{"title":"Héloïse Werner","description":"","products":[{"product_id":"here-we-are","title":"HERE WE ARE","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e970d8ed5cafe00532eba92\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e970d8ed5cafe00532eba92\" data-shogun-page-version-id=\"68e6306a4ba346939acb1773\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"68e6306a4ba346939acb1964\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-81912649-9912-4e85-a970-8fa413f1cb30\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-2ed6de48-e9f3-4eef-9a32-0d36ac99cd95\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWith over sixty commissions to its credit after just six years of existence, The Hermes Experiment has already proved itself a force to be reckoned with in the creation and advocacy of new music.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNow, nine of those commissions are brought together on the ensemble’s debut album release, showcasing its deliberately idiosyncratic line-up of harp, clarinet, soprano and double bass in a compelling survey of styles and individual voices.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBuzzing with energy, irresistibly plural, HERE WE ARE is a portrait of our times and an unignorable statement of identity and purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-87baf519-c517-45d7-a050-bb0635758ced\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-f10ab02a-7025-42ea-a8d5-0e07dbfd0d73\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-b82df55c-2c43-4ae8-9301-b09bed873e8c\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=180 180w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=360 360w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=720 720w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=900 900w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191\" loading=\"lazy\" class=\"shogun-image\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"4167\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgProductCallback\": {\n \"id\": \"s-f10ab02a-7025-42ea-a8d5-0e07dbfd0d73\",\n \"callback\": {\n \"cb\": \"image\",\n \"data\": {\n \"uuid\": \"s-b82df55c-2c43-4ae8-9301-b09bed873e8c\",\n \"imageOffsetTop\": 778,\n \"LAZY_LOAD_OFFSET_TOP\": 750,\n \"LAZY_LOAD_ENABLED\": true\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \n \"__shgProductInit\": {\n \"uuid\": \"s-f10ab02a-7025-42ea-a8d5-0e07dbfd0d73\",\n \"platform\": \"shopify\",\n \"currency\": \"GBP\",\n \"productId\": \"4572303130710\",\n \"staticVariant\": false,\n \"hideIfDraft\": false,\n \n \n \n \n \n \n \"productHandle\": \"here-we-are\",\n \"productVariantId\": 31996054700118\n \n },\n \"__shgProductCallback\": {\n \"id\": \"s-f10ab02a-7025-42ea-a8d5-0e07dbfd0d73\",\n \"callback\": {\n \"cb\": \"box\",\n \"data\": {\n \"uuid\": \"s-f10ab02a-7025-42ea-a8d5-0e07dbfd0d73\"\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-d747ba00-5c9e-467d-baf7-272f2097daa5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eEmily Hall \u003c\/strong\u003e I am Happy Living Simply \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-07907bd8-735e-4b1e-be09-907bfc1f6624\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/DCD34244-cd1-01.mp3?v=1585914879\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-da37919a-8dae-4a19-bd41-0d209dd0d7b7\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/here-we-are\/1561273133?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-aa0ca148-47a3-4d98-855c-d1e360b7e8ae\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-aa0ca148-47a3-4d98-855c-d1e360b7e8ae\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-00336990-a62d-4152-91f9-70a126708777\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This British group have released a most enticing calling card, advertising the skills of individual musicians and the liveliness and variety of Britain’s composing scene ... Héloïse Werner pounces on individual notes and words with a tiger’s tenacity and a kitten’s glee. The other musicians are equally crucial in the album’s tapestry of sounds: the harpist Anne Denholm, marvellously incisive; Marianne Schofield, growling beautifully on the double-bass; Oliver Pashley, mercurial monarch of the clarinet ... As for the music, nothing is arid, much is juicy ... No part of this album slips into a rut; none of the music-making either\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"287\" height=\"81\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07c14e90-2353-4453-b023-9ef57146d2d8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"new commissions, vivid, spirited and highly individual, by nine composers born between 1946 and 1991, writing for the Experiment’s aurally fertile lineup of harp, clarinet, double bass and soprano \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMisha Mullov-Abbado’s The Linden Tree conjures melancholy folk colours; Errollyn Wallen’s Gun gun gun, opening with a splash of harp, quickly reveals itself as a compressed monodrama; Oliver Leith’s Uh huh, Yeah is as languid and laid-back as its title. Freya Waley-Cohen, Joel Rust, Josephine Stephenson, Anna Meredith, Giles Swayne and Emily Hall each contribute distinctive, witty, arresting songs. An imaginative first disc that mirrors our current musical landscape\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"235\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-eb486cd5-ebe1-4337-b420-0a1c2bfbc5de\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"[HERE WE ARE] will surely be representing Delphian, alongside guitarist Sean Shibe’s Bach set, on many “best of” lists come the end of this year ... There are many startling things about The Hermes Experiment, beginning with the group’s line-up of soprano voice, clarinet, harp and double bass, which blends so well its singularity ceases to be relevant ... Crucially, however, it all sounds of a piece, and that is down to the collective, with Oliver Pashley on clarinets and Anne Denholm’s harp, in which frontwoman and vocalist Heloise Werner has no monopoly on exuding an irresistible charm\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"185\" height=\"66\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cem\u003eRead the full review \u003ca href=\"https:\/\/www.heraldscotland.com\/news\/18583869.album-review-hermes-experiment\/\"\u003ehere\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5a9161ce-3af3-4ca1-bf98-e0eaec060035\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Rather like the underground laboratory wherein the eponymous scientific experiment took place, The Hermes Experiment’s calm exterior often hides a powerful force that darts about energetically beneath ... The Hermes Experiment’s main strength lies in its ability to adapt to the particular needs, demands and peculiarities of each piece contained on this deeply engaging collection: harp, clarinet, soprano and double bass locked in dynamic and synergistic fusion\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"41\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 11px;\"\u003e\u003cem\u003eEDITOR'S CHOICE - \u003ca href=\"https:\/\/www.gramophone.co.uk\/review\/the-hermes-experiment-here-we-are\"\u003efull review here\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-811482e9-15d5-48b5-a228-68e25608fbad\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"witty and imaginative readings of chamber works by contemporary British composers ... Misha Mullov-Abbado completely transforms Schubert’s The Linden Tree into gorgeously abstract piece of medieval jazz, which manages to make an irregular time signature dance; Oliver Leith’s deliciously woozy Uh Huh, Yeah sounds like an operatic La Monte Young, while the two pieces by Emily Hall that bookend the LP are, respectively, joyous and heartbreaking\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"258\" height=\"54\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f3f930e8-86dc-4b5d-9278-1b37a38a1833\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"as delightful an encounter as the ensemble is in real life ... so many delights on their album, you never know what’s going to happen - it’s great hearing such a variety of composers finding interesting ways of using this ensemble’s unique resources ... a uniquely engaging ensemble\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eBBC Radio 3 Record Review\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-05f5602b-0ec2-41cf-aad8-6d46a8f79333\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The rather unusual combination of harp, clarinet, soprano and double bass proves to be quite astonishingly versatile on this rich, strange programme of new commissions by nine composers ... Josephine Stephenson’s Between the war and you packs a real emotional punch, and Giles Swayne’s French-language elegy to tinned sardines is another highlight (John West’s marketing board may disagree)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"224\" height=\"109\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-29b7816a-ae6a-4491-9799-30f86c592584\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"The 10 works here are compelling—buzzing with invention and shimmering with colour ... for a taste of the group’s sheer playful abandon, head for Giles Swayne’s irrepressible Chansons dévotes et poissonneusescomplete with music-loving fish relaxing to the sounds of an underwater casino piano\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"174\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgSlider\": {\n \"id\": \"#slider-s-aa0ca148-47a3-4d98-855c-d1e360b7e8ae\",\n \"intervalTime\": 5,\n \"autoplay\": false,\n \"pauseOnHover\": false,\n \"transition\": \"animate__noAnimation\",\n \"interval\": null\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3b1582de-e031-4283-8384-6e044eb25d59\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 24 July 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34244\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:17:45\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded 9, 10, 13 October 2019\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording Venue: Greyfriars Kirk, Edinburgh\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEditor: Matthew Swan\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-f7d8bcf4-b1e0-44f4-b8e3-bbdbe0621033\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-5d0a74fa-82ea-44ca-966e-16d346c57d98\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-5d0a74fa-82ea-44ca-966e-16d346c57d98\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-5ec57f49-5423-4b8e-9daf-ed82db529d56\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-5ec57f49-5423-4b8e-9daf-ed82db529d56\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31996054700118,"sku":"DCD34244-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/here-we-are-cd-delphian-records-132122.jpg?v=1606217191"},{"product_id":"isolation-songbook","title":"Isolation Songbook","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ffee8b96e7979005fc4d9fd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ffee8b96e7979005fc4d9fd\" data-shogun-page-version-id=\"61448be9b962da00aad488ba\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61448be9b962da00aad48abb\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6d5c4942-73f5-44ac-805e-7f89a335aef5\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5adc9b64-e6db-4d4e-98b0-6fbc9faf3313\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThe feeling which many of us experienced in spring 2020 as, country by country, the world went into lockdown – a sense of life gone into standstill – was especially acute for musicians, deprived suddenly of both their livelihoods and the human connections that give their work meaning. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eFor singers Helen Charlston and Michael Craddock, it was not only their art that they could no longer express publicly: they had been due to marry in April. Forced like so many to put plans of any kind on hold, Helen began to find ways of redirecting her creative energies. She wrote a poem for Michael to mark their postponed wedding date, and the composer Owain Park, a friend of the couple, set it to music. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eHelen began to contact other composers and poets, and unexpectedly but quickly a project took shape that would both fill the empty time and bear witness to it. The project - first performed as part of the City Music Foundation Livestream Series from St Pancras Clock Tower - chimed with Delphian’s determination to maintain the flow of album releases while live music was in abeyance, and so – with music again proving its ability to build connections across physical distance – the Isolation Songbook swiftly found a home on disc; recorded during the summer relaxation of restrictions, its release marks the anniversary of the beginning of lockdown in the UK.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003ca href=\"http:\/\/www.citymusicfoundation.org\/\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ce0bb9d2-b861-4a95-a570-09bfc7312e8f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"171\" height=\"52\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-19dc901c-b28f-43bf-b9e3-6b29467f5eef\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0dab25ac-855f-425a-a62c-23970dc006d0\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-0dab25ac-855f-425a-a62c-23970dc006d0\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-651943b7-3294-486a-a44b-cde864f7db4c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-651943b7-3294-486a-a44b-cde864f7db4c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2aa23018-d970-4d43-babe-9e4a45542964\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Witty and touching in equal measure, this personal but deeply relatable lockdown project from a young husband-and-wife-to-be stemmed from Owain Park’s appropriately bitter-sweet setting of a poem which Charlston wrote for her fiancé to mark what would have been their wedding-day last year\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"180\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eEDITOR'S CHOICE - March 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bad881d7-abe8-4d19-b354-908b5b21c374\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"this collection of 15 new songs provides a snapshot of our almost incredible lives [during the pandemic]: from a posponed wedding ... to daily exercise and valuing nature anew, to baking - in Melancholy (and Buttercream) by Kerensa Briggs ... a lovely, accomplished miscellany of composers, poets and moods\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"319\" height=\"67\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1f17a1bf-0cea-405a-9739-efb69f700471\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Some of us baked, others did DIY, and most of us managed our daily walks. Mezzo Helen Charlston and baritone Michael Craddock – lockdown over-achievers par excellence – commissioned, rehearsed, premiered and recorded an album of entirely new music ... The results are varied, from comic miniatures to distilled dramas and contemplative outpourings, but together add up to a recital that’s hard to resist, at once fresh and profoundly familiar\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"323\" height=\"47\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8f951f30-bc72-4b6d-a0c7-c11c18c4cd07\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"It is a mood of introspection, many of the works can read almost as stream of consciousness, thoughts flowing. And faced with Helen Charlston's wondrously plangent voice and terrific sense of strong line, many composers opt for a sort of undulating, expressionist line pointed from beneath by the piano ... [the recital] captures 2020 in a musical microcosm\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eROBERT HUGILL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 11px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2021\/03\/a-musical-microcosm-of-2020-isolation.html?utm_source=feedburner\u0026amp;utm_medium=email\u0026amp;utm_campaign=Feed:+PlanetHugill-AWorldOfClassicalMusic+(Planet+Hugill+-+A+world+of+classical+music)\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-23f1e566-cb0b-484b-b4b0-3f71617e28b3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Brixey-Williams’ music conveys strikingly the poem’s mood of intimate isolation. Helen Charlston and Alexander Soares distil a very strong atmosphere ... There are some very interesting songs here and it’s fascinating to see how the 15 composers have responded to the perceived challenges – and opportunities in the case of our increased connection with nature – that lockdown brought.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe standard of performance is extremely high. These songs clearly mean a great deal to Helen Charlston and Michael Craddock – as one would expect, given the circumstances that led to the compositions – while Alexander Soares supports them expertly. The recorded sound is up to Delphian’s usual very high standards and Erica Jeal’s notes guide the listener expertly through the programme\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 10px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003ca href=\"http:\/\/musicweb-international.com\/classrev\/2021\/Sep\/Isolation-songbook-DCD34253.htm\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgSlider\": {\n \"id\": \"#slider-s-651943b7-3294-486a-a44b-cde864f7db4c\",\n \"intervalTime\": 5,\n \"autoplay\": false,\n \"pauseOnHover\": false,\n \"transition\": \"animate__noAnimation\",\n \"interval\": null\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-122a19e7-02e9-4f42-83dd-ed494a7e24dd\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/isolation-songbook\/1556290528?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_isolation_songbook\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-82c17872-cd66-4420-b1a1-feeabf750fc2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 March 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34253\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded: 3-5 September 2020, The Queen's Hall, Edinburgh \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEditor: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe Isolation Songbook was made possible by the generous support of the City Music Foundation\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ce0bb9d2-b861-4a95-a570-09bfc7312e8f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"138\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-93ab8618-bdbf-44ea-a995-d21ccd988d00\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-560bd789-b205-4d3e-92f0-e70b261b85d4\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-b1c29dbd-b771-4d0d-9815-8c39ea5929e4\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=180 180w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=360 360w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=720 720w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=900 900w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1804\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgProductCallback\": {\n \"id\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n \"callback\": {\n \"cb\": \"image\",\n \"data\": {\n \"uuid\": \"s-b1c29dbd-b771-4d0d-9815-8c39ea5929e4\",\n \"imageOffsetTop\": 951,\n \"LAZY_LOAD_OFFSET_TOP\": 750,\n \"LAZY_LOAD_ENABLED\": true\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \n \"__shgProductInit\": {\n \"uuid\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n \"platform\": \"shopify\",\n \"currency\": \"GBP\",\n \"productId\": \"4915115360342\",\n \"staticVariant\": false,\n \"hideIfDraft\": false,\n \n \n \n \n \n \n \"productHandle\": \"isolation-songbook\",\n \"productVariantId\": 33277221797974\n \n },\n \"__shgProductCallback\": {\n \"id\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\",\n \"callback\": {\n \"cb\": \"box\",\n \"data\": {\n \"uuid\": \"s-560bd789-b205-4d3e-92f0-e70b261b85d4\"\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-dc2839e0-3496-4b15-9f27-551ba2e20ba5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eOwain Park: \u003c\/strong\u003e18th April\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-4fdab287-e024-4ef5-ad89-774a42b469ac\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/34253_18th_April.mp3?v=1611149399\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":33277221797974,"sku":"DCD34253-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/isolation-songbook-cd-delphian-records-332703.jpg?v=1606220281"},{"product_id":"song","title":"SONG","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"60d1fccc18b03f00d997fcd4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"60d1fccc18b03f00d997fcd4\" data-shogun-page-version-id=\"61f2bb94a9793900c8aab4e0\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61f2bb94a9793900c8aab6fc\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-d703044b-7f78-4102-b75b-9baca559a58f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003eGLOBAL RELEASE DATE: 22 OCTOBER 2021\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-9cb2c28a-8ccf-42de-b06e-33d787866367\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9cd415b3-3d56-4390-bf19-726ae8e641b3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"font-style: inherit !important; font-weight: inherit !important;\"\u003eHot on the heels of their acclaimed debut \u003c\/span\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/products\/here-we-are?_pos=1\u0026amp;_sid=15a4957c0\u0026amp;_ss=r\"\u003e\u003cem\u003eHERE WE ARE\u003c\/em\u003e\u003c\/a\u003e, The Hermes Experiment’s second Delphian album is an equally bold statement. Songs commissioned specially for the ensemble – by Philip Venables, Ayanna Witter-Johnson and others – are interleaved with new arrangements (of composers including Barbara Strozzi, Clara Schumann and Lili Boulanger) for the group’s distinctive line-up of voice, clarinet, harp and double bass. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eMoving and original, \u003cem\u003eSONG\u003c\/em\u003e reinvents a genre: here every instrument is a voice in its own right, and they all carry the drama.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a6b42b58-2faf-4475-af3a-f7761910953f\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-9b44f043-6d88-47cd-9df5-d08363576150\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-9b44f043-6d88-47cd-9df5-d08363576150\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-f1b2f61e-2c90-45cb-9053-958efb098e92\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9ce16ebf-5206-4604-900b-47bf55bd2911\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-f1b2f61e-2c90-45cb-9053-958efb098e92\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-3737db8f-1177-4426-ba3a-4f4211b845f6\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/4ffcc4a4-5fa1-41c4-a397-304e2557ecac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-3737db8f-1177-4426-ba3a-4f4211b845f6\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-53f16da6-8076-4dd7-92f8-8e2c4589f8ca\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/song\/1582852952?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5a039cdb-6d09-4383-99e2-d4abdbf7e3bd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003e\"The Hermes Experiment are a vibrant, deeply musical quartet ... All [songs] are beautifully presented in their new guises, none more so than soprano Héloïse Werner’s of Barbara Strozzi’s dark \u003cem\u003eTradimento!\u003c\/em\u003e ... The performances are impeccably realised, each player a virtuoso in his or her own right, with impeccable intonation and sense of ensemble. Delphian’s sound is first-rate, catching the full dynamic, ranging from the sepulchral bass notes of Anne Denholm’s harp to every nuance of Werner’s voice or Schofield’s bass\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"337\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"letter-spacing: normal;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-884532a6-a60f-480f-8dea-696e9be8bbc9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'The Hermes Experiment bring something very special to contemporary music performance: visceral entertainment. In SONG, the package is way more than the sum of its unconventional parts, which includes assorted music by Eleanor Alberga, Helen Grime, Kerry Andrew and Olivia Cheney as well as idiosyncratic treatments of past composers as diverse as 17th century Barbara Strozzi and 19th century Clara Schumann to early 20th century Lili Boulanger. The performances are variously witty, mournful, surreal, edgy and beautiful. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNot every group so compelling in live performance translates that magic onto disc. Here’s a brilliant case of one that can'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"238\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e7213e97-64ee-427d-8ee1-184ab3f1209e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'This album is an extraordinary collection, some songs specially commissioned for the ensemble, others reinvented for it through unexpected, creative arrangements. Seventeenth-century composer Barbara Strozzi’s “\u003cem\u003eTradimento\u003c\/em\u003e!” takes on an unmistakably contemporary palette, while this ensemble’s ethereal instrumentation brilliantly suits 20th-century French composer Lili Boulanger’s “\u003cem\u003eReflets\u003c\/em\u003e” and “\u003cem\u003eAttente\u003c\/em\u003e”. Of the commissioned pieces, Kerry Andrews’ fruit-inspired suite brings out the exuberance of these musicians, and in “A Photograph”, British composer Philip Venables ingeniously juxtaposes spoken narration and song\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"171\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-58eb7b55-370f-419b-bed2-a7ffc6037bd7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"I love the way that distinctions between voice and instruments slide in and out of focus on this sophomore album from the intrepid contemporary music quartet, with Héloïse Werner's pure soprano often mirroring the timbre of Oliver Pashley's clarinet; highlights include Olivia Chaney's \u003cem\u003eRoman Holiday\u003c\/em\u003e (an evocative, bittersweet little monodrama in four minutes), Eleanor Alberga's unexpectedly poetic treatment of text from the shipping forecast in \u003cem\u003eDeep Blue Sea\u003c\/em\u003e, and Kerry Andrew's coolly sensuous setting of William Carlos Williams's much-memed poem about plums in an icebox\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"264\" height=\"39\"\u003e\u003cbr\u003eEDITOR'S CHOICE - October 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-dccedd46-efd6-46d6-8548-2fe9f4ed5eec\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e            \"\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eso much delights and engages our ears, hearts and minds, from Jeremy Thurlow’s delicately wrought “\u003cem\u003eQuiet Songs\u003c\/em\u003e” to the dramatic impact of Philip Venables’ “\u003cem\u003eA Photograph\u003c\/em\u003e”. Britain’s music scene offers numerous dynamic small-sized groups, but The Hermes Experiment, so spellbinding, so imaginative, continue to stand alone\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"176\" height=\"133\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgSlider\": {\n \"id\": \"#slider-s-81a985e4-f03e-4a93-b708-3a8b7350ae6a\",\n \"intervalTime\": 5,\n \"autoplay\": false,\n \"pauseOnHover\": false,\n \"transition\": \"animate__noAnimation\",\n \"interval\": null\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9b7af923-6937-48b5-ba4e-bf06c969a1b7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 22 October 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34274\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 67:37\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 15-17 February 2021 in Greyfriars Kirk, Edinburgh Producer\/Engineer: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Jack Davis \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-7b3a95b3-e6b8-4a6f-b514-c03c4b345809\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-41ac7736-1a68-4ad0-885f-2765dad1d433\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=180 180w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=360 360w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=720 720w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=900 900w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/song-cd-delphian-records-839400.jpg?v=1624559512\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1616\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgProductCallback\": {\n \"id\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n \"callback\": {\n \"cb\": \"image\",\n \"data\": {\n \"uuid\": \"s-41ac7736-1a68-4ad0-885f-2765dad1d433\",\n \"imageOffsetTop\": 1042,\n \"LAZY_LOAD_OFFSET_TOP\": 750,\n \"LAZY_LOAD_ENABLED\": true\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \n \"__shgProductInit\": {\n \"uuid\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n \"platform\": \"shopify\",\n \"currency\": \"GBP\",\n \"productId\": \"6795163566265\",\n \"staticVariant\": false,\n \"hideIfDraft\": false,\n \n \n \n \n \n \n \"productHandle\": \"song\",\n \"productVariantId\": 40320641990841\n \n },\n \"__shgProductCallback\": {\n \"id\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\",\n \"callback\": {\n \"cb\": \"box\",\n \"data\": {\n \"uuid\": \"s-32abddc7-d2c7-4da2-abdd-ab1db65337b5\"\n }\n }\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b440af64-a74a-43b7-aa7a-3e9d47db2353\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e1. Olivia Chaney: \u003c\/strong\u003e\u003cem\u003eRoman Holiday \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-c7f12d4e-d23b-42b2-8c6f-9a0615f9ba69\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/01_Roman_Holiday_4ea538e3-5511-4440-ac20-4305913fd8e0.mp3?v=1634116480\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":40320641990841,"sku":"DCD34274-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/song-cd-delphian-records-839400.jpg?v=1624559512"},{"product_id":"heloise-werner-phrases","title":"Héloïse Werner: Phrases","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6184647e4ceb8800ad05dce3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6184647e4ceb8800ad05dce3\" data-shogun-page-version-id=\"652fa8b26e5a3700d2adc34b\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"652fa8b26e5a3700d2adc6f9\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-630f38cf-4dce-47a7-b109-617f1b542d89\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-676cf48a-1f33-470f-9cea-456a57bbe724\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLuminous and daring, this celebration of Héloïse Werner’s multifaceted gifts is nourished by rich dualities. \u003cem\u003ePhrases\u003c\/em\u003e reveals Werner as both singer and composer, as an artist shaped by both her native France and her adopted UK, and as a soloist of captivating individuality who is also an intrepid collaborator. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe solos and duos that make up the album comprise five of Werner’s own compositions, four of Georges Aperghis’s avant-garde classic \u003cem\u003eRécitations\u003c\/em\u003e, and six newly commissioned works, by composers ranging from Elaine Mitchener and \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=Nico%20Muhly*\"\u003eNico Muhly\u003c\/a\u003e to \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=Hermes*\"\u003eOliver Leith\u003c\/a\u003e. The calibre of Héloïse’s instrumental partners in the duos reflects the degree to which this extraordinary young performer is already valued and cherished by her peers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-16fba75b-8294-41a1-bcb1-a18b26e8d41d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/phrases\/1608560308?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-36b433f5-1e6b-4c86-ae6e-a8b4713c3ef5\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-36b433f5-1e6b-4c86-ae6e-a8b4713c3ef5\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-57426166-8723-4c54-9b40-3da8e6623972\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e'The point where language and music collide is an abiding preoccupation for the French-born, London-based Héloïse Werner, whose new solo album, \u003cem\u003ePhrases\u003c\/em\u003e displays her versatility as a singer and composer, but as musical catalyst too. The 12 tracks, mostly premiere recordings, include works by Elaine Mitchener (the sensuously surreal \u003cem\u003eWhetdreem\u003c\/em\u003e); Nico Muhly’s prayer-like Benedicite Recitation, with beautiful solo flute; Oliver Leith’s \u003cem\u003eYhyhyhyhyh\u003c\/em\u003e, an exploration between voice and detuned cello; Cheryl Frances-Hoad’s tiny scena \u003cem\u003eSomething More Than mortal\u003c\/em\u003e; and Josephine Stephenson’s hypnotic \u003cem\u003eComme l’espoir\/you might all disappear\u003c\/em\u003e, with guitar ... Werner’s four songs, from vocal acrobatics to verbal confession, and \u003cem\u003eRécitations\u003c\/em\u003e by the Greek experimental composer Georges Aperghis complete this distinctive album. Werner is joined by her first-rate regular collaborators: Colin Alexander (cello), Amy Harman (bassoon), Calum Huggan (percussion), Lawrence Power (viola), Daniel Shao (flute) and Laura Snowden (guitar)'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"268\" height=\"56\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0fc499d3-015f-4db4-ab25-57e2e262fcef\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Werner has a versatility that is rare today; her clear resonance with the music of our time, her faultless technique, her laser focus and her presence all imply that soon she will be mentioned in the same breath as the likes of fellow singers, Cathy Berberian, Phyllis Bryn-Julson and Jane Manning ... A prime contender for the definition of new music madness, Mitchener’s piece was at once hugely enjoyable and fully in the spirit of the occasion; Calum Huggan the intrepid percussionist ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"With a programme without a single dud piece and Héloïse Werner – a performer of stellar talent – supported by a galaxy of young stars, what’s not to like?\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSEEN \u0026amp; HEARD INTERNATIONAL\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: normal;\"\u003e\u003ca href=\"https:\/\/seenandheard-international.com\/2022\/06\/not-a-single-dud-piece-in-the-wigmore-hall-album-launch-of-heloise-werners-phrases\/?fbclid=IwAR3jO0L48GtubYkS-4tDQzOA-HLtXPT89wTreRTfrLV810mnkauYZ0GJ_2M\"\u003eon Phrases' launch concert at Wigmore Hall \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6b060d17-eab0-4b92-bc40-274c944b2b79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'lt is hard not to be in awe of Héloise Werner: a soprano of extraordinary range, tone and vocal abilities, possessing a seemingly inexhaustible expressive range, whether singing, speaking or - as in Elaine Mitchener's curious, nightmarish, baffling \u003cem\u003ewhetdreem\u003c\/em\u003e - sighing, moaning, and is that snoring at one point? ... Werner is a composer and arranger of subtle imagination ... \u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eIt is Werner's own pieces that I will come back to most often: \u003cem\u003eMixed Phrases\u003c\/em\u003e, \u003cem\u003eUnspecified Intentions\u003c\/em\u003e and especially the opening track for voice and bassoon, \u003cem\u003eLike Words\u003c\/em\u003e, with the terrific Amy Harman as her partner. It sounds like a medieval chanson the identity of which, maddeningly, remains just out of reach. Delphian's sound is first-rate, catching the full dynamic range and every nuance of Werner's voice ...'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"254\" height=\"37\"\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px; font-weight: 100; letter-spacing: 1px;\"\u003eEDITOR'S CHOICE JUNE 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ef72c13f-7c4c-4331-9250-3f4e595c378f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e'Phrases\u003c\/em\u003e is a brilliant showcase for the limitless talents of singer, composer, arranger, cellist and percussionist Heloïse Werner. Sometimes compared to the composers and vocal pioneers ... she uses her own voice —not just sung, but spoken, moaned or even sighed—to achieve miracles. Her own pieces, especially “Like Words”, for voice and bassoon, haunt the memory. Cheryl Frances-Hoad’s “Something More Than Mortal” shows Werner’s abilities as a singer and actor, while Elaine Mitchener’s disconcerting “whetdreem” stuns in its originality and Georges Aperghis’ four \u003cem\u003eRécitations\u003c\/em\u003e use the voice in an entrancing way. More conventional, Nico Muhly’s “Benedicite Recitation” and Oliver Leith’s mesmerising “yhyhyhyhyh” are full of delight'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"135\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-38692843-47df-46d3-a1a8-fbe92da878a3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'It will make you rethink the possibilities of writing or voice - virtuosic, tender, surprising, there’s an almost unschooled immediacy of expression at times that cuts to the heart … [a] solo vocal debut like no other'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"108\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9a00b12a-750e-4739-92ca-6c036d5dc76b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'Heloise has an incredible range and linguistic dexterity ... She plays with phonetics, with breathwork, with different words ... and the sounds that she creates are mesmerising. I also love how she collaborates with other composers such as Cheryl Frances-Hoad ...'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7229c821-2989-4032-a402-1a96eaf3e556\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e'An engrossing exploration of the human voice, which Werner pushes to its limits and beyond on works by herself and fellow visionaries ... a satisfyingly hair-raising exploration to wider shores ....'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"181\" height=\"49\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e 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aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9f3084a9-6cc3-4f44-98cc-470d1eb24d55\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 18px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 24 June 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34269\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:03:44\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 5-7 October 2021 at the Church of St John the\u003cbr\u003eEvangelist\/SJE Arts, Oxford \u003cbr\u003eProducer\/Engineer: Paul Baxter (tracks 1-13); Brett Cox (track 14)\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover photograph: Raphaël Neal \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSession photography: foxbrushfilms.com \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-1ab5bbba-ce40-4534-980a-839a6f6a20b0\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container 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data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-00d20c67-36ab-4935-a4bf-6d5aee8a67a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eHéloïse Werner’s first album, Phrases, was received ecstatically. For her second, she wanted to create a programme with a cohesive narrative arc – a journey, but one that the listener can take in their own time and their own way. For it, she has assembled a group of musicians who both share in her concept but also bring to the project their own varied musical personalities to complement Héloïse’s own distinctive voice. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eRightly described by Héloïse as ‘amazing people’, her collaborators – Colin Alexander, Julian Azkoul, Max Baillie, Kit Downes, Ruth Gibson and Marianne Schofield – stitch their individual contributions into \u003cem\u003eclose-ups\u003c\/em\u003e in colours just as vibrant as Héloïse’s own.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-50fb2745-4ce4-4190-abaf-377ffdbd7f4a\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shogun-image-linked shg-align-center\" id=\"s-d67a24ca-6124-4950-8e46-e06bdabb46e3\"\u003e \u003ca class=\"shogun-image-link\" href=\"https:\/\/music.apple.com\/gb\/playlist\/women-in-classical-music\/pl.03392dae73604942b02ab8e53c482ae0\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/e92713b3-bb36-4f6d-bb0c-5828ac7f90e9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"Apple Music Women in Classical playlist icon\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/a\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageElements\": { \"uuid\": \"s-d67a24ca-6124-4950-8e46-e06bdabb46e3\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-3082911c-4134-4393-8fab-bdadcb91aace-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-3082911c-4134-4393-8fab-bdadcb91aace\" id=\"wrap-s-3082911c-4134-4393-8fab-bdadcb91aace\"\u003e \u003cdiv class=\"s-3082911c-4134-4393-8fab-bdadcb91aace shg-align-container\"\u003e \u003cdiv class=\"shg-c s-3082911c-4134-4393-8fab-bdadcb91aace shogun-image-container shg-align-center\" id=\"s-3082911c-4134-4393-8fab-bdadcb91aace\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/060ab1c4-4a7e-4d62-beb2-ee9f5a7e7245\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageV2Elements\": { \"uuid\": \"s-3082911c-4134-4393-8fab-bdadcb91aace\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a03340bd-edd7-447d-8e04-bd154e8a9247\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; 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line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\"A hotly-awaited second album from soprano-composer Héloïse Werner weaves together a dizzying tapestry of conceptual threads - from a melancholy, fatalistic song by Barbara Strozzi, via a scathing survey of male attitudes to quote-unquote 'hysteria' from the fifth century BC up until the early 2020s, to the macaronic \u003cem\u003eclose-ups\u003c\/em\u003e by Werner herself (to words by her sister), it is an exhilarating and unique journey of discovery\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"325\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3502f0e2-153c-442c-97a2-65b704a80a72\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'French-born, UK-based Heloïse Werner always creates a buzz of activity and makes good things happen ... Werner describes herself as “soprano and composer” (with Meredith Monk it has tended to be the other way round) and it is the central role of Werner’s voice, in a context where both the material and stylistic intent cover a wide range, that is a unifying factor. And yet, one might argue, she has also invited herself to do the impossible ... hat philosophy of uttering interesting or provocative things with brevity is the product of a preternaturally lively and busy mind, and is invariably fascinating'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"250\" height=\"113\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.theartsdesk.com\/classical-music\/classical-cds-bare-feet-hardback-books-and-giant-snails\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cdd231bc-cb2b-4435-9f86-8e9fa6e0e01c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'Héloïse Werner is a unique voice in contemporary music performance, literally as a soprano with the same astonishing acrobatic versatility as, say, the late Jane Manning, and also as a composer whose music evokes a uniquely translucent freedom of expression. She’s been a key member of the experimental ensemble The Hermes Experiment, but teams up here with a miscellany of similarly minded instrumentalists for a refreshingly personal musical journey chiefly of her own music, interspersed with the fragile simplicity of Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e and sublime arrangements of songs from earlier centuries by Barbara Strozzi, Julie Pinel and the iconic Hildegard of Bingen. Her own \u003cem\u003eclose-ups\u003c\/em\u003e is the centrepiece, encompassing spectral enchantment and fiery absurdity. \u003cem\u003eUnexpected Intentions \u003c\/em\u003eis as madcap as any Maxwell Davies music theatre piece, Les Leçons du mardi a hysterical musical menagerie. Three improvisations (Echoes) act as transitional meditations. \u003cem\u003eLullaby for a Sister\u003c\/em\u003e makes a deeply moving conclusion'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a529f5ad-ab1e-4d81-9732-aa4c2aefddd3\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"212\" height=\"89\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b307c2e3-d9af-47d7-8ee4-1e7f058fb93e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'After demonstrating her remarkable versatility in her debut album, \u003cem\u003ePhrases\u003c\/em\u003e, singer\/cellist Héloïse Werner pushes the boat out further in \u003cem\u003eclose ups\u003c\/em\u003e, her virtuoso vocal effects reaching a new level of rapid-fire intensity ... Werner’s more expressionistic vocal tracks, of which the title track is the virtuosic centrepiece, are reassuringly balanced with several soulful songs, all by women composers. One is Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e, the composer’s own arrangement of the original here ending with a beguiling Purcell fantasia-like postlude for strings ... The most effective bridge between those reflective songs and Werner’s pyrotechnics, however, is provided by bass player Marianne Schofield’s arrangement of “Sombres lieux”, a song by the obscure 18th-century composer Julie Pinel. Schofield’s tenebrous, downward slithering glissandos suggests the song’s “dark forests”, whose menacing presence intrudes even as Werner sings'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"165\" height=\"55\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4ceb1f0b-2a9e-4d3e-a1fd-e0839fdd94c8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e'As I listened to each captivating track, I felt a sense of the musicians moving around me, almost like a ghostly presence emanating from the speaker. There was a subtle burst of colour here and there, a thoughtful pace that perfectly matched the moment in time ... Such is the magnetic force of the music, particularly Werner's own compositions, which demonstrate a specialist's in-depth understanding of how to effectively use the instrumentation ... Megan Steller's notes, including those on texts and translations, are exceptional ... The textures often seem raw, but they have an aura of warmth. \u003cem\u003eClose-Ups,\u003c\/em\u003e a piece for violin and soprano, requires an impressive range of tone and technical ability. The focus of the piece is a mixture of sounds that combine in a free style in a piece where the duo needs empathy to get the best effects as they interact with each other ... Originally written for solo voice, \u003cem\u003eUnspecified Intentions \u003c\/em\u003ewas rearranged for voice and string quintet. Steer writes in the notes that the piece, designed for live performance, insisted on being recorded in a single take in the studio, with the energy evident in the final mix. \u003cem\u003eLullaby for a Sister \u003c\/em\u003e sets music by Héloïse’s sister Emma and is written for voice and cello. It is a haunting motif where the voice and cello rebound ... This disc captivates listeners with its improvisational and dramatic concept, blurring traditional sounds while showcasing Werner's technical brilliance, often creating a luminous effect.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6f270255-272a-4960-8b1d-e2afde87dffb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"341\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8ba1909c-eab1-4bb0-8927-381b560e2979\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The centrepiece of an eclectic mixtape, \u003cem\u003eclose-ups \u003c\/em\u003eis an exploration of the human voice, not simply extended techniques (although there are plenty of those: grunts, shrieks and hums are integrated into traditional singing) but shifts between language and tone, those words that are recognisable, those that are not and the spaces in between. The use of spoken word is particularly effective in \u003cem\u003eLes Leçons du mardi\u003c\/em\u003e, a narrative patchwork about women suffering from 'hysteria' forced to act out their symptoms before a Parisian public. Performing her own work - there is surely no better interpreter - alongside a killer ensemble comprising (in different combinations) violin, viola, cello, double bass and hardanger fiddle (a Norwegian violin with eight strings to the usual four), Werner and her collaborators are co-composers for an interlude that reappears in three guises throughout the album. Scratchy spectralism develops into a guttural outpouring; varied, unidentifiable voices create an unsettled soundscape. This comes to a head in \u003cem\u003eUnspecified Interntions\u003c\/em\u003e, Werner's gurgling, haunting wordless adventure. Songs by Barbara Strozzi, Errollyn Wallen, Julie Pinel and Hildegard of Bingen - newly arranged for this collection of first recordings - provide compelling context\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"151\" height=\"61\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0530524e-3063-46b7-97b9-23b688b7af34\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"from lip-smacking to lyrical ... the multitalented Héloïse Werner, a singer, cellist, composer, narrator, verbal acrobat and linguistic chameleon, can hardly be summed up in a short phrase ... This is a record full of poise, curiosity and playfulness, the result of close listening and risk by all invovled. Werner and her colleagues make music that is as singular as it is striking\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"273\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2647f447-9d39-4390-872f-dd92f0e131d2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Listeners familiar with Héloïse Werner's previous recordings ... will know what to expect from the soprano, composersoprano, composer and sometime cellist: jaw-dropping technical agility combined with an innate, instinctive musicality and boundless, breathless creativity. The sheer range and diversity of Werner's voice is on display once more on 'close-ups': restrained and bereft in Barbara Strozzi's \u003cem\u003eChe si può fare\u003c\/em\u003e, enigmatic in Errollyn Wallen's \u003cem\u003eTree\u003c\/em\u003e, radiant in Hildegard of Bingen's \u003cem\u003eO vis eternitatis\u003c\/em\u003eand quietly reflective in the singer's own nostalgic \u003cem\u003eLullaby for a sister\u003c\/em\u003e. Time appears to stand still during these points, especially in Julie Pinel's \u003cem\u003eSombres lieux\u003c\/em\u003e, in a hauntingly beautiful arrangement made by Werner's longtime musical collaborator and fellow performer, virtuoso double bassist Marianne Schofield. Nevertheless, one also hears moments of boundless, unrestrained energy, playfulness and an almost youthful exuberance, as encapsulated in the title-track -- an engagingly dynamic duet between voice and violin exhibiting the kind of vocal gymnastics and pyrotechnics that wowed listeners on Werner's first album ... 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class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-5e7b86f0-517e-40dc-b0e5-efac07f11ec5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 June 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34312\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 61:35\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 18-20 September 2023 at SJE Arts, Oxford\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover photograph: Raphaël Neal\u003cbr\u003eSession photography: foxbrush.co.uk \u003cbr\u003eBooklet \u0026amp; traycard design: Eliot Garcia \u003cbr\u003eBooklet editor: Henry Howard \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDelphian Records Ltd – Edinburgh – UK \u003ca href=\"https:\/\/www.delphianrecords.com\"\u003ewww.delphianrecords.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/i.shgcdn.com\/7d045910-bcda-418e-82f9-93a66a0237bc\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"204\" 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data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a102a69d47ef59242f1ea44\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ee353c8d-d71e-4383-ba8c-ded299f9a04f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6788d95c-18f8-4ed4-bc4c-d4f970e131c9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=hermes%20experiment*\"\u003eThe Hermes Experiment\u003c\/a\u003e’s third Delphian album is a meditation on nature, memory and change. Commissioned works and vivid reimaginings are complemented by new compositions by the ensemble’s members, exploring the human instinct to find emotional meaning in the natural world – in birdsong, trees, storms, stars … With its distinctive line-up of clarinet, harp, voice and double bass, the ensemble creates a soundscape by turns intimate, luminous and strange. Joy and grief, fragility and resilience sit side by side in a programme that feels both personal and elemental.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eTREE is a celebration of interconnectedness – between text and music, self and surroundings – brought to life by one of the UK’s most original chamber groups.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/abe11d54-b4e5-42ef-8e8c-57700c0fc855\/\" alt=\"\" width=\"442\" height=\"262\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-0aeaaff9-1bb4-4aeb-86d2-5204c9f409b4\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/tree\/1820458681\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-833c8cc8-40fc-4478-b815-799d9d062e1b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-833c8cc8-40fc-4478-b815-799d9d062e1b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ec006fc6-a102-4d3c-a812-30b46effae14-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-ec006fc6-a102-4d3c-a812-30b46effae14\" id=\"wrap-s-ec006fc6-a102-4d3c-a812-30b46effae14\"\u003e \u003cdiv class=\"s-ec006fc6-a102-4d3c-a812-30b46effae14 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-ec006fc6-a102-4d3c-a812-30b46effae14 shogun-image-container shg-align-center\" id=\"s-ec006fc6-a102-4d3c-a812-30b46effae14\"\u003e \u003cdiv class=\"shg-inner-inline-image\"\u003e \u003cdiv class=\"shg-image-overflow\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1200x\/ 1200w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/1920x\/ 1920w,https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/-\/resize\/2048x\/ 2048w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/c34ca5a0-6c4c-43d6-a1b9-4f5be0f1eec1\/-\/format\/auto\/-\/quality\/normal\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\" draggable=\"false\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-imageV3-content shogun-image-content-v3 shogun-image-content-not-linked\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgImageV3Elements\": { \"uuid\": \"s-ec006fc6-a102-4d3c-a812-30b46effae14\" }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a41204f1-2fc2-4e95-9330-532d6f7ac9a6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Every track here is a recording first, if only of the arrangements made, mostly, by members of The Hermes Experiment. Once more, the group has constructed an engaging programme that is challenging without alienating the ear, ranging across the centuries, from Elisabeth Jacquet de la Guerre’s \u003cem\u003eLes rossignols\u003c\/em\u003e (1694), arranged beguilingly by Marianne Schofield, to soprano-composer Héloïse Werner’s \u003cem\u003eThunder clears\u003c\/em\u003e, 330 years later ... \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe performances as always with this ensemble (whether on disc or live, say, in the Wigmore Hall) are impeccable. At times they feel like modern-day troubadours, exuberant, delightful, instructive, for instance in \u003cem\u003eLes rossignols\u003c\/em\u003e, Hannah Peel’s \u003cem\u003eThe Almond Tree\u003c\/em\u003e or Errollyn Wallen’s \u003cem\u003eTree\u003c\/em\u003e. Werner’s arrangement is superb ... Delphian’s sound is excellent.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"288\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-71d22747-ae94-4c0a-ba97-686c0f5e7855\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘The Hermes Experiment, an ever pioneering chamber group, has an unexpected instrumental lineup of clarinet, harp, voice and double bass. The voice is that of the French-British soprano Héloise Werner, as much performance artist as classical singer, who can turn herself at a blink into chanteuse, percussion section or yodeller extraordinaire.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"274\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9dbacffc-8ffe-4c2c-ae21-31b394f2536f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘This third album for Delphian examines nature, memory and change through their distinctive mix of specially written pieces and newly re-imagined existing music. The line-up naturally leads to textures that are fragile, elliptical and elusive, all centred around the infinitely flexible, versatile and intriguing vocals of Werner herself.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/\" width=\"175\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-729de349-a2de-4f86-abd8-a145b3cc186d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan data-fontweight=\"Normal\"\u003e‘\u003c\/span\u003e\u003cspan style=\"font-weight: normal;\" data-fontweight=\"Normal\"\u003e\u003cspan class=\"dcr-15rw6c2\" style=\"color: var(--drop-cap);\"\u003eT\u003c\/span\u003ehe third album from \u003ca href=\"https:\/\/www.thehermesexperiment.com\/\" data-link-name=\"in body link\"\u003ethe Hermes Experiment\u003c\/a\u003e again shows what a liberating force in contemporary music this ensemble have become. Beautifully thought through and rewardingly eclectic, Tree begins in a melancholy but open style with Islands by Marianne Schofield, the ensemble’s bassist, and ends with the title track by \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/mar\/05\/errollyn-wallen-top-of-the-pops-master-of-the-kings-music-proms-belize\" data-link-name=\"in body link\"\u003eErrollyn Wallen\u003c\/a\u003e, unfolding over a steady bass like something by Purcell.’\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eErica Jeal - Guardian\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eFIVE STAR REVIEW - \u003ca href=\"https:\/\/www.theguardian.com\/music\/2025\/oct\/09\/the-hermes-experiment-tree-album-review\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c04e182e-4902-479f-a8c3-bc88bb06eb2b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 28px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'There is a tremendous amount of human energy channelled into this floating, weaving, searching, tonally ambiguous and faintly jazz-coloured music, even beyond the warmer central section, with its depiction of ‘remembering feeling alive’.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(24px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2d75d9c2-64d7-467a-b936-627fc27a4633\/\" width=\"128\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(14px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 29px;\"\u003e\u003ca href=\"https:\/\/dcsaudio.com\/edit\/classical-choices-november?fbclid=PAQ0xDSwOm3kpleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaeLATGcw5FMhKQVbZ3eASAykTbGyUa6gihD1fSsnY9HO_xun4US6thHHNsZtg_aem_O7sI2VUv364GyThI4V2YQg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e365db80-1430-4c67-ab5d-21c11d893629\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Nature and music are potent bedfellows. Think of Beethoven or Mahler. Or to play a more contemporary hand, go to highly-creative ensemble The Hermes Experiment. Their latest album, Tree, explores almost exclusively some of today’s composer’s responses to the natural environment and its emotional influence. Needless to say, the outcome is expressively wide-ranging, from sadness to joy, unspoken intimacy to shared elation - indeed, a universe of sensitivities channelled via this enterprising four-piece ensemble, largely in their own thoughtful arrangements and fronted by the extraordinary vocal agility of soprano Héloïse Werner. There’s music by South African cellist Abel Selaocoe (the elemental vocalisations of Buhle Bendalo), the fitful theatrics of Laura Moody’s Rilke Songs and the improvised playfulness of Werner’s own Thunder Clears, the magical solitude of Hermes double bassist Marianne Schofield’s Islands, and much more besides. The concluding title track by Errollyn Wallen is an aptly tantalising discourse in contradictions.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"246\" height=\"70\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 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id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3eadf160-23a5-4835-a410-b6ff80d0bdd8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eRecorded on 24-26 November 2024 in SJE Arts, Oxford \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: inherit; font-size: 18px; letter-spacing: normal; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003eBooklet editor: Henry Howard \u003cbr\u003eCover image: Raphaël Neal \u003cbr\u003eSession photography: Will Coates-Gibson\/ foxbrush\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-box-vertical-align-wrapper\"\u003e \u003cdiv class=\"shg-box shg-c \" id=\"s-34a19431-3c70-4ea2-989b-21b67bdd8800\"\u003e \u003cdiv class=\"shg-box-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"shg-box-content\"\u003e \u003cdiv id=\"s-f3e5dd44-4979-4c3b-959c-2692394f6d35\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" 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shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eHannah Peel: \u003c\/strong\u003eThe Almond Tree\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-aa4104a1-8f0b-4db5-bb84-344adda89c03\" class=\"shg-c \"\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cmeta name=\"viewport\" content=\"width=device-width, initial-scale=1.0\"\u003e \u003ctitle\u003eApple Music Style Audio Player\u003c\/title\u003e \u003cstyle\u003e\n\/* Styles for the audio player *\/\n.audio-player {\n width: 300px;\n background-color: #f5f5f5;\n border-radius: 10px;\n overflow: hidden;\n box-shadow: 0 2px 4px rgba(0, 0, 0, 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data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"68b2eae168209a5cfe3332fd\" data-shogun-page-version-id=\"69e21cec894560bee8ed48c5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"69e21cec894560bee8ed4a18\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-22450ede-9489-47aa-a3a7-c0ca3ff23a6f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f0b817c4-959c-4baf-b75a-77490a200815\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal; font-family: inherit; font-weight: normal;\" data-letterspacing=\"Normal\" data-fontfamily=\"(Default)\" data-fontweight=\"Normal\"\u003emiré is the meeting of three fearless musical minds: soprano\/composer Héloïse Werner, pianist-organist\/composer Kit Downes, and cellist\/composer Colin Alexander. In \u003cem data-start=\"549\" data-end=\"560\"\u003eRevelries\u003c\/em\u003e—their debut EP—the trio dissolve boundaries between voice, organ, and cello, weaving a soundworld that is by turns playful, intricate, and startlingly original. Featuring new works by the three performers alongside text pieces by Jasmin Kent Rodgman and Jonathan Cole, the music revels in collision and transformation: ideas expand, unravel, and re-form in unexpected ways. Virtuosic vocals, shimmering organ textures, and mesmerising cello sonorities entwine in an intimate conversation amongst long-time collaborators whose creativity thrives on risk, listening, and reinvention.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-34dd3f64-f205-49da-ac51-dac4d74be5d7\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/revelries-ep\/1843102316\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-aacb8510-0804-49aa-8701-f179b21e2287\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7a5c4f01-48c7-4a0a-bd19-9671df79576a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e‘One could easily apply the moniker ‘supergroup’ (or super-ensemble) to miré (...) What marks out miré from other contemporary music ensembles is their clear and shared sense of collective ownership over aspects of performance virtuosity, composition and improvisation. (...) the result is always compelling, absorbing and engaging’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"325\" height=\"47\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eRead the review \u003ca href=\"https:\/\/www.gramophone.co.uk\/reviews\/revelries\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d9a08aea-416e-4702-b678-3f5b8621bff0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e'Part of Revelries’ appeal is the range of sonorities on display, the pitch gap between voice and cello filled by Downes’ organ. How these pieces were created isn’t revealed, the group’s three members sharing compositional credits on three of the five tracks. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eI was beguiled by “Moonrise”, where cello and organ are joined by ecstatic vocal birdcalls, and Jasmin Kent Rodman’s “LaGo” is a tour-de-force for Werner, dispatching a frenzied stream of syllables over ecstatic organ swirls. Jonathan Cole’s title track is a delectable piece of night music, and the closer, “Searching Sleep” has a gorgeous, otherworldly opening, an angular line spoken by the three voices in unison as if they’re performing a baroque sacred work. Revelries is invigorating and entertaining – do investigate'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/5a516778-ee65-403e-b420-5140beb67764\/\" alt=\"\" width=\"182\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eRead the full review \u003ca href=\"https:\/\/theartsdesk.com\/classical-music\/classical-cds-coffins-cornetts-and-clangour\" target=\"_blank\" rel=\"noopener\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-691e66e6-67fb-434a-8e65-663619b3662a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'The French-born, UK-based soprano and composer Héloïse Werner is a performer of striking ingenuity. She uses every natural tool at her disposal – not just vocal cords but face and hands – to make sounds, from percussive to unearthly to yelps and yowls to the purely lyrical. On her EP Revelries, with regular collaborators Kit Downes (organ) and Colin Alexander (cello), an unusual mix of timbres collide and overlap with strange radiance. You have to hear these extraordinary talents to understand how they spin unexpected noise into affecting music.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/\" width=\"250\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7201e152-1d6a-465d-97b5-1dc0ff8c2f86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'For all its sunken atmosphere and knotty texture, there is something carnivalesque about \u003cem\u003eRevelries\u003c\/em\u003e, the debut album from Miré: an upturning of expectations, a pleasure in sound-making for its own sake. The group, consisting of vocalist Héloise Werner (of The Hermex Experiment), plus organist Kit Downes (a regular collaborator with John Edwards, Lucy Railton and others) and cellist Colin Alexander (Phaedra Ensemble), have been playing together for some years, but this is their first recorded release. It features one composition apiece by the three members, plus interpretations of text scores by Jasmin Kent Rodgman and Jonathan Cole. Tracks sound wild and apoplectic one minute, spectral and atmospheric the next. But what’s surprising, given the diversity of compositional voices, is how cohesive the record comes across. This is a group with their own distinct sound. \u003cem\u003eRevelries\u003c\/em\u003e is restless and urgent, fractured and playful. If you’re familiar with Erner, Alexander and Downes’ other projects, you’ll recognise their individual voices straightaway, but you’ll also recognise something else. One thing’s for sure: this isn’t your average chamber ensemble.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 19px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/efb7854c-b4e1-432a-a0b6-8235974b04f4\/\" width=\"190\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 0px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eThe Best Albums and Tracks of February 2026\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n {\n \"__shgSlider\": {\n \"id\": \"#slider-s-aacb8510-0804-49aa-8701-f179b21e2287\",\n \"intervalTime\": 5,\n \"autoplay\": false,\n \"pauseOnHover\": false,\n \"transition\": \"animate__noAnimation\",\n \"interval\": null\n }\n }\n \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e7e0b8d1-7edc-4cb1-9820-b132339b72db\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 16 January 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 24:59\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 21-22 August 2025 in Luisenkirche, Berlin, Germany\u003cbr\u003eProducer\/Engineer: Martin Ruch\u003cbr\u003eAssistant Engineer: Hans Bilger\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"im\"\u003e24-bit digital mixing \u0026amp; mastering: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":55691936006524,"sku":"DCD34357","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/mire-revelries-cd-delphian-records-450831.jpg?v=1756568253"}],"url":"https:\/\/www.delphianrecords.com\/collections\/heloise-werner\/oliver-pashley.oembed","provider":"Delphian Records","version":"1.0","type":"link"}