{"title":"New Releases","description":"New and recent releases on Delphian","products":[{"product_id":"nowel-advent-and-beyond","title":"Nowel: Advent \u0026 Beyond","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"66c61685a09c5c853899fc72\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"66c61685a09c5c853899fc72\" data-shogun-page-version-id=\"6a07136ed5a6844ea7bc8cc3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a07136ed5a6844ea7bc8ede\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e \u003cdiv class=\"shg-box shg-c \" id=\"s-f9df3aba-66e1-4c68-82da-21a77ee9fba0\"\u003e \u003cdiv class=\"shg-box-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"shg-box-content\"\u003e \u003cdiv id=\"s-8c6f5f2b-48bb-45f6-9215-5b720171fc7f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-174493e6-42bd-4b4b-815c-5bdf33b855d7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 24px; text-align: left;\"\u003e\u003cspan style=\"font-size: 22px; font-family: inherit; letter-spacing: normal;\" data-fontfamily=\"(Default)\" data-letterspacing=\"Normal\"\u003eChristmas comes in new and unexpected guises – like last leaf’s fall, in Rowan Williams’s poem \u003cem\u003eAdvent Calendar\u003c\/em\u003e. Following three acclaimed Delphian recordings of Tudor music, Toby Ward and Ensemble Pro Victoria bring fresh, contemporary colours to the seasons of Advent and Christmas; the mood is quiet anticipation, guarded joy, sometimes even fear and uncertainty, as the Virgin – the spotless Rose at the still centre of it all – sings her son to sleep amidst death and persecution. Williams narrates the Nativity story, around which the choir weave Hugo Distler’s searching polyphonic variations; Piers Connor Kennedy’s \u003cem\u003eNowel el el\u003c\/em\u003e for harp and just six men’s voices is an intimate companion piece – or contrast – to Britten’s famous carol cycle, and has its first recording here by the group for which it was written.\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"text-align: center; line-height: 24px;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-8f46f080-411b-4315-a0e3-1b21f2e1b773\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/nowel-advent-beyond\/1843393412\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ca5c431e-6f61-4e72-8527-f8de9e55c8c0\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ca5c431e-6f61-4e72-8527-f8de9e55c8c0\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0ad6c66a-7b49-43bb-9941-257177021c8e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 25px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘Chorale Variations from \u003cem\u003eDie Weihnachtsgeschichte\u003c\/em\u003e, Op 10 and Piers Connor Kennedy, who sets Williams's poetry in \u003cem\u003eNowel el el \u003c\/em\u003efor lower voices and harpist Cecily Beer - a partner piece for Britten's \u003cem\u003eA Ceremony of Carols\u003c\/em\u003e. This is indeed a Christmas for harpists and for bright, clear tenor solos: try the listless textures of “This flour is fayre and fresche of heue” to see what I mean. David McGregor's \u003cem\u003eO Oriens\u003c\/em\u003e caught my attention for its mesmeric, slithering opening, which resounds wonderfully in the generous acoustic. It is also a year for lullabies: Byrd's \u003cem\u003eLulla, lullaby\u003c\/em\u003e flows briskly into the exquisite \u003cem\u003eLully, lulla, lullay\u003c\/em\u003e by Philip Stopford, an outstandingly intimate and lilting performance.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 25px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"329\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ebd919b4-ff0c-4686-ad8c-e4fb466f19f1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'This is an exceptional disc in every way. The programme contains a fascinating blend of a little bit of familiar music and a substantial amount of new and\/or unfamiliar material. All the music is extremely worthwhile and I count the Distler piece and Piers Connor Kennedy’s \u003cem\u003eNowel el el\u003c\/em\u003e as significant discoveries. As for the performances, both the singing and the instrumental playing is immaculate; all the music is vividly communicated. Just as importantly, you’ll go a long way to find a programme that has been more thoughtfully and perceptively constructed. In short, this is a winner on all counts.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-weight: 400; font-size: 20px;\"\u003eThe presentational side is up to Delphian’s usual top-drawer standards. Producer\/engineer Paul Baxter has recorded the performances, as is his wont, in exemplary fashion.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/\" width=\"212\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-085fcd75-1346-4193-91a0-d0f8c90f331f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Herbert Howells' setting of the fourteenth-century poem \u003cem\u003eA spotless rose\u003c\/em\u003e was an impeccable, perfectly rounded and balanced interpretation. The same was the case for \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=william%20byrd*\" target=\"_self\"\u003eWilliam Byrd\u003c\/a\u003e's rather rarely heard \u003cem\u003eLulla, Lullaby\u003c\/em\u003e. While much of Byrd's choral output examines some of the depths of the Scriptures, this is an altogether lighter offering - even with touches of humour, brought out well by the ensemble.'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2025\/11\/nowel.htm\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-83590c31-f68b-4298-b5eb-21bb7c4b2504\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'While Christmas releases can wait a bit, Advent will soon be upon us, so here’s a refreshing take on the Advent Carol Service that sequences mostly modern settings alongside readings by former Archbishop of Canterbury Rowan Williams. Common to all are the homogenous voices (and sundry instrumentalists) of Toby Ward’s Ensemble Pro Victoria, flawlessly pure in such established favourites as Howells’ A Spotless Rose, Byrd’s Lully, Lullaby and the traditional German choral Es ist ein Ros entsprungen, but equally surprising us with the inclusion of the tragically suicidal Hugo Distler’s 1930s Choral Variations on Die Weihnachtsgeschichte (as skilfully polyphonic as any of Bach’s), Piers Connor Kennedy’s affable Nowel el el for harp and male voices (clearly modelled on Britten’s A Ceremony of Carols), and carols by other living composers David McGregor and Philip WJ Stopford. If the time has come to set the Yuletide mood musically, this’ll do.'\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"246\" height=\"70\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ca5c431e-6f61-4e72-8527-f8de9e55c8c0\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv id=\"s-6433f47b-a925-49df-9acf-4dc2e454a569\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-fd571db1-c9bc-4525-a171-c4a0185b4ada\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eRelease date: 14 November 2025\u003cbr\u003eRecorded on 28 February 2023 in All Hallows’,\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eGospel Oak and 4-5 March 2024 in Lyddington\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eParish Church, Rutland\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eCover photograph: Vincent Guth\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: inherit; font-weight: normal;\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eSession photography: Will Coates-Gibson\/Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-3aa640ba-b2e6-43e1-a8b5-76678e94807e\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-a1be8fe3-fc28-4b31-b55f-fed0ce4c916b\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-0d636a63-7e88-4e86-a2ef-249894bcea15\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e 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class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-2e50021c-b0e1-467c-9cf3-5d1d5d382ed7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px; text-align: left;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eFor many in early seventeenth-century Portugal the period of Spanish rule was a time of anguish; but it was also an age of \u003c\/span\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eopportunity. Francisco Garro was a Spaniard who crowned his career at the Royal Chapel in Lisbon when this thriving metropolis boasted a vibrant musical life. Four centuries after his death, Toby Ward and the expert voices and instrumentalists of Ensemble Pro Victoria triumphantly blow the dust from partbooks that survived political upheavals and the \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003edisaster of the 1755 Lisbon earthquake, revealing a masterly oeuvre that in its richness and expressivity quite justifies the honour in which Garro was held in his lifetime.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9b86c574-e0dd-4332-8ee7-02ee9f8902e7\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/francisco-garro-from-fire-earthquake\/1872386718\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-a1f4de24-abd3-4798-93e7-af914d4c3e53\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-a1f4de24-abd3-4798-93e7-af914d4c3e53\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-309b8e32-2508-4d0a-ab04-1fce577811b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22.2px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'A markedly different approach is presented on 'From Fire \u0026amp; Earthquake' by Ensemble Pro Victoria directed by Toby Ward, performing from editions by Gareth Thomas. Beginning with the same Asperges me, they are joined by cornett, sackbut, harp, lute, bass viol and organ, emphasising that one of those 1609 publications includes a basso seguente (a bass line that 'follows' the lowest voice). They also record in a pleasant but more modest acoustic than Cupertinos, which combines with their overall brisker tempos to give a greater proto-Baroque impression of Garro's music and a bright clarity to each line ...\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22.2px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe voices of Ensemble Pro Victoria really are world-class and their tuning is radiant\" \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" alt=\"\" width=\"288\" height=\"42\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-787aac5c-7e99-4750-a1e3-086b9d152812\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Historical context is key in appreciating the music of Francisco Garro (1556-1623). Active in a Portugal imbalanced by a regnal succession that created the Iberian Union with Spain, while maintaining sufficient independence to allow Lisbon to flourish as a thriving global trader, Garro’s music itself reflects a coexistence of circumspection, self-assurance and indigenous colour. Heartwarming sophistication characterises the Missa Saeculorum and Missa Maria Magdalena, serviced with neatly polished performances by Toby Ward’s Ensemble Pro Victoria, whose lithe vocal\/instrumental mix offers up a clean but luxuriant palette. The music exhibits Garro’s supreme polyphonic mastery, also a simple glowing eloquence responsive to the texts. The accompanying motets - the fluid complexity of Asperges Me, the predominantly sublime Parce Mihi, Domine, the sprightly rejoicing of Vidi Aquam - are supreme examples. The inclusion of older contemporary Francisco Guerrero’s motet Maria Magdalene simply contextualises its relationship to Garro’s eponymous mass'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"203\" height=\"58\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cstrong\u003e★★★★★\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-721c2b24-3c73-41e7-9bfd-4a0818f1e288\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-weight: normal; font-family: 'Abhaya Libre';\" data-fontweight=\"Normal\" data-fontfamily=\"Abhaya Libre\"\u003e'Gareth Thomas’s fine booklet notes give plenty of historical context and detail on each piece, but the figure of Spanish priest and composer Francisco Guerrero remains somewhat shadowy despite having a whole track to his name and his music being used as a source of parody material for Francisco Garro in a number of the works recorded here. This whole disc is an immersive delight, and you can let the whole thing roll over you in a slowly turning mill of gorgeous counterpoint. Every day is a school day however, and it is fascinating to learn that the entire \u003cem\u003eMissa Saeculorum (primi toni) \u003c\/em\u003eis based on just a few notes in emulation of Guerrero’s \u003cem\u003eMissa Saeculorum Amen\u003c\/em\u003e. Garro’s contrapuntal skill is demonstrated here in all kinds of inversions, embellishments, retrogrades and augmentations, all while maintaining an expressive directness that wears its complexities lightly.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-weight: normal; font-family: 'Abhaya Libre';\" data-fontweight=\"Normal\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/\" alt=\"\" width=\"234\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-a1f4de24-abd3-4798-93e7-af914d4c3e53\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-8dd136cf-072f-48ed-b646-178a41c7decc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" class=\"shogun-tab-content shogun-tab-active\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3e85f4ee-ae1b-427a-a700-1c6dc8fd6d7e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 3 April 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 1,2,4 March 2023 at All Hallows Gospel Oak\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54842097205628,"sku":"DCD34305-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/francisco-garro-from-fire-earthquake-cd-delphian-records-165748.jpg?v=1734030455"},{"product_id":"listen-it-is-here-song-cycles-by-edward-picton-turbervill","title":"Listen. It is here: Song Cycles by Edward Picton-Turbervill","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"67c5cad91989f43cefebcb98\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"67c5cad91989f43cefebcb98\" data-shogun-page-version-id=\"6a071224413ce7fe5ffaa382\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a071225413ce7fe5ffaa583\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f06142be-937d-41ab-953d-e19d5e7d0db7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ecbc91a2-652c-49b4-999c-9bef37832e61\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 30px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eListen. It is here is a bold declaration of intent from a compelling new voice in British song. Edward Picton-Turbervill’s music – fresh, distinctive and unapologetically approachable – draws together themes of love and mysticism in settings of poets as diverse as Hildegard of Bingen, Rilke, Selima Hill and Harold Pinter. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 30px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eFruit of a two-year burst of creative energy after the composer’s return to music, the songs balance emotional immediacy with finely crafted writing for voice and piano. Performed by some of the UK’s most exciting singers, this album announces a striking arrival: a composer writing with sincerity, stylistic clarity, and a clear belief in song’s enduring power to move, to comfort and to connect.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-88346abd-67e2-48a5-b753-81458adf33ce\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/nz\/album\/listen-it-is-here-song-cycles-by-edward-picton-turbervill\/1843643099\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-bd0afcd6-c86a-4280-92ff-9d47004c7c3a\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-bd0afcd6-c86a-4280-92ff-9d47004c7c3a\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a60de197-ae0f-46c1-86a0-e1972deb1420\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The muse for this easygoing anthology of songs by British pianist\/composer Edward Picton-Turbervill stems fundamentally from the rosy, melancholic lyricism of early 20th century English art song. Echoes of Quilter, Vaughan Williams and later influences filter through this charmingly expressive album. The composer, on piano, is joined variously by soprano Harriet Burns, countertenor Alexander Chance, mezzo-soprano Helen Charleston and tenor Elgan Llŷr Thomas. That’s not to diminish the artistry of genuinely distinguished song cycles, among which are the (translated) Rilke settings of Poems in the Sky and the Impressionistic Two Vedic Hymns for soprano; the reverential purity of To The Old Gods for countertenor; the effusive Songs for A (for tenor) that indulge an unmistakable Britten moment; the whimsical parody (veering on Edwardian parlour song) of I Want To Be A Cow for mezzo-soprano. Picton-Turbervill offers momentary diversion with his solo piano miniatures, Seven Portraits.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"243\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-aa771f63-94bb-4b6f-b2d6-03e534f805b8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e'From its haunting opening bars, this disc announces itself as something distinctive. The first track builds with gathering intensity, immediately establishing Edward Picton-Turbervill as a composer of genuine accomplishment in a genre where authenticity of voice matters above all else. Here is music that speaks directly, without artifice or apology – fresh, approachable, and unapologetically sincere(...)\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eThroughout, the performances combine warmth with technical polish, each singer bringing emotional intelligence to their material. The recording, in typical Delphian fashion, captures both the intimacy of the songs and the space around them, allowing Picton-Turbervill's writing its full effect.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" width=\"222\" height=\"72\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-Listen-It-is-Here\" target=\"_blank\" rel=\"noopener\"\u003eRead full review here.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b230108a-71a1-483a-9648-c5b40b5bc2b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003e\u003cem\u003e'Listen. It is here\u003c\/em\u003e announces a significant compositional voice. Picton-Turbervill writes with melodic generosity and harmonic sophistication, trusting in song’s power to move and communicate directly.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eThis is music that deserves to be heard, and to be sung for years to come. One suspects it will be.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e97c05f-9e32-49e8-a171-55d386bef782\/\" alt=\"\" width=\"114\" height=\"97\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/thestuartreview.wordpress.com\/2026\/02\/13\/edward-picton-turbervill-listen-it-is-here\/\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-bd0afcd6-c86a-4280-92ff-9d47004c7c3a\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv id=\"s-f0782ad8-ee60-42ec-b1fa-519113dc9904\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-cd074a49-b80a-465b-94db-e2753e0ffb73\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 21.8px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRelease Date: 23 January 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eTotal playing time: 1:13:35\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRecorded on 9-11 January 2025 at SJE Arts, Oxford\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2518d96d-8e1d-4c86-9d98-41176c739cd8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-8292f073-008a-4424-aa6e-19afa12e6a24\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a4abb976-577c-4eb1-a450-8acbaffed9c3\" id=\"wrap-s-a4abb976-577c-4eb1-a450-8acbaffed9c3\"\u003e \u003cdiv class=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a4abb976-577c-4eb1-a450-8acbaffed9c3 shogun-image-container shg-align-center\" id=\"s-a4abb976-577c-4eb1-a450-8acbaffed9c3\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-a4abb976-577c-4eb1-a450-8acbaffed9c3\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":54990318600572,"sku":"DCD34345-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/listen-it-is-here-song-cycles-by-edward-picton-turbervill-cd-delphian-records-121377.jpg?v=1741034583"},{"product_id":"tree","title":"TREE","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6841affdb7e82be49a1a1628\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6841affdb7e82be49a1a1628\" data-shogun-page-version-id=\"6a102a69d47ef59242f1e867\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a102a69d47ef59242f1ea44\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ee353c8d-d71e-4383-ba8c-ded299f9a04f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6788d95c-18f8-4ed4-bc4c-d4f970e131c9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=hermes%20experiment*\"\u003eThe Hermes Experiment\u003c\/a\u003e’s third Delphian album is a meditation on nature, memory and change. Commissioned works and vivid reimaginings are complemented by new compositions by the ensemble’s members, exploring the human instinct to find emotional meaning in the natural world – in birdsong, trees, storms, stars … With its distinctive line-up of clarinet, harp, voice and double bass, the ensemble creates a soundscape by turns intimate, luminous and strange. Joy and grief, fragility and resilience sit side by side in a programme that feels both personal and elemental.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eTREE is a celebration of interconnectedness – between text and music, self and surroundings – brought to life by one of the UK’s most original chamber groups.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/abe11d54-b4e5-42ef-8e8c-57700c0fc855\/\" alt=\"\" width=\"442\" height=\"262\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-0aeaaff9-1bb4-4aeb-86d2-5204c9f409b4\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; 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line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Every track here is a recording first, if only of the arrangements made, mostly, by members of The Hermes Experiment. Once more, the group has constructed an engaging programme that is challenging without alienating the ear, ranging across the centuries, from Elisabeth Jacquet de la Guerre’s \u003cem\u003eLes rossignols\u003c\/em\u003e (1694), arranged beguilingly by Marianne Schofield, to soprano-composer Héloïse Werner’s \u003cem\u003eThunder clears\u003c\/em\u003e, 330 years later ... \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe performances as always with this ensemble (whether on disc or live, say, in the Wigmore Hall) are impeccable. At times they feel like modern-day troubadours, exuberant, delightful, instructive, for instance in \u003cem\u003eLes rossignols\u003c\/em\u003e, Hannah Peel’s \u003cem\u003eThe Almond Tree\u003c\/em\u003e or Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e. Werner’s arrangement is superb ... Delphian’s sound is excellent.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"288\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-71d22747-ae94-4c0a-ba97-686c0f5e7855\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘The Hermes Experiment, an ever pioneering chamber group, has an unexpected instrumental lineup of clarinet, harp, voice and double bass. The voice is that of the French-British soprano Héloise Werner, as much performance artist as classical singer, who can turn herself at a blink into chanteuse, percussion section or yodeller extraordinaire.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"274\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9dbacffc-8ffe-4c2c-ae21-31b394f2536f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘This third album for Delphian examines nature, memory and change through their distinctive mix of specially written pieces and newly re-imagined existing music. The line-up naturally leads to textures that are fragile, elliptical and elusive, all centred around the infinitely flexible, versatile and intriguing vocals of Werner herself.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/\" width=\"175\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-729de349-a2de-4f86-abd8-a145b3cc186d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan data-fontweight=\"Normal\"\u003e‘\u003c\/span\u003e\u003cspan style=\"font-weight: normal;\" data-fontweight=\"Normal\"\u003e\u003cspan class=\"dcr-15rw6c2\" style=\"color: var(--drop-cap);\"\u003eT\u003c\/span\u003ehe third album from \u003ca href=\"https:\/\/www.thehermesexperiment.com\/\" data-link-name=\"in body link\"\u003ethe Hermes Experiment\u003c\/a\u003e again shows what a liberating force in contemporary music this ensemble have become. Beautifully thought through and rewardingly eclectic, Tree begins in a melancholy but open style with Islands by Marianne Schofield, the ensemble’s bassist, and ends with the title track by \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/mar\/05\/errollyn-wallen-top-of-the-pops-master-of-the-kings-music-proms-belize\" data-link-name=\"in body link\"\u003eErrollyn Wallen\u003c\/a\u003e, unfolding over a steady bass like something by Purcell.’\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eErica Jeal - Guardian\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eFIVE STAR REVIEW - \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/oct\/09\/the-hermes-experiment-tree-album-review\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c04e182e-4902-479f-a8c3-bc88bb06eb2b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 28px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'There is a tremendous amount of human energy channelled into this floating, weaving, searching, tonally ambiguous and faintly jazz-coloured music, even beyond the warmer central section, with its depiction of ‘remembering feeling alive’.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2d75d9c2-64d7-467a-b936-627fc27a4633\/\" width=\"128\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(14px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-november?fbclid=PAQ0xDSwOm3kpleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaeLATGcw5FMhKQVbZ3eASAykTbGyUa6gihD1fSsnY9HO_xun4US6thHHNsZtg_aem_O7sI2VUv364GyThI4V2YQg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e365db80-1430-4c67-ab5d-21c11d893629\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Nature and music are potent bedfellows. Think of Beethoven or Mahler. Or to play a more contemporary hand, go to highly-creative ensemble The Hermes Experiment. Their latest album, Tree, explores almost exclusively some of today’s composer’s responses to the natural environment and its emotional influence. Needless to say, the outcome is expressively wide-ranging, from sadness to joy, unspoken intimacy to shared elation - indeed, a universe of sensitivities channelled via this enterprising four-piece ensemble, largely in their own thoughtful arrangements and fronted by the extraordinary vocal agility of soprano Héloïse Werner. There’s music by South African cellist Abel Selaocoe (the elemental vocalisations of Buhle Bendalo), the fitful theatrics of Laura Moody’s Rilke Songs and the improvised playfulness of Werner’s own Thunder Clears, the magical solitude of Hermes double bassist Marianne Schofield’s Islands, and much more besides. The concluding title track by Errollyn Wallen is an aptly tantalising discourse in contradictions.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"246\" height=\"70\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 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class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3eadf160-23a5-4835-a410-b6ff80d0bdd8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eRecorded on 24-26 November 2024 in SJE Arts, Oxford \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital 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\u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5c7794ba-d11d-4bf6-8bfa-203a2a2c4e91\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px; letter-spacing: normal; font-weight: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\" data-fontweight=\"Normal\"\u003eRegular Delphian collaborator Lotte Betts-Dean has wowed critics with her ethereal, ‘starkly beautiful’ voice. Here, she teams up with outstanding Greek guitarist Dimitris Soukaras in their first duo album, as they present a terrific array of songs exploring ideas of nostalgia, childhood memory and the state between waking and sleep. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 24px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; letter-spacing: normal; font-weight: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\" data-fontweight=\"Normal\"\u003eThrough borrowing, gathering and reimagining, this eclectic album wanders effortlessly through the creative spaces between genres, taking us from Ravel and Britten to Burt Bacharach and Sinead O’Connor.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-e67c8903-cdef-4f30-8752-42d5e459e469\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/everything-youve-ever-lived\/1828757083\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-712dc211-87ff-46eb-aa83-aa8599b923e1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-712dc211-87ff-46eb-aa83-aa8599b923e1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9599afa3-f251-4f4f-8e9e-0388ff624e02\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003e'Betts-Dean and Soukaras are known for their versatility and eclecticism, and the range of styles and genres here is diverse to say the least.\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003eThroughout, Soukaras is a generous and sensitive accompanist; however, his full range as a guitarist is best appreciated in the too few solos here, such as Vicente Asencio's La calma or Jorge Cardoso's Milonga. ... 'Everything You've Ever Lived' is everything you've ever wanted in a voice-and-guitar recital: a varied and imaginative programme impeccably realised by two prodigiously talented young artists.’\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 28px; text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"349\" height=\"51\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-65714f02-f767-476e-a6a6-7305521df5db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003e‘Betts-Dean’s lyrical mezzo floats wistfully above the texture. With a rich lower range and a more reedy upper register, her voice pairs nicely with the more carefree works… This is aided by an intimate, live-feeling recorded quality from Delphian.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 24px;\" data-fontfamily=\"Abhaya Libre\"\u003eThe album segues fairly seamlessly into songs by Ravel and Debussy, with Betts-Dean’s woody vocals tightened up but kept in a similarly dreamy sound world.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" width=\"209\" height=\"53\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-adcd7c6a-41fa-4bc5-8308-a36e8d0e1807\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e‘If you’re yet to discover Betts-Dean’s wide, powerful and pure, otherworldly voice with its tremendous range, you couldn’t hope for a more multi-faceted introduction, from the ethereal punch and sensuality she brings to the aforementioned ‘Canto de Ossanha’; to her wide warmth and depth in Caroline Polacheck’s ‘Go as a Dream’, and ethereal treble registers in Debussy’s ‘Les Angélus’. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003eSoukaras’s technique and colouristic paintbox is equally diverse, between but also within individual pieces...’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2d75d9c2-64d7-467a-b936-627fc27a4633\/\" width=\"137\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eCharlotte Gardner\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-playlist-september\" target=\"_blank\" rel=\"noopener\"\u003eRead the full review here.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6e67f1e9-59b2-4e09-b40d-735a7d86d035\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘\u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=lotte%20betts-dean*\" target=\"_blank\" rel=\"noopener\"\u003eBetts-Dean's\u003c\/a\u003e voice, no matter the subject she is singing about, is wonderfully seductive and beautifully smooth and partnered by Soukaras' stunning guitar playing. That at least ten of the tracks on the disc are his own arrangements must be to his credit in creating the sense of coherence and flow...The recording itself is something of a bit of magic too. Soukaras' guitar is recorded with plenty of crunch detail yet with air around the sound which matches Betts-Dean's voice where her seductive, smooth and silky quality is given a positive aura around it. The result is to make the disc a complete package.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003ePlanet Hugill\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2025\/10\/explaining-unexplainable-seductive.html\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRead the full review here.\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-30890d84-d083-43e7-a34d-38a29e832078\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘Betts-Dean's voice proves perfect for this repertoire, fitting the material so wonderfully. Soukaras is equally impressive – his playing is wonderfully atmospheric and warm…The album is a disc I've played repeatedly during the evening. Its evocative theme runs through like a fine thread, and everything is so eloquently performed…It's a tremendous album and something genuinely different to listen to as you settle down for the evening, getting ready to drift off into sleep and dream.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" width=\"214\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22.2px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-351b41cc-a670-4996-89bc-5a871c228482\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘Arranged for the duo, singer Lotte Bett-Dean and guitarist Dimitris Soukaras from their recent album \u003cem\u003eEverything You’ve Ever Lived\u003c\/em\u003e. It’s unique songs like this are so thoughtfully and emotionally curated, they wonder through genres creating their own spaces between them. It’s not a Christmas album but if you given it or move to listen you’ll find reflections on family, nostalgia, childhood memories, and that special state between sleeping and waking that might resonate powerfully at this or any time of year.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/\" width=\"129\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 26px;\"\u003e\u003ca href=\"https:\/\/www.bbc.co.uk\/programmes\/m002n89d\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eListen here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9cc9aa2e-9653-48e9-b2bb-8323088eb8bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-weight: 400; font-family: 'Abhaya Libre'; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e'Originality is\u003c\/span\u003e\u003cspan style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e everything to Australian mezzo soprano Lotte Betts-Dean, not least the distinctive multicoloured versatility that defines her work. It was on show live at the recent Lammermuir Festival, and now again in a new duo album with stylish Greek guitarist Dimitris Soukaras. The recording setting is, in itself, a mood-facilitating feature, the intimate glow within Midlothian’s Crichton Collegiate Church benefitting any style the pair throw at it, whether Richard Rodgers’ Blue Moon (schmalzy and seductive), the vocalist’s chorister-like purity in Seiber’s Réveillez-vous, the haunting delicacy of songs by Ravel and Debussy, Sinéad O’Connor’s ghostly Jackie, or the refined ecstasy of a Britten lute song from his opera Gloriana. This is a highly-personal nostalgic collaboration, which perhaps lends a certain sameness to the collection. But equally there’s something totally beguiling in the mutable allure of this heartfelt programme and its uniquely expressive presentation.'\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"232\" height=\"66\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-712dc211-87ff-46eb-aa83-aa8599b923e1\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-63fb8cde-6d10-4f9f-aaa5-3537894a429e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp class=\"p1\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eRelease date: 26 September, 2025\u003cbr\u003eRecorded on 2-3 December 2024 at Crichton \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eCollegiate Church, Edinburgh\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital editing: Jack Davis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003ePaintings by Heather Betts: cover – ‘Overthrown’,\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e2017 (detail, reworked); booklet rear – ‘He lets \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eme go’, 2015 (detail)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eCover photograph © Nikolai Matiushev\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eSession photography: foxbrushfilms.com\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eDesign: Eliot Garcia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e \u003cdiv class=\"shg-box shg-c \" id=\"s-05df7251-6425-4fc1-9346-caed5296c1b3\"\u003e \u003cdiv class=\"shg-box-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"shg-box-content\"\u003e \u003cdiv 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type=\"audio\/mpeg\"\u003e Your browser does not support the audio element. \u003c\/source\u003e\u003c\/audio\u003e \u003c\/div\u003e   \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55475941409148,"sku":"DCD34348-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/everything-youve-ever-lived-cd-delphian-records-218700.jpg?v=1750692928"},{"product_id":"laurence-osborn-tomb","title":"Laurence Osborn: TOMB!","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68a304cde25ab6e31edf084e\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68a304cde25ab6e31edf084e\" data-shogun-page-version-id=\"69e2487eae83e49433a28770\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e2487eae83e49433a288f5\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-74b3801e-1e75-4d17-addc-37ba0a61add4\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-b43d6578-c14e-4c1b-ac50-c6727921b7e8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 25px;\"\u003eA harpsichord leading a string quartet in a juddering dance; Orpheus seeking passage into the underworld; a fantastical parade of images caricaturing musical Romanticism. The inspirations for these four pieces by Laurence Osborn range from the quirky and ironic to the deadly serious as they engage with and reflect on classical music’s heritage culture, the bold imaginative world of childhood, and the sometimes uncertain boundary between the mechanical and the human.\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 25px;\"\u003eRPS Young Artist 2025 award winners GBSR Duo join the string soloists of 12 Ensemble in \u003cem\u003eTOMB!\u003c\/em\u003e, itself the winner of both an Ivor Novello Award and the RPS Award for Chamber-Scale Composition, while Mahan Esfahani is the virtuoso harpsichordist at the centre of \u003cem\u003eCoin Op Automata.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9ae03ec7-dabe-415f-9cc9-8ac1fbb2e87b\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/laurence-osborn-tomb\/1849126607\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-51f36505-4782-442e-98df-98e29dcbb155\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-51f36505-4782-442e-98df-98e29dcbb155\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-79c1246d-7cef-426f-82f8-fa545fde88ef\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'What these four works have in common is an involvement with the musical past that is often provocative and always engaging.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eSuch an involvement is duly exemplified by \u003cem\u003eTOMB!\u003c\/em\u003e (2022). This draws on the precedent of the ‘tombeau’ as a commemorative if essentially parasitic procedure (‘of homage becoming necromancy’, as Osborn puts it) for this interplay of historical forms that draws its ensemble into a continuous parade by turns enlightening and self-destructive, while ultimately negatory. A decidedly more affirmative sequence is that of \u003cem\u003eLakes, Mists, Bats, Daggers and Fountains\u003c\/em\u003e (2023). The title taken from a disparaging description of Romanticism in a mid-19th-century Paris newspaper, its four movements encompass the lineage of the string quartet with music that enlivens this medium’s self-referential aspect through the deftest of classicising tendencies.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eIts take on the musical past more playful, \u003cem\u003eMe and 4 Ponys\u003c\/em\u003e (2018) puts piano quartet through its paces in three sections whose focus on the repetitive, the unpredictable and the impulsive – tending towards pathos – feels apposite within the context of music directly influenced by the spontaneity and uninhibitedness of children’s drawings. Qualities pursued more obliquely in \u003cem\u003eCoin Op Automata\u003c\/em\u003e (2021), harpsichord goading string quartet into a rhythmically unyielding dance which makes for productive contrast with the disarming stylistic quodlibet that ensues.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThese recordings by 12 Ensemble and associated musicians (Mahan Esfahani galvanising the repertoire for harpsichord as surely as is Sean Shibe that for the guitar) could not be bettered as to precision or commitment. It makes this release, with its vivid sound and detailed notes, essential for anyone at all concerned with music at this stage in the 21st century.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" alt=\"\" width=\"288\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b7c2f1cd-3371-4b1c-8db4-4cd74933a9b3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003e'A séance with the dead, a satire on the living — Laurence Osborn's necromantic imagination produces one of the most arresting collections of new music in recent memory.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eHere is a disc that will unsettle and beguile in equal measure, and listeners who approach it with an open mind will find themselves richly rewarded.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eLaurence Osborn is a composer with a strong and distinctive voice—one that ranges from the arch and ironic to the deadly serious—and this collection of four pieces, engaging with classical music's heritage culture, the bold imaginative world of childhood, and the sometimes vertiginous boundary between the mechanical and the human, constitutes a powerful statement about where contemporary music can travel when it is in genuinely fearless hands.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" alt=\"\" width=\"191\" height=\"62\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-51f36505-4782-442e-98df-98e29dcbb155\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c121040c-06bb-436b-9521-b8c76268b21f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 13 March, 2026\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 15-17 April 2025, Trinity College Cambridge\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003eDesign: John Christ\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003eSession photography: Ben Reason\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55649199227260,"sku":"DCD34350-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/laurence-osborn-tomb-cd-delphian-records-668375.jpg?v=1755520678"},{"product_id":"contradance-ravel-granados-bartok-ades-paxton-a-sweeney","title":"ContraDANCE: Ravel | Granados | Bartók | A. Paxton | A. Sweeney","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68aec1c9c035afd8f6f8bbf5\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68aec1c9c035afd8f6f8bbf5\" data-shogun-page-version-id=\"69e22314ad258160812ea8ef\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e22314ad258160812eaab7\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-3b879d3a-b3a5-46ef-92dc-d0839a9895d0\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-718110b9-98f5-4e13-8f06-0e2d20187acd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 27px;\"\u003eCanadian saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz-Berrade bring the unlikely pairing of their instruments to vivid life in this debut recording. Rooted in rhythm and movement, their programme features two new commissions – Aileen Sweeney’s Shetland-inspired \u003cem\u003eThe Mirrie Dancers\u003c\/em\u003e and Alex Paxton’s exuberant \u003cem\u003eWater Butt: lovers, snorkel\u003c\/em\u003e – alongside the duo’s own reimaginings of Granados’s \u003cem\u003eDanzas españolas\u003c\/em\u003e, Ravel’s \u003cem\u003eLe tombeau de Couperin\u003c\/em\u003e and Bartók’s \u003cem\u003eDance Suite\u003c\/em\u003e. By turns virtuosic, lyrical and irrepressibly playful, \u003cem\u003eContraDANCE\u003c\/em\u003e reveals the astonishing expressive range of a partnership that has already captivated audiences across Europe.\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9b5ce36f-cc6b-4f06-a9c9-778229338035\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/contradance\/1846878884\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-61af6e2d-28ca-46db-b006-bc3ec8fa7615\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-v3-s-61af6e2d-28ca-46db-b006-bc3ec8fa7615\" class=\"shg-swiper-container\"\u003e \u003cdiv class=\"shg-swiper\"\u003e \u003cdiv class=\"swiper-wrapper\"\u003e \u003cdiv class=\"swiper-slide\"\u003e \u003cdiv id=\"s-ade0b056-140b-43e6-ae4b-4b0d32e7068d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 25.2px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'By turning virtuosic, lyrical, and irrepressibly playful, ContraDANCE reveals an astonishing expressive range. This is a partnership that has clearly captivated audiences across Europe, and the evidence here suggests that acclaim is thoroughly merited. The fusion of these distinctive timbres makes for consistently engaging listening, demonstrating that unusual instrumental combinations, handled with this degree of artistry and imagination, can yield genuinely illuminating musical insights.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 25.2px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" width=\"204\" height=\"66\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 25.2px; text-align: center;\"\u003e\u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-ContraDANCE--Mz-Duo\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cem\u003eRead full review here.\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-slide\"\u003e \u003cdiv id=\"s-b1e6e6f6-6b22-4e8b-a323-726ac53a5736\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 25px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The two new pieces are both successful, albeit in very different ways. The album opener \u003cem\u003eThe Mirrie Dancers\u003c\/em\u003e, by Aileen Sweeney (b.1994) is an initially dreamy and free-flowing evocation of the Northern Lights as seen from the Shetland Islands, with the musical material indebted to the folk music of the region. The energy builds to a hallingdansen, a whirling Norwegian dance, before receding again, Zucchi’s singing line in the low soprano register sings eloquently.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 25px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" width=\"213\" height=\"96\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-slide\"\u003e \u003cdiv id=\"s-0cf1004e-ea99-4d1e-bbb7-d6f4454c1bf2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan dir=\"auto\"\u003e'The MZ Duo's interpretation is luminous, always in tune with each composer's language, imbued with folk influences, often mysterious poetry, and, of course, intense energy. Their inspiring spirit, at once nostalgic, proud, and passionate, holds no secrets for them, whether in the realm of virtuosic brilliance or profound lyricism. Accordionist Íñigo Mikeleiz-Berrade, who brings genuine authenticity to these pieces, is an inspiring partner to saxophonist David Zucchi. Recorded in the beautiful \u003c\/span\u003e\u003ca href=\"https:\/\/www.stmaryskirk.co.uk\/\"\u003e\u003cspan dir=\"auto\"\u003eparish church of St. Mary\u003c\/span\u003e\u003c\/a\u003e\u003cspan dir=\"auto\"\u003e in  \u003c\/span\u003e\u003ca href=\"https:\/\/es.wikipedia.org\/wiki\/Haddington\"\u003e\u003cspan dir=\"auto\"\u003eHaddington\u003c\/span\u003e\u003c\/a\u003e\u003cspan dir=\"auto\"\u003e , Scotland, by \u003c\/span\u003e\u003ca href=\"https:\/\/baxtersound.com.au\/about\/paul_baxter\/\"\u003e\u003cspan dir=\"auto\"\u003ePaul Baxter\u003c\/span\u003e\u003c\/a\u003e\u003cspan dir=\"auto\"\u003e , they offer a close, intimate sound and perfect balance.'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan dir=\"auto\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/359d2901-6454-44d5-b8c3-8bfcba8ceb2b\/\" width=\"339\" height=\"37\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003eRead the full review \u003ca href=\"https:\/\/www.mundoclasico.com\/articulo\/47405\/contradance\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-button-prev\"\u003e \u003csvg width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e \u003cpath d=\"M15 18l-6-6 6-6\" stroke-width=\"2\" fill=\"none\" stroke-linecap=\"round\" stroke-linejoin=\"round\" style=\"transform: translateX(-1px);\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-button-next\"\u003e \u003csvg width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e \u003cpath d=\"M9 18l6-6-6-6\" stroke-width=\"2\" fill=\"none\" stroke-linecap=\"round\" stroke-linejoin=\"round\" style=\"transform: translateX(1px);\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"swiper-pagination\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSliderV3\": {\n        \"id\": \"#slider-v3-s-61af6e2d-28ca-46db-b006-bc3ec8fa7615\",\n        \"formatted_directives\": {\n          \n          \n            \"default\": {\n              \"mode\": \"slide\",\n              \"rewind\": true,\n              \"slides_per_page\": 1,\n              \"transition\": \"slide\",\n              \"show_dots\": true,\n              \"show_arrows\": true,\n              \"arrows_color\": \"rgba(113, 113, 113, 1)\",\n              \"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            },\n          \n            \"lg\": {\n              \"mode\": \"slide\",\n              \"rewind\": true,\n              \"slides_per_page\": 1,\n              \"transition\": \"slide\",\n              \"show_dots\": true,\n              \"show_arrows\": true,\n              \"arrows_color\": \"rgba(113, 113, 113, 1)\",\n              \"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            },\n          \n            \"md\": {\n              \"mode\": \"slide\",\n              \"rewind\": true,\n              \"slides_per_page\": 1,\n              \"transition\": \"slide\",\n              \"show_dots\": true,\n              \"show_arrows\": true,\n              \"arrows_color\": \"rgba(113, 113, 113, 1)\",\n              \"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            },\n          \n            \"sm\": {\n              \"mode\": \"slide\",\n              \"rewind\": true,\n              \"slides_per_page\": 1,\n              \"transition\": \"slide\",\n              \"show_dots\": true,\n              \"show_arrows\": true,\n              \"arrows_color\": \"rgba(113, 113, 113, 1)\",\n              \"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            },\n          \n            \"xs\": {\n              \"mode\": \"slide\",\n              \"rewind\": true,\n              \"slides_per_page\": 1,\n              \"transition\": \"slide\",\n              \"show_dots\": true,\n              \"show_arrows\": true,\n              \"arrows_color\": \"rgba(113, 113, 113, 1)\",\n              \"arrows_height\": \"35px\",\n              \"autoplay\": false,\n              \"interval\": 5,\n              \"pause_on_hover\": false\n            }\n          \n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3e85f4ee-ae1b-427a-a700-1c6dc8fd6d7e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 6 February 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 4-6 November 2024 at St Mary's Parish Church, Haddington\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Eliot Garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55680098435452,"sku":"DCD34361-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/contradance-ravel-granados-bartok-ades-paxton-a-sweeney-cd-delphian-records-992853.jpg?v=1756297631"},{"product_id":"day-of-these-days","title":"Day of These Days: The British Isles Reflected in Song","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68bc35e733500292add523d7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68bc35e733500292add523d7\" data-shogun-page-version-id=\"6a072f4d395b50690cc26730\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a072f4d395b50690cc268e2\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ff88d08d-2559-4e1d-ae44-182855e424ef\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-root\" data-shogun-id=\"68bc3421f75dbde4015e9d40\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68bc3421f75dbde4015e9d40\" data-shogun-page-version-id=\"68bc3421f75dbde4015e9d41\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"68bc3421f75dbde4015e9d42\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e\u003cdiv id=\"s-38577102-c79c-4871-af60-40772ccccc7f\" class=\"shg-c \"\u003e\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-f7a461cb-153a-4357-b503-8ec9f9102578\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9efd8303-10b1-48e4-858a-aecb6ec72348\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px; text-align: left;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e‘Such a morning it is,’ wrote Laurie Lee – and this album, taking its title from his poem, is rooted in such particular moments of lived experience, capturing that fleeting, introspective British light. Bass-baritone Tristan Hambleton and pianist Simon Lepper create a landscape of songs by Britten, Sally Beamish, Judith Weir, Huw Watkins, Tarik O’Regan, Errollyn Wallen and others, many in first recordings, drawn together by themes of time, loss and uncertain footing. Recorded with a close, inward focus, voice and piano search not for display but for connection – a meditation on being, and on what it means, in Robert Louis Stevenson’s words, ‘to know not how it is with you’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-77e27356-ada9-47ff-a4a9-d5721b51a10a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/day-of-these-days-the-british-isles-reflected-in-song\/1870527680\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cfc47134-8f53-49c7-8f2c-0fea3339f225\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Items range from Pur­cell arranged by Thomas Adès (incid­ent­ally ‘Full fathom five’, long attrib­uted to Pur­cell, is now gen­er­ally con­sidered – like the rest of The Tem­pest score – to likely be the work of John Wel­don) through Frank Bridge and Brit­ten, cul­min­at­ing in a var­ied group of today’s cre­at­ives writ­ing in vari­ous styles.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe res­ult is an attract­ive col­lec­tion, voiced with con­fid­ence and an attract­ive bass-bari­tone by Hamb­leton and with Lep­per provid­ing secure, sens­it­ive piano accom­pani­ments.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eHigh­lights include the ini­tial Brit­ten sequence, includ­ing three rare songs from This Way to the Tomb, a play by Ron­ald Duncan ini­tially staged in 1945; Judith Weir’s clean-edged, pur­pose­ful set­ting of Shakespeare’s Son­net 116 (‘Let me not to the mar­riage of true minds’); Tarik O’regan’s Three Motion Set­tings, based on texts by the former Poet Laur­eate, and which show a fresh­ness of com­pos­i­tional voice; and Huw Watkins’s Look Down, Fair Moon, where the per­formers’ dra­matic approach pre­cisely suits the thought­ful mater­ial.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eIndeed, it’s the qual­ity of the per­form­ances as much as the attrac­tions of an unusual pro­gramme (eight items new to disc) that make this assemblage so desir­able. Everything is con­sidered, ima­gin­at­ive and delivered to a high level.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/\" width=\"173\" height=\"70\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"article-text\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eVOCAL CHOICE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-40c94d9b-082d-4cc2-8e54-097bb5237902\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'There is a dark tone to lots of the songs – the booklet explains that several were transposed lower to fit Tristan Hambleton’s range – and this has implications for the tessitura of the piano too. Britten is always unimpeachable, and his short sequence \u003cem\u003eThis Way to the Tomb\u003c\/em\u003e, written during the composition of \u003cem\u003ePeter Grimes\u003c\/em\u003e, is a perfect opener, crisp but always teetering on the brink of melancholy. Sally Beamish’s song gives the album its name, has an admirable pared-back simplicity, as is Judith Weir’s more declamatory setting of Shakespeare’s \u003cem\u003eSonnet 116\u003c\/em\u003e. Thomas Adès’s arrangement of Purcell’s \u003cem\u003eBy beauteous softness\u003c\/em\u003e is both beauteous and soft, while Tarik O’Regan’s settings of Andrew Motion are more troubled, both in the hesitant vocals and peripatetic piano parts. Huw Watkins’ three songs look up to the moon and explore some of the higher reaches of Hambleton’s register, while Stuart MacRae’s \"I know not how it is with you\" is a little gem, tentative and aching.'\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" width=\"159\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4e9a2706-9898-4b89-843c-75b76ef2408f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Hambleton's clarity of tone is a consistent pleasure throughout. Britten's \u003cem\u003eThis Way to the Tomb\u003c\/em\u003e is particularly striking, Lepper's accompaniment percussive and alive to Hambleton's phrasing. Richard Sisson's \u003cem\u003eThe Silver Swan is a delight\u003c\/em\u003e, and Stuart Macrae's \u003cem\u003eI Know Not How It Is with You\u003c\/em\u003e sits at the album's emotional heart. In Huw Watkins's contributions we hear the full expressive range of Hambleton's voice, while Sally Beamish's \u003cem\u003eDay of These Days\u003c\/em\u003e — brief but telling — captures Laurie Lee's words with quiet precision, Hambleton's lower register particularly effective. The album's most elegant moment may be Thomas Adès's arrangement of Purcell's \u003cem\u003eBy Beauteous Softness\u003c\/em\u003e, sung with real poise.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDelphian's recording team have done their customary excellent work, the sound beautifully suited to the intimate nature of the material'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" alt=\"\" width=\"155\" height=\"50\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-Day-Of-These-Days-The-British-Isles-Reflected-In-Song\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-afb43adc-a573-4bd9-9b81-08752f98d48b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'An album subtitled “The British Isles Reflected in Song” sounds as cosy as cheese on toast. It isn’t. After an obligatory pair of Brittens, bass-baritone Tristan Hambleton and pianist Simon Lepper swing down lanes and byways. The title song, by Sally Beamish, is a contemplative ramble. Songs by Frank Bridge, Britten’s teacher, hide like a robin from a hedgerow. And gems by living composers — Tarik O’Regan, Huw Watkins, James MacMillan, Stuart MacRae and Richard Sisson — compose a portrait of an island diverse in temperament and temperature. I was much taken by MacRae’s darkly internalised “I know not how it is with you.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(16px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eNorman Lebrecht for:\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6fcb65a3-af8b-423e-a7f8-2b8f0d2bb3ed\/\" width=\"199\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-978ea107-8629-4fcc-abe9-ba57463afcc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e“You’d have to have a heart of stone not to be moved. It’s really beautiful.”\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/98fe611b-9c7b-49f2-ad99-b5c0f9164cf4\/\" width=\"174\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRECORD OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ffa426aa-475b-40a8-abb2-37c04d3e3c6e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5b37c740-716a-4e00-91ec-dbd4bfe55b74\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"line-height: 20px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 March 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 27-29 January 2025 at St Cuthbert's Church Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-069a2b7c-9ebe-49aa-81cd-28e082970ae5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-59a237f3-07a6-4a6a-a483-31e5d1f2eb5a\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-a4314f30-3a6d-492f-9277-01596823b868-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a4314f30-3a6d-492f-9277-01596823b868\" id=\"wrap-s-a4314f30-3a6d-492f-9277-01596823b868\"\u003e \u003cdiv class=\"s-a4314f30-3a6d-492f-9277-01596823b868 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a4314f30-3a6d-492f-9277-01596823b868 shogun-image-container shg-align-center\" id=\"s-a4314f30-3a6d-492f-9277-01596823b868\"\u003e \u003cdiv class=\"shg-inner-inline-image\"\u003e \u003cdiv class=\"shg-image-overflow\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/95c4baf7-e6e1-4839-8b07-fd5a04092b19\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV3Elements\": { \"uuid\": \"s-a4314f30-3a6d-492f-9277-01596823b868\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\" id=\"wrap-s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\"\u003e \u003cdiv class=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302 shogun-image-container shg-align-center\" id=\"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\"\u003e \u003cdiv class=\"shg-inner-inline-image\"\u003e \u003cdiv class=\"shg-image-overflow\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1200x\/ 1200w,https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1920x\/ 1920w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV3Elements\": { \"uuid\": \"s-b6f4c326-ec06-4d9b-a63b-e2fc9e5c7302\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-b4106c5d-bee0-4031-9932-902371e08853\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: right;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: bold;\"\u003e\u003cstrong\u003eAPRIL 2026 - VOCAL CHOICE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55680858685820,"sku":"DCD34359-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/day-of-these-days-tristan-hambleton-simon-lepper-cd-delphian-records-283326.jpg?v=1757189854"},{"product_id":"house-of-wonder-sally-beamish-at-70","title":"House of Wonder: Sally Beamish celebrates 70 years","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68aed9f52dacf794749c7cf7\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68aed9f52dacf794749c7cf7\" data-shogun-page-version-id=\"6a31b3fcd5af543454b6b7af\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a31b3fcd5af543454b6b803\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-9624ef4a-ff16-45cf-ad35-0ea3b95441d9\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-85e58cb5-c31f-4288-b0ec-0d34fec256d9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eTo mark her seventieth birthday, Sally Beamish returns to the instrument that has shaped her musical life: the viola. \u003cem\u003eHouse of Wonder\u003c\/em\u003e explores recent works written by Beamish for herself to play, alongside new pieces she has commissioned especially for this recording from her three children – themselves all accomplished musicians – and other close collaborators.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eAutobiography runs through the programme. Childhood memories surface in \u003cem\u003eCrescent\u003c\/em\u003e; poetry and jazz inflections shape the intimate cycle \u003cem\u003eNight Songs\u003c\/em\u003e; and tributes from friends and family expand the viola’s expressive world in unexpected directions. Contributions from Ryan Corbett, Joseph Havlat, Rosalind Ventris, Imogen Whitehead, Stephanie Irvine and the spoken voice of Beamish’s husband Peter Thomson create a circle of musical friendships around Beamish’s playing. Another crucial element is the viola made by Stephanie Irvine in 2014, which inspired her mother’s return to the instrument on which she had first made her career as a performer in the 1980s.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-329e5ac9-8b17-4d10-876b-01d5788900ad\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/house-of-wonder-sally-beamish-celebrates-70-years\/1886685311\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-26fc6031-02a6-475a-bdda-fd900140c0fc\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-26fc6031-02a6-475a-bdda-fd900140c0fc\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ffe66470-2652-404a-a788-45395c255974\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 1em; font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'an eclectic and profoundly personal album featuring friends and members of her talented musical family. At the centre of it all is Beamish herself, a musical shapeshifter, at home in classical, jazz or folk fiddle, performing on her own instrument, the viola.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"dcr-130mj7b\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eIt opens with April, a luminous chaconne for viola and accordion memorialising her friend, jazz pianist Ellis Marsalis Jr. Equally poignant is Gerropaedie for viola and harp, a Satie-inspired birthday gift for an elderly patron.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv id=\"sign-in-gate\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center;\"\u003e\u003c\/div\u003e \u003cp class=\"dcr-130mj7b\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eMuch here is autobiographical. Crescent, a trio for viola, piano and trumpet, is inspired by family games growing up in Islington, wistfully offset by what she refers to as her father’s emotional absence. The likeable Sally’s Tune is a portrait piece by Celtic folk musicians Catriona McKay and Chris Stout.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"dcr-130mj7b\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f364c7c4-1c56-4253-b81e-9ab3bc7b4e30\/\" width=\"130\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f596431f-44bd-4735-97ac-0ea6e51afae3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'It seems only yesterday that Sally Beamish quit as principal viola of the Scottish Chamber Orchestra to pursue a career as a successful composer. That was over 30 years ago. Now 70, she’s released a very personal album “with friends and family” celebrating the milestone. Her own music and viola playing feature prominently. Accordionist Ryan Corbett joins her in April, an exquisite tribute to the late jazz pianist Ellis Marsalis Jr, while trumpeter Imogen Whitehead and pianist Joseph Havlat feature in Crescent, a playful evocation of London childhood memories. Other Beamish works include the haunting Glanz for solo viola and the feisty Prelude and Canon for two warring violas. From family members there’s son Laurie Irvine’s spiky tango-like Lurk, the heated angst of other son Tom’s Where You Are, and daughter Stephanie’s haunting, beautifully sung House of Wonder. There’s much more besides, including Chris Stout and Catriona McKay’s toe-tapping Sally’s Tune.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" alt=\"\" width=\"198\" height=\"56\"\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cstrong\u003e★★★★★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-36acae5e-4b41-4c6c-b03d-fa7f55ac5354\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Sally Beamish's approaching 70th birthday makes this latest release a welcome overview of her chamber output, primarily from the past decade. Not least with its inclusion of pieces for her own instrument, the viola, to which she had returned after a pause of more than 20 years.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThe two collections find Beamish at her most personal. The five pieces of Crescent reflect in intimate but not always nostalgic terms on aspects of her childhood and adolescence, whereas three Night Songs integrate verse by Duffy, Yeats and Auden into their musical fabric with no mean resourcefulness and not least as declaimed with the expressive agility of Peter Thomson. Gerropaedie is a poised if hardly Satie-esque 80th-birthday tribute to friend and patron Gerry Mattock, Glanz her eloquent (obliquely Schoenbergian) memorial for Peter Maxwell Davies, Prelude and Canon as trenchant a workout for violas as it was in its original guise for violins ...\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThe recordings feel as sensitively attuned to their composer's idiom as expected, abetted by the spacious acoustic of Menuhin Hall and enhanced with detailed annotations from Andrew Stewart. Beamish's many admirers will find this to be an appealing and affecting anthology.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" alt=\"\" width=\"219\" height=\"32\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-26fc6031-02a6-475a-bdda-fd900140c0fc\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-a85729e4-c541-4009-b208-e8772bc8c1c9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 12 June 2026\u003cbr\u003eRecorded on 2-4 September 2024 at The Menuhin Hall, Cobham, Surrey\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003cbr\u003ePiano technician: Julian Day\u003cbr\u003eCover concept and photography: © Sarah Hickson\u003cbr\u003eCover (graphic layout): Will Coates-Gibson\u003cbr\u003eBooklet \u0026amp; digipack design: Eliot Garcia\u003cbr\u003eBooklet editor: John Fallas\u003cbr\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55680975765884,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/house-of-wonder-sally-beamish-at-70-cd-delphian-records-259977.jpg?v=1756297640"},{"product_id":"mire-revelries","title":"miré: Revelries","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68b2eae168209a5cfe3332fd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68b2eae168209a5cfe3332fd\" data-shogun-page-version-id=\"69e21cec894560bee8ed48c5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e21cec894560bee8ed4a18\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-22450ede-9489-47aa-a3a7-c0ca3ff23a6f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f0b817c4-959c-4baf-b75a-77490a200815\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal; font-family: inherit; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003emiré is the meeting of three fearless musical minds: soprano\/composer Héloïse Werner, pianist-organist\/composer Kit Downes, and cellist\/composer Colin Alexander. In \u003cem data-start=\"549\" data-end=\"560\"\u003eRevelries\u003c\/em\u003e—their debut EP—the trio dissolve boundaries between voice, organ, and cello, weaving a soundworld that is by turns playful, intricate, and startlingly original. Featuring new works by the three performers alongside text pieces by Jasmin Kent Rodgman and Jonathan Cole, the music revels in collision and transformation: ideas expand, unravel, and re-form in unexpected ways. Virtuosic vocals, shimmering organ textures, and mesmerising cello sonorities entwine in an intimate conversation amongst long-time collaborators whose creativity thrives on risk, listening, and reinvention.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-34dd3f64-f205-49da-ac51-dac4d74be5d7\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/revelries-ep\/1843102316\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7a5c4f01-48c7-4a0a-bd19-9671df79576a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘One could easily apply the moniker ‘supergroup’ (or super-ensemble) to miré (...) What marks out miré from other contemporary music ensembles is their clear and shared sense of collective ownership over aspects of performance virtuosity, composition and improvisation. (...) the result is always compelling, absorbing and engaging’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"325\" height=\"47\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRead the review \u003ca href=\"https:\/\/www.gramophone.co.uk\/reviews\/revelries\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d9a08aea-416e-4702-b678-3f5b8621bff0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Part of Revelries’ appeal is the range of sonorities on display, the pitch gap between voice and cello filled by Downes’ organ. How these pieces were created isn’t revealed, the group’s three members sharing compositional credits on three of the five tracks. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eI was beguiled by “Moonrise”, where cello and organ are joined by ecstatic vocal birdcalls, and Jasmin Kent Rodman’s “LaGo” is a tour-de-force for Werner, dispatching a frenzied stream of syllables over ecstatic organ swirls. Jonathan Cole’s title track is a delectable piece of night music, and the closer, “Searching Sleep” has a gorgeous, otherworldly opening, an angular line spoken by the three voices in unison as if they’re performing a baroque sacred work. Revelries is invigorating and entertaining – do investigate'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"182\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/theartsdesk.com\/classical-music\/classical-cds-coffins-cornetts-and-clangour\" target=\"_blank\" rel=\"noopener\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-691e66e6-67fb-434a-8e65-663619b3662a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The French-born, UK-based soprano and composer Héloïse Werner is a performer of striking ingenuity. She uses every natural tool at her disposal – not just vocal cords but face and hands – to make sounds, from percussive to unearthly to yelps and yowls to the purely lyrical. On her EP Revelries, with regular collaborators Kit Downes (organ) and Colin Alexander (cello), an unusual mix of timbres collide and overlap with strange radiance. You have to hear these extraordinary talents to understand how they spin unexpected noise into affecting music.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"250\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7201e152-1d6a-465d-97b5-1dc0ff8c2f86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'For all its sunken atmosphere and knotty texture, there is something carnivalesque about \u003cem\u003eRevelries\u003c\/em\u003e, the debut album from Miré: an upturning of expectations, a pleasure in sound-making for its own sake. The group, consisting of vocalist Héloise Werner (of The Hermex Experiment), plus organist Kit Downes (a regular collaborator with John Edwards, Lucy Railton and others) and cellist Colin Alexander (Phaedra Ensemble), have been playing together for some years, but this is their first recorded release. It features one composition apiece by the three members, plus interpretations of text scores by Jasmin Kent Rodgman and Jonathan Cole. Tracks sound wild and apoplectic one minute, spectral and atmospheric the next. But what’s surprising, given the diversity of compositional voices, is how cohesive the record comes across. This is a group with their own distinct sound. \u003cem\u003eRevelries\u003c\/em\u003e is restless and urgent, fractured and playful. If you’re familiar with Erner, Alexander and Downes’ other projects, you’ll recognise their individual voices straightaway, but you’ll also recognise something else. One thing’s for sure: this isn’t your average chamber ensemble.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 19px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/efb7854c-b4e1-432a-a0b6-8235974b04f4\/\" width=\"190\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 0px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe Best Albums and Tracks of February 2026\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-aacb8510-0804-49aa-8701-f179b21e2287\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e7e0b8d1-7edc-4cb1-9820-b132339b72db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 16 January 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 24:59\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 21-22 August 2025 in Luisenkirche, Berlin, Germany\u003cbr\u003eProducer\/Engineer: Martin Ruch\u003cbr\u003eAssistant Engineer: Hans Bilger\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"im\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55691936006524,"sku":"DCD34357","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/mire-revelries-cd-delphian-records-450831.jpg?v=1756568253"},{"product_id":"rubbra-choral-music","title":"Rubbra: Choral Music","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"68daba5a8f2250d2687e8fec\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68daba5a8f2250d2687e8fec\" data-shogun-page-version-id=\"6a07119f1fb22e0330090df1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a07119f1fb22e03300910aa\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-5feda16b-822c-4d1e-b841-22cb231d4669\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-09d5260c-1ebe-42ce-96b9-6e406dd10cc8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 26px; text-align: left;\"\u003e\u003cspan style=\"font-family: inherit; font-size: 22px;\" data-fontfamily=\"(Default)\"\u003eThe Choir of Merton College and Benjamin Nicholas here place Rubbra’s sacred music at the heart of his creative life, tracing through his career the composer’s conviction that faith was not a subject to be illustrated but a principle that governed musical thought itself. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 26px; text-align: left;\"\u003e\u003cspan style=\"font-family: inherit; font-size: 22px;\" data-fontfamily=\"(Default)\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAt the head of the programme i\u003c\/span\u003es the first recording of\u003cem\u003e Cantata di Camera (Crucifixus pro nobis)\u003c\/em\u003e, in which the choir is joined by tenor Benjamin Hulett and instrumentalists from Britten Sinfonia. In a fascinating contrast to Leighton’s setting of these words from the same year, Rubbra builds a single, continuous span, allowing musical ideas to accumulate in a deeply affecting work whose beauty lies in its patience, its glowing harmonic language and its atmosphere of sustained reflection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-698997cf-27bd-4193-b659-e7689d29d273\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/rubbra-choral-music\/1877136298\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-8779d97b-4976-49ca-a2b6-748a1d465df1\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-8779d97b-4976-49ca-a2b6-748a1d465df1\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-463abd1d-ac70-4cfc-91c3-8d170d5bcc99\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\"Essayed with the utmost sympathy under Nicholas’s watchful lead, it’s a significant addition to the Rubbra discography, Hulett’s golden-toned contribution being especially gratifying.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eAll told, this is a peach of an album, whose attractions are enhanced by both Paul Baxter’s flawless production values and Alexandra Coghlan’s conspicuously eloquent and perceptive booklet essay. Not to be missed.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e \u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" alt=\"\" width=\"288\" height=\"42\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ec3a3e2d-fdee-45e4-af94-8363e67043d2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'The work opens with Hulett's exquisite voice – lyrical, eloquent, and perfectly calibrated to the sentiment – accompanied by harp and organ in a balance that never overwhelms. The hushed entry of the choir is delightful; Rubbra's compositional mastery in colouring the words is evident from the first phrase.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe organ music is beautifully realised on the Merton instrument. Crescendos and careful registration create an atmosphere of mystery and contemplation—the Meditation for Organ is a work of quiet loveliness, while\u003cem\u003e Prelude and Fugue on a Theme by Cyril Scott\u003c\/em\u003e offers pages of magical, hushed colour.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px;\"\u003eAs one has come to expect from Benjamin Nicholas's Merton ensemble, the precision and tonal beauty are exquisite: impeccably balanced, with admirable diction throughout. The choir captures Rubbra's spiritual world without apparent effort; the dynamics are perfectly judged.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" alt=\"\" width=\"160\" height=\"52\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/chimeo.com\/article\/Classical-Music-Edmund-Rubbra\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8fec8e06-0e5b-43e4-a0ea-1cea60da5ac9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"I’ve heard virtually all the discs which Benjamin Nicholas and the Choir of Merton College have made for Delphian over the years. I’ve never been disappointed, either in the chosen repertoire or in the standard of performance. That’s very much the case here, too. The singing is flawless throughout – as is the playing of the quartet of players from the Britten Sinfonia in \u003cem\u003eCrucifixus pro Nobis.\u003c\/em\u003e Rubbra has been exceptionally well served by this disc.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eI’ve also come to expect the highest standards of documentation and engineering from Delphian; that’s certainly the case here. The number of times I’ve cited Alexandra Coghlan’s essay about the music attests to the value I’ve extracted from it. Engineer\/producer Paul Baxter is now a seasoned veteran of recording in Merton College Chapel; that shows in the clear, truthful recorded sound.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eAdmirers of the reserved but very fine music of Edmund Rubbra should not hesitate to acquire this recording. Equally, though, I hope it may win new friends for this excellent composer.\"  \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eJohn Quinn - MusicWeb International\u003cbr\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2026\/04\/rubbra-crucifixus-pro-nobis-delphian\/\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003eread his full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-44bd5c78-176e-48dd-a562-208586051424\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e'The \u003cem\u003eMissa in honorem Sancti Dominici\u003c\/em\u003e for four-part choir has been recorded several times.It is a very moving work and what I like about this Merton performance is the close attention to detail, ie, dynamic shadings and tempi all in line with the composer’s wishes. Though the tenors and sometimes sopranos may sound strained at points, the overall performance is utterly effective.\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003eRubbra’s \u003cem\u003eVirgin’s Cradle Hymn\u003c\/em\u003e of 1922 has an immediate appeal. Published in the \u003cem\u003eOxford Book of Carols\u003c\/em\u003e but now is little heard, so this recording will remind listeners of its ethereal beauty.\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003eRubbra’s \u003cem\u003eEvening Service in Ab\u003c\/em\u003e is often in the cathedral repertoire although it is an organist’s nightmare with, in the Gloria, triplet quavers in the pedals against typically bell like rising and falling duplet scales in the hands. If well-balanced, as here, it is electrifying and exultant.'\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/03c4df0a-dddc-40a9-a758-aa573371f739\/\" width=\"99\" height=\"81\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d4db19db-ffad-4069-b313-ee8753047483\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Edmund Rubbra (1901-86) wrote 11 symphonies. They’re rarely played nowadays, which is both understandable and a little unfair. He was a skilled craftsman with a steady religious mind, creating a musical signature of both conservative distinction and mild-mannered curiosity. That’s certainly the impression given by Benjamin Nicholas’ Choir of Merton College, joined variously in this album of mainly religious choral music by the Britten Sinfonia, tenor Benjamin Hulett and organists François Cloete and Owen Chan. Short and appealing, The Virgin’s Cradle Hymn finds Rubbra inspired by tradition as a student, whereas such later works as the steady-handed Missa in Honorem Sancti Dominici (intriguing hints of Eastern musical influence) and Cantata di Camera: Crucifixus pro Nobis (exquisite colourings from the intimate instrumental ensemble) demonstrate his imagination. Two of the voluptuous Five Motets Op 37 leave you thirsting for the other three. The organ works are mixed in quality.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"254\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-8779d97b-4976-49ca-a2b6-748a1d465df1\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-2fca6fc9-f12a-4309-a93b-631923d186e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 22.8px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRelease date: 27 March 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRecorded on 23-25 June 2024 at Merton College, Oxford\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-ff7e045c-d36a-4c01-9a03-15dd1673a64a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-d6ed6051-d8c8-4e5b-9830-62222531cb21\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-ea816dd2-c962-406d-b808-fc5d3679f50e-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-ea816dd2-c962-406d-b808-fc5d3679f50e\" 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900w,https:\/\/i.shgcdn.com\/4ffcc4a4-5fa1-41c4-a397-304e2557ecac\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1080x\/ 1080w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/4ffcc4a4-5fa1-41c4-a397-304e2557ecac\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV3Elements\": { \"uuid\": \"s-cd3fe3e1-7e72-4764-a3b5-7a166d7238ee\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55810760606076,"sku":"DCD34332-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/rubbra-choral-music-cd-delphian-records-598504.jpg?v=1769734506"},{"product_id":"harbingers-of-exile-songs-from-the-in-between","title":"Harbingers of Exile: Songs from the In-Between","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"69300678f30fb7b31907044c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"69300678f30fb7b31907044c\" data-shogun-page-version-id=\"69e227bbae83e49433a0a499\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e227bbae83e49433a0a5ff\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b99b81ca-b0ff-4a0c-8f40-623fa7d0852b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ab3223c8-06dd-4bbd-882d-31b7b7c959e5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px; text-align: justify;\"\u003e‘\u003cspan style=\"font-size: 22px; font-family: inherit;\" data-fontfamily=\"(Default)\"\u003eHoneyed intensity’, ‘emotional engagement’, ‘total vividness’, ‘passion and expressivity’: these are the qualities that have won trophies for the bass-baritone Florian Störtz, not least the 2023 International Handel Singing Competition. Now he and pianist Aleksandra Myslek introduce the rich, colourful late-Romantic sound world of Robert Kahn – their own debut album, and the first substantial Kahn recording by the voice for which he predominantly wrote, including fifteen premieres. Hugely admired in his time but forgotten since his crude and senseless vilification by the Nazis, Kahn becomes here the focus of a narrative that presages his exile from his native Germany, given context with songs by Schumann, Korngold – another Jewish émigré – and Hindemith.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b1402a2e-e1c0-4f70-9271-e7e55280c89a\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/harbingers-of-exile-songs-from-the-in-between\/1867195853\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-904963f4-1576-44be-9a80-00663eea1c16\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Certainly Kahn couldn't wish for better advocacy than he gets here. Störtz sings with a natural intelligence, secure and persuasive throughout, and Myslek brings out the impressive variety and imagination in the piano-writing (Kahn initially trained as a pianist). Delphian's engineering is impeccable. Whether this album inspires a Kahn revival we'll have to see, but it's a fine achievement and well worth exploring.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"249\" height=\"36\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(18px * var(--proportional-font-size) \/ 100); line-height: 0px;\"\u003e'ONE TO WATCH', February 2026\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9b649350-f5a6-428b-842c-a42db9c06673\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'This hugely impressive debut solo recital from the prize-winning bass-baritone centres on the songs of German-Jewish composer Robert Kahn (1865-1951), who fled his homeland for England in the late 1930s: there are shades of his contemporary Richard Strauss in songs like 'Es war der Tag der weißen Chrysanthemen', whilst his compelling response to Schiller's \u003cem\u003eNänie\u003c\/em\u003e recalls Schubert in epic ballad mode. Störtz is a vivid story-teller, and the sheer power on display in Hindemith's German-language setting of Walt Whitman's 'Beat! Beat, drums!' suggests that Wagner may figure in his long-term future...' \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"264\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePresto Team Choices - February 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4c23b7fd-9de7-4935-8149-a400f94dd423\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e'The same age as Richard Strauss, and only a few years older than Schoenberg, Kahn’s conservative musical language is firmly rooted in Schumann and Brahms, a tradition of deeply felt responses to text. These are matched by Florian Störtz’s earnest and sincere delivery of the long melodic lines, and Aleksandra Myslek’s contemplative and luxuriant accompaniments. The exile of the album’s title comes from Kahn’s fleeing from Nazi Germany (he was Jewish), although the 19 songs presented here are on a range of subjects. I can’t imagine them being given a more sympathetic interpretation'\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"200\" height=\"90\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6cc7f9e5-583b-423a-9bc3-7788790012e3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b4c5809d-04fc-4b64-8239-1c8aa9e7a6cd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 February 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 23-25 January 2025 at St Cuthberts Church, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Will Coates-Gibson\/ Foxbrush\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eCover photography: Andrew Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56072360264060,"sku":"DCD34349-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/harbingers-of-exile-songs-from-the-in-between-cd-delphian-records-755671.jpg?v=1764760103"},{"product_id":"look-how-brightly-chamber-music-by-alex-mills","title":"Look How Brightly: Chamber Music by Alex Mills","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"694a25ced015862d6e2b3463\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"694a25ced015862d6e2b3463\" data-shogun-page-version-id=\"6a07300e41ed0141c164114f\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a07300e41ed0141c16412c3\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-5753c2b3-9977-47f9-ba48-5b4395a5688a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ac8ce723-8c6c-4944-a8f0-95959550bbc3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cem\u003eLook how brightly\u003c\/em\u003e offers a portrait of Alex Mills’ music from the past decade: ten works, many closely linked to moments of change, loss, ritual and renewal, together telling what feels like an intimate, personal story – almost, as Nico Muhly writes in the booklet, a sequence of musical diary entries. Across pieces for strings, voice, piano, percussion and tape, including three specially written for contralto Jess Dandy, familiar materials are quietly transformed: patterns fracture and reform, stasis gives way to movement, and moments of unguarded lyricism emerge unexpectedly. Those encountering Mills for the first time will find a compelling introduction to a composer whose music asks not for interpretation, but for attentive, inward listening – music that is ‘not meditative, but a meditation’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-0d7907cc-4fb2-4bce-85c3-243391dfaedb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-7a212301-8b62-436c-8eca-19e532799528\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/look-how-brightly-chamber-music-by-alex-mills\/1878652589\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003cdiv id=\"s-78829877-a9ec-4d39-8336-880f0496c836\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-23823db2-fb76-4750-b1bd-4facbdef8a6a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003eReviews will appear here following release date\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-936e050d-825c-45af-b459-1c5bf49a5adc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-95ce6917-a3b5-4437-899a-183932840841\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eRelease date: 15 May 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eRecorded on 3-5 June 2025, SJE Arts, Oxford\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003e24-bit digital editing: Jack Davis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre'; letter-spacing: normal;\" data-fontfamily=\"Abhaya Libre\" data-letterspacing=\"Normal\"\u003eSession photography: Ben Reason\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-cd049a42-c941-4b03-8b0e-961f100ab0f2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-306c4d49-1252-4fb4-afe2-fd77bcb6f6d2\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-0a51d458-64a3-463f-b788-47027ceb8c55-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-0a51d458-64a3-463f-b788-47027ceb8c55\" id=\"wrap-s-0a51d458-64a3-463f-b788-47027ceb8c55\"\u003e \u003cdiv class=\"s-0a51d458-64a3-463f-b788-47027ceb8c55 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-0a51d458-64a3-463f-b788-47027ceb8c55 shogun-image-container shg-align-center\" id=\"s-0a51d458-64a3-463f-b788-47027ceb8c55\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/ed08aec1-e953-42f5-a810-2121598a41d7\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-0a51d458-64a3-463f-b788-47027ceb8c55\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56142511767932,"sku":"DCD34355-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/look-how-brightly-chamber-music-by-alex-mills-cd-delphian-records-567924.jpg?v=1766478985"},{"product_id":"the-system-made-me-do-it","title":"The System Made Me Do It: Nine Pieces for Two Marimbas","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"695e0c4ee6eae65c3b5f4d59\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"695e0c4ee6eae65c3b5f4d59\" data-shogun-page-version-id=\"69e24820894560bee8ef2ba5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e24820894560bee8ef2cfc\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-0d192fcb-818a-4a10-8d31-54f55b284939\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5ce5485e-1e0f-4944-9bfa-131f2b7c5f06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cem\u003eThe System Made Me Do It \u003c\/em\u003e is a cycle of nine pieces written to accompany the release of the book \u003cem\u003eRussian Pendulum\u003c\/em\u003e by Alena Ledeneva, a trailblazing exploration of the unseen forces that have shaped Russian politics and society. Responding to the paradoxes and recurring patterns identified in the text, Benjamin Woodgates’ music drifts between ambiguity and momentum, attraction and resistance, stasis and sudden change. Ideas recombine and propel themselves forward, creating textures that shimmer, pulse, teeter and fuzz with energy.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePerformed by Calum Huggan and angela wai nok hui, the two marimbas act as both engine and echo chamber – resonant, volatile, and alive with motion – inviting the listener into a hypnotic world where structure and instability coexist.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-162d19ca-cd4e-4220-ad8d-935db76c0b98\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/the-system-made-me-do-it\/1876536176\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ab4a844a-58b7-4854-89d7-4d889234d4a9\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ab4a844a-58b7-4854-89d7-4d889234d4a9\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-135002fa-1b47-425f-b2b5-d50f71a61962\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'one of the most intellectually compelling new music releases of the year ...\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThe musical building blocks consistently draw from the book's themes, yet the music is crafted to exist independently, free from its context. On this recording, it emphatically does. The result shimmers, pulses and occasionally buzzes with a barely contained energy — hypnotic in the manner of great haiku, compressed and elusive, arriving and departing in the same breath, and lingering long after the sound has died away.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eAnother fascinating release from Delphian, a label that consistently makes the unfamiliar feel essential.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/b908c181-7c63-4f61-924b-229c255e9843\/\" alt=\"\" width=\"208\" height=\"67\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right shg-sld-disabled\"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ab4a844a-58b7-4854-89d7-4d889234d4a9\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-d84578bf-1d7c-4907-ae8d-00cdd25b8fbc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" class=\"shogun-tab-content shogun-tab-active\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5b37c740-716a-4e00-91ec-dbd4bfe55b74\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e \u003cdiv style=\"line-height: 20px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease date: 20 March 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 4 September 2025 at The Pool Studios, London\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Pierpaolo Demarchi\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Pierpaolo Demarchi\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Pierpaolo Demarchi\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: John Christ\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eCover image: Alena Ledeneva, \u003cem\u003eInner Circle\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eCover photography: Aleksei Kostromin\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Valya Korabelnikova\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56198854771068,"sku":"DCD34737-CD","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/the-system-made-me-do-it-cd-delphian-records-544052.jpg?v=1769536138"},{"product_id":"sean-morgan-rooney-a-few-reflect-the-heart","title":"Seán Morgan-Rooney: A Few Reflect the Heart","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6981bd1fe9a9effa4f109560\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6981bd1fe9a9effa4f109560\" data-shogun-page-version-id=\"6a070cab33fae688df0ba2d3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a070cab33fae688df0ba46c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1f6f5fb7-3746-4355-8c89-4cb0a0c16b69\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1332a293-ea80-4b36-a0c3-f54e04e0508d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 23px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eCentred on Ravel’s luminous Miroirs, this striking solo album from Irish pianist-composer Seán Morgan-Rooney unfolds as a sequence of reflections on nature, memory and self-perception. Ravel’s five finely etched character pieces are interwoven with music by Berio,\u2028 Stravinsky and Eötvös, alongside Morgan-Rooney’s own electroacoustic miniatures, tracing a journey through air, fire, earth and water – the elemental framework subtly encoded in the album’s title.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 23px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400; font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003eThe result is at once intimate and expansive: piano sonorities dissolve into electronics, familiar masterpieces open onto new perspectives, and moments of virtuosity give way to stillness and resonance. Ahead of his forthcoming duo recording with mezzo-soprano Lotte Betts-Dean, this deeply personal solo project reveals Morgan-Rooney as both interpreter and creator, inviting the listener into a space where reflection becomes transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-92062a49-3330-4ff6-a04f-18655ca5fc14\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-88c95867-bd0c-4684-ae3d-19384474d09f\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/a-few-reflect-the-heart\/1878661512\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-70d7318d-8626-43e2-b36d-b66690e1b674\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-70d7318d-8626-43e2-b36d-b66690e1b674\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-561ca4ff-153f-4edc-95c4-2c4ac3de1646\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Delphian is doing a fine trade in concept albums. Among the latest is Irish pianist-composer Seán Morgan-Rooney’s A Few Reflect the Heart, centred on Ravel’s five coruscating Miroirs, spread within a personally reflective sequence of Morgan-Rooney’s own works - he calls them “element pieces“ representing air, fire, earth and water - and sympathetic examples by Berio, Stravinsky and Péter Eötvös. The Ravel performances are exquisite, wistfully tantalising. A scene-setting electroacoustic Overture by Morgan-Rooney - snatches of Ravel moodily integrated within an electronic soundscape - establishes the pianist’s composer signature. Pneumaplume casts an ethereal airborne spell; Wavephile a watery lugubriousness in the wake of Berio's Wasserklavier; Ignis Beat a fiery unpredictability that segues explosively into Stravinsky’s The Firebird. Meanwhile Earth-tether-ether makes a mystically profound follow-up to Ravel’s sonorous La vallée des cloches. All of this is imaginatively-themed and quirky to boot.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"219\" height=\"62\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9dbeaf94-2cac-4902-8f24-373ab56cae1c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'No pianist can ignore Maurice Ravel’s five-part cycle Miroirs (Mirrors). The young Irish pianist and composer Seán Morgan-Rooney goes one step further. He has written five companion pieces to go with it: music that mirrors, comments on and complements Miroirs. Central to this are the four elements that appear in Ravel’s cycle: earth, water, fire and air.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eMorgan-Rooney has created a clever album. He plays Miroirs beautifully, conjuring up the swarm of moths in ‘Noctuelles’ with great finesse. In his own pieces, he adds electronics. Not avant-garde, but fascinating, ranging from Ravelian melodies to a tight beat.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe third layer features works by Stravinsky, Berio and Eötvös. Berio’s neo-Baroque Wasserklavier is even heard twice: sparkling on the piano and deep and muffled on the synthesiser. Plenty of imagination from the Irish Amsterdammer Morgan-Rooney.'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a1fbb4df-3cf5-43dd-90b4-270844ca67b6\/\" width=\"312\" height=\"115\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-70d7318d-8626-43e2-b36d-b66690e1b674\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c6f79f4d-1ea2-4c6e-88ff-12892ea1c37d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" class=\"shogun-tab-content shogun-tab-active\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3e85f4ee-ae1b-427a-a700-1c6dc8fd6d7e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: 17 April 2026\u003c\/span\u003e\u003c\/div\u003e \u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTracks 2–3, 5–7, 9 \u0026amp; 11–15 recorded on 12-14 July 2022 in Studio 1, Muziekcentrum van de Omroep, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eHilversum, the Netherlands\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProduced, engineered, edited and mastered by Guido Tichelman\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eAssistant engineer: Pim van der Lee\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eTracks 1, 4, 8, 10 \u0026amp; 16 use piano material recorded on 16 September 2022 at Leiter Studio, Saal 3, Funkhaus, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBerlin, Germany (recording engineers: Maarten Vos \u0026amp; Antonio Pulli); these tracks were electronically produced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eand mixed by Maarten Vos and mastered by Zino Mikorey, \u003c\/span\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ethen\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003emastered for the album by Guido Tichelman\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePiano: Steinway D (Hilversum), Yamaha CF6 (Berlin)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003ePiano technician (Hilversum): Charles Rademaker\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eCover photography: Boris Peters\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eSession photography: Maarten Vos\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Eliot Garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-5ed473dc-13cd-486f-8957-c4c38663b7e5\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-317d22a5-7141-438d-ade0-b7d9884144b2-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-317d22a5-7141-438d-ade0-b7d9884144b2\" id=\"wrap-s-317d22a5-7141-438d-ade0-b7d9884144b2\"\u003e \u003cdiv class=\"s-317d22a5-7141-438d-ade0-b7d9884144b2 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-317d22a5-7141-438d-ade0-b7d9884144b2 shogun-image-container shg-align-center\" id=\"s-317d22a5-7141-438d-ade0-b7d9884144b2\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/e311b017-bfe4-4e09-9faf-5d96233d4a4c\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-317d22a5-7141-438d-ade0-b7d9884144b2\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":56312781767036,"sku":"DCD34352-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/sean-morgan-rooney-a-few-reflect-the-heart-delphian-records-438912.jpg?v=1770111297"}],"url":"https:\/\/www.delphianrecords.com\/collections\/new-releases\/viola.oembed","provider":"Delphian Records","version":"1.0","type":"link"}