory-boyle-music-for-solo-piano-phaethons-dancing-lesson-cd-delphian-records-241294.jpg?v=1606213332"},{"product_id":"dcd34101","title":"J.S. Bach: The Well-Tempered Clavier, Book II (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb41df8c456fa0051db396a\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb41df8c456fa0051db396a\" data-shogun-page-version-id=\"67ab975ae8fbd9a8f06ac762\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab97b26c0aeb5076437afa\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6208a6fc-925f-4631-8bb4-ad6b0a14c91b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-7e96ceaf-78ef-4699-b5e4-de9131ce750d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA recognised authority in twentieth-century and contemporary music, Peter Hill turns for the first time on disc to another of his lifelong preoccupations: the music of J.S. Bach. On this new recording, Hill brings his customary scholarly acumen and crystalline musical intelligence to bear on Book Two of the ‘48’ – music of ‘unsurpassed inventiveness’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a7d71360-4d7f-4dd1-9b6b-48b59b88a68a\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-well-tempered-clavier-book-ii\/1561287159?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9c0781b7-110c-4a3d-a8b5-1ca42f0b97a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill's technique is impressive, but he eschews flamboyant showmanship, bringing instead humility, poise and gravitas to these accounts. Tempos are thoughtfully judged and tend to underscore the reflective, meditative qualities that underlie many of Bach's later works\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-efa10505-9727-44bf-98f9-0ca93d75a885\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Hill is unfailingly musicianly in his approach, his playing full of the kind of insights that can only come from long acquaintance with the music. He lets Bach speak for himself - this is entirely unegotistical playing - the opposite end of the specturm from Gould's highly interventionist approach....What I miss in Hill's recording is an audible relish for the instrument itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d347f238-1dd0-4f3f-886a-c7e798eeedbc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Every performance here is quite audibly the product of careful consideration; every musical decision, whether over tempi, phrasing, or dynamics, seems utterly logical. Yet there's nothing didactic about the results, just a wonderfully natural unfolding of these pieces, in which Hill is never ashamed to make full use of the tonal resources of the modern piano. The crystalline quality of his quiet playing is a regular pleasure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"51\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b2f1b665-b409-4a89-95ad-99d30f66d86a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Peter Hill is an engaging, penetrating, thoughtful and entertaining guide to Bach’s flights of fancy and rigorous counterpoint. His touch, and the clarity of his finger work, is impeccable; he doesn’t over-ornament, he doesn’t rush the preludes, he weights the voices and balances the fugues with insight. And even though Hill’s playing is suffused with the meditative and spiritual qualities you’d hope to find, he still remembers that Bach likes the odd dance.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-51937093-8f8b-47aa-ba23-cf7a997f2f06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Mentioning all the high spots would require too many words. Hill’s lyrical way with the preludes is a consistent joy, and the gentle, unobtrusive control of tempo makes some of them sound like baroque improvisations. He can play with delicacy and humility.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9abb4aa7-4b72-4347-8cbe-18dead7ae0af\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Too often pigeonholed as a 'Messiaen-pianist'...Hill here shows a natural and direct response to Bach's invention that makes a refreshing alternative to some of his starrier, flashier rivals on disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCLASSICAL MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0a81dfe6-bde8-40f4-a968-c0cd93cf3346\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Even though Hill is not an 'official' Bach specialist, he has clearly lived with these pieces in depth, and his insights are meaningful...Delphian's recorded sound does his playing full justice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f528743a-4066-4e77-8718-e5ec9cefa6ae\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill’s approach is to capture the engaging balance between the crisp clarity of the music and its innate lyrical soul. He makes no apologies for the expressive potential of the piano, but simply uses that to harness the universality of the music, from its pre-echoes of early classicism to sparks of undeniable romantic mood-painting. Never once, though, does it sell out Bach’s stylistic integrity.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"327\" height=\"66\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1745e92a-ec00-4950-a1e3-41ae88579905\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Peter Hill is that rare musician: a virtuoso with an immaculate and comprehensive technique allied to unusual and practical scholarship of great depth of knowledge, which he brings to the imposing task of Bach’s TheWell-Tempered Clavier. His performances throughout Book II on these Delphian discs are immaculate in terms of realisation of the notation, but are also driven by an emotional, expressive range that at all times looks below the surface of the music to divine the depths of Bach’s creativity.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/98a77fbb-b163-4617-abad-569c0a85ddc6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"74\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-15f7d5cb-bdb1-4f6e-8744-e30da41c5cb2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 11-13 November 2010 \u0026amp; 19-20 February 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 48\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 9 January 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34101\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:38:10\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361922646,"sku":"DCD34101-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-well-tempered-clavier-book-ii-2-cds-cd-delphian-records-867738.jpg?v=1606215099"},{"product_id":"dcd34118","title":"Wilde plays Liszt","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebadbf88113f6005ef41826\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebadbf88113f6005ef41826\" data-shogun-page-version-id=\"67ae0e6fb88b2c8ef869e2e7\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae0e6fb88b2c8ef869e3f9\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-7e410090-751e-47ae-9dc9-33e00022acb3\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ca8d4180-9966-4aa4-b86e-7abbe41f08d7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFifty years after his victory in the International Liszt-Bartók Piano Competition, David Wilde – student of Solomon and of Nadia Boulanger – brings to the studio a lifetime’s experience with the music of Franz Liszt. The diabolically difficult Mephisto Waltz No 1 is dispatched in a reading which overflows with personality and conviction, while Funérailles, too, is compellingly reimagined by an artist who cleaves to an earlier generation’s ideals of recreating both the self and the music in every inspired performance.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-7ae9c0ae-4ed6-48d7-bf98-3329dd5ea587\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/wilde-plays-liszt\/1561051943?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-24757e49-e5aa-44ee-9a31-119b6d5abe73\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-24757e49-e5aa-44ee-9a31-119b6d5abe73\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bffb4395-2c32-46aa-951a-53f4931cb76d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Wilde makes some lovely sounds and, now in his late 70s, has learned to take his time. The first of the Liebestraume takes my prize for delicacy and control...connoisseurs of piano playing will enjoy much on this disc.\"\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-69344c67-26fb-4678-a4c6-5fc9e44071f3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Wilde, if these performances are anything to go by, long ago lost interest in received convention or opinion. He's happy to go his own way, with performances that are heavily idiosyncratic\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-45552710-b241-46c5-a06c-7af5134d4f0f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Ultimately this is music-making that one feel grateful to experience. It is sane and healthy. Its vision surveys a vast terrain and its execution seems effortless and incontrovertible. It speaks with a voice of august nobility, the kind encountered all too rarely these days\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"193\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7007ab40-18aa-4445-845c-6c9354a1b5f0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"David Wilde's new Liszt recital for Delphian (a welcome successor to his majestic account of the B minor Sonata for the same label) offers playing of thrilling individuality, abundant imagination and strong temperament.There's no empty gesturing here, no playing to the gallery, just a spellbinding eloquence, keen sense of poetry and truly inspirational recreative flair that are entirely at the service of the music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/3d9fa34c-09ea-43df-8469-fcfb095de7db\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4b25434a-323f-46b7-b4e3-5c2b3e1797c8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This is Liszt-playing in the grand manner, David Wilde conjuring a Mephisto Waltz of derring-do, devilry, bags of personality and a flexible view of the text, as insinuating as it is incendiary. Not for the first time, Wilde and Delphian give us something special, and the sound quality is also first-class, unflinchingly capturing all of the pianist’s wild(pun!) glissandos and crescendos\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/98a77fbb-b163-4617-abad-569c0a85ddc6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"64\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-24757e49-e5aa-44ee-9a31-119b6d5abe73\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-f98d999a-76d1-46e4-b048-76b4df9ceb92\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 5-6 November 2011 \u0026amp; 3 December 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 8\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:13:58\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 2 September 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34118\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362512470,"sku":"DCD34118-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-liszt-cd-delphian-records-751702.jpg?v=1606217292"},{"product_id":"dcd34119","title":"Ronald Stevenson: Passacaglia on DSCH; Bax \u0026 Pizzetti Variations; etc.","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebaddcfb1b706005032f663\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebaddcfb1b706005032f663\" data-shogun-page-version-id=\"67ae0efadf8510aed46a544b\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae0f82df8510aed46a5745\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ce19828b-3767-459c-912a-abe36693efe2\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-78bc43fc-c26e-41e0-aead-256f6bfd3218\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMusic of extraordinary range and power composed at the dawn of the Space Age, Ronald Stevenson’s Passacaglia on DSCH was long claimed as the biggest single stretch of music ever written for piano. It is a veritable world tour of styles as well as a single-minded exploration of its generating motif, and rising star James Willshire has the technique and vaulting ambition to match both the work’s grandeur and its immense wealth of detail. Willshire gave the 1955 Variations on a Theme of Pizzetti its belated concert premiere in 2012, while the later Fugue, Variations and Epilogue on a Theme by Arnold Bax crystallises Stevenson’s lifelong devotion to a Celtic aesthetic as well as his innovative approach to variation technique. A clutch of shorter works completes the picture, foregrounding aspects of Stevenson’s charm, wit and grace.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-30e41e3b-aac9-42ac-89db-87337be510d1\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/ronald-stevenson-passacaglia-on-dsch\/1594396806?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-63296df8-09ff-4838-8b07-83b09fbffcfe\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-63296df8-09ff-4838-8b07-83b09fbffcfe\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dcb6c10e-191e-4aa2-9314-1203ba57002f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The surprise is how charming his music can be, when it is not weighed down by his cleverness. He can slyly wrong-foot us with waltzes, or beguile with a serene homage...Bach is a constant presence, as is Stevenson's hero Busoni...It's hard to imagine this music better played: Willshire deserves a medal.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-98f25d9c-4294-4026-90d2-77817e34e71b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Willshire's pianism often evokes Stevenson's own incisively sprung rhythms and sharp dynamic contrasts\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80bfe889-1ba3-4813-a7c9-12161427d9b8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Willshire rises brilliantly to the abundant technical challenges in writing of Busoni-like density and sometimes Prokofiev-like brutality.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5d586526-8895-4560-9181-b4ffee0c4b06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"the magnificently quirky ambition and scale of the work are vividly conveyed, and its formidable technical hurdles effortlessly negotiated\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"281\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4ab861c4-6889-47fe-8913-6f75ab15ef88\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"A hugely successful and rewarding endeavour.\" ★★★★★\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"228\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f4f25c23-2f50-4102-9aeb-1cb0ea2371be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"All the works on this disc are stunningly played: the technical difficulties are overcome with boundless skill. Willshire is a tremendous advocate for Stevenson’s music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"197\" height=\"66\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b6622ec7-4612-4a32-a365-a580f23e7727\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"James Willshire's performance is magisterial, especially so in the severe, Baroque stylings of the third section. He's also fabulous at sustaining the tension in the long final Adagissimo barocco, the work closing with a solitary low D. Extraordinary music for the adventurous.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"164\" height=\"74\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7bbeba8e-9acf-4205-8e9a-8840fbc478e4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"[Willshire's] account of the Passacaglia has an evangelizing urgency, and his bouquet of first recordings means that this release will be a mandatory purchase...Very strongly recommended.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-63296df8-09ff-4838-8b07-83b09fbffcfe\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-7c07b90e-151a-4ac5-82d2-137d8d5d9866\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eR\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eelease Date: 28 October 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34119\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:40:39\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-d6bbc7ea-fc36-4e02-bdce-d9aa1b4d85ee\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-5dfa6906-15d0-4d80-abe8-92ecb8b5e0c5\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/d728f344-3615-4d89-a6bc-9f23705d768a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-5dfa6906-15d0-4d80-abe8-92ecb8b5e0c5\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362545238,"sku":"DCD34119-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/ronald-stevenson-passacaglia-on-dsch-bax-pizzetti-variations-etc-cd-delphian-records-454425.jpg?v=1606220814"},{"product_id":"dcd34126","title":"J.S. Bach: The Well-Tempered Clavier, Book I (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb42426c456fa0067de12ec\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb42426c456fa0067de12ec\" data-shogun-page-version-id=\"67ae188e724b0588796b7dae\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae188e724b0588796b7ee0\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-585af7c3-473f-465c-a38c-f8d863f65d5f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8a1d4238-4879-4483-91b1-bfc8168b2419\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePeter Hill’s recording of Bach’s Well-Tempered Clavier, Book II wowed critics across the board in January 2012, prompting The Guardian to write: ‘With luck this is the first in a series of Bach recordings from Hill, and let’s hope Book I of the “48” follows soon.’\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIndeed, throughout 2012 Hill was preparing Book I. His performances of Bach’s first volume of masterpieces exhibit all the qualities that were identified by reviewers of Hill’s previous traversal – ‘warmth, clarity and insight’ (Classical Music Magazine, Editor’s Choice), ‘vital communication’ (HiFi Critic), ‘impeccable’ (BBC Radio 3 CD Review, Disc of the Week), ‘shimmering’ (BBC Music Magazine), ‘liquescent’ (International Record Review).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-ad1f61dd-2daa-447d-9e23-3d99ddd8aee8\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-well-tempered-clavier-book-i\/1561275918?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-1e70b939-bc87-401c-806e-76834c718796\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-1e70b939-bc87-401c-806e-76834c718796\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07f9d346-3900-4924-9867-c316629f3640\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above all, painterly accounts.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6309450f-34d7-4331-8350-a0b9fa589c1d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"what emerges so clearly again in Hill's wonderfully thoughtful, lucid performances is the sheer range of these pieces, the myriad ways in which Bach varied the preludes to incorporate so many distinctive 18th-century musical forms, from dances to studies, arias to improvisations. Hill characterises every one of them vividly and individually\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-44c47668-adb0-4390-a1be-06272ceb4f95\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Bach’s music tests the pianist in many ways, but one of the most telling is that it asks how much or how little the performer should exert ego. Hill...gets the balance just about right in an intimate account of the first book of The Well-Tempered Clavier that nevertheless oozes authority\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-203691db-9441-47de-8631-d01b6dd2dd65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill plays Bach as if in one-to-one communion with the composer, while at the same time sharing it with you, the listener...It confides and reveals the genius of the composer rather than the brilliant musicianship of the performer, while at the same time keeping the notes singing and alive, the rhythms sprightly and filled with their essential line-fuelled but oft-restrained Baroque energy\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"188\" height=\"63\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f2cbbdca-7acb-4b87-b1d8-58e0355794fe\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Hill shows a particular sensitivity to the kind of touch required to play this music on the harpsichord...His restraint and intellectual approach throughout renders the performance wholly satisfying...Thank goodness we have Hill’s full account now, however, for it will provide a fantastic resource to delve into as well as many hours of enjoyable listening\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"236\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a6943dad-1d61-4400-ad91-9133107348aa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"utterly exquisite...Peter Hill has struck gold again...What Hill does is to capture the inner workings of Bach’s richly woven textures with clear-cut intellectual rigour, distributing the weight of piano tone to articulate every critical seam,yet somehow coupling that with a musicality so subtle and so teasingly flexible, there is never once a sense of academic dryness in the interpretations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"292\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-daf6452c-39f0-4b5d-8b62-830dacb1f9a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"This is a delightful collection of discs and thoroughly captivating\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a8bb2185-e182-493c-b9fd-66360ba15083\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"233\" height=\"83\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-1e70b939-bc87-401c-806e-76834c718796\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-974dff6a-8924-4228-94dd-1005fdf8c3e6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 10-12 July \u0026amp; 17-18 December 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 48\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 3 June 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34126\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-9a4c12b1-7880-4ecc-aa18-bff096ef81db\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\n\u003cdiv id=\"s-8dafb0cc-8912-412e-908c-8095bc93446c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"106\" height=\"58\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRecord Review - Record of the Week\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296363266134,"sku":"DCD34126-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-well-tempered-clavier-book-i-2-cds-cd-delphian-records-399031.jpg?v=1606224605"},{"product_id":"dcd34131","title":"Alfred Schnittke: Complete piano music (2CD)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebbf3449f5e4a00524b2c6b\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebbf3449f5e4a00524b2c6b\" data-shogun-page-version-id=\"67ae1b265a3fd562c825d6c1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae1b265a3fd562c825d7db\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ffecf525-7b7f-48cf-ad41-fa2a9bb16e79\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ff7a844e-2eed-466c-979e-d66934738b9b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn 2002 Simon Smith made his recording debut on Delphian in a disc of James MacMillan’s complete piano music, paired with Stuart MacRae’s Piano Sonata. Recordings of music by Hafliði Hallgrímsson and Thomas Wilson have followed. In this new, substantial outing Smith turns from music-making in Scotland to another of his lifelong loves, the music of Alfred Schnittke. This two-disc set comprises Schnittke’s entire published output for solo piano (including one piece for piano duet and another for six hands at one keyboard). The Russian composer’s music often makes gargantuan demands of the player. Smith’s astonishing dynamic palette and heartfelt musicality combine here to stunning effect.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-587164dd-c9fd-459c-9573-f107069006ac\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/alfred-schnittke-complete-piano-music\/1561288175?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-14aa25b7-4592-4b5d-ad0a-a19ae6476371\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-14aa25b7-4592-4b5d-ad0a-a19ae6476371\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a1749e88-f83a-46ff-bebe-9d1bb581f0a4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Smith demonstrates complete empathy with Schnittke's distinctive sound-world. His playing has great dramatic immediacy...Altogether these are compelling and utterly persuasive accounts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3f47ddc7-d171-48ac-b297-4d0cd4a07e30\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Simon Smith has the technical wherewithal and serious musicianship that enable him to convey seemingly intractable passages with narrative cogency...His thoroughly researched annotations add further value to an important release.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-635bcba4-d5a7-41e9-b4c9-9f70832eb0cb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"The young British pianist Simon Smith gives compelling, expressive performances. Schnittke's reputation grows ever greater in death than in life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1da8ddb9-2e4d-4f1f-a0e6-50d4a42375ac\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This is a heroic double-disc release by pianist Simon Smith, and judging by the depth of passion and understanding he elicits from Schnittke’s entire solo piano output, a labour of love as well.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"265\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5e3e2c59-a530-4d9a-bb9d-41519a23d276\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This career-retrospective offers a fascinating glimpse of how a series of strokes affected Alfred Schnittke’s work..captured by Simon Smith with extraordinary sensitivity, detail and emotional commitment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"296\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-abb32cd2-f8db-4be3-9bde-4c7da5715c1e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"brilliantly committed Smith\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"74\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-672efcc2-5834-49ce-8565-c38b626f0330\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Simon Smith can easily challenge at the highest level and to my ears gives us a sharpness of focus on these pieces which makes him a real winner.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"173\" height=\"58\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-21151a9d-927f-45f4-96d9-fe52cdc9e4cc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"it takes a pianist of Smith's musicianship and stamina to pull it off so convincingly\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-14aa25b7-4592-4b5d-ad0a-a19ae6476371\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9c95fea2-6832-415d-a638-af765c7c0af7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 23 January 2012, 4-5 December 2012 \u0026amp; 18-19 April 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 36\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:26:29\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 10 February 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34131\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296365068374,"sku":"DCD34131-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/alfred-schnittke-complete-piano-music-2cd-cd-delphian-records-435467.jpg?v=1606218541"},{"product_id":"dcd34138","title":"Wilde plays Chopin Vol II","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebc12a67f050500528208bb\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebc12a67f050500528208bb\" data-shogun-page-version-id=\"67ae21108c65d868d57e607c\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae21108c65d868d57e61b6\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-e2d0efe7-3f36-4bd0-b719-03e03e4c6e61\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1c771895-af5e-426e-90eb-8a16d9edc151\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDavid Wilde made his first Delphian appearance in a recital of Chopin’s music recorded live at the Wigmore Hall. Seven recordings and twelve years later, immediately following the death of his wife Jane, David stopped work on a disc of recently written British piano sonatas and turned instead to making a second Chopin programme, in memory of Jane.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn his eightieth year, David’s breathtaking virtuosity and towering intellect combine in interpretations informed by a long lifetime of study and performance. And in this music, which has been central to his own musical life, David’s performances revel in Chopin’s extremes.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThis is after all the composer who is reported to have said to a pupil: ‘If I had your strength and could play that Polonaise as it should be played, there would be no string left unbroken by the time I had finished!’ Wilde’s Chopin is not for the timid. These are performances fuelled by passion, combining heartfelt tenderness with deep personal grief.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9e3222cf-19b1-4bc8-9bfa-1755166b2e4c\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/wilde-plays-chopin-vol-2\/1561289526?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-26914436-fe30-41eb-8f4c-4a21ccee8521\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-26914436-fe30-41eb-8f4c-4a21ccee8521\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d6798c68-e78d-447c-a78d-2f33a39579fd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Wilde offers a determined attack on conventional wisdom...an epic, gnarled and rugged genius shaking his fist at the universe with all the defiance of King Lear...Some may accuse him of assault and battery but others will surely pause to think again about Chopin's stature. Delphian's sound is crystal-clear and beyond reproach\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bb63b7ef-91ed-4fe0-a8e7-00beb63c94a8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"[Wilde] is not just at home in Chopin’s music. It is part of his nature, seemingly as necessary and inevitable as breathing...The soundscape summoned by his imagination is vast, craggy, monumental, inexorable. His music making speaks directly of life, of love, and of loss, always with unmistakable wisdom and dignity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7b04a80a-3d2c-445c-9525-f50348fd9c22\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"This is the most intense, idiosyncratic, personal Chopin recital to be recorded in years. Always-interesting, pianist David Wilde recorded it at age 80, shortly after the death of his wife Jane...Chopin this weird and personal will always create enemies [but] I, for one, have listened to this album in shock, admiration, fascination, and deepest respect.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"167\" height=\"56\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3ed63fbd-bafe-4226-ac71-fc665415f8d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"strong, wise and genuine gravitas–a quality that can only result from a lifetime on intimate terms with this most poetic quarter of the piano repertoire\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b6881fae-66f9-4ba6-bc70-89c04220c90d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"176\" height=\"65\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07c5bf5d-9302-4063-b12c-71ffaaa7f7d6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"miraculously glistening work reverberate in striking, pearly play from Wilde’s Steinway, the stunning sound courtesy of producer\/engineer Paul Baxter.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAUDIOPHILE AUDITION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-26914436-fe30-41eb-8f4c-4a21ccee8521\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-85129d05-9a6f-4234-a2b9-db235ed458d6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 14 August, 16 September \u0026amp; 10-11 December 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 10\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:17\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 10 November 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34138\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-0552355c-282a-469e-b3e6-b3d975ea1518\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-38d83fef-d436-45da-bf71-e9aa8db56470\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/d728f344-3615-4d89-a6bc-9f23705d768a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-38d83fef-d436-45da-bf71-e9aa8db56470\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296365461590,"sku":"DCD34138-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-chopin-vol-ii-cd-delphian-records-238445.jpg?v=1606220146"},{"product_id":"dcd34141","title":"La Fauvette Passerinette: a Messiaen premiere, with birds, landscapes \u0026 homages","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb3d2a2f5d28d006bcd00a6\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb3d2a2f5d28d006bcd00a6\" data-shogun-page-version-id=\"67ae22865699e13c4d2a8f59\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae22865699e13c4d2a916b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-a8de1133-d4fa-4b3c-b299-2fdaddafbea6\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6071edec-40d4-4d0b-880a-9f66c0861054\" role=\"tab\" aria-controls=\"panel-6071edec-40d4-4d0b-880a-9f66c0861054\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-b62c748e-83a9-4933-a185-29dccfafbb12\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn 2012, leading pianist and Messiaen scholar Peter Hill made a remarkable discovery among the composer’s papers: several pages of tightly written manuscript from 1961, constituting a near-complete and hitherto unknown work for piano.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eHill was able to fill in some missing dynamics and articulations by consulting Messiaen’s birdsong notebooks, and gave the work’s first public performance in the autumn of 2013.\u0026lt;br\u0026gt; Here, then, he follows his acclaimed Bach recordings for Delphian with a return to the music in which he first made his reputation, setting this glittering addition to Messiaen’s piano output in the context both of the composer’s own earlier work and of music by the many younger composers on whom Messiaen was a profound influence – from Stockhausen and Takemitsu to George Benjamin, who like Hill himself worked closely with the composer in the years before his death.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b8d0ed1c-0662-46ad-b2ee-970bfe9000d2\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/la-fauvette-passirenette-a-messiaen-premiere-with\/1561066565?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6071edec-40d4-4d0b-880a-9f66c0861054\" role=\"tabpanel\" aria-labelledby=\"tab-6071edec-40d4-4d0b-880a-9f66c0861054\"\u003e \u003cdiv id=\"s-f05e7890-d7a7-4071-99e7-ae6134cc2d18\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/eLvfj7BUcDs?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-11f7685a-1341-4ae4-9079-f4114ce05d83\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-11f7685a-1341-4ae4-9079-f4114ce05d83\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d3c79141-5adb-4558-999c-f05524d4b9ad\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill places the new work within an exceptionally well-crafted recital in which Messiaen's music is a recurrent thread in a span of resonances, influences and affinities...Whether in Dutilleux or Peter Sculthorpe, Murail or Takemitsu, Hill's provides a masterclass in capturing a composer's idiom with warmth and humanity.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8f2a0ad7-7c0a-49ba-af16-7988a71befc5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Hill's realisation forms a rewarding substantial centrepiece to this outstanding recital disc. The whole point is to put Messiaen himself in a stimulating context...The appeal of the disc is greatly enhanced by the exceptional quality of the recording, with every facet of Hill's uncompromisingly extensive expressive range vividly captured.\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4fb5f38d-28a1-4ffa-adf6-6ef086b6d983\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"What a discovery! La Fauvette Passerinette is a stunning 11-minute piano solo — joyous, syncopated and virtuosic...It was rediscovered recently by Peter Hill, who sends its birdsong-based fantasies soaring fabulously on a fascinating disc that puts the French maître in the context of contemporaries...and pupils\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"142\" height=\"107\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-49a99107-a9bc-408a-b4b1-c6fe975bae6c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\"La Fauvette Passerinette represents a path Messiaen never followed further...As Hill’s performance shows, however, it’s an utterly convincing and thrilling piece of piano writing – a fierce, sustained 11-minute study as rigorous as Messiaen’s piano works of the late 1940s...Altogether, it is a hugely rewarding and important disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"310\" height=\"54\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f22c991c-7bd8-4300-9970-8e5eb5ad62da\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan class=\"c-product-review--quote\" style=\"font-family: 'Abhaya Libre';\"\u003e\"Hill has devised a fascinating sequence to contextualise this first recording of an 11-minute virtuoso piece he discovered in Messiaen’s posthumous papers...as performed here, [it] is bitingly fresh and chattery, plausibly ornithological.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan class=\"c-product-review--quote\" style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"327\" height=\"92\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-37dec2c8-8cb6-4ffe-93c8-db25cc7647b0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"With a beautiful recorded balance equally capturing the subtle colours and drama of both the music and Peter Hill’s performances, this is both a piano recording of demonstration quality and a musical experience to treasure.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"261\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c1220fbf-91f6-4785-bd99-e97de6b58f93\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"this generously filled disc [is] a serious study for both concentrated and extended reading.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"233\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-50536363-e934-4c59-a2f8-cfe486094612\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"he knows how to make a sound like bronze, like those pianists from before the first world war. There it is: you’re hooked…the depth of his sound, the kaleidoscope of attacks, the intelligence of the pedalling are unfailing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c6ca4f2b-e9aa-4dc2-bedc-eba57ca6f400\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"272\" height=\"62\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f0fa6a49-94e6-4193-ada7-7adff5c84291\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"poetic, powerful and raptly concentrated performances\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b6881fae-66f9-4ba6-bc70-89c04220c90d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"232\" height=\"86\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv 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id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2a445350-76ed-4b4b-9b74-87f31e0aa2c0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 23 March \u0026amp; 6 April 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 16\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 27 October 2014\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34141\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:55\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-21d67140-a1a3-46a5-a9af-c0cce9bd4b64\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0b9c5e68-4324-4352-9c20-c81328c8303f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-0b9c5e68-4324-4352-9c20-c81328c8303f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-61518cff-5d14-4dd0-8f41-b813d86efb17\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-61518cff-5d14-4dd0-8f41-b813d86efb17\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-4823c319-e8eb-473e-8bf9-e37c61fcc1a0\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/c74e0cc4-e7bf-46e3-9bc5-e2d1f074124a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-4823c319-e8eb-473e-8bf9-e37c61fcc1a0\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296365527126,"sku":"DCD34141-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/la-fauvette-passerinette-a-messiaen-premiere-with-birds-landscapes-homages-cd-delphian-records-452704.jpg?v=1606224933"},{"product_id":"dcd34151","title":"Valentin Silvestrov: Piano Sonatas","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd1e1da4e353005556e9d7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd1e1da4e353005556e9d7\" data-shogun-page-version-id=\"6202ae525ff6eb0115c8684e\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6202ae525ff6eb0115c86926\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-8603a39c-741c-4367-8560-49994de8fec1\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1e61f8d3-e787-4800-9811-09c64004dbf3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFollowing his acclaimed recording of Alfred Schnittke’s complete piano music, Simon Smith turns his attention to Schnittke’s near-contemporary, the Ukrainian composer Valentin Silvestrov. Smith’s precision and technical agility make him the ideal choice for this first survey to focus on the 1970s – an important period in the formation of Silvestrov’s later style.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe Classical Sonata is an ostensibly Mozartian work in which nothing is quite as it seems, while its three numbered successors provide further glimpses into Silvestrov’s unique relationship with memory and the past. Concluding the disc, the short Nostalghia represents the mature Silvestrov, with its yearning melodic fragments and complex emotional undertow.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-27762521-6c82-4976-afb4-8177e090c943\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/valentin-silvestrov-piano-sonatas\/1559310380?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-31495f68-b1b6-4b63-9d93-acf40de24fe1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-31495f68-b1b6-4b63-9d93-acf40de24fe1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-93bb2427-d0cf-4f11-b92f-30d65f7be519\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Simon Smith's engagingly performed and atmospherically recorded recital offers a fascinating insight into the composer's development from the 1960s through to the 1980s.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-64fee005-5ebe-4507-8ffb-148b054e80f8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Simon Smith approaches the task with dedication and sensitivity\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a687a52a-250b-4244-a5e2-e9653956c62b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"In Smith’s hands, this work captivates in both moment and span\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-050e060c-016a-445c-89f6-676c72749d56\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Simon Smith has specialised in contemporary composers, mainly Scottish, and is in obvious sympathy with the idiom...The recording is clear and the resonance of the piano is beautifully caught...Silvestrov is worth getting to know and Delphian’s enterprise deserves support.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"198\" height=\"67\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4d5b509a-81e7-48f1-a1d3-8a40f236d06e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Pianist Simon Smith has already recorded a brilliant Schnittke set for this label, and he's equally persuasive here: Silvestrov's longer paragraphs never sound discursive. Attractive cover art and sensational recorded sound too, with the Steinway's rich bass notes beautifully caught.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1ba7a8e0-3eb0-41f6-a621-017c105519db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Pianist Simon Smith...appears to have this music in his bones\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNPR\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e5314e7f-45c2-495d-aeb4-f945199f5aee\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Simon Smith is well tuned in to the music’s ambience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTHE IRISH TIMES\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-31495f68-b1b6-4b63-9d93-acf40de24fe1\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-038e133a-09dd-43f5-a896-d1946819ace6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Reid Concert Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 12 December 2013, 10 May 2014 and 17 January 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 17\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 13 November 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:09\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34151\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366215254,"sku":"DCD34151-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/valentin-silvestrov-piano-sonatas-cd-delphian-records-897087.jpg?v=1606220468"},{"product_id":"dcd34159","title":"Wilde plays Chopin Vol III","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd5305652fca005f8a718b\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd5305652fca005f8a718b\" data-shogun-page-version-id=\"67af96eda2bba81f591ffb6f\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af96eda2bba81f591ffc7d\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-2363abf6-4a5a-44ac-9254-e6f52bbf8afa\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-c18666e1-fa47-413e-bbc3-55fe138dc548\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe reviews that greeted Vol II of David Wilde’s Chopin last year spoke of his playing as ‘vast, monumental, inexorable…a wealth of colour and detail, all in service of an overarching design of crystal clarity’ (International Record Review).\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWilde, wrote Bryce Morrison in Gramophone, ‘scorns all easy facility,’ presenting Chopin not as the familiar salon dandy but as ‘an epic, gnarled and rugged genius shaking his fist at the universe with all the defiance of King Lear’. BBC Radio 3’s CD Review concurred: ‘The space that he gives the music is extraordinary…This is on a grand scale.’ Here is a further instalment of this extraordinary Chopin journey. As he sat down to record the B flat minor Scherzo, Wilde said to Delphian producer Paul Baxter: ‘I’ve been playing this piece for 73 years – I don’t think I need a score!’ This is Chopin absorbed and reshaped: the radical expressive outcome of a lifetime’s involvement with this inexhaustible composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-202e971e-ed62-4dd1-a288-3695883e92b5\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/wilde-plays-chopin-vol-3\/1561052492?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-aeefad20-ab6b-4c07-8399-35eee3ebd93d\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-aeefad20-ab6b-4c07-8399-35eee3ebd93d\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bd392cbf-c961-4dd7-a079-d6872056e2fc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"I have to urge any Chopin enthusiast to listen to this. There is nothing else like it.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"215\" height=\"72\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-20dde862-051f-467a-8c29-deecd7b14611\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Wilde's burning sincerity makes for compulsive if exhausting listening. He has again written his own notes, is excellently recorded, and if you like Chopin given with a steep and original slant…then this is for you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f3f13826-512b-44db-a6be-530126dcde01\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"As with the previous albums in the series, the playing is remarkable. Wilde approaches familiar works from an epic viewpoint. It is an intelligent and vibrant vision, joined with a ruggedness that is not always expected for music from a composer who is more often treated with romantic sweetness\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"200\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0a2e041e-61be-4e99-b1fe-553f52cfe02a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"David Wilde lives up to his name. The octogenarian pianist does not do glossy or pretty – instead, this final volume of his Chopin series is a full-on blast of volatile extroversion. Wilde’s piano twangs and growls; rubato comes in enormous swells; chordal passages are delivered with craggy, uncompromising attack\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"211\" height=\"37\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0cbbc319-8445-484a-a92d-4fb4510d92ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"All through this CD one is struck by the enormous expressive freedom that Wilde has at his disposal. It’s an inspiring recording.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/69be1bc9-25ca-4deb-8ef4-ae5735206099\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-aeefad20-ab6b-4c07-8399-35eee3ebd93d\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4a358c7b-6f1e-4d03-8b4d-970bb8a4701e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 12\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 31 July 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:04:38\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34159\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366510166,"sku":"DCD34159-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/wilde-plays-chopin-vol-iii-cd-delphian-records-778275.jpg?v=1606224853"},{"product_id":"dcd34166","title":"J.S. Bach: The French Suites (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb41c4d7f445400579ce72c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb41c4d7f445400579ce72c\" data-shogun-page-version-id=\"67af9babf3765cbb342023c2\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af9babf3765cbb342024e0\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-4453a561-71d9-4d70-93d9-b29c8c34ac55\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-316aae5e-2e04-47e6-96b4-46724fb9e4d4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe French Suites have a special place among Bach’s keyboard works. Besides containing music as profound and poetic as any he wrote, their textures have a transparency and sparkle that reflect a move towards the galant style fashionable among Bach’s contemporaries. In this, the third instalment of Peter Hill’s acclaimed Bach series, Hill has chosen to follow the suites with his own completion of Mozart’s Suite in C, K399.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWith Bach and Handel as his models, this work epitomises Mozart’s fascination with Baroque music. Hill’s celebrated return to the studio with Delphian four years ago continues to reap rich artistic rewards, with a ‘Diapason d’Or’ and a recent Gramophone Award nomination for his premiere recording of Messiaen’s rediscovered La Fauvette passerinette. Here in Bach, too, his abundant energy and passion are deeply informed by a lifetime of scholarship.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-05ab3947-4a4a-4517-a06b-a2570fd680c9\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-french-suites\/1561063511?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-091fc273-ce6d-4a7c-87c2-ce053d92a486\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-091fc273-ce6d-4a7c-87c2-ce053d92a486\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-924deb57-4ef7-4d1d-9802-0ce547626a5f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Peter Hill never underestimates [the] challenge, and there's a confiding wisdom sustaining his latest Bachian foray. Trademark unshowy integrity, too, articulated through a silky translucent tone and captured in an agreeably intimate recording\"\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-97f0e31d-3240-42c3-a2a6-d0beab7cc272\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Each line is beautifully clear, a perfect blend of the cerebral and the sensual...Delphian’s warm, natural-sounding engineering adds to the fun\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-aa75937d-a4bd-4456-ad18-37b229ed3f79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"His amicable and unpretentious playing fills me with a warm fuzzy feeling and leaves me happy to be alive, and you can’t get much better than that.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"317\" height=\"107\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-db6dff95-6dd2-411e-b600-d9cf6bc66fbb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"there’s much to admire and enjoy here in considered and cogent playing perfectly attuned to the music’s modesty of expression while inking in its nuanced profundity and poetry with lightly-worn authority...Delphian’s sound is exemplary. For sheer, unalloyed pleasure, this will take some beating this year.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/3d9fa34c-09ea-43df-8469-fcfb095de7db\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"108\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fd754ebb-5ee4-45b2-abfa-14c7e5f85b11\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"spiced with the most delicate ornamentation...enticingly inward...finesse over mere energy\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"350\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-091fc273-ce6d-4a7c-87c2-ce053d92a486\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ca44d50f-2933-42fd-a66f-cc61491fde74\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 5-8 July 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 44\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 29 January 2016\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34166\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:54:16\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366870614,"sku":"DCD34166-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-french-suites-2-cds-cd-delphian-records-609900.jpg?v=1606218767"},{"product_id":"dcd34191","title":"Stravinsky \/ Rachmaninov \/ Tchaikovsky: Russian works for piano four hands","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9870175c3fbd004f2dd39c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9870175c3fbd004f2dd39c\" data-shogun-page-version-id=\"67afad07235c45a1556113cd\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afad07235c45a1556114e9\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-37129ade-a075-4bf3-8b76-86efdbedca36\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-654e3968-9db5-4e52-8b38-b6692e79509e\" role=\"tab\" aria-controls=\"panel-654e3968-9db5-4e52-8b38-b6692e79509e\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-0f66241c-1ae9-44d5-aec8-ac4b7123033a\" role=\"tab\" aria-controls=\"panel-0f66241c-1ae9-44d5-aec8-ac4b7123033a\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-23e68a6b-c1e5-4e16-acf2-09a5a70acf22\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSergei Rachmaninov, last of the great Romantic composers, and Igor Stravinsky, whose early scores for Diaghilev and the Ballet Russes revolutionised the musical world, had a shared fascination for the traditional music of their homeland. Rachmaninov’s early masterpiece, the Six morceaux Op. 11, already exhibits the sweep and grandeur of his maturity, while Stravinsky’s four-hands arrangement of Petrushka reveals this glittering ballet anew in a tour de force of pianistic virtuosity. Tchaikovsky’s hauntingly exquisite transcriptions of Russian folksongs, meanwhile, include two melodies later used by Stravinsky in The Firebird and Petrushka.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePeter Hill, whose Bach series for Delphian continues to attract superlatives, is here joined for the first time on the label by his long-term duo partner Benjamin Frith. Together they explore every facet of the art of the piano duet in performances of truly exceptional power, delicacy and authority.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-36a48f17-6d5a-41a6-9a9a-7c514054d02e\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/russian-works-for-piano-4-hands\/1276973970?app=music\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-654e3968-9db5-4e52-8b38-b6692e79509e\" role=\"tabpanel\" aria-labelledby=\"tab-654e3968-9db5-4e52-8b38-b6692e79509e\"\u003e \u003cdiv id=\"s-02363c76-1c43-4b73-8ef5-99f18db3056d\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/eLvfj7BUcDs?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e03f658b-3a62-412f-b9d5-86c034200561\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e03f658b-3a62-412f-b9d5-86c034200561\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-89323462-b60c-43af-be4a-9bb9082ed53c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Frith and Hill balance the virtuosity with explosive melodies…both have the necessary dexterity to chase notes and fingers – the overlapping twists and turns of ‘Slava’ demand a balletic performance…The twosome perform with variety, sensitivity – and just enough theatrics.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c593e277-6994-43e1-89b4-6708544aec98\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This is an altogether impressive, accomplished and rewarding release, a delight to listen to from both the sound and performance points of view…Hill and Frith have been playing as a duo since 1986. Such complete lending of tone, touch, dynamics and phrasing quite conceals any division of labour: a clear case of two right hands knowing exactly what the two left ones are doing\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-da937a68-dccf-473f-ba3d-13dd0a1dfe43\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Hill and Frith brings to this programme a great range of colours and expression and a strong partnership. They can be meltingly romantic in Rachmaninov and Tchaikovsky when called for, also angular and ironic and witty. But they excel in the Stravinsky: their clarity and precision displays the score with an analytic grasp of detail and their rhythmic zest makes for a most exciting performance\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"269\" height=\"91\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a7a31a03-a055-459e-96fe-4c87fb506018\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"This succession of three items has both musical and academic interest.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"314\" height=\"63\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e03f658b-3a62-412f-b9d5-86c034200561\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-0f66241c-1ae9-44d5-aec8-ac4b7123033a\" role=\"tabpanel\" aria-labelledby=\"tab-0f66241c-1ae9-44d5-aec8-ac4b7123033a\"\u003e \u003cdiv id=\"s-7601a0fc-b7fd-45ba-962c-c235e667263b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 22 September 2017\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34191\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:08:27\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370212950,"sku":"DCD34191-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/stravinsky-rachmaninov-tchaikovsky-russian-works-for-piano-four-hands-cd-delphian-records-878868.jpg?v=1606216095"},{"product_id":"dcd34200","title":"JS Bach: Goldberg Variations","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e982e9a93c687005c1bfd43\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e982e9a93c687005c1bfd43\" data-shogun-page-version-id=\"67b0ab8d1bd282622b5a64db\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0ab8d1bd282622b5a65f1\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-49226dba-d349-4a68-b662-b0a2184e6d1b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f0ec56d0-e971-4393-aa52-ec7d7f3f93d5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn the Goldberg Variations Bach answered a modest request – reputedly from an aristocratic patron who wanted music that was ‘soft and somewhat lively’ as a distraction from insomnia – with a work of immense scale and ambition, a great musical journey that traverses a dazzling kaleidoscope of musical styles.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe music’s wit and virtuosity is matched by the exquisite contrapuntal tracery of the canons that form the work’s backbone, and by the tragic grandeur of the minor-key variations, which contain some of the most poignant music Bach ever wrote; the homecoming, as Bach ends by returning to the opening Aria, is one of the most moving passages in all music. Peter Hill here continues his acclaimed series of Bach recordings with a searchingly imaginative performance, capturing the music’s zest and its depth of feeling in a reading that is as profoundly poetic as it is beautifully coloured.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eHill’s 6th recording for Delphian, captures the artist at the very height of his powers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-bad10655-5274-4e61-9809-1a2bc346716f\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-goldberg-variations\/1596169976?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-f71f7a7d-6424-4617-8ac3-99bee455f442\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-f71f7a7d-6424-4617-8ac3-99bee455f442\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b9839d8d-2a2f-4794-a5f5-5908537b9168\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"He addresses that Everest on the landscape of Bach’s keyboard writing, and with characteristically unshowy yet compelling results. He’s up against stiff opposition of course…But there’s an honesty and intelligence that earns him a place at the top table if not quite at its head. He’s pondered the piece long and hard…overall Hill charts a pre-eminently lucid and illuminating course.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-88274108-027c-4484-8c2e-1614bb14ad8f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"His exposition of the opening theme is like a slow awakening, the melody unfolding with graciousness and relaxed inevitability, its underlying harmonies perfectly cushioning the eloquence. The 30 variations follow with crispness and delicacy, each capturing their relative complexity in a drama that unfolds with flowing logic and unrelenting good taste. Hill’s pacing captures that essential balance between action and reflection. It is a performance of enormous satisfaction and fulfilment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"312\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c8a54251-00d8-4381-b7e5-c11c38e481be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The recorded sound is excellent, allowing every subtle nuance of phrasing and dynamic to make its point, while enhancing the sense of atmosphere which Hill sees as a priority...Hill makes a strong impression by under-stating it with a restrained dynamic and with phrasing of the utmost tenderness.The determinant of a fine performance is always whether the listener feels that the music could not possibly be otherwise and that is what Peter Hill achieves here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"302\" height=\"102\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2d8eae13-48c0-4988-8729-0e250f3b0d57\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill plays this music with a great deal of affection. While Bach’s pedagogical intent is always clear in the two- and three-voice counterpoint, Hill reaches further to find the beauty in every melodic fragment. He’s not the least shy about using the piano’s expressive potential to colour the main ideas.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/69be1bc9-25ca-4deb-8ef4-ae5735206099\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"296\" height=\"41\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-f71f7a7d-6424-4617-8ac3-99bee455f442\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3360cbe1-41aa-44f9-a26d-11599e98809d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff, United Kingdom\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 6-8 November 2017\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 18 May 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34200\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:48\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370638934,"sku":"DCD34200-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-goldberg-variations-cd-delphian-records-212329.jpg?v=1606216383"},{"product_id":"dcd34203","title":"Stravinsky: Complete Music for Solo Piano","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9828a3d5cafe00663d9665\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9828a3d5cafe00663d9665\" data-shogun-page-version-id=\"67b0ad89d603518551901af5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0ad89d603518551901c15\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-e0be9259-b64f-4bd3-ace3-70a7e455e9e8\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-865abc74-aa65-444a-bb9b-87d39dede3b5\" role=\"tab\" aria-controls=\"panel-865abc74-aa65-444a-bb9b-87d39dede3b5\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-22ab7e9c-33d0-43df-9d9b-01ee51cfbaca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFrom the Silver Age romanticism of the early Sonata in F sharp minor, through the Shrovetide peasant festivities of Petrushka and a clutch of Jazz Age miniatures to the neo-Bachian computations of the Sonata and Serenade in A, Stravinsky’s ever-changing preoccupations can be traced through his music for piano, his own instrument.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eOxana Shevchenko is minutely attuned to the specific character of each piece – whether a simple character study for children or a glitteringly virtuosic tour de force – and brings her Russian heritage and training to this most cosmopolitan, yet ultimately most Russian, of composers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-900fbc0f-05af-4af9-a706-6a028d93bf33\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/stravinsky-complete-music-for-solo-piano\/1561070852?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-865abc74-aa65-444a-bb9b-87d39dede3b5\" role=\"tabpanel\" aria-labelledby=\"tab-865abc74-aa65-444a-bb9b-87d39dede3b5\"\u003e \u003cdiv id=\"s-33897e3b-3d02-4ddd-9378-13df11302888\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/Iq40rKbT-Ug?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-49897366-7ea8-4e15-b849-9906c23f3b28\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-49897366-7ea8-4e15-b849-9906c23f3b28\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c10cc69e-c2cb-4147-90a8-55bd042a53d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Whether scintillating in the fearsome Three Movements from Petrushka, nonchalant in the mis-steps of the Tango or coolly detached in the chorale from Symphonies of Wind Instruments, Shevchenko’s pianist reflects the nuances of Stravinsky’s varying approaches, captured in wonderfully lucid, vibrant sound by Delphian…the overall sense is of a sizzling, bracing complete survey.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-db5a6486-7758-4adc-a466-170ff2a25d45\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Shevchenko plays superbly: the Three Movements from Petrushka are precise and exhilarating; she gets the dry Sonata and Serenade in A just right...but most memorable are 2½ minutes from the ritual close of Symphonies of Wind Instruments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"234\" height=\"66\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f602fd09-efa0-4fd5-9671-6cba112b8780\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Shevchenko’s verve and nimble fingers carry her through this wide range of material\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"186\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-49897366-7ea8-4e15-b849-9906c23f3b28\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c3960125-4c58-498c-a549-3e97399a0159\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary's Church, Haddington\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 6-8 March 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 20 April 2018\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34203\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:55:55\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370835542,"sku":"DCD34203-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/stravinsky-complete-music-for-solo-piano-cd-delphian-records-591962.jpg?v=1606221609"},{"product_id":"dcd34217","title":"Lutosławski | Penderecki: Complete Music for Violin and Piano","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9721c593c687004f0cb5ee\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9721c593c687004f0cb5ee\" data-shogun-page-version-id=\"67b0b5ca0d947a273b975697\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0b5ca0d947a273b975834\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-bb0bafa7-272c-487d-b977-2d2cdd187543\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-80490241-625a-4eef-9efa-736ca653839f\" role=\"tab\" aria-controls=\"panel-80490241-625a-4eef-9efa-736ca653839f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-c369d2c8-690f-4920-92b0-811c403d0d52\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRepression and censorship; optimism and freedom; renewed constraints. If this sounds like a now all too familiar story of political progress achieved and then reversed, then this stunning survey of chamber works by two of Poland’s leading post-war composers suggests that music was there to bear witness to each twist and turn of the tale.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFrom the post-Stalin thaw of the 1950s and 1960s to the triumphant re-establishment of democracy near century’s end, these vital utterances range from the exploded intensities of Penderecki’s Three Miniatures to the lean, focused expressive charge of Lutosławski’s Partita and the millennial anxieties of Penderecki’s Violin Sonata No 2.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eOn their first recording with Delphian Records, Michael Foyle and Maksim Štšura transmit every nuance, while giving these works new life as a statement of intent for virtues so unwavering as to seem like a reproach to the inconstancies of political life – alert collaboration, reciprocity, freedom, precision, joy.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-84937508-3730-41a0-a45c-ba4055d28e4a\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/lutos%C5%82awski-penderecki-complete-music-for-violin-and\/1561057039?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-be1591af-e69e-4be7-b4bf-e45c8e40a154\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-be1591af-e69e-4be7-b4bf-e45c8e40a154\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-381042a0-a54c-46e7-8309-c844d5db26cc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Spanning almost half a century, this programme is illuminating in its contrasts and for what it reveals about these two very different figures…Foyle and Štšura handle it with commanding aplomb…[Penderecki’s] Sonata No. 1 is his first published work yet highly accomplished – and enjoyable thanks to this Scottish-Estonian duo’s musical intelligence.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e6034afd-58d1-4c87-abfc-93f7352af021\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"It was an astute move of the Foyle-Štura Duo to combine the outputs for violin and piano by Lutosławski and Penderecki, as numerous points of similarity and contrast – between both their respective works as well as those of each composers – are afforded by the comparison…[They] project at determined cohesion.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8b244192-45bf-4dda-9cf5-133dcc8eceed\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"The playing is gutsy, alive and alert\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"225\" height=\"64\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-be1591af-e69e-4be7-b4bf-e45c8e40a154\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-80490241-625a-4eef-9efa-736ca653839f\" role=\"tabpanel\" aria-labelledby=\"tab-80490241-625a-4eef-9efa-736ca653839f\"\u003e \u003cdiv id=\"s-d8d66b13-bdc2-42e0-b9c2-8bf6a1b2d6b0\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/Kr2Kfr-x9R8?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c8a69553-828c-419f-a04f-93a2dc6e6268\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Mary's Church, Haddington\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 12-14 February 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 18\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 25 January 2019\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:13:06\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34217\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371425366,"sku":"DCD34217-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/lutuslawski-penderecki-complete-music-for-violin-and-piano-cd-delphian-records-585531.jpg?v=1606216365"},{"product_id":"leighton-complete-piano-works","title":"Kenneth Leighton: Complete Solo Piano Works","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e998aab43abd400500f6684\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e998aab43abd400500f6684\" data-shogun-page-version-id=\"62078c966fe16500c1bf80ad\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62078c966fe16500c1bf81ee\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-a072db1e-869a-476c-bd1e-5af4618176ad\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-4ef6a5fb-4ac2-47bf-8aed-549bc6f392b5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: left; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eThe complete solo piano music of Kenneth Leighton (1929-1988) is presented for the first time, on three discs containing many world premiere recordings. Written for Leighton’s own instrument, and played here by his distinguished pupil Angela Brownridge, these works span Leighton’s entire compositional career.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: left; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003eThis album was re-mastered for re-release - with specially commissioned artwork - in 2019 \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-caafe862-c55f-4b0a-a406-e64b64a2a561\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/kenneth-leighton-complete-solo-piano-works\/1594407256?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-234ea912-f3b0-4332-ab53-d593a6d18a84\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-234ea912-f3b0-4332-ab53-d593a6d18a84\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-41b5fd7e-8f11-4cf0-8740-d19a3b8a5708\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"An eloquent survey of Leighton’s substantial and marvellously idiomatic piano music…this is an important set that deserves widespread currency.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80aabcae-b832-4dbe-9a68-593e482d114e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Brownridge plays superbly throughout – at all times, she is fully up to the technical, intellectual and characterizing demands of this music, and the recording quality of her instrument is consistently excellent…very strongly recommended.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9633637b-79fd-4473-b7bd-df2d62be438d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Angela Brownridge is a virtuoso pianist who studied harmony and counterpoint with Leighton in Edinburgh. She is completely inside this music, the technical demands of which are often great. Giving the impression that this exercise was a labour of love, she has been backed up with a first-class recording.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRECORDING OF THE MONTH\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"248\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-587ece33-e267-4df7-bba5-775ae4f1ad3d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Angela Brownridge's excellent three-disc compilation, passionately played, covers the full span from his early Sonatina, written while still at school, right up to five Bach-style preludes he composed in the months before his death in 1988, aged 58 ... A sardonic wit constantly flashes. Mainstream English - and strongly recommended\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/baac07db-cd88-45ef-8db0-ca2c7dc90ae2\/\" alt=\"\" width=\"228\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-234ea912-f3b0-4332-ab53-d593a6d18a84\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b82ab27b-e511-4075-a7c4-e875543ab83a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003ePhysical format: Box set\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eNumber of discs: 3\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eNumber of tracks: 78\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 3:49:28\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eFirst UK release date: 5 January 2007\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eAlbum ID: DCD34301\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371720278,"sku":"DCD34301-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/kenneth-leighton-complete-solo-piano-works-cd-delphian-records-418606.jpg?v=1606224921"},{"product_id":"beethoven-works-for-piano-four-hands","title":"Beethoven: Works For Piano Four Hands","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9717dd22d16b0052e7890c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9717dd22d16b0052e7890c\" data-shogun-page-version-id=\"62078d27efbefc00df6e1f9a\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62078d28efbefc00df6e2075\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-16b29ebc-b941-412d-9f1e-67c5bc0e6bf9\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-10a861fd-995b-4647-8554-8c4467ce718d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLong-time duo partners Peter Hill and Benjamin Frith mark the 250th anniversary of Beethoven’s birth with this survey of his complete output for piano four hands.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWorks from his early years in Bonn and from the period of the ‘Eroica’ Symphony, a decade later, are joined by a unique masterpiece from the year before his death. In 1826 Beethoven was persuaded to publish an arrangement for piano duet of the \u003cem\u003eGrosse Fuge\u003c\/em\u003e, finale of the String Quartet in B flat Op 130, which had astonished and bewildered listeners at the Quartet’s first performance. He took great care over the arrangement, effectively re-imagining the work in terms of the piano, for example in exploiting the added sonority of the bass (Beethoven’s Broadwood piano extended an octave below the C string of the cello).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe result is a tour de force of pianistic virtuosity, the equivalent for the nineteenth century of Stravinsky’s piano duet version of \u003cem\u003eThe Rite of Spring\u003c\/em\u003e – centrepiece of Hill and Frith’s most recent Delphian album – and like the Stravinsky nothing less than the recreation of a masterpiece in another medium.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-738ab235-e6c0-428a-8ae0-4ab31ec60e29\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/beethoven-works-for-piano-four-hands\/1561062858?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-418a8e3e-a233-439a-a908-1aa15bb0501b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-418a8e3e-a233-439a-a908-1aa15bb0501b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ddabcb9e-4acf-406e-8a70-d7811f4e42b6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Even at this early stage in his career, Beethoven understood how to sidestep the genre’s pitfalls that make countless similar pieces more fun for players than listeners...Hill and his longstanding duet partner Benjamin Frith understand them, too. Whichever of them plays secondo...keeps the bass parts well defined and lightly articulated\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"281\" height=\"41\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a5a6480a-d882-4e1a-b6a9-c529f37fe0a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The fifth [work] is the transcription Beethoven made reluctantly, yet with high intensity, of the Grosse Fuge. This new-fangled masterpiece leaps in track 22 like a tiger from the album leaves of Six Variations on “Ich denke Dein”, and affords the joy of discovering what, and how, art really matters\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"249\" height=\"70\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a5def26c-181a-43af-b964-b03e66182311\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"In Beethoven's anniversary year everyone is strenuously trying to find a new angle, but these pianists have effortlessly hit on one...The Waldstein Variations - in this convivial and muscular performance - reflect the 21-year-old composers delight in turning stylistic tricks ... but the four-hand Grosse Fuge is something else. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMessrs. Hill and Frith have done us a service\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"288\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ecb8534e-d77f-46c3-bcc4-534367ec2f53\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Peter Hill and Benjamin Frith find obvious delight in the relatively simple pleasures of those Waldstein Variations and Beethoven's Marches before tackling the extraordinary late masterpiece, Beethoven's 'Grand Fugue' in his four-hand piano arrangement, the 'nineteenth-century equivalent of Stravinsky's piano duet version of The Rite of Spring suggest the notes - and they certainly make you believe it\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e...an attractively intimate recording\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"160\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1c26f706-b02a-4631-8fa3-0edc759b3902\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"hugely entertaining through these skilled hands\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"242\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-418a8e3e-a233-439a-a908-1aa15bb0501b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-04d7050d-d087-4f93-a0e4-df2281cf9502\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eVenue: University Concert Hall, Cardiff\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 12-13 July 2019\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 31 January 2020\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34221\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 0:48:50\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31995922481238,"sku":"DCD34221-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/beethoven-works-for-piano-four-hands-cd-delphian-records-978383.jpg?v=1606221283"},{"product_id":"the-peter-hill-collection-10-cd-set","title":"The Peter Hill Collection (10-CD set)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb3ec14c456fa0059d9fcb8\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb3ec14c456fa0059d9fcb8\" data-shogun-page-version-id=\"5eb41248f5d28d0051d01083\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"5eb41248f5d28d0051d01336\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-70cfe2a5-cc06-4d1e-aeca-1f7ec9f9d74f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e ALBUM INFORMATION \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-78a3e155-b3a6-404e-ae75-e2a775e3fbb0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003ePianist Peter Hill has been recording on Delphian for over a decade, picking up Gramophone and BBC Music Magazine Editor's Choices for his finely-crafted interpretations of Messiaen, Bach and Russian Masters along the way. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eNow comes the opportunity to purchase the complete Peter Hill Collection on Delphian for the special price of £59.99 for ten discs. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e1. JS Bach: Goldberg Variations\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e2. JS Bach: The Well Tempered Clavier \u003cem\u003eBook I \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e(2CD)\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e3. JS Bach: The Well Tempered Clavier \u003cem\u003eBook II \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e(2CD)\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e4. JS Bach: The French Suites \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e(2CD)\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e5. Beethoven Piano Works Four Hands \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e6. La Fauvette Passerinette: A Messiaen Premiere\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"line-height: 14px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e7. 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\u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f7b9dbfb-c1a1-48d8-943e-1e83020400d6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eSince winning First Prize at the 2016 Young Concert Artists International Auditions in New York, New Zealand-born violinist Benjamin Baker has established a strong presence across the globe, with acclaimed solo, chamber and concerto appearances on five continents. His Delphian recording debut sees him joined by regular duo partner Daniel Lebhardt in a programme of three powerful works which were all begun in 1942.\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEach marked in its own way by a world at war, these three sonatas – by Aaron Copland, Francis Poulenc and Sergei Prokofiev – show three of the twentieth century’s most individual and admired composers engaging themes of private loss, political uncertainty and music’s enduring ability both to reflect and to transcend circumstance.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9655d876-c666-4fd9-9613-5f173ecc1b4e\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/1942-prokofiev-copland-poulenc\/1555525744?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_1942%3A_prokofiev%2C_copland_%26_poulen\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-5a3de202-f12c-4aaf-94da-9c4ba0cfa139\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-5a3de202-f12c-4aaf-94da-9c4ba0cfa139\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c4376442-9424-4cc0-a638-408976dd3820\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"A performance by Benjamin Baker and Daniel Lebhardt that captures so effectively the passion and pain of Poulenc's inspiration ... an excellent recording\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"131\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eANDREW McGREGOR \u003cem\u003eRECORD REVIEW\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3c8c94fe-8cf5-459b-b93b-ef9fa396e285\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"The world was in turmoil in 1942, with much of Europe under Nazi occupation. All three works on this remarkable album were begun that year, and two of them are products of this dark time ... New Zealand-born violinist Benjamin Baker and Hungarian pianist Daniel Lebhardt are superb partners with a rare passion and energy\" \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"147\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-231794f5-72e9-404f-b03c-10fb0e74f05c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The New Zealand-born violinist is joined by his regular recital-partner for his Delphian debut, which features three works whose gestation began in the same turbulent year: Copland’s Violin Sonata (described by Virgil Thomson as ‘one of its author's most satisfying pieces’ after its 1944 premiere), Poulenc’s sonata in memory of Federico García Lorca, and Prokofiev’s Violin Sonata No. 2, reworked from his Flute Sonata at the behest of David Oistrakh\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"180\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6d56b6c3-551d-4f64-aba7-a07f2af0536e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"We expect oracles from composers in ominous times. Here are three composers who preferred to bury their heads in scores. It is the interpreters, Benjamin Baker and Daniel Lebhardt, who bring out the terrors and anxieties that rumble beneath these works. Both are brilliant artists of independent mind and prodigious technique, one a New Zealander, the other Hungarian. Their Edinburgh recital was recorded last summer in the thick of the Covid pandemic. Different time, different crisis. This is a wonderfully timely album\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNORMAN LEBRECHT - \u003cem\u003eLa Scena Musicale\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv class=\"shg-c \" id=\"s-7e706f73-3b88-4841-abf2-d88b82dde1fa\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-855b4805-42c7-43d0-94f0-43c664c4bd26\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\"Obaj artyści prezentują niezwykłą technikę i frapującą muzyczną inteligencję. W konsekwencji sonaty Coplanda, Pulenca i Prokofiewa zyskały aktualny wymiar, pasujący jak ulał do innego kryzysu, w którym znalazła się ludzkość\"\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-a7cca198-506e-4f97-97e2-fe78a0f6ff64\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\"\u003e\"Both artists present an extraordinary technique and fascinating musical intelligence. As a consequence, the Copland, Poulenc and Prokofiev sonatas gain another dimension, fitting like a glove for another crisis in which humanity finds itself\"\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-4a631f7d-096b-419e-b8b2-0a71f1629a91\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRECORD OF THE WEEK\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eW Kulturalny sposob\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3bee84a4-fbee-4d92-93be-ef1507a19ae6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Taken on its own terms, this is an extremely good programme: three significant sonatas, all of them born in 1942 and all reflecting, in one way or another, a world at war ... a useful, stimulating and well-recorded means of learning some fine chamber music from a difficult period\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5fb68c49-7505-4959-ab70-b1dc8e679cdc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Baker’s playing is agile and unforced, giving rein to the music’s lean lyricism ... Poulenc’s sonata, written at the behest of the violinist \u003ca href=\"https:\/\/stringsmagazine.com\/essential-historical-recordings-ginette-neveu\/\" data-link-name=\"in body link\"\u003eGinette Neveu\u003c\/a\u003e, who gave the premiere, is expansive and dramatic in comparison. The central Intermezzo is characterised by extended double-stopping, perfectly placed by Baker. In the presto finale, Lebhardt gracefully lets rip, while the violinist skitters fearlessly in rapid trills, runs and pizzicato ... This young duo’s first recording on Delphian deserves every success\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"239\" height=\"50\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-5a3de202-f12c-4aaf-94da-9c4ba0cfa139\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-7763ed0d-ad43-458f-b9ad-4b6a157bc953\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eRelease Date: 23 April 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eCatalogue No: DCD34247\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eRecorded on 11-13 August 2020 in The Queen’s Hall, Edinburgh\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eProducer\/Engineer: Paul Baxter\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital editing: James Waterhouse\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital mastering: Paul Baxter\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano: Steinway model D, 2015, serial no 599478\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p2\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano technician: Norman Motion\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":32504685068374,"sku":"DCD34247-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310"},{"product_id":"mozart-violin-sonatas-on-oboe","title":"Olivier Stankiewicz: Mozart violin sonatas on oboe","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebd448b652fca0051890274\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebd448b652fca0051890274\" data-shogun-page-version-id=\"6180031fbcf3d800b464cdfc\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61800320bcf3d800b464cf50\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-4df49590-60fe-4c6f-a190-e88a094e5436\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1dee7d94-a347-4ccf-a007-3b818aa77167\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe joy of discovery and the familiar made new: these are the guiding precepts for this beguiling Mozart album from LSO principal oboist Olivier Stankiewicz. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTaking a fresh and personal approach to the standard repertoire that at the same time is founded in a performance tradition Mozart himself would have recognised, Stankiewicz discovers in three of the composer’s best-loved violin sonatas an ideal vehicle for the oboe’s own particular brand of lyricism and virtuosity. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn the late eighteenth and early nineteenth centuries, popular works were often transcribed to produce domestically playable versions, and chamber and orchestral works published with alternative scoring options or reworked entirely for different instruments. The underlying principle of instrumental interchangeability is revived here, and triumphantly vindicated by the fresh insights on offer.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-5b45a4fa-e01d-4746-adbc-a4931bc18e53\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/mozart-violin-sonatas-on-oboe\/1561066011?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_mozart%3A_violin_sonatas_on_oboe\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-f4948155-62cb-4cec-86f2-6d3c1f42fe26\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-f4948155-62cb-4cec-86f2-6d3c1f42fe26\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dbabbec1-1dcf-493a-a816-1ed786c35b61\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Mozart didn’t write a single oboe sonata, but listening to these glistening performances might make you believe otherwise. Adapting three of Mozart’s violin sonatas, the London Symphony Orchestra’s principal oboist, Olivier Stankiewicz, makes each one utterly his own with characterful, fluid playing that proves the instrument’s suitability for both Mozart’s long melodic lines and sense of playfulness\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"165\" height=\"55\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e6c65065-e7ad-42df-ae64-0b357fc4a9af\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"The partnership between the two artists is exemplary, and one could not ask for more. The transcriptions for the oboe have produced many challenges that would be the undoing of us mere mortals, but the performances here are astounding. I am green with envy\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eCD SPOTLIGHT - CLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 12px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2021\/05\/stankiewicz.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a3d09af9-404b-49c6-af16-20188e5d5322\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"It makes sense: the two instruments share the ability to scintillate in notey virtuoso writing as well as to spin a rapt singing line in lyric music ... Jonathan Ware is an ever-attentive co-conspirator on a beautifully voiced Steinway. Balance between the two players in Queen’s Hall, Edinburgh, is just as it should be, enabling each to come to the fore or provide accompaniment as required\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"268\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-f4948155-62cb-4cec-86f2-6d3c1f42fe26\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4e58c3d3-51dc-4c80-98ce-b44fb85fd07b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRelease Date: 28 May 2021\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eCatalogue Number: DCD34245\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRecorded on 22-24 August 2020 in The Queen’s Hall, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eProducer\/Engineer: Paul Baxter \u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003ePiano: Steinway model D, 2015, serial no 599478 \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003ePiano technician: Norman Motion \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eCover photography © Kaupo Kikkas \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eSession photography: foxbrushfilms.com \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eDesign: John Christ | Booklet editor: John Fallas \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":32504699453526,"sku":"DCD34245-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/olivier-stankiewicz-mozart-violin-sonatas-on-oboe-delphian-records-709453.jpg?v=1606215447"},{"product_id":"cecil-coles-gustav-holst-piano-music","title":"Cecil Coles, Gustav Holst: Piano Music","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5fa1434c0c622900a0e55308\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5fa1434c0c622900a0e55308\" data-shogun-page-version-id=\"6166b0025e74b000b0a5bf7a\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6166b0025e74b000b0a5c0bb\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-4c3c88a4-4e88-4877-b882-7598bf3ba639\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-4fbcfcdb-1e16-4ca8-9b37-41fdc894643e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBehind the lines of the Western Front, the young Scottish composer Cecil Coles sent his friend and mentor Gustav Holst a score, stained with mud and blood. Only one movement survived: the rest was believed destroyed by enemy action. \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFour months later Coles himself was killed in battle rescuing injured comrades. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eJames Willshire’s groundbreaking survey of his piano music reveals a composer finding his voice in pre-war Britain, France and Germany, a poignant and distinctive blend of ‘happy–sad’, as Nigel Osborne’s perceptive notes describe it. \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAfter the war, Holst’s own work shows him returning to his fascination with folk music with ‘fresh ears of almost shocking clarity’, in harmonic experiments that parallel those of Bartók. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe recital culminates in a compelling performance of Iain Farrington’s new arrangement of one of Holst’s orchestral masterpieces, a bleak, ambitious depiction of Thomas Hardy’s ‘untameable, inviolate’ Egdon Heath.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-f60b2328-0df5-4f79-bae4-b7db7f73edd4\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/cecil-coles-gustav-holst-piano-music\/1555283223?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-758cb8eb-c160-45a3-b8d8-0edeb80ffce5\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-758cb8eb-c160-45a3-b8d8-0edeb80ffce5\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f80990d3-8e48-4633-a0cd-1b6f0be8aed2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"James Willshire is renowned for his virtuosity and intelligence of his keyboard mastery, and all this is on display in this recital ... His technical brilliance is awesome, and his approach to these very rare pieces cannot be commended highly enough. British piano music is still a relative rarity in today's concert halls around Europe, so this issue is indeed timely. Hopefully, it can stir more interest in this treasure trove of a repertoire that has many riches in store for those interested in its exploration\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eCLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px; text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2021\/05\/willshire.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6aac133a-77a4-4c96-87f6-55ba6ec0c01b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe story of Cecil Coles is fascinating and poignant ... His music only came to light again over the past 20 years, most of which reveals a skilful if largely conservative Romantically-focused craftsmanship. James Willshire’s new solo piano album places Coles’ music in direct relationship with Holst’s. From Coles we hear not only delightful and sometimes skittish character pieces, but the Lisztian theatricality of the Sonata in C minor ... an enriching coupling\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 16px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"243\" height=\"49\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 16px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f4f398ca-9a76-4089-841b-45d7628f26e7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"This curious juxtaposition of composers brings to light a barely known, manifestly talented Scottish figure killed at 29 in the First World War. The composer Nigel Osborne characterises Coles’s fluent idiom as “happy-sad”, and\u003cem\u003e Variations on an Original Theme \u003c\/em\u003ecertainly has a memorable poignancy, salonish but a bit deeper. The seven Holst items begin with a bracing, brief Toccata and end with Iain Farrington’s arrangement of the remarkable tone poem \u003cem\u003eEgdon Heath\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"245\" height=\"69\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6830ab97-4bad-4794-8b20-e1f234a06910\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003e\"sophisticated and advanced stylistically and very well worth a listen ... Throughout this programme James Willshire proves a technically and stylistically apt interpreter. He knows better than to overstate Coles’ youthful works or to exploit Holst’s use of Northumberland melodies beyond natural constraints\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eMUSICWEB INTERNATIONAL \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003ca href=\"http:\/\/www.musicweb-international.com\/classrev\/2021\/Apr\/Coles-piano-DCD34209.htm\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px; font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b4bb19ff-b6b6-4424-99b1-4016b66c60bd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"Pianist James Willshire is born to play this music; and Scottish composer Cecil Coles is a real discovery ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eCLASSICAL EXPLORER\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003ca href=\"%20https:\/\/www.classicalexplorer.com\/cecil-coles-gustav-holst-piano-music\/\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-758cb8eb-c160-45a3-b8d8-0edeb80ffce5\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c50c3506-ac15-4a77-ab95-d24f22054478\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRecorded on 28-29 August 2020 \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003ein The Queen’s Hall, Edinburgh\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano: Steinway, Model D, serial no. 599478 (2015)\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003ePiano technician: Norman Motion\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eDesign: Drew Padrutt, \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e \u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eCover: Walter Tyndale (1855–1943), Bere Heath \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003ein Autumn with Gallows Hill in the Distance, \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003echromolithographed plate from Clive Holland and \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eWalter Tyndale, Wessex Painted and Described\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003e(London: Adam and Charles Black, 1906): Niday\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e \u003c\/div\u003e \u003cdiv class=\"p1\" style=\"line-height: 16px;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":37375029313721,"sku":"DCD34209-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/cecil-coles-gustav-holst-piano-music-delphian-records-367892.jpg?v=1606224617"},{"product_id":"elena-fischer-dieskau-schumann-brahms","title":"Elena Fischer-Dieskau: Schumann | Brahms","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6019606acd16cc00cdd0452d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6019606acd16cc00cdd0452d\" data-shogun-page-version-id=\"61b08f161467aa00eb689f18\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61b08f161467aa00eb68a087\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-aa6a2f37-ce8d-4fe2-9663-9c1c028db30c\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1823493d-bc10-4eb6-8378-45cd1fe7a415\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eClara Wieck, who in 1840 was to become Clara Schumann, was a significant figure in the lives both of her husband Robert and of Johannes Brahms, to whom the Schumanns became mentors. The double inspirations of Clara and of the writer E.T.A. Hoffmann’s fictional \u003cem\u003eKapellmeister\u003c\/em\u003e Johannes Kreisler are the connecting threads on this debut recording by pianist Elena Fischer-Dieskau, in which Robert’s capricious, moody \u003cem\u003eKreisleriana\u003c\/em\u003e is joined by two sets of piano pieces by Brahms.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThese three works – all of which Clara read in manuscript directly after their composition – reflect youth, maturity and old age. Fischer-Dieskau, member of a musical family which from her grandfather onwards has been deeply associated with the music of the Romantics, captures their wide spectrum of expression, from impulsiveness to autumnal mastery.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-cd738f2f-66e8-4e59-a002-18b2d5922657\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/schumann-kreisleriana-brahms-two-rhapsodies-seven-fantasies\/1564304440?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_schumann%3A_kreisleriana___brahms%3A\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-4d5a71d5-0cdd-44e3-9847-045bb4af3d40\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-4d5a71d5-0cdd-44e3-9847-045bb4af3d40\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-77f14300-3d45-4ead-981e-dc2e59a18e84\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e'Beautiful accounts of three pieces intimately linked to Clara Schumann ... Fischer-Dieskau draws us through the labyrinth of \u003cem\u003eKreisleriana \u003c\/em\u003ewith a sensitivity to its quiet recesses and magical lyric stillness, as well as its bluster'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"266\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ad7305b5-138a-4102-a652-aa17479d22ef\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"In her debut recording, German-born pianist Elena Fischer-Dieskau – the granddaughter of legendary tenor Dietrich – chooses a robust pairing of Brahms and Schumann ... a deliciously fragrant collection. Fischer-Dieskau embraces their poetic sensitivity and colour ... \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn Schumann’s multi-coloured Kreisleriana ... no channel of expression is left unexplored, Fischer-Dieskau complementing Schumann’s subtleties of phrasing and texture with neatly-gauged, often arresting robustness ... lyrical and plaintive reflection. These are commendable performances ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTHE SCOTSMAN\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5646a74d-67fe-4760-b18d-b4380a973282\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'from the start of the Op. 116 Fantasies, Elena Fischer-Dieskau's determination to make her own mark on this music is clear ... the pianist combining intimacy with a sense of storytelling ... she brings an apt breathless quality to Brahms' chordal writing'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"289\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-318524c5-a624-4d56-9c0f-6e3fb56e3439\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e'Fischer-Dieskau brings a wonderful bell-like feel to [Brahms'] beautiful major key central section as she does in the quieter moments of the equally restless G minor \u003cem\u003erhapsodie\u003c\/em\u003e but she is not only about the quieter music and she ably demonstrates what a kaleidoscopic palette of colour and emotional drama she has at her disposal. She is aided by Delphian's gloriously rich sound ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eThis is easily some of the best playing I have heard in recent listening and I can't imagine there will be much to knock it off my best of the year list'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eMUSICWEB INTERNATIONAL\u003cbr\u003e\u003ca href=\"http:\/\/www.musicweb-international.com\/classrev\/2021\/Sep\/Brahms-fantasies-DCD34255.htm\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 16px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-4d5a71d5-0cdd-44e3-9847-045bb4af3d40\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-19f8aa3d-dece-4965-b114-26add0d4fe97\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 25 June 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34255\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 74:20\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e24-bit digital editing: Jack Davis \u0026amp; Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eDesign: Eliot Garcia\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eOriginal 24-bit stereo sound recordings made by Delphian Records Ltd\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eDelphian Records Ltd – Edinburgh – UK\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e 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William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1216\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-4e6cafe2-958e-4e44-8f91-e9263256dea6\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-65e4faa6-7bb4-44e4-a43d-3d57abed3962\",\n            \"imageOffsetTop\": 1073,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-4e6cafe2-958e-4e44-8f91-e9263256dea6\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"6277207195833\",\n          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18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003e17. Two_Rhapsodies Op.79: \u003c\/strong\u003eNo2 in G minor \u003cem\u003eMolto passionato ma non troppo allegro\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-78d66d87-6c2b-452c-af5f-8401e025af56\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/17_Two_Rhapsodies_Op_79__No_2_in_G_minor_Molto_passionato_ma_non_troppo_allegro.mp3?v=1624003973\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-ce140aa8-1e04-48f1-a694-a37bfc1f0e32\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-901ccb77-af1b-40bc-9aa7-92d147b7757f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 18px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-weight: 100; color: #993300;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e'a magician of the piano who combines intense drama with delicate lyricism' \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: right; line-height: 18px;\"\u003e— Schwäbische Zeitung\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":38874873659577,"sku":"DCD34255-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/elena-fischer-dieskau-schumann-brahms-cd-delphian-records-782591.jpg?v=1612280450"},{"product_id":"beau-soir-debussy-poulenc-ravel-satie","title":"Beau Soir: Debussy | Poulenc | Ravel | Satie","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"624f07191965bb010c19dca4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"624f07191965bb010c19dca4\" data-shogun-page-version-id=\"63b6c10b9212ea00cd421d01\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"63b6c10b9212ea00cd421e9a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b0fd8283-3a45-4f3e-8db0-0e0bbed30be5\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-d6718de0-23c9-4437-85d0-b0314ec8041a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: #333333; font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eAcclaimed young cellist Maciej Kułakowski (Lutosławski International Cello Competition 2015, First Prize; Queen Elisabeth Competition 2017, Laureate) is partnered by pianist Jonathan Ware in an all-French recital programme that mingles the familiar with the reimagined. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: #333333; font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eElements of ‘Spanish’ style, blues and jazz, and the ironic humour of the Parisian café, encountered in sonatas by Debussy, Poulenc and Ravel (Kułakowski’s cello rendering of the latter’s second violin sonata), are echoed in a brace of shorter works that includes several further transcriptions: of three short pieces by Debussy and of Satie’s \u003cem\u003eTrois Gnossiennes\u003c\/em\u003e.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-57596803-f45d-4d75-a7b3-ea6485327662\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; 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line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\"Delphian’s collaboration with the Young Classical Artists Trust (YCAT), which offers a recording platform to top-notch upcoming musicians, continues with this stimulating programme by Gdansk-born cellist Maciej Kułakowski and American pianist Jonathan Ware. It’s an inspired mix of genuine pieces for cello and piano – Sonatas by Debussy and Poulenc – and skilful arrangements of Satie, Ravel and Debussy. The flavour is exclusively French, the track list perfectly proportioned to offer palate-cleansing respite between the heavier courses. The Debussy and Poulenc sonatas are essentially the framework, the former combining poeticism and fortitude, the latter laced with essential quirkiness and humour. Ravel’s effervescent Sonata for violin and piano, with its bluesy central movement, loses nothing in Kułakowski’s delicate transcription. Dotted elsewhere, Debussy’s Beau Soir, Minstrels and La plus que lente, Satie’s Gnossiennes Nos 1-3 and Ravel’s Piéce en forme de habanera, all benefit from the excellent arrangements.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"238\" height=\"48\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e★ ★ ★ ★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2118db35-c5af-45e3-a80d-e4d3a5d1af42\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'Kulakowski’s warmly lyrical playing, the singing quality of his cello, the variety of his bow-strokes, the keening of his vibrato are closely enhanced by Ware’s broader pianistic sweeps and lively tempos. Together, they bring to life all the fervid longing for change of the Impressionist movement, the group of French turn-of-the-century composers intent on breaking away from musical tradition ... Kulakowski and Ware are in perfect sync, frequently echoing each other’s phrases, palpably enjoying the theatricality of the moment'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6f270255-272a-4960-8b1d-e2afde87dffb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"331\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dd5cfff7-dde4-4f6a-a1c6-cf1c0d46a737\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"a worthwhile assembly of French sonatas and miniatures ... Kulakowski does justice to the stark emotional contrasts and edgy humour of Debussy's Cello Sonata (1915) ... numerous shorter pieces afford telling complement, including the pensive charms of Debussy's song \u003cem\u003eBeau Soir\u003c\/em\u003e, and the wistfully arching \u003cem\u003eLa plus que lent \u003c\/em\u003e ... vividly realistic sound and informative annotations enhance an already desirable collection\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"261\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" 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\u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-bd84a5f1-c01a-4a8d-84af-bd2f2b28b2fc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 7 October 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34277\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 72:31\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 8-10 December 2021 at St Mark’s Episcopal Church, Portobello, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003e24-bit digital editing: James Waterhouse \u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003eDesign: John Christ\u003cbr\u003e\u003cbr\u003eCover image: Kaupo Kikkas \u003cbr\u003eSession photography: foxbrushfilms.com\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-0809bae5-abdb-412d-a510-1634ca39a5a2\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 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Soir\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-eaa46fce-2c60-48b2-9d66-0cd0c95f20ca\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/01_Beau_soir.mp3?v=1656518525\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":42757712183510,"sku":"DCD34277-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/beau-soir-debussy-poulenc-ravel-satie-delphian-records-651036.jpg?v=1649354729"},{"product_id":"1919-boulanger-janacek-elgar-debussy","title":"1919: Boulanger | Janáček | Elgar | Debussy","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"63b5608ccd41fc00cab58bde\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"63b5608ccd41fc00cab58bde\" data-shogun-page-version-id=\"65017e28b1fb7300e4c84b54\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"65017e28b1fb7300e4c84d49\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f9286a30-d5ed-4ff7-bca2-1b502b95d344\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-20a8307c-9c57-4054-b77c-b4f98ec44bdb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThe 1910s were a period of extraordinary turbulence and change. Revolutions and war left monarchies and empires fallen and the social order irreversibly altered. The music on this album emerges from various points in that eventful decade, but all of it records vividly a world that was shortly to vanish forever – a world to which the year 1919 was already a coda.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eIndeed, the pieces chosen by Benjamin Baker and Daniel Lebhardt for their\u003ca href=\"https:\/\/www.delphianrecords.com\/products\/1942-prokofiev-copland-poulenc?_pos=2\u0026amp;_sid=9e302c28c\u0026amp;_ss=r\"\u003e second Delphian recording\u003c\/a\u003e also speak from a decade of musical endings. Claude Debussy and Lili Boulanger both died in 1918, two extraordinary careers cut short early; Baker and Lebhardt’s programme includes some of their last works. Edward Elgar lived on for another fifteen years, but wrote little more to match the four major compositions which emerged from his pen in 1918 and 1919.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e Leoš Janáček, by contrast, was about to enter an astonishing Indian summer of creativity; his violin sonata stands on the cusp, inspired by Janáček’s hopes that the war might lead to independence for his beloved Czech lands.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-56551e0a-dc2d-46a1-9442-392d28e4e541\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/1919-boulanger-jan%C3%A1%C4%8Dek-elgar-debussy\/1682025999\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c0d65c0d-7c59-41a4-a038-adb88788d21f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c0d65c0d-7c59-41a4-a038-adb88788d21f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3771a199-7172-40eb-bad9-a7fede90793a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"a stunning new album ... it’s an enticing collection of highly expressive music, inspired by the composers’ personal circumstances within wider geo-political unrest .. Playing Debussy’s subtle music with loving care, Baker and Lebhardt offer marvellous variety of tone and pace through many twists and turns, characterful fragments dropping like flashes of light into darker textures ... In playing ranging from delicate to dramatic, Baker and Lebhardt find the essence of Boulanger’s deliciously French style ... Finally we cross the Channel to the open English sounds and harmonies and the forthright expression of Elgar. Baker and Lebhardt, like the composer, let it all unfold luxuriously. Emotions, occasionally wistful, are close to the surface. These versatile musicians, listening acutely to each other, maintain their expressive accord to the end of a deeply satisfying album\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d9ca56c2-ae66-4470-bcb2-1cf0e99fa1c3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"80\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.fivelines.nz\/articles\/1919-coda-janek-boulanger-debussy-elgar-expressive-accord\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eElizabeth Kerr - read her full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3602ddd1-9699-49fe-ad0e-f3bfdf754361\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"The works on this intimately recorded album move in wildly differing circles. Elgar’s wistful Romanticism contrasts with the exotic soundworlds of Debussy’s Sonata and Boulanger’s sprightly miniature. Janáček looks to the future with bold colours and spiky rhythms coupled with a sense of unease. Violinist Benjamin Baker and pianist Daniel Lebhardt perform each work with consummate skill and an unalloyed passion\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f07fbd73-7114-44b1-9795-00e3fcdc636e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"183\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3d3e49fe-213f-42ca-954b-b20863f1e8f8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Three violin sonatas from early in the 20th century, by Claude Debussy, Edward Elgar and Leoš Janáček, peaks of the repertoire, are the focus of 1919: Coda (Delphian), a recital by the New Zealand-born violinist Benjamin Baker and his Hungarian duo partner, the pianist Daniel Lebhardt. Europe was on the brink of wholesale change in the aftermath of the first world war. This is the mood, rather than any date-specific reasons, captured by the album’s title: a coda to a vanishing existence.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eAll three sonatas are mature works, each a beguiling union of wistful restraint and sweeping passion. Debussy and Elgar were reaching the end of their careers; Janáček went on to a rich late flowering. Lili Boulanger died in 1918 but, aged only 24, her life had barely begun. Three pieces by her, including D’un matin de printemps, give poignant contrast. Baker and Lebhardt, who listen and respond to each other precisely and sensitively, are ideal and impassioned guides\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"206\" height=\"43\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c1768bc8-9e8d-41a9-a862-87326eb3c1b2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"The end of a turbulent decade, and listening to the music you can hear a world illuminated that was about to vanish ... powerful and poignant, the sound of music on the edge of something new - Janacek wrote it as World War One was breaking out. He's in good company. Lili Boulanger and Claude Debussy died in 1918, and some of Elgar's finest late music was from the end of the war. Three excellent sonatas played with passion and understanding here, making for a compelling recital. It puts us into the sound of Europe emerging into a different world\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"178\" height=\"98\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRECORD REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-49fbcbfd-98db-4294-b0cc-267478b46a2f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\" By 1919, two of the named composers were dead and a third was worn out. Only Leos Janacek was firing on all cylinders – indeed, on more cylinders than he ever had before. If 1919 was a benchmark, it is not evident from their lifecycles. However, the year does mark an end-point for the war era and these sonatas exist in that immediate past, with no thought of present or future ... Bringing these disparities to life are two UK-based musicians, the New Zealand violinist Benjamin Baker and the Hungarian pianist Daniel Lebhardt. If they strive a little too hard for conventional beauty in Janacek, their austerity is perfect for Debussy and Elgar, evoking a restrained sympathy for these morbid confessions The playing is marvellously poised, an exemplary concept album aptly adapted to each composer’s circumstances and individuality. Baker and Lebhardt tell four very human stories, each of them flawed. I was on the edge of my seat throughout.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eLa Scena Musicale\u003cbr\u003e\u003cstrong\u003e★\u003c\/strong\u003e \u003cstrong\u003e★\u003c\/strong\u003e \u003cstrong\u003e★\u003c\/strong\u003e \u003cstrong\u003e★\u003c\/strong\u003e \u003cstrong\u003e★\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/myscena.org\/norman-lebrecht\/lebrecht-weekly-1919-coda-janacek-boulanger-debussy-elgar-delphian\/\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a4901738-dd13-494a-ac2d-8e53a61c4911\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Janáček’s Sonata, inspired by reports of the Russian army’s early successful advances, more obviously reflects the War. Pianist Daniel Lebhardt is excellent throughout ... In the Elgar Baker refrains from self-conscious point making, and this, along with Lili Boulanger’s unpretentious and diverting three pieces, receives the most successful performance here\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cb0d51b7-8ffa-4e19-8ed5-52bf4d8af3f6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-default-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'In this stimulating new Delphian release, violinist Benjamin Baker and pianist Daniel Lebhardt explore the fruits of an amazing decade in European music, the 1910s. Still active were the divergent figures of Debussy (died 1918), Elgar and Janáček with the tragic young French genius, Lili Boulanger, biting at their heels. Like Debussy, Boulanger died in 1918, but at the cruelly young age of 24. The album title, 1919 – Coda, alludes to the collective nature of the tracklist, a snapshot cross-section of contrasting European voices. Baker and Lebhardt find treasure in every example. They are exquisite in the jousting wistfulness, bright optimism and gentle whimsy of Debussy’s late Sonata; fresh and eager in expounding the easeful Gallic passion of Boulanger’s Two Pieces and D’un matin de printemps. They open exuberantly with Janáček’s robust 1914 Sonata and end with the rich Romantic sweep of Elgar’s 1918 Sonata Op 82'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a529f5ad-ab1e-4d81-9732-aa4c2aefddd3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"207\" height=\"87\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-96b5a334-ed15-4474-bc32-d48d3ce8a1a2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 May 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34288\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:48\u003cbr\u003e\u003cbr\u003eRecorded on 7-9 June 2022 at Ayriel Studios, Whitby\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003ePiano: Steinway model D, serial no 550675 (2000) \u003cbr\u003ePiano technician: Aidan Delacey-Simms \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eFront \u0026amp; back cover photography © Kaupo Kikkas \u003cbr\u003eDesign: John Christ\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003eSession photography: foxbrushfilms.com \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-c8d51b32-b049-4db8-b6db-0e3dca8d9622\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-6\"\u003e 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data-shg-product-target=\"product-image-wrapper\"\u003e \u003ca data-shg-product-target=\"product-url\" class=\"shogun-product-image-url\"\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=180 180w, \/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=360 360w, \/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=720 720w, \/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=900 900w, \/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/1942-prokofiev-copland-poulenc-delphian-records-719616.jpg?v=1606225310\u0026amp;width=1200 1200w, 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      }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-3edeaa61-71cd-48dd-b29a-3c9f2ed0ce3d\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"4700868345942\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"1942-prokofiev-copland-poulenc\",\n            \"productVariantId\": 32504685068374\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-3edeaa61-71cd-48dd-b29a-3c9f2ed0ce3d\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-3edeaa61-71cd-48dd-b29a-3c9f2ed0ce3d\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-fe0e3fcc-c08f-47e5-82ac-a0b6bf9d3f6a\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e 1942 \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-287feb17-d611-4c3f-ab6e-224ae5892276\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProkofiev – Copland – Poulenc\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-cfc76fc4-ddae-4724-982a-0bbe17c6734d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBenjamin Baker \u0026amp; Daniel Lebhardt's first album on Delphian... \u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-fd80022f-72a8-4206-9a61-d81d6e0bdd0c-root\" class=\"shg-c shg-btn-wrapper shg-align-left\"\u003e \u003ca id=\"s-fd80022f-72a8-4206-9a61-d81d6e0bdd0c\" class=\"shg-btn shg-cse shg-btn-text \" href=\"https:\/\/www.delphianrecords.com\/products\/1942-prokofiev-copland-poulenc\"\u003e BUY NOW \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":43920488530134,"sku":"DCD34288-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/1919-boulanger-janacek-elgar-debussy-cd-delphian-records-273379.jpg?v=1672837067"},{"product_id":"beyond-twilight-music-for-cello-piano-by-female-composers","title":"Beyond Twilight: Music for cello \u0026 piano by female composers","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"644006a479f2ef00c7a75c7f\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"644006a479f2ef00c7a75c7f\" data-shogun-page-version-id=\"667c02520030496f3c7a97af\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"667c02520030496f3c7a998a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-0f79ce8c-04f7-4563-9754-f7ef3036704d\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6a7d297d-0244-48f6-aeb1-c4fa976619f7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eFaced in 2020–21 with an unexpected break from concert life, cellist Alexandra Mackenzie and pianist Ingrid Sawers devoted much time instead to furthering their longstanding interest in unfamiliar repertoire. \u003c\/span\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTrawling through libraries, both online and in person, they unearthed a treasure trove of short pieces by female composers, some hiding behind bland initials such as ‘A. E. Horrocks’. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDating from the 1880s to the 1950s, these intimate, quietly powerful works include miniatures by the Scottish cellist Marie Dare and two delightful songs by Gwendolen – later Avril – Coleridge-Taylor, here newly transcribed for cello. A total of fourteen works are presented here, all but five in premiere recordings.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eEvery one of them deserves to be better known.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-650ab623-31f0-4bed-83d7-31f3e5da82a5\" class=\"shg-c shg-align-left\"\u003e \u003ciframe id=\"embedPlayer\" src=\"https:\/\/embed.music.apple.com\/us\/album\/beyond-twilight-music-for-cello-piano-by-female-composers\/1703250977?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; transform: translateZ(0px); animation: 2s ease 0s 6 normal none running loading-indicator; background-color: rgb(228, 228, 228);\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-c51c1704-832a-4e24-a9d2-4474c47c3190\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-c51c1704-832a-4e24-a9d2-4474c47c3190\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a8122ac2-5dd5-4d8a-b758-0c6c5118d46f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e \"the talented composers and performers represented on this disc have taken the cello out of the shadows and showcased it in all its wonderful glory, illuminating the instrument in a blaze of morning sunshine ... Every piece abundantly shows the aptitude of the composers for conveying different emotions and recognising the cello’s sonorous textures. The responsiveness between Mackenzie’s cello and Sawers’ piano is infused with empathy. This is ably demonstrated in Isobel Dunlop’s rollicking \u003cem\u003eDance\u003c\/em\u003e from her \u003cem\u003eSuite\u003c\/em\u003e. From the outset, the bouncing rhythmic pace is full of electric scales and stunning pizzicato passages. The change of pace in the hauntingly melancholic four-minute \u003cem\u003eCan sorrow find me?\u003c\/em\u003e by Gwendolen Avril Coleridge-Taylor is another case in point, where the duo catch the wistfulness of the piece or in the foot-tapping habanera of \u003cem\u003eThe Spanish Shawl,\u003c\/em\u003e where their musicianship and accuracy shine through.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eMackenzie makes her instrument sing in all its registers; the tonal, deep sounds are captured with clarity and capaciousness by the recording engineers, ensuring the tone of both instruments is complementary. Each piece is performed with energy, reflection, and precision. Mackenzie and Sawers' accomplished playing and meticulousness to the composers’ intentions, coupled with a pleasant and diverse programme, means this disc will be enjoyed by more than just devotees of the cello\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"335\" height=\"70\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003ca href=\"https:\/\/yorkshiretimes.co.uk\/article\/Classical-Music--Beyond-Twilight-Music-For-Cello-And-Piano\"\u003eread the full review here\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bafadef9-4e99-4dd1-9aaf-3366ce73cdfb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 24px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"A rich seam of music for cello and piano by female composers ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 24px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f07fbd73-7114-44b1-9795-00e3fcdc636e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"200\" height=\"50\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7f45c1b8-fa98-4e7d-8405-542bcc5cba54\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"hints of Grieg, with languorous melodies that stretch out like a contented dog by a fire. ... From a shimmering ‘Shieling Song’ to a shaded sea shanty, Mackenzie plays with appropriate panache ... \"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"284\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9f99d3bc-1695-4f93-8c51-3abc57823a82\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Throughout this recital, the commitment of Mackenzie and Sawers to their cause cannot be doubted, with the only proviso being the relatively uniform expression of what is heard. That said, the overall enrichment of repertoire with several of these miniatures is readily apparent\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"350\" height=\"51\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-c51c1704-832a-4e24-a9d2-4474c47c3190\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-f9a63def-cefa-44c8-8dcc-528fcd48399c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 20 October 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34306\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:02:39\u003cbr\u003e\u003cbr\u003eRecorded on 17-19 October 2022 \u003cbr\u003ein St Mary’s Parish Church, Haddington\u003cbr\u003e\u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt \u003cbr\u003eBooklet editor: Henry Howard \u003cbr\u003eCover image: Robert Bereny, Woman Playing Cello, 1928; photo © A. Dagli Orti \/ © NPL - DeA Picture Library \/ Bridgeman Images \u003cbr\u003e\u003cbr\u003eSession photography : foxbrushfilms.com \u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-29b6ba43-a321-4b2a-be08-cc1cb0223655\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv id=\"s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411\" id=\"wrap-s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411\"\u003e \u003cdiv class=\"s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411 shogun-image-container shogun-image-linked shg-align-center\" id=\"s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003ca class=\"shogun-image-link\" href=\"https:\/\/music.apple.com\/bh\/playlist\/women-in-classical-music\/pl.03392dae73604942b02ab8e53c482ae0\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/658ccc52-12b0-4dd7-bf67-e17ae4a0082f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-bad8c043-05ff-405b-a2dc-1eb3d3a8e411\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-7 shg-c-md-7 shg-c-sm-7 shg-c-xs-12\"\u003e \u003cdiv id=\"s-a9e3b712-3fd2-4add-982f-5bf3292924b2-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a9e3b712-3fd2-4add-982f-5bf3292924b2\" id=\"wrap-s-a9e3b712-3fd2-4add-982f-5bf3292924b2\"\u003e \u003cdiv class=\"s-a9e3b712-3fd2-4add-982f-5bf3292924b2 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a9e3b712-3fd2-4add-982f-5bf3292924b2 shogun-image-container shg-align-center\" id=\"s-a9e3b712-3fd2-4add-982f-5bf3292924b2\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/39dddc97-6a13-44ec-8d8a-d2f5857b12a9\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-a9e3b712-3fd2-4add-982f-5bf3292924b2\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-be87daa4-5905-4b0b-9fef-367a0778ccee\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 24px; font-family: 'Abhaya Libre'; color: rgb(11, 74, 136);\" data-fontfamily=\"Abhaya Libre\"\u003eTOP 20\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-37b9519f-d73f-4a18-85c2-064717d47070\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-fed3ac96-626e-4e31-a23c-31bfc2d43983\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-1197f75a-25c2-4284-9c13-7943c50bfa83\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-9680178d-4384-433a-9d20-8e745bc6242a\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=180 180w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=360 360w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=720 720w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=900 900w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1200\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-1197f75a-25c2-4284-9c13-7943c50bfa83\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-9680178d-4384-433a-9d20-8e745bc6242a\",\n            \"imageOffsetTop\": 1330,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-1197f75a-25c2-4284-9c13-7943c50bfa83\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"8043332829398\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"beyond-twilight-music-for-cello-piano-by-female-composers\",\n            \"productVariantId\": 44151733846230\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-1197f75a-25c2-4284-9c13-7943c50bfa83\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-1197f75a-25c2-4284-9c13-7943c50bfa83\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-77723766-2e94-45e1-a9e6-b452408bc059\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eMargaret Jacobson: \u003c\/strong\u003eRomanza\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-d9263838-8121-406f-933d-7e03a737436c\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/Romanza.mp3?v=1681917837\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44151733846230,"sku":"DCD34306-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/beyond-twilight-music-for-cello-piano-by-female-composers-delphian-records-868065.jpg?v=1681918344"},{"product_id":"voices-for-solo-piano-smyth-wallen-alberga-beamish-yi","title":"Voices for Solo Piano: Smyth | Wallen | Alberga | Beamish | Yi","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"65afb5fc81f43b00eaf3e661\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"65afb5fc81f43b00eaf3e661\" data-shogun-page-version-id=\"68debfc89cb004c69dac00f5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"68debfc99cb004c69dac0354\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-eba0ab89-8d85-4f0c-ae1b-d5c51991c09b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-26d61948-6c6a-4b44-ae25-fc0aecc6012b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eA pioneer of new concert formats, using music to communicate and bring people together, Hanni Liang was long sceptical about the traditional role of recording in progressing an artist’s career. It was her discovery of Ethel Smyth – both as a composer and as a person and a woman, fighting without compromise – that sparked the inspiration that led to \u003cem\u003eVoices\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn this album she has created a programme that both champions women’s voices that, without the determination of Smyth and others like her, might otherwise have been silent, and allows her to raise her own voice, reflecting both her European birth and upbringing and her Chinese roots.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-e1dbedf0-f70b-4a87-8a11-84b60572b341\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/voices-for-solo-piano\/1761578514\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-4b35e514-47cd-470c-b1e7-3e61eea9c3cc\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-4b35e514-47cd-470c-b1e7-3e61eea9c3cc\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-df906ab6-38d7-4c4f-9658-66c3d6c5ee8e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e \"Pianist Hanni Liang’s programme unites Ethel Smyth’s music with four fascinating women composer voices of today, introducing this largely unfamiliar repertoire with absolute conviction and interpretative brilliance ...\u003cem\u003e Cwicseolfor\u003c\/em\u003e is Eleanor Alberga’s most powerful piano piece yet, and Liang plays the living daylights out of it. Indeed, the pianist does full justice to the five women whose works on this disc add up to one of the most unhackneyed, unpredictable, well-constructed, musically diverse and interpretatively gratifying piano releases I’ve encountered ... \"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/28dece4f-f486-40a3-bd9e-5cbe4502aefb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"304\" height=\"44\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80b20cd8-e8fe-47ba-b0f8-ea5ac67a5a2d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"There is a lot of Brahms and Schumann in [Ethel Smyth's writing], but also a youthful lightness, in the Finale of the Sonata no.2, which Liang captures delightfully. The wryly-named \u003cem\u003eVariations in D flat major on an Original Theme (of an Exceeding Dismal Nature)\u003c\/em\u003e – are in fact far from dismal. After a quiet theme the variations have assurance in their development of the material and the piano writing. Liang is good in the stern second variation but the heart of the set is variation V, where she finds an emotional range that is impressive in the young composer ... The Smyth pieces are set against pieces by four living composers. Errollyn Wallen’s \u003cem\u003ebrief I Wouldn’t Normally Say\u003c\/em\u003e is spry and lively, which keeps feeling like it is going to burst into song. Sally Beamish’s \u003cem\u003eNight Dances\u003c\/em\u003e is unsettled and unsettling at first, the edgy evocation of a mind trying to sleep. The dances of the title are in the middle, wild and jazzy intoxicating. Chen Yi’s appealing \u003cem\u003eVariations on “Awariguli”\u003c\/em\u003e date from 1978, and are a nod to Liang’s Chinese heritage. The piece is based on a Uyghur folksong, which gives it an added resonance in the light the recent Chinese persecution. But the music has no hint of that, instead traversing a range of western musical styles with facility, including Bachian fugue and Debussyan wash. But perhaps the most arresting piece on the disc is the last, Eleanor Alberga’s \u003cem\u003eCwicseolfor\u003c\/em\u003e, the ancient spelling of “quicksilver”. And mercurial it certainly is. By turns spiky, dreamy, liquid and punchy, it’s technically extremely demanding and Liang gives a highly entertaining performance\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"173\" height=\"78\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7af3d42c-d6e7-4b7f-901f-2a66149c384e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eThis very interesting recording by fine pianist Hanni Liang features works of women composers ... \u003cem\u003eVariations on 'Awariguli'\u003c\/em\u003e by Chen Yi (born 1953) consists of a theme - an Uyghur folksong - then nine variations and a coda. This was composed in 1978 and first premiered by the composer's sister in Beijing in that year. The composer had discoved this folk song in a collection of Chinese folksongs she studied whilst completing her undergraduate degree. I really love this, and it is probably my favourite work on this disc ... I recommend this album, firstly because of the great musicianship and pianism of Hanni Liang, but also because of her thought in designing an interesting and varied release, the great accompanying notes by Katy Hamilton, the fact that two of the works - those by Sally Beamish and Eleanor Alberga - are premiere recordings, and last but least, the great work of the sound engineer Andreas Neubronner. I was very impressed with this prgramme's originality.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2024\/10\/voices.htm\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-be6cc451-b2df-4e00-b729-0f7309f341b4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"When Tchaikovsky met Ethel Smyth in Leipzig in the 1870s, he was impressed by \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003ethe quality of her compositions and fascinated by her eccentricities (her inseparable dog, her passion for hunting and her veneration of Brahms). For pianist Hanni Liang, nearly 150 years later, her first encounter with Smyth, in a book, made an equally strong impression. Not least, her fighting spirit and her voice sparked this unusual recital album ... \u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe Variations in D flat Major on an Original Theme (of an Exceeding Dismal Nature) gives us a second dose of Smyth, though happily neither the theme nor the playing are exceeding dismal. Quite the reverse. And the variation thread continues with Chen Yi's Variations on Awariguli, from the late 1970s. A deliberate nod to Liang's Chinese heritage, she explains in the booklet note, these nine variations are based on a Uyghur folksong - and she plays them with lively characterfulness and authority ... Liang is clearly a thoughtful artist, and it's testament to her powers that a programme so disparate on paper hangs together in\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px;\"\u003eperformance. Three contemporary pieces are the golden links in the chain. Errollyn Wallen's \u003cem\u003eI Wouldn't Normally Say\u003c\/em\u003e swings, dances and bubbles with extrovert energy in Liang's hands, while Sally Beamish's \u003cem\u003eNight Dances\u003c\/em\u003e oscillates between stillness and tortured anxiety. W Eleanor Alberga's Cwicseolfor-an ancient spelling of quicksilver - is a fascinating finale: elusive, virtuosic, unpredictable\" \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"284\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-026a1293-66cd-4c45-b4d0-385ea73becbe\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Try the second piano sonata in C minor. Composed in 1877 in a flush of passion for an operetta singer, the sonata inhabits a patch midway between Schumann and Brahms, but with a strong enough presence to express a spiky individuality. Smyth was 19 at the time, a student in Leipzig. The promise is there for all to hear. This is quite some sonata ... The conviction here is blazed by pianist Hanni Liang, an academy teacher in Munich. Between and around the Smyth works, Liang performs four modernities, of which Sally Beamish’s Night Dances is brilliantly evocative. The other pieces, more quirky, are by Erollyn Wallen, Chen Yi and Eleanor Alberga. Not a dull phrase among them. The Delphian label, by the way, is an Edinburgh indy with a knack for the unexpected. You’d never hear a recital like this on Warner, Sony or the other classical codgers. Five stars for initiative ... Review written, I’m relistening now for pure pleasure ... \"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/eb1271ff-871b-451a-9dbc-9c917132b480\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"298\" height=\"97\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e★ ★ ★ ★ ★\u003cbr\u003e\u003ca href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/11\/15\/lebrecht-listens-ethel-smyths-sonata-revealed-gem-hanni-liangs-voices-solo-piano\/\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e0f93ade-24fd-480c-9ce9-d51e5cb3e870\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Very Brazen from her, Hanni Liang takes us on an exciting musical journey to discover women composers who are as different as they are committed. The pianist brings her lustre and enthusiasm to the proceedings. Go listen to it!\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/eac51bdf-8649-48ab-8ce5-8f180c4b428b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"355\" height=\"80\"\u003e\u003cbr\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003ca href=\"http:\/\/www.bla-bla-blog.com\/archive\/2024\/11\/19\/hanni-liang-voices-for-solo-piano-avis-critique-6521900.html\"\u003efull feature here\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8057669b-1c65-409a-b6a9-3244d4d4e0ee\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Liang schlägt dramatische Funken, beweist Temperament, enorme Spiel-freude und Gestaltungskraft. Per-kussive Energie, zarte Töne, virtuose Nervosität und Duftiges, Wolkiges, ein breites Ausdrucksspektrum decktdie Pianistin mit ihrer gelungenen Zusammenstellung ab. Alles ein-drucksvoll interpretiert ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4d50b8f4-31bf-41fc-ae7f-d44d6a659390\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"281\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-53660f7e-67c5-418c-88d0-4a95e6186b03\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Hanni Liang's celebration of women's voices was motivated by Ethel Smyth's political activism - but its aesthetic heart lies in Eleanor Alberga's Cwicseolfor ('Quicksilver'). Starting off in the no-holds-barred spirit of early Prokofiev, Cwicseolfor shape-shifts as ideas expand, contract, fuse and explode, throwing you off balance like an amusement-park ride. It's a distillation of the eclectic exuberance marking all the contemporary works here. Thus, we hear a comparable ferment in Sally Beamish's depiction of insomnia, \u003cem\u003eNight Dances\u003c\/em\u003e ... The modern works get plenty of dash, colour and rhythmic resilience - and for them, this recording is recommended...'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4ea53d16-ec11-4668-913f-a8a3480b443e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"230\" height=\"80\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-be4fb96e-3edc-4b09-94c4-6d9b4d1b017f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘I recommend this album, firstly because of the great musicianship and pianism of Hanni Liang, but also because of her thought in designing an interesting and varied release, the great accompanying notes by Katy Hamilton, the fact that two of the works - those by Sally Beamish and Eleanor Alberga - are premiere recordings, and last but least, the great work of the sound engineer Andreas Neubronner. I was very impressed with this programme's originality.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2024\/10\/voices.htm\" target=\"_self\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" 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     \"__shgSlider\": {\n        \"id\": \"#slider-s-4b35e514-47cd-470c-b1e7-3e61eea9c3cc\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1bafb79c-4fc9-4611-b088-317cffb009e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRelease Date: 25 October 2024\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eCatalogue No: DCD34326\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eTotal playing time: 1:17:77\u003cbr\u003e\u003cbr\u003eRecorded on 7-9 November 2023 in Sendesaal Bremen \u003cbr\u003eProducer \/ Engineer: Andreas Neubronner \u003cbr\u003e24-bit digital editing: Andreas Neubronner \u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003ePiano: Steinway model D, serial no. 597020 (2014)\u003cbr\u003e\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eDesign: Eliot Garcia \u003cbr\u003eCover \u0026amp; portrait photography: Esther Haase \u003cbr\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" 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Title","offer_id":44903040483542,"sku":"DCD34326-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/voices-for-solo-piano-smyth-wallen-alberga-beamish-yi-delphian-records-733197.jpg?v=1706018541"},{"product_id":"cantabile-anthems-for-viola","title":"Cantabile: Anthems for Viola","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"65bcd9f5268dc801141b0b1d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"65bcd9f5268dc801141b0b1d\" data-shogun-page-version-id=\"667d59f0a6f19f2aacb2b3a4\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"667d5a635b2af307ddb61fe1\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-60e48974-3d94-4425-89de-95e60bb1e224\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f7a24e32-4219-4457-8f61-2eaf9edcccd0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 22px;\"\u003eThe Jamaican–American violist Jordan Bak has already achieved international acclaim for his radiant stage presence, dynamic interpretations and fearless power. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 22px;\"\u003eIn his Delphian debut,\u003cspan style=\"color: #a6a6a6; mso-themecolor: background1; mso-themeshade: 166;\"\u003e \u003c\/span\u003ejoined by the outstanding pianist Richard Uttley, he offers powerful readings of two substantial twentieth-century works – Arnold Bax’s Sonata for Viola and Piano and Benjamin Britten's \u003cem\u003eLachrymae: Reflections on a song of John Dowland\u003c\/em\u003e, written respectively for Lionel Tertis and William Primrose – and sets them alongside more recent music for solo viola by Jonathan Harvey and Bright Sheng. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 22px;\"\u003eThe viola’s capacity for deeply felt, wordless song is further explored in Augusta Read Thomas’s \u003cem\u003eSong without Words\u003c\/em\u003e, receiving its premiere recording in a version specially composed for Bak and Uttley.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-f48225cb-74a8-44ad-8d4f-0250801a0778\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/cantabile-anthems-for-viola\/1739066074\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-94b0eadb-66d2-471a-a291-d58039d80ac3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-94b0eadb-66d2-471a-a291-d58039d80ac3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-172a7eb6-a1f6-4aee-ba09-3fe0f7a37c94\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"What’s special about this release is the eclectic menu assembled by a young Jamaican-American, Jordan Bak, who is clearly going places. Bak opens with a three-minute \u003cem\u003eChant\u003c\/em\u003e by Jonathan Harvey, dinking back and forth between tonal and post-tonal contemplation. \u003cem\u003eA Romance\u003c\/em\u003e by Ralph Vaughan Williams, discovered among posthumous papers, is just what I need in these stressed-out times ... The album’s two most substantive, and sumptuous, pieces are by British composers. Arnold Bax’s viola sonata of 1922 is massively mellifluous, rippling with tunes that sound half-remembered and might even be original. Imagine Copland and Holst taking a country walk. The finale is so satisfying ... Benjamin Britten’s \u003cem\u003eLachrymae: Reflections on a song of Dowland\u003c\/em\u003e is at once deceptive and self-revealing. Britten uses only the first phrase of Dowland’s song but he enters so fully into the Tudor’s composer’s dolorous outlook that the two composers feel like brothers across two Elizabethan ages. Britten’s erudition, his elegance, his improvisational inspiration, power this piece like a runaway truck. Bak is skilled enough to bring it under control, and then some. His pianist, Richard Uttley, is daringly empathetic. If you don’t love viola, you will after hearing this\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/10bfb2d9-8f5b-41a7-9a73-0436f2d9a09c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"233\" height=\"94\"\u003e\u003cbr\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-47c9af82-9489-42e4-9684-6b01ea991b5c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003ePiquant melodic fragments one second, furious double-stopping the next, the rough- voiced mixed up with the ethereal: that's the arresting substance of Jonathan Harvey's Chant. Happily, Bak's command of his instrument isn't remotely diminished when the musical language is more conventional. Vaughan Williams's early Romance might be pallid at first, but the height of passion is still reached; while the 27 minutes of Arnold Bax's Sonata, premiered by Tertis in 1922, inexorably lead us from Celtic melancholy to bumptious vigour and back again, with extra energy deriving from the constant interplay between Baks's viola and Richard Uttley's incisive piano. The two make a wonderful team, and are further blessed by the warm acoustic afforded by Edinburgh's Greyfriars Kirk ... The rest of the 'anthems' in this collection traditionally showcase the viola's gifts for projecting the plaintive and rueful ... it's left to Britten's Dowland-inspired Lachrymae, written for Primrose, to shower us with magic, right from the opening bars of limpid arpeggios, shivery tremblings and John Dowland's solemn melody crawling along at the piano's lower end. With music- making as succulent as this, who needs jollification anyway? \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"308\" height=\"78\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 26px; color: rgb(186, 55, 42);\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c25bb24f-368d-4adc-9dfa-8a84c25d8a8f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"The viola, middle voice of the string family, has had the advocacy of several virtuosic exponents over the past century, from pioneers such as William Primrose and Lionel Tertis in the past, to Lawrence Power and Tabea Zimmermann now. A new generation is coming forward with confidence. Jamaican-American Jordan Bak, already a recipient of many awards, is at the forefront. As the title suggests, his Cantabile: Anthems for Viola, with the British pianist Richard Uttley, emphasises the instrument’s singing qualities. The range of works, from Vaughan Williams to Jonathan Harvey, Augusta Read and Bright Sheng, creates an album of arresting variety. The most substantial works are Arnold Bax’s Sonata, a showcase for the expressive powers of this duo, and Benjamin Britten’s Lachrymae – in which the ghost of the Elizabethan John Dowland hovers\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"55\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0ed70d2d-33c4-4214-8999-1ef3939ecf8d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"We should commend Delphian for its ability to identify future talent and introduce a wealth of rarely recorded music. It’s a label that is not afraid to delve deep into different repertoires and produce brilliant soloists to capture the artistry of their instruments, which is laudable. This disc does just that ... on this release, Jordan Bak demonstrates his various skills and stage presence in captivating performances, whether solo or joined by Richard Uttley on piano. The selected pieces truly reflect the disc's title ... We hear Bak's viola's rich, full tone in the main work, Arnold Bax's rhapsodic sonata, with wonderfully controlled accompaniments from Uttley. The opening has Uttley's fingers tinkling high on the keyboard, before we hear the deep hues of Bak's lower register; both give a striking and impressive account. They convey the drama with an engaging rhythmic energy throughout, although the agitation subsides into an intense and sensitively played end to the final movement. The opener, Jonathan Harvey's Chant, is particularly noteworthy because Bak demonstrates his technical brilliance through his harmonic virtuosity ... The disc ends with Britten's \u003cem\u003eLacrymae Reflections on a Song of Dowland\u003c\/em\u003e, and once again, Bak manages to showcase his instrument's timbre and tonal colours. Like so much on this disc, the considered playing with well-phrased lines, distinctive tone and technical brilliance, permeate through an assortment of delightful pieces\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"316\" height=\"66\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c7f4f248-2fee-4ba7-a19e-c44f3140a1ab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eThe promise of Bak's 2022 recording debut is fully realised on this new release, which opens with a work for solo viola: Chant by the late British composer Jonathan Harvey. It’s an evocative piece with demanding double-stopping and a persistent drone effect offset by some tricky upper passage work. Bak offers a thoroughly convincing account of a work that calls for razor-sharp precision and considerable nerve ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eVaughan Williams’ lyrical \u003cem\u003eRomanza\u003c\/em\u003e provides immediate relief as well as introducing sympathetic pianist Richard Uttley into the mix. Both players are thoroughly inside the idiom here with Bak delivering an ardent, songful account of the melodic line over Uttley’s gently rocking accompaniment. \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eThere’s further contrast with The Stream Flows by Chinese-American composer Bright Sheng ... Bak, whose line is intended to evoke a female singer comparing her absent lover to bright moonlight, captures the work’s wistful lyricism, bending and shaping the phrases to create an evocative picture of loneliness and love.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eThe Bax sonata – at nearly 30 minutes, a meaty, challenging work – forms the beating heart of the program ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eChannelling his inner Irishman, Bak digs into the first movement’s folk-like themes, alternating between a misty, keening quality that summons the heart into the mouth and lively sections that exude an infectious, dancing energy. Uttley’s spirited pianism spurs his partner on to feats of melodic dexterity. The central movement is all demonic fire and brilliance, the jigging second subject bringing Bak’s virtuosic side to the fore. The darkling finale finds both musicians turning inwards to squeeze the last ounce of poetry from the music’s Celtic moodiness ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eThe lyrical loveliness of Augusta Read Thomas’s Song Without Words forms a bridge to the grand finale, a pitch-perfect account of Benjamin Britten’s Lachrymae. The latter, a set of reflections on a theme by Dowland that only reveal their origin in the final iteration, can prove intractable, but not here. Bak’s dramatist’s ear conjures a wide range of filigree colours as well as considerable technical wizardry to hold the attention throughout. The finale opens with a rush of adrenalin before both players plunge into the lingering stillness of Dowland’s melancholy melody ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eWarmly recorded in natural sound, Cantabile is another winner from an artist well worth getting to know'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2106cdd8-2624-4cff-88ad-a06246a3ef9d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"312\" height=\"77\"\u003e\u003cbr\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-71e76b6c-07d1-4a89-9550-cdf6b05f7a22\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e 'Bak and Uttley playing with conviction and warmth ... the liner notes are excellent, as is the sound quality. With more than 67 minutes of interesting viola music, this new Delphian release should have great appeal to fans of quality chamber music'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCLASSICAL CANDOR\u003cbr\u003e\u003ca href=\"https:\/\/classicalcandor.blogspot.com\/2024\/06\/recent-releases-no-74-cd-reviews.html\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ca60f253-228a-4905-88db-b421f27a1297\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 20 May 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34158\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:00\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-0e487e35-c98f-4dfd-903b-646b036021fa\" class=\"shg-c \"\u003e \u003c\/div\u003e \u003cdiv 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data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-c86a291e-54a1-4ca8-a5e4-b63a6e8be6d1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eMusic for solo piano played a peripheral role during the first three decades of Philip Glass’s composing career, but from the 1990s onward he was increasingly in demand for solo performances of his own music. Keen both to provide himself with new repertoire and to develop his technical skills as a pianist, he set to work on Book 1 of what would eventually become a set of twenty etudes whose virtuosic surfaces conceal some of the composer’s most intensely personal music. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003eDrawing on the form’s historical past while also breaking away from it in inventive ways, these pieces have in recent years taken on a life beyond Glass’s own performances; indeed, Book 2 increasingly pushes at the limits of pianistic technique, in a challenge that has appealed to a new generation of committed virtuosos. Máire Carroll has met the challenge head on, performing the entire set of etudes live from memory and now taking it into the recording studio in interpretations at once personal and faithful to the composer’s tempi and dynamic markings.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-03390bfe-240f-4866-9cf6-47e43a15e313\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/philip-glass-complete-piano-etudes\/1756102360\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e6f7e5b1-cfd3-4f34-a378-9b9406c266bd\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e6f7e5b1-cfd3-4f34-a378-9b9406c266bd\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ac471f47-138a-4f16-9412-e6f54af79530\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Let this disc transport you to a world where dimensions and parameters are unrestricted, allowing your consciousness to expand into new perceptual areas as the beautiful melodies sweep around ... Máire Carroll communicates with such delicacy and exquisiteness, not forgetting that to perform Glass well, the energy levels must be consistent throughout. Her carefully judged performances superbly communicate her empathetic interpretations ... Carroll’s interpretations are thoughtful and astute, showing acumen as she performs Glass’ delightful etudes with technical expertise and perspicacity. Máire Carroll met the challenge head-on, performing the entire set of etudes live from memory before taking them into the recording studio ... Fluent, expressive, and lyrical, her performances are compelling and irresistible. My only disappointment is that I did not start reviewing this disc immediately it landed. The combination of Carroll’s articulate finger work on the Steinway model D, and Delphian’s clarity in recording are divine ... Pwyll ap Siôn Professor of Music at Bangor University, provides interesting notes as well as a short interview he conducted with Máire Carroll. As the last notes fade after nine minutes of simply entrancing music from Etude 20, one realises how intoxicating these etudes are. What a highlight of the year!\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"350\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6b465ebc-97e0-4101-9279-bcd65ab4cbe1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Maire Carroll's new recording of the complete piano etudes embraces and articulates all the key Glass components - energy, beauty and imagination. Glass wrote these 20 minimalist studies both as a means of improving his own piano technique, and of channeling his more private thoughts on an intimate scale. That’s not to say they eschew the impatient, power-driven obsessiveness that defines so much of his music. Carroll’s performances have all of that when asked for, vitalised by electrifying fingerwork. She also enhances those trademark low-set timbres and subterranean gloom with a sublime radiance, and captures an endearing reflectiveness through her personable, eloquent lyricism. She does everything Glass asks for, then applies the expert pianist’s touch ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a529f5ad-ab1e-4d81-9732-aa4c2aefddd3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"311\" height=\"131\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3e73206a-4082-4f68-a2c3-f8a95db67b17\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Combining the clockwork proficiency required by a set of Etudes with a personal interpretation that brings them to life as pieces is a rare challenge. That Máire Carroll still holds the attention after two hours of listening is testament to her achievement in this regard, in performances that also always stay true to the spirit of the composer\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"299\" height=\"76\"\u003e\u003cbr\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-65e3d1f9-3a77-4c92-8453-7c4083b63dd0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'Carroll is explicit there about her keenness to hew close to the score rather than treat it as a showcase for virtuosity (her tempi, for example, are closer to the ones indicated in the scores than many other pianists ... Carroll knows exactly what she is doing, and her approach gives me continued food for thought. Perhaps ironically for a \u003cspan class=\"caps\"\u003eCD\u003c\/span\u003e of études, there is an egolessness about this recording that makes it perhaps the most accurate picture on record of what exactly Glass wrote ... '\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eJOURNAL OF MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7cd7a3cc-90e8-4d2f-98c2-3b0171e73c12\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Máire Carroll has an immaculate technique: you would not know, for example, when a repeating figure moves between hands, and she is fully responsive to the expressive qualities which increasingly dominate the later etudes. Her performances bring out all the playfulness, the expressive qualities and the latent seriousness of these etudes. The sound is excellent.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eMusicWeb International\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2024\/11\/glass-complete-etudes-for-piano-delphian\/\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-428d9833-0c2a-41a7-8367-06b513d31c40\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"Máire Carroll takes Etude No l's dynamic gradations on faith, and truly sings out the rising and falling right-hand melody. The 'bell' tones framing No 2's alternating duplet and triplet phrases are placed in perfect perspective ... It's not easy to make every note count in the relatively simple No 5, yet Carroll does so with the utmost expressive economy. Some may prefer Yuja Wang's beguiling colorations in No 6, although these draw more attention to the pianism than the music, whereas Carroll's slightly slower and more literal-minded conception reveals the architecture behind the expanding and contracting repeated notes ... Carroll takes assertive and powerful charge throughout the large-scale No 11, while her focused tempo and suave control of voicing allow the quasi-ragtime syncopations to establish a cumulative momentum. Ólafsson's No 13 may be more ear-catching on the surface by virtue of his speed but Carroll's more scrupulous phrasing and dynamic scaling ultimately prevail. She digs into the unintentionally humorous dissonances in No 14's right-hand chords and casts No 15 in Lisztian light ... the best of Carroll's playing on this well-engineered album serves Glass's aesthetic with sincere and masterly integrity. Pwyll ap Siôn's excellent annotations include a perceptiv\u003c\/span\u003e\u003cspan style=\"font-size: 20px;\"\u003ee essay and a discussion with the pianist\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4ea53d16-ec11-4668-913f-a8a3480b443e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"216\" height=\"75\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 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id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2efebd33-f0df-4797-bbf5-d36bd26bc8c0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 August 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34330\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time CD1: 00:58:04\u003cbr\u003eTotal playing time CD2: 01:07:00\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 16-18 January 2023 at St Peter’s Church, Drogheda, Co Louth, Ireland \u003cbr\u003eProducer: Laoise O’Brien\u003cbr\u003eEngineer: Ben Rawlins\u003cbr\u003e24-bit digital editing \u0026amp; mixing: Ben Rawlins \u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003ePiano: Steinway model D, serial no 544371\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover \u0026amp; artist photography  \u003cbr\u003e© Laura Sheeran\u003cbr\u003eDesign: Eliot Garcia\u003cbr\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e 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Title","offer_id":45273707020502,"sku":"DCD34330-2CD","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/philip-glass-complete-piano-etudes-2cds-delphian-records-660298.jpg?v=1715454406"},{"product_id":"eastern-reflections-bartok-lutoslawski-weinberg-ligeti","title":"Eastern Reflections: Bartók | Lutosławski | Weinberg | Ligeti","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6641eb56661fdd9d4c2d9402\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6641eb56661fdd9d4c2d9402\" data-shogun-page-version-id=\"68a5a02d2546ba640b3bb560\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"68a5a02d2546ba640b3bb6e2\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1bb9fce9-3afa-4112-a4bf-2dfa24ed7653\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-e5d4cc3d-8459-4a9e-a34f-65bce83ccbd4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eThe middle of the twentieth century was a period of tremendous conflict and upheaval throughout the world. Composers responded sometimes directly, sometimes more obliquely to the horrors of fascism, war and state-controlled communism – sometimes with intense seriousness, sometimes with unexpected levity and beauty.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eIn putting together his programme for this \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=YCAT*\"\u003eeighth in the series of Delphian’s recordings \u003c\/a\u003ereleased in collaboration with YCAT (the Young Classical Artists Trust), Jonathan Leibovitz has brought together works by Eastern European and Soviet composers that draw on the folk-music heritage of their native lands while also bearing witness to powerful currents of history. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eLeibovitz’s charm and compelling artistry in this, his debut recording, are matched by the contributions of pianist Joseph Havlat and, in two pieces, violinist Charlotte Saluste-Bridoux.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-5f04e273-73a2-4f98-ab4b-123b9a1c350f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-eaf63c4d-fbc7-4135-aac6-cba60c9c12e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[1–3]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eBéla Bartók (1881–1945)\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eContrasts\u003c\/strong\u003e for violin, clarinet and piano (1938)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[4]\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eGyörgy Ligeti (1923–2006)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eA bujdosó\u003c\/strong\u003e (from \u003cem\u003eFive Arany Songs\u003c\/em\u003e; 1952)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-indent: 36.0pt; line-height: normal; margin: 0cm 0cm 0cm 144.0pt;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif;\"\u003earr. for clarinet and piano\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[5–9]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eWitold Lutosławski (1913–1994)\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDance Preludes\u003c\/strong\u003e for clarinet and piano (1955)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[10]\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eGyörgy Ligeti\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e                        \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eBaladă și joc\u003c\/strong\u003e (Ballad and Dance; 1950)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-indent: 36.0pt; line-height: normal; margin: 0cm 0cm 0cm 144.0pt;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif;\"\u003earr. for clarinet and violin\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[11–13] Mieczysław Weinberg (1919–1996)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSonata for Clarinet and Piano\u003c\/strong\u003e, Op. 28 (1945)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e \u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e[14]\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eDmitri Shostakovich (1906–1975)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePrelude in A flat major\u003c\/strong\u003e, Op. 34 No 17 (1933)\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-indent: 36.0pt; line-height: normal; margin: 0cm 0cm 0cm 180.0pt;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif;\"\u003earr. for clarinet and piano\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif;\"\u003e \u003cspan style=\"mso-tab-count: 9;\"\u003e                                                                                          \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-8ea647c2-a865-4a66-8ed7-941156390559\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Leibowitz is a young Israeli who plays Bartók like a distant cousin, full of familiar expressions and family secrets. His account of Contrasts is truly contrasting, giving Bartók’s folk tunes a Chassidic twist, turning Carnegie Hall stiff-collars into a chasseneh-tanz. His partners in this act of subversion are the Australian pianist Joseph Havlat and the French violinist Charlotte Saluste-Bridoux, members of a London musical melting pot ... The other pieces on this captivating album are a pair of early dances by Gyorgy Ligeti, highly charged and naughty-boy erotic, a magical 1945 clarinet sonata by the Polish-Jewish Mieczyslaw Weinberg and a hatful of short pieces by Witold Lutoslawski and Dmitri Shostakovich. Somebody had illicit fun assembling this programme. You’re going to have even more fun dancing to it\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003ca href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/08\/02\/lebrecht-listens-jonathan-leibowitz-partners-find-klezmer-bartok\/\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eLudvig-van.com - read the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2fb93fa1-d804-4d95-9ed6-2db0a0fff777\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 August 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34319\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 56:49\u003cbr\u003e\u003cbr\u003eRecorded on 31 October - 2 November 2023 at St Mary’s Parish Church, Haddington\u003cbr\u003e\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003ePiano: Steinway model D, serial no 600443 (2016)\u003cbr\u003ePiano technician: Norman Motion\u003cbr\u003e\u003cbr\u003eCover photograph © Clara Evens\u003cbr\u003e\u003cbr\u003eSession photography: foxbrushfilms.com\u003cbr\u003eDesign: John Christ\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK\u003cbr\u003ewww.delphianrecords.com\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":45574087377110,"sku":"DCD34319-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/eastern-reflections-bartok-lutoslawski-weinberg-ligeti-delphian-records-310885.jpg?v=1715709986"},{"product_id":"maier-franck-schumann-sonatas-for-violin-piano","title":"Maier | Franck | Schumann: Sonatas for Violin \u0026 Piano","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"678a3221c2d5ebb24306c774\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"678a3221c2d5ebb24306c774\" data-shogun-page-version-id=\"6a071e3446ca281d8ff786e3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a071e3446ca281d8ff78830\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b8111ed2-2c12-46d0-89e7-5de8df86cedb\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-847c357e-6232-4f8b-b6f4-61bb14457db5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Times New Roman', serif;\"\u003eDuo Concertante bring a reputation for emotionally engaged, stylistically insightful playing to their compelling exploration of the Romantic violin sonata – a form uniquely suited to personal expression and intimate dialogue.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cspan style=\"font-family: 'Times New Roman', serif;\"\u003eRobert Schumann’s Sonata No. 1, written in just four days in 1851, pushes against Classical restraint with restless intensity and a raw vulnerability that would influence generations of Romantic composers. Amanda Maier’s Sonata in B minor, composed two decades later and awarded a prize by the Swedish Art Music Society, blends a Schumannesque inheritance with her own voice: equal parts lyrical poise and structural clarity. And in César Franck’s beloved A major sonata, formal ingenuity and sweeping expressivity combine in one of the great pinnacles of the violin-and-piano repertoire.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-f1e287c0-6be0-4afc-abdd-5899e9223756\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/maier-franck-schumann-sonatas-for-violin-piano\/1817421838\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-5a21eca9-9842-41a5-82d9-dec06a781ab7\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-5a21eca9-9842-41a5-82d9-dec06a781ab7\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-16bacb82-a52a-46c7-b6f4-11fe8bcd43c7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e'Nancy Dahn and Timothy Steeves lead from a musing, dreamy opening into a colourful drama. The violin is to the fore in the recorded balance of the second-movement Allegro, emotionally impusive, played with gusto and rhytmic freedom. It is powerful, heart-on-sleeve performance.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/437f43de-1f9e-44c0-ab09-e49d9c7c8016\/\" width=\"103\" height=\"54\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6edb4c4e-d462-4497-bbba-735583f94efa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The duo's elegant playing captures every nuance, from moments of wistful reflection to passages of dramatic intensity. The rhythmic energy never flags, while the emotional elements shine through with affecting directness.\u003cbr\u003e\u003cbr\u003eThroughout, the chemistry between Steeves's sensitive piano accompaniments and Dahn's eloquent melodic lines remains captivating. Their rhythmic \u003cspan style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003eenergy and emotional insight illuminate music that might elsewhere seem merely dutiful.'\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/\" alt=\"\" width=\"295\" height=\"62\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20.2px; text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003ca href=\"https:\/\/yorkshiretimes.co.uk\/article\/Classical-Music--Schumann-Maier-Franck-Violin-Sonatas\" target=\"_blank\" rel=\"noopener\"\u003eREAD THE FULL REVIEW HERE\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fbf3c7e1-243b-413f-bd48-4291b51a9782\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘The first movement of the Schumann is marked 'with passionate expression’, and Dahn’s tone is certainly full and vibrant...The lilt of the second movement has real charm, and the alternating lightness and lyricism of the final rondo flow dexterously.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" width=\"230\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ecc68d7e-3aa0-407f-9279-7e05e61d78c5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Such is the vastness of musical history that the potential to home in on snapshots can be both a blessing and a joy. That’s precisely what the Canadian-based Duo Concertante - violinist Nancy Dahn and pianist Timothy Steves - have achieved in recording an album that focuses on three Sonatas for Violin and Piano from the latter half of the 19th century: Schumann’s Sonata No 1 in A minor (1851), Amanda Maier’s B minor Sonata (1875), and César Franck’s A major Sonata (1886). Together these reflect the liberating spirit of late Romanticism, while separately they reveal three distinctive artistic creators: late Schumann at the point of declining mental health; a youthful Swedish-born Maier open to the hothouse inspiration of Leipzig; and Franck, fluidly inventive in his easeful maturity. Dahn and Steves exhibit a vital, affectionate partnership, their performances characterful and wholesome, Maier’s warm-hearted Sonata, in particular, an unexpected eye-opener.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"243\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-5a21eca9-9842-41a5-82d9-dec06a781ab7\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5e1e0044-a257-469f-b7b8-fc6e9e2cdf0d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 22 August, 2025\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 20-22 May 2024 in Greyfriars Kirk,\u003cbr\u003eEdinburgh\u003cbr\u003eProducer \u0026amp; engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eDesign: Eliot Garcia\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover photo: Tim Leyes\u003cbr\u003eSession photography: Will Coates-Gibson\/\u003cbr\u003eFoxbrush\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e \u003cdiv class=\"shg-box shg-c \" id=\"s-8490a781-6d1e-4771-b2d1-1330bfc690f6\"\u003e \u003cdiv class=\"shg-box-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"shg-box-content\"\u003e \u003cdiv id=\"s-e337df3d-c11d-4ba6-82c8-0469650ef70e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54881874411900,"sku":"DCD34316-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/maier-franck-schumann-sonatas-for-violin-piano-cd-delphian-records-447598.jpg?v=1737111294"},{"product_id":"schubert","title":"Charlotte Saluste Bridoux | Joseph Havlat: Schubert","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"67af3d77b4ccee88e00dc525\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"67af3d77b4ccee88e00dc525\" data-shogun-page-version-id=\"6a071a4b484a9a2257f9985c\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a071a4b484a9a2257f99a2f\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-157fc4c6-9cfd-47b8-b051-9acfa87fba6a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ec606b42-177c-4025-8629-949c37c03daa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 22px; line-height: 107%; font-family: inherit; color: black; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eOn this inventively programmed, deeply personal album, Charlotte Saluste-Bridoux and her duo partner Joseph Havlat interleave three major Schubert works for violin and piano with instrumental versions of his songs, in juxtapositions which bring out both connections and contrasts between them. The genial Sonata in A major sits alongside the dark, dejected yet lyrical ‘Du liebst mich nicht’ (in which Saluste-Bridoux tunes her violin’s lowest string down to D sharp to bring out a raspy, viola-like quality). ‘Sei mir gegrüsst’ is revealed as the melodic source for the late Fantasy in C major, whose ‘Hungarian’ stylistic features are also found in the Rondo in B minor. Deliberately avoiding an earnest approach focused on these works’ proximity to the composer’s early death, Saluste-Bridoux and Havlat have ‘walked away from doom and gloom and tried to bring out Schubert’s silliness and, at times, unnerving simplicity’.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: 22px; line-height: 107%; font-family: inherit; color: black; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 22px; line-height: 107%; font-family: inherit; color: black; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eSaluste-Bridoux is grand prizewinner of the Young Classical Artists Trust (YCAT) 2021 International Auditions and a Classic FM 2022 ‘Rising Star’, and the album continues Delphian’s \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=ycat*\"\u003emuch admired series of recordings\u003c\/a\u003e released in collaboration with YCAT, to showcasing nine leading young artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-f2e861ff-288b-4d6d-a142-dfe6ac3e986f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-08bb30bd-3998-446d-98fd-fa480d4d779a\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/schubert\/1808212779\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-5e491116-e845-4f06-ac68-57bb2dca480c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-5e491116-e845-4f06-ac68-57bb2dca480c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-201fd3b6-9727-40bc-a705-838005ec1be5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px; font-size: calc(24px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'sparkling … there’s a sense of bubbling joy that Saluste-Bridoux and Havlat bring to these performances with that silvery sound, and that lovely sense of tone, which comes into the fore in their \u003cspan style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100);\"\u003earrangements\u003c\/span\u003e of Schubert’s songs, which come between the pieces … excellent playing and recording'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px; font-size: calc(24px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/\" width=\"125\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dd1d7e8b-f7c4-4bf5-85fd-abd75a49cc91\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e'Did Schubert write Summertime? Of course not, Gershwin did. But there’s a lovely touch at the end of this Schubert duo album by violinist Charlotte Saluste-Bridoux and pianist Joseph Havlat where the two composers shake hands. This is Sommer-Abschied, a “reimagining” by Halvat in the spirit of a Schubert Lied in which the harmonic framework of the Gershwin gives vent to a lyrical Schubertian fantasy by the violinist. It’s a magical end – dissipating into the ether – to an already imaginative programme that intersperses major Schubert works with genuine transcriptions of his songs. The former range from a sparkling Rondo in B Minor to the eccentric Fantasy in C, via the adventurous Sonata in A, showcasing the expressive versatility and supple rapport between Saluste-Bridoux and Havlet. The incidental songs invoke rare intimacy, the arrangement of Sei Mir Gegrüsst – which the Fantasy uses for a variation set – a special delight.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" alt=\"\" width=\"240\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-471d3320-eed4-48e5-bde9-1836591a8639\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e'Searchlight gleam or delicate whisper: the violinist Charlotte Saluste-Bridoux, a Young Classical Artists Trust prizewinner in 2021, excels at both dynamic extremes. She’s also extremely good at shaping and sustaining long lyrical lines — something particularly useful if you’re playing Schubert. The album, for which she’s partnered with the pianist Joseph Havlat, features substantial flights of fancy, such as the C major Fantasy and the Violin Sonata in A major. But the track that made my heart somersault was one of the song transcriptions slipped in between, \u003cem\u003eSei mir gegrüsst\u003c\/em\u003e, playfully used for variation fodder in his fantasy but never more affecting than when its haunting melody, stripped of words, sings out from Saluste-Bridoux’s soulful violin. Another transcription, \u003cem\u003eDu liebst mich nicht\u003c\/em\u003e, is also impressive.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/\" width=\"173\" height=\"130\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-5e491116-e845-4f06-ac68-57bb2dca480c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv id=\"s-d8470783-6a0c-424d-b610-9ae1ebac7328\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-d65e6214-9ea1-428b-b25e-62406214d356\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eRelease Date: 23 May 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eCatalogue No: DCD34325\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eTotal playing time: 1:06:00\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: John Christ\u003cbr\u003eBooklet Editor: John Fallas\u003cbr\u003eSession Photography: Will Coates-Gibson \/ foxbrush\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003e\u003cbr\u003e℗ 2025 Delphian Records Ltd\u003cbr\u003e© 2025 Delphian Records Ltd\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-f2ec57c8-5128-4ae0-9141-11b1a99b858d\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv 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src=\"https:\/\/i.shgcdn.com\/c65c6072-7f48-4c21-ad0f-987d7438e23d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-75f1b3ef-9591-489c-b59e-4274595af163\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54947119989116,"sku":"DCD34325","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/charlotte-saluste-bridoux-joseph-havlat-schubert-delphian-records-678302.jpg?v=1739539588"},{"product_id":"house-of-wonder-sally-beamish-at-70","title":"House of Wonder: Sally Beamish celebrates 70 years","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68aed9f52dacf794749c7cf7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68aed9f52dacf794749c7cf7\" data-shogun-page-version-id=\"6a0732fa15ac74d9eec1da64\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a0732fa15ac74d9eec1da9b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ea88d297-7e47-4246-bdf4-cbf5b8bd3e55\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e GLOBAL RELEASE DATE: 12 JUNE 2026 \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-9624ef4a-ff16-45cf-ad35-0ea3b95441d9\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-85e58cb5-c31f-4288-b0ec-0d34fec256d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eTo mark her seventieth birthday, Sally Beamish returns to the instrument that has shaped her musical life: the viola. \u003cem\u003eHouse of Wonder\u003c\/em\u003e explores recent works written by Beamish for herself to play, alongside new pieces she has commissioned especially for this recording from her three children – themselves all accomplished musicians – and other close collaborators.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eAutobiography runs through the programme. Childhood memories surface in \u003cem\u003eCrescent\u003c\/em\u003e; poetry and jazz inflections shape the intimate cycle \u003cem\u003eNight Songs\u003c\/em\u003e; and tributes from friends and family expand the viola’s expressive world in unexpected directions. Contributions from Ryan Corbett, Joseph Havlat, Rosalind Ventris, Imogen Whitehead, Stephanie Irvine and the spoken voice of Beamish’s husband Peter Thomson create a circle of musical friendships around Beamish’s playing. Another crucial element is the viola made by Stephanie Irvine in 2014, which inspired her mother’s return to the instrument on which she had first made her career as a performer in the 1980s.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-329e5ac9-8b17-4d10-876b-01d5788900ad\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/house-of-wonder-sally-beamish-celebrates-70-years\/1886685311\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-a85729e4-c541-4009-b208-e8772bc8c1c9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 9 June 2026\u003cbr\u003eRecorded on 2-4 September 2024 at The Menuhin Hall, Cobham, Surrey\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003ePiano technician: Julian Day\u003cbr\u003eCover concept and photography: © Sarah Hickson\u003cbr\u003eCover (graphic layout): Will Coates-Gibson\u003cbr\u003eBooklet \u0026amp; digipack design: Eliot Garcia\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55680975765884,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/house-of-wonder-sally-beamish-at-70-cd-delphian-records-259977.jpg?v=1756297640"},{"product_id":"harbingers-of-exile-songs-from-the-in-between","title":"Harbingers of Exile: Songs from the In-Between","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"69300678f30fb7b31907044c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"69300678f30fb7b31907044c\" data-shogun-page-version-id=\"69e227bbae83e49433a0a499\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e227bbae83e49433a0a5ff\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b99b81ca-b0ff-4a0c-8f40-623fa7d0852b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ab3223c8-06dd-4bbd-882d-31b7b7c959e5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px; text-align: justify;\"\u003e‘\u003cspan style=\"font-size: 22px; font-family: inherit;\" data-fontfamily=\"(Default)\"\u003eHoneyed intensity’, ‘emotional engagement’, ‘total vividness’, ‘passion and expressivity’: these are the qualities that have won trophies for the bass-baritone Florian Störtz, not least the 2023 International Handel Singing Competition. Now he and pianist Aleksandra Myslek introduce the rich, colourful late-Romantic sound world of Robert Kahn – their own debut album, and the first substantial Kahn recording by the voice for which he predominantly wrote, including fifteen premieres. Hugely admired in his time but forgotten since his crude and senseless vilification by the Nazis, Kahn becomes here the focus of a narrative that presages his exile from his native Germany, given context with songs by Schumann, Korngold – another Jewish émigré – and Hindemith.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b1402a2e-e1c0-4f70-9271-e7e55280c89a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/harbingers-of-exile-songs-from-the-in-between\/1867195853\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-904963f4-1576-44be-9a80-00663eea1c16\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Certainly Kahn couldn't wish for better advocacy than he gets here. Störtz sings with a natural intelligence, secure and persuasive throughout, and Myslek brings out the impressive variety and imagination in the piano-writing (Kahn initially trained as a pianist). Delphian's engineering is impeccable. Whether this album inspires a Kahn revival we'll have to see, but it's a fine achievement and well worth exploring.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"249\" height=\"36\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 0px;\"\u003e'ONE TO WATCH', February 2026\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9b649350-f5a6-428b-842c-a42db9c06673\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'This hugely impressive debut solo recital from the prize-winning bass-baritone centres on the songs of German-Jewish composer Robert Kahn (1865-1951), who fled his homeland for England in the late 1930s: there are shades of his contemporary Richard Strauss in songs like 'Es war der Tag der weißen Chrysanthemen', whilst his compelling response to Schiller's \u003cem\u003eNänie\u003c\/em\u003e recalls Schubert in epic ballad mode. Störtz is a vivid story-teller, and the sheer power on display in Hindemith's German-language setting of Walt Whitman's 'Beat! Beat, drums!' suggests that Wagner may figure in his long-term future...' \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"264\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePresto Team Choices - February 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4c23b7fd-9de7-4935-8149-a400f94dd423\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e'The same age as Richard Strauss, and only a few years older than Schoenberg, Kahn’s conservative musical language is firmly rooted in Schumann and Brahms, a tradition of deeply felt responses to text. These are matched by Florian Störtz’s earnest and sincere delivery of the long melodic lines, and Aleksandra Myslek’s contemplative and luxuriant accompaniments. The exile of the album’s title comes from Kahn’s fleeing from Nazi Germany (he was Jewish), although the 19 songs presented here are on a range of subjects. I can’t imagine them being given a more sympathetic interpretation'\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"200\" height=\"90\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b4c5809d-04fc-4b64-8239-1c8aa9e7a6cd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 February 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 23-25 January 2025 at St Cuthberts Church, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eCover photography: Andrew Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56072360264060,"sku":"DCD34349-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/harbingers-of-exile-songs-from-the-in-between-cd-delphian-records-755671.jpg?v=1764760103"},{"product_id":"sean-morgan-rooney-a-few-reflect-the-heart","title":"Seán Morgan-Rooney: A Few Reflect the Heart","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6981bd1fe9a9effa4f109560\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6981bd1fe9a9effa4f109560\" data-shogun-page-version-id=\"6a070cab33fae688df0ba2d3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a070cab33fae688df0ba46c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1f6f5fb7-3746-4355-8c89-4cb0a0c16b69\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1332a293-ea80-4b36-a0c3-f54e04e0508d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 23px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eCentred on Ravel’s luminous Miroirs, this striking solo album from Irish pianist-composer Seán Morgan-Rooney unfolds as a sequence of reflections on nature, memory and self-perception. Ravel’s five finely etched character pieces are interwoven with music by Berio,\u2028 Stravinsky and Eötvös, alongside Morgan-Rooney’s own electroacoustic miniatures, tracing a journey through air, fire, earth and water – the elemental framework subtly encoded in the album’s title.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 23px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003eThe result is at once intimate and expansive: piano sonorities dissolve into electronics, familiar masterpieces open onto new perspectives, and moments of virtuosity give way to stillness and resonance. Ahead of his forthcoming duo recording with mezzo-soprano Lotte Betts-Dean, this deeply personal solo project reveals Morgan-Rooney as both interpreter and creator, inviting the listener into a space where reflection becomes transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-92062a49-3330-4ff6-a04f-18655ca5fc14\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-88c95867-bd0c-4684-ae3d-19384474d09f\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/a-few-reflect-the-heart\/1878661512\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-70d7318d-8626-43e2-b36d-b66690e1b674\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-70d7318d-8626-43e2-b36d-b66690e1b674\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-561ca4ff-153f-4edc-95c4-2c4ac3de1646\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Delphian is doing a fine trade in concept albums. Among the latest is Irish pianist-composer Seán Morgan-Rooney’s A Few Reflect the Heart, centred on Ravel’s five coruscating Miroirs, spread within a personally reflective sequence of Morgan-Rooney’s own works - he calls them “element pieces“ representing air, fire, earth and water - and sympathetic examples by Berio, Stravinsky and Péter Eötvös. The Ravel performances are exquisite, wistfully tantalising. A scene-setting electroacoustic Overture by Morgan-Rooney - snatches of Ravel moodily integrated within an electronic soundscape - establishes the pianist’s composer signature. Pneumaplume casts an ethereal airborne spell; Wavephile a watery lugubriousness in the wake of Berio's Wasserklavier; Ignis Beat a fiery unpredictability that segues explosively into Stravinsky’s The Firebird. Meanwhile Earth-tether-ether makes a mystically profound follow-up to Ravel’s sonorous La vallée des cloches. All of this is imaginatively-themed and quirky to boot.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"219\" height=\"62\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9dbeaf94-2cac-4902-8f24-373ab56cae1c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'No pianist can ignore Maurice Ravel’s five-part cycle Miroirs (Mirrors). The young Irish pianist and composer Seán Morgan-Rooney goes one step further. He has written five companion pieces to go with it: music that mirrors, comments on and complements Miroirs. Central to this are the four elements that appear in Ravel’s cycle: earth, water, fire and air.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eMorgan-Rooney has created a clever album. He plays Miroirs beautifully, conjuring up the swarm of moths in ‘Noctuelles’ with great finesse. In his own pieces, he adds electronics. Not avant-garde, but fascinating, ranging from Ravelian melodies to a tight beat.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe third layer features works by Stravinsky, Berio and Eötvös. Berio’s neo-Baroque Wasserklavier is even heard twice: sparkling on the piano and deep and muffled on the synthesiser. Plenty of imagination from the Irish Amsterdammer Morgan-Rooney.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a1fbb4df-3cf5-43dd-90b4-270844ca67b6\/\" width=\"312\" height=\"115\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-70d7318d-8626-43e2-b36d-b66690e1b674\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c6f79f4d-1ea2-4c6e-88ff-12892ea1c37d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" class=\"shogun-tab-content shogun-tab-active\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3e85f4ee-ae1b-427a-a700-1c6dc8fd6d7e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 17 April 2026\u003c\/span\u003e\u003c\/div\u003e \u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTracks 2–3, 5–7, 9 \u0026amp; 11–15 recorded on 12-14 July 2022 in Studio 1, Muziekcentrum van de Omroep, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eHilversum, the Netherlands\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProduced, engineered, edited and mastered by Guido Tichelman\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eAssistant engineer: Pim van der Lee\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTracks 1, 4, 8, 10 \u0026amp; 16 use piano material recorded on 16 September 2022 at Leiter Studio, Saal 3, Funkhaus, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBerlin, Germany (recording engineers: Maarten Vos \u0026amp; Antonio Pulli); these tracks were electronically produced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eand mixed by Maarten Vos and mastered by Zino Mikorey, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ethen\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003emastered for the album by Guido Tichelman\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePiano: Steinway D (Hilversum), Yamaha CF6 (Berlin)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePiano technician (Hilversum): Charles Rademaker\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eCover photography: Boris Peters\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Maarten Vos\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Eliot Garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-5ed473dc-13cd-486f-8957-c4c38663b7e5\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-317d22a5-7141-438d-ade0-b7d9884144b2-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-317d22a5-7141-438d-ade0-b7d9884144b2\" id=\"wrap-s-317d22a5-7141-438d-ade0-b7d9884144b2\"\u003e \u003cdiv class=\"s-317d22a5-7141-438d-ade0-b7d9884144b2 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-317d22a5-7141-438d-ade0-b7d9884144b2 shogun-image-container shg-align-center\" id=\"s-317d22a5-7141-438d-ade0-b7d9884144b2\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/e311b017-bfe4-4e09-9faf-5d96233d4a4c\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-317d22a5-7141-438d-ade0-b7d9884144b2\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56312781767036,"sku":"DCD34352-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/sean-morgan-rooney-a-few-reflect-the-heart-delphian-records-438912.jpg?v=1770111297"},{"product_id":"dialogues","title":"Dialogues: Schubert | Errollyn Wallen","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"69f9d1365085c75462e93e08\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"69f9d1365085c75462e93e08\" data-shogun-page-version-id=\"6a21a5385a8330cd2bcf8723\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a21a5385a8330cd2bcf886c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-65e58eea-db76-4a1b-ad38-fc624da827d3\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e GLOBAL RELEASE DATE: 03 JULY 2026\u003cbr\u003e\u003cbr\u003e \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-11e46700-a57a-4fcd-8fcd-da987febcc3a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0f855dcd-3c3e-4927-9e05-c7b088d5aefd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eDialogues presents baritone Julien Van Mellaerts and pianist Dylan Perez in a recital shaped as a continuous narrative, interweaving Schubert’s \u003cem\u003eSchwanengesang \u003c\/em\u003ewith \u003cem\u003eThe Lake\u003c\/em\u003e, a newly commissioned cycle by Errollyn Wallen. Rather than contrasting past and present, \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003ethe programme unfolds within a shared, intimate soundworld: Wallen’s reflective songs frame and reshape Schubert’s, allowing familiar numbers to emerge with new focus and perspective.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eVan Mellaerts and Perez approach the sequence as a single arc, their close partnership emphasising text, colour and atmosphere. The result is a compelling reimagining of Schubert’s late songs, where new music becomes part of the same expressive landscape rather than a commentary upon it – a powerful meditation on love, distance, memory and hope.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-34d461e6-447d-40c0-9816-1c0696ee4410\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eComing Soon....\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-dd33bfd1-bd43-4dd5-abce-b5d7a80a8951\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003eReviews will appear here following release date\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b315d3a0-f827-4f7f-86db-cddbec7f2f83\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"line-height: 22px; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100); font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 3 July 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003eRecorded on 23-25 April 2025 in the Parish Church of St Cuthbert, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100); font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003eCover image: Hansjörg Rath \/ unsplash\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100); font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Eliot Garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100); font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100); font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Sandy Butler\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56698337395068,"sku":"DCD34369-CD","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/dialogues-schubert-errollyn-wallen-cd-delphian-records-963116.jpg?v=1778005000"},{"product_id":"kin","title":"KIN","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"69f1f3f951bb58020539cbb3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"69f1f3f951bb58020539cbb3\" data-shogun-page-version-id=\"6a21a596199953e0ba28eafe\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a21a596199953e0ba28ec3d\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f22893d7-d0a7-409f-b0c2-07cfabb51224\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003ch1\u003eGLOBAL RELEASE DATE: 07 AUGUST 2026\u003c\/h1\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-d4d58f8b-1402-4227-a393-fa0a14c6c809\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-e6d82239-20d8-4814-bc89-e63e99742669\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cdiv class=\"page\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\" title=\"Page 1\"\u003e \u003cdiv class=\"section\"\u003e \u003cdiv class=\"layoutArea\"\u003e \u003cdiv class=\"column\"\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eAfter forging a close musical bond in contemporary repertoire, Lotte Betts-Dean and Joseph Havlat turn to a tradition that is anything but fixed. \u003cem\u003eKIN\u003c\/em\u003e explores folksong as a living, evolving art: melodies and stories passed between generations, reshaped by memory, place and imagination. Alongside now canonical arrangements by Britten, Bartók and Grainger and rarities by E.J. Moeran and Doreen Senior, new commissions from Josephine Stephenson, Isabella Gellis and Louise Drewett bring fresh perspectives to this shared inheritance. Rooted in the duo’s own sense of cultural identity – at once Australian, European and diasporic – this is a programme that moves fluidly across borders and eras, held together by an instinctive, finely balanced partnership.\u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b3ce72f2-cc14-414c-801a-4d08bdb2f8a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eComing Soon....\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ab944a57-9eaf-4588-8f7f-7d9b9d7b3d13\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003eReviews will appear here following release date\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5eb5c809-741d-4895-a16f-b78b50fb87d7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"line-height: 22px; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 7 August 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 21-22 January 2025 at St Cuthbert's Parish Church, Edinburgh\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003eCover photography: Isabella Gellis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56698388414844,"sku":"DCD34362-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/kin-cd-delphian-records-269913.jpg?v=1777464992"},{"product_id":"six-sonatas-for-harpsichord-and-violin-bach-copy","title":"Music for violin \u0026 piano: Elgar | Adès | Walton","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6a19b22ff9e560e2958d3141\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6a19b22ff9e560e2958d3141\" data-shogun-page-version-id=\"6a19b22ff9e560e2958d3142\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a19b22ff9e560e2958d3143\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-5863d801-eace-4bb4-bc29-66d6db397172\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-root\" data-shogun-id=\"6a08dfdbf09e2197f02bf0a0\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6a08dfdbf09e2197f02bf0a0\" data-shogun-page-version-id=\"6a08e016ebd12608db2bfc50\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a08e016ebd12608db2bfc61\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e\u003cdiv id=\"s-3d74acaf-7503-4a4d-a873-503cfb05152b\" class=\"shg-c \"\u003e\u003cdiv class=\"shogun-heading-component\"\u003e\u003ch1\u003e GLOBAL RELEASE DATE: COMING SOON \u003c\/h1\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56821870690684,"sku":null,"price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/music-for-violin-piano-elgar-ades-walton-cd-delphian-records-446474.jpg?v=1780071111"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/collections\/piano-827675.jpg?v=1606223800","url":"https:\/\/www.delphianrecords.com\/collections\/piano\/aleksandra-myslek.oembed","provider":"Delphian Records","version":"1.0","type":"link"}