{"title":"Baroque","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ec651abba5e580056e93b12\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ec651abba5e580056e93b12\" data-shogun-page-version-id=\"5ec651abba5e580056e93b11\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"5ec651abba5e580056e93b13\" data-region=\"main\"\u003e\n  \n\n\u003cdiv id=\"s-5e50c0bd-47cf-46e9-ad8e-7a5905df8d92\" class=\"shg-c  \"\u003e\n  \n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n","products":[{"product_id":"dcd34001","title":"Instruments from the Russell Collection","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e944561aadb5a005877a4ee\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e944561aadb5a005877a4ee\" data-shogun-page-version-id=\"6615a29422288c0112f8aefb\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615a29422288c0112f8b035\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f51a807f-9b46-420e-bf48-c2236c631fb8\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-ee5f68b6-ae8d-4a25-b50c-ab41ecd8e3ca\" role=\"tab\" aria-controls=\"panel-ee5f68b6-ae8d-4a25-b50c-ab41ecd8e3ca\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-892b4592-afac-4510-8220-382b105aaa03\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDelphian’s first release: a stunning recital on a variety of keyboards from Edinburgh’s venerated musical museum. Repertoire includes works by Byrd, Bach, Handel, Scarlatti, Greene, Couperin and Forqueray. Photographs and descriptions of all nine instruments enhance the booklet. An essential purchase for early keyboard enthusiasts worldwide.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-ee5f68b6-ae8d-4a25-b50c-ab41ecd8e3ca\" role=\"tabpanel\" aria-labelledby=\"tab-ee5f68b6-ae8d-4a25-b50c-ab41ecd8e3ca\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0ec3a1df-f036-44b0-831e-7d07ba416e45\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/fffd8fc7-4a00-472f-8fbe-f7cafa0d99d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-0ec3a1df-f036-44b0-831e-7d07ba416e45\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6a4e9983-650e-457c-8d4e-d87b45ce854d\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6a4e9983-650e-457c-8d4e-d87b45ce854d\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0cd04417-dc31-4d83-b5d7-0cf77af54428\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"a recital that is both entertaining and instructive\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1dff3ad3-a19d-4908-8cf5-33be7c084bc0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"I have had much enjoyment from this disc and happily recommend it, not only to lovers of old keyboard instruments, but also on account of the music, which includes a number of striking and unusual items. The booklet gives a history (and a photograph) of each instrument and notes on the music. The recording, admirably clear and with a natural sound, is excellently managed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"228\" height=\"77\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-34c2ad67-4b10-4f8c-98f9-b4ace02139ac\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"\u003cspan class=\"s1\"\u003eKitchen shows them at their best in performances of Bach, Couperin, Clementi and others.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"253\" height=\"51\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0b0ec930-0b27-4ecb-b2b6-53ed2f2cd337\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Nine instruments from one of the world’s most impressive collections of early keyboard instruments featured on one CD is indeed a treat. To have them played by the Liberace of the keyboard, John Kitchen, is simply the icing on the cake.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSCOTLAND ON SUNDAY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-36629c68-7812-4633-82d3-965c10cf3ca0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The CD amply displays Kitchen’s talents across the range of instruments and repertoire and makes fascinating listening for early keyboard enthusiasts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eBRITISH HARPSICHORD SOCIETY\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-236827e8-76aa-41f5-9e70-ce0d0bd71569\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"Delphian has produced a valuable record of an important keyboard collection, which will serve both as a memento for visitors and a record of the instrument for players and instrument makers.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ff25b259-19d4-4c4c-8231-c9419232b88c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eOne of the keys to the success of this sort of encyclopaedic recording is the choice of repertoire, and an intriguing selection of familiar and very unfamiliar repertoire demands undivided attention, while superlative performances make this a thoroughly rewarding enterprise.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC FORUM OF SCOTLAND\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6a4e9983-650e-457c-8d4e-d87b45ce854d\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4d4b7310-d0d5-4e9f-ab2c-0bd8a74f4301\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 17 April 2001\u003cbr\u003eCatalogue No: DCD34001\u003cbr\u003eTotal playing time: 1:15:53\u003cbr\u003e\u003cbr\u003eRecorded on 15 and 18 December 2000 at St Cecilia's Hall, Edinburgh\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover photograph: Kevin Findlan\u003cbr\u003eSession photography: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296354910294,"sku":"DCD34001-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/instruments-from-the-russell-collection-cd-delphian-records-144564.jpg?v=1606214809"},{"product_id":"dcd34011","title":"Les plaisirs les plus charmants","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea86a3258f331005672e1a9\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea86a3258f331005672e1a9\" data-shogun-page-version-id=\"6615aa317e57ab011221f56b\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6615aa317e57ab011221f68e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-86f3b97b-20e7-4bb4-a69e-499aef819208\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-09489a27-27dd-409b-8cf4-3fc92e4baa2d\" role=\"tab\" aria-controls=\"panel-09489a27-27dd-409b-8cf4-3fc92e4baa2d\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-4127123d-4262-43a9-86d8-22b58ac61040\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFrom its earliest beginnings, the five-course Baroque guitar was associated – for better or worse – with dance music, becoming the sensuous younger cousin of the lute or vihuela. In this mélange of music from seventeenth-century France, some of it recorded for the first time, and performed on baroque guitars including an original historic instrument from the Edinburgh University Collection of Historic Instruments, Gordon Ferries weaves a tapestry of sound that is at once elegant, earthy, and utterly timeless.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-09489a27-27dd-409b-8cf4-3fc92e4baa2d\" role=\"tabpanel\" aria-labelledby=\"tab-09489a27-27dd-409b-8cf4-3fc92e4baa2d\"\u003e \u003cdiv id=\"s-cbed8b23-5cd5-4769-a1ce-80f42ddc8cef\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/les-plaisirs-les-plus-charmants\/1561272077?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-8c64dee3-78ab-40c5-970e-b59378ef135c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-8c64dee3-78ab-40c5-970e-b59378ef135c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a7b921ad-47c1-429c-9ca5-0e0dcedc2675\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Delicately poised playing\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f81e0d17-5101-4a3e-95bd-8b3382312397\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003eI have nothing but praise for Gordon Ferries’ musicianship, care and determination to present this music, mostly for the first time for two hundred and fifty years, to a modern audience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"260\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-863ee5ea-287b-436f-8161-3f104a0e3b07\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eThis is the most satisfying recording of baroque guitar music to have come my way in the last year or so, one which demands to be sat down and listened to, rather than used as musical wallpaper. It is to be hoped that Ferries soon has further opportunities to present us with more of this repertoire.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eLUTE NEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8d4e3caa-034a-48ef-a243-009fc63f2a71\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eScots guitarist Gordon Ferries, however, is an expert in his field, and picks his way stylishly on period instruments through the selection of suites, chiaconas and other sundry numbers.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"253\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7197cc40-35b5-428d-88ea-77436ad2630d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eStylish and accessible baroque from an exponent whose star is in the ascendant.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eCLASSICAL GUITAR\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-38c9d814-e751-4b1e-a073-8636b13c472a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003eFrom the early 17\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e century, the lute lost ground to the baroque guitar, to the horror of both lutenists and moralists, and Gordon Ferries’ Les Plaisirs les plus charmants shows off its rival seductions, from the delicacy of suites by de Visée and the less well-known Grénerin and Médard, and charming arrangements of works by Marais, Campra, Lully and Couperin, to the show-stopping virtuoso strummed chaconnes by the great Francesco Corbetta. Very good playing, and an excellent booklet essay.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC TODAY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-8c64dee3-78ab-40c5-970e-b59378ef135c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-883c809f-9d31-4761-9c36-8c33a720734c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 1 July 2003\u003cbr\u003eCatalogue No: DCD34011\u003cbr\u003eTotal playing time: 1:12:07\u003cbr\u003e\u003cbr\u003eRecorded on 2-4 January 2003 at Reid Concert Hall, Edinburgh\u003cbr\u003eProducer: \u0026amp; Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Kevin Findlan\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003eCover image: Rémy Médard, Sarabande from Suite in G minor Pièces de guitarre, 1676 (Courtesy Editions Minkoff, Geneva)\u003cbr\u003eSession photography: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355434582,"sku":"DCD34011-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/les-plaisirs-les-plus-charmants-cd-delphian-records-692302.jpg?v=1606225133"},{"product_id":"dcd34012","title":"François Couperin: La Paix du Parnasse","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ea94c8876a7be00512590de\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ea94c8876a7be00512590de\" data-shogun-page-version-id=\"647dfb96f889ba00df3e60d4\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"647dfd46e1584300e4a1cb29\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f7511cd0-d5f7-401a-af7e-365c6710030a\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f55ba573-6ff9-45db-96dd-1ae460518cb1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThough much of Couperin’s harpsichord music was written for a solo instrument, he composed a small number of pieces for two harpsichords, somewhat in the manner of a trio sonata.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLucy Carolan and John Kitchen pair their considerable talents on two of the world’s most exquisite original French instruments, the 1769 Pascal Taskin and the 1764\/83 Goermans\/Taskin double-manual instruments in the Russell Collection of Early Keyboards. This unique and unforgettable recital is a must-have for enthusiasts and serious Baroque connoisseurs alike.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-ed088c03-8d15-4cb7-992f-3dae1062c69f\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/fran%C3%A7ois-couperin-la-paix-du-parnasse\/1561283294?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-0785dc65-4512-49ae-9fae-641fd07275b8\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-0785dc65-4512-49ae-9fae-641fd07275b8\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-689ad334-4a9a-4126-9a59-173784da6109\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The lively mind evidenced in Lucy Carolan’s excellent booklet note is mirrored in these performances, which abound in vigour\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e5de2fab-6335-49b7-b164-55e3ba9ce046\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"A fabulous collection, a riot of colour and texture\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7dc3fd54-02bc-406b-a6d1-ba912b920ceb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Carolan’s booklet notes, informal yet informative, bring delight and add to the attractions of a winning release\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"175\" height=\"54\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b35bf50f-2c01-4fa3-8bf0-85f9af8774ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"s1\"\u003e\"Recorded in the marvellous acoustic of St Cecilia’s Hall in Edinburgh, this recital by two of Scotland’s leading harpsichords has me reaching for the superlatives...\u003c\/span\u003e\u003cspan class=\"s1\"\u003eI would strongly advise anyone with an interest in French harpsichord music to invest in this terrific disc – you couldn’t hope for better performances.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC FORUM OF SCOTLAND\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-0785dc65-4512-49ae-9fae-641fd07275b8\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-33455579-6f2e-44c3-9c91-7b3ced1b9f82\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 1 November 2003\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:04:20\u003cbr\u003e\u003cbr\u003eRecorded on 2-4 September 2002 at St Cecilia’s Hall, Edinburgh\u003cbr\u003eProducer \u0026amp; Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Paul Baxter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign \u0026amp; cover image: John Christ\u003cbr\u003eBooklet editor: Kevin Findlan\u003cbr\u003eSession photography: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355467350,"sku":"DCD34012-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/francois-couperin-la-paix-du-parnasse-cd-delphian-records-187200.jpg?v=1606219899"},{"product_id":"dcd34021","title":"Pachelbel: Organ Works","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9dacf842562200517f61bd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9dacf842562200517f61bd\" data-shogun-page-version-id=\"6495bd8246006a4be3842067\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6495bd8846006a4be38421aa\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ffa261ef-8403-4d49-a6d1-2cce9804ae96\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-d6330240-96c5-4cd9-8e2e-12d6ab46892b\" role=\"tab\" aria-controls=\"panel-d6330240-96c5-4cd9-8e2e-12d6ab46892b\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-48c469ad-a44f-4f20-98ec-04a8e5af9349\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eRevered teacher, organ virtuoso, master of counterpoint, devotee of the chorale, enthusiast for the Italian forms, pathfinder and worthy predecessor of Bach: Johann Pachelbel is a composer ripe for re-evaluation, and Matthew Owens presents a selection of his works on the UK’s only Ahrend organ, an instrument of exceptional refinement. The voicing is direct and clear yet full of subtleties, and is heard to best effect in this completely satisfying union of instrument, repertoire and performer.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-fdc13e7f-b51f-408f-8ceb-f91bcbec4046\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/johann-pachelbel-organ-works\/1561278376?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-fb265c32-d3fb-40c8-b078-c7474db6b613\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-fb265c32-d3fb-40c8-b078-c7474db6b613\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3c8395bf-8f1e-4ac3-9e08-a84b02070b2b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"The UK's only Ahrend proves itself an articulate advocate for Pachelbel … vivid recorded sound adds to the pleasure\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7396d03e-ad2d-4af4-af7a-cdefec01baf9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"105\" height=\"47\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3847c9ba-86da-493b-8afc-3781ede7ebd2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This rigorously compiled tribute to Johann Pachelbel, featuring former Edinburgh cathedral organist Matthew Owens, opts sensibly for the German Baroque-style Ahrend organ in Edinburgh University’s Reid Concert Hall, where its relative isolation and direct acoustics provide an excellent recording environment. Owen’s dynamically articulated performances and sensibility of phrasing continually open the ears to the inventiveness of Pachelbel’s Italian-inspired music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"337\" height=\"68\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-25c75def-b68c-44a6-a7e1-98627b6d2f69\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eThe Ahrend organ comes across as a characterful and full-voiced instrument, while Matthew Owens, formerly Master of Music at St Mary¹s Episcopal Cathedral, Edinburgh, is a gifted and imaginative player, showing the wide range of the organ¹s timbres to full advantage. A final plaudit is due to the Delphian sound engineers for yet another crystal clear recording, not always the easiest thing to achieve in the case of the organ.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC FORUM OF SCOTLAND\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-587b8c68-1336-49cd-b448-dea80075a397\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eOwens also proves to be a very assured performer of this repertoire, with a thoughtful approach to touch, articulation, registration and interpretation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5bdab1d2-165d-4f8e-b6fe-c0e2a88657cb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eIt doesn’t get better than this! I do hope that this CD will stimulate more interest in Pachelbel’s organ music, more performances and more recordings. I recommend this disc most highly on all fronts. It should be on any organ music lover’s rack, both as a way of ensuring a comprehensive collection and as wonderful music, brilliantly performed, in its own right.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eTHE ORGAN\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-35338e95-daf3-4c1c-8a52-9ed55afe0082\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eThere's plenty to feast upon here starting with the opening Toccata and Fugue in B minor, followed by ten Magnificatfugen, a host of toccatas, fugues, and the occasional chorale prelude, all adding up to seventy-six minutes of playing time...There's some tidy playing from Matthew Owens who has also had to get his feet around a straight pedal board. There are some clever registrations on this bright continental-sounding instrument at Edinburgh University which was built in 1977-8 by the north German Jurgen Ahrend, and is ideal for organ music of this period.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eCHURCH MUSIC QUARTERLY\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-fb265c32-d3fb-40c8-b078-c7474db6b613\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-d6330240-96c5-4cd9-8e2e-12d6ab46892b\" role=\"tabpanel\" aria-labelledby=\"tab-d6330240-96c5-4cd9-8e2e-12d6ab46892b\"\u003e \u003cdiv id=\"s-fcd4d854-4ab6-47a7-a788-e01978e3109b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 18 June 2007\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34021\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:16:42\u003cbr\u003e\u003cbr\u003eRecorded on 16-17 November 2004 at the Reid Concert Hall, Edinburgh\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003cbr\u003eEngineer: David Strudwick\u003cbr\u003e24-bit digital editing: Adam Binks\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Margareta Jönsson\u003cbr\u003ePhotography: Dr Raymond Parks\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296355860566,"sku":"DCD34021-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/pachelbel-organ-works-cd-delphian-records-792152.jpg?v=1606215288"},{"product_id":"dcd34028","title":"William Turner (1651–1740): Sacred Choral Music","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eaff3cdf58f39004ffc2f47\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eaff3cdf58f39004ffc2f47\" data-shogun-page-version-id=\"67ab699aa43a691bf465ace4\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab699aa43a691bf465ae0a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ebd0222a-9677-42fb-82bb-afab0556fd42\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a04fbc84-87a8-4f05-8be1-3bfd6012b9a6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIt is easy to forget that our great English choral tradition was once silenced by Act of Parliament. The subsequent restoration of the monarchy in 1660 ushered in one of the finest periods of English music, and William Turner, in 1660 a precocious nine-year-old, went on to become one of the best-known composers and singers of his day. This disc presents a cross-section of his sacred music, including several premiere recordings.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-85bc4973-cb8c-4591-b7f5-0ed89bc8f513\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/william-turner-sacred-choral-works\/1559616777?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-393141a4-d085-4359-ac71-f8fba14fa515\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-393141a4-d085-4359-ac71-f8fba14fa515\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5f4618c7-fdb4-47fc-a3ee-c9ba7b1bb66a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Geoffrey Webber and the Gonville and Caius Choir present Turner as a composer who sits at the solar plexus of a rebuilt and confident English tradition… The results are invigorating and highly persuasive. With the strong advocacy and zest of Caius joined by a highly responsive Yorkshire Baroque Soloists (mainly leading London players), Turner will find friends.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-27bb32ea-b63c-4f20-8436-5dd83b889d65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Geoffrey Webber’s choir sings with greater passion than most of its Oxbridge rivals.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f87c556f-4f6a-4c91-ad87-23942a60489a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eWe hear impressive craftsmanship, particularly where the rich choral sonorities are woven around instrumental accompaniments, played crisply by the stylish Yorkshire Baroque Soloists. The performances are passionate; the music well worth an airing.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"201\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3080e591-d794-4886-ba53-bf46a62e8340\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eAll in all I recommend this disc without hesitation. Considering the lack of recordings of Turner's oeuvre this recording is very important, and the quality of the music justifies the efforts of everyone involved. I sincerely hope more of Turner's music shall be recorded – and performed live! – in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"240\" height=\"81\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c0f48dcc-81b1-488e-8cfc-bcd97b0408d4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eGeoffrey Webber is to be congratulated on some fine performances, aided by excellent programme notes. Highly recommended for the contribution that the CD will make to our understanding of music of the period, and for some interesting and at times lively music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTHE ORGAN\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f491d5a9-f7d1-4cf0-a711-768da4e3c604\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003eThe performers give a good account of his versatile output, ranging from straightforward verse anthems to a grand, 18-minute Te Deum, with stylish trumpet and string playing, and solo groups and choir alternating to fine effect in a Purcellian manner.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7396d03e-ad2d-4af4-af7a-cdefec01baf9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"179\" height=\"80\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9304da65-2320-4ad0-8977-20ec5bb36673\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eGeoffrey Webber and the Caius choir have done a great service in making such a fine recording of his music. Choir and soloists sound fabulous, and the instrumental playing is vibrant and stylish. The recorded sound is warm and clear - this is a great disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC TODAY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-eb324783-0e11-4b47-86e1-b83b2f491f08\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fascinating programme performed to the highest standards.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCHURCH MUSIC QUARTERLY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-393141a4-d085-4359-ac71-f8fba14fa515\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1f0816b3-61f0-4ada-93a3-a2e1cce9611b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 18 June 2007\u003cbr\u003eCatalogue No: DCD34028\u003cbr\u003eTotal playing time: 1:06:14\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 1-4 July 2006 at Pembroke College Chapel, Cambridge\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEngineer: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover image: Entry of Charles II to London on the occasion of his Restoration in 1660; Courtesy of Guildhall Library, City of London\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296356843606,"sku":"DCD34028-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/william-turner-1651-1740-sacred-choral-music-cd-delphian-records-989458.jpg?v=1606218122"},{"product_id":"dcd34031","title":"Pachelbel: Organ Works Vol II","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9dc03a42562200548288cf\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9dc03a42562200548288cf\" data-shogun-page-version-id=\"6495d00346006a4be38b01ac\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6495d0491073241eb4f6d668\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f9fdf53b-06bf-48e6-9d31-94c8905da0a3\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-b3ead535-ff72-4944-9468-8cc40004d177\" role=\"tab\" aria-controls=\"panel-b3ead535-ff72-4944-9468-8cc40004d177\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-cec9c9f0-feae-4c31-8af7-08b951a481fc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMatthew Owens, now Organist and Master of the Choristers at Wells Cathedral, continues his survey of Johann Pachelbel’s organ music on British instruments. For volume II, Owens has chosen the Frobenius organ of Edinburgh’s Canongate Kirk, renowned for its intimacy and fine pedigree. Its sophisticated tones and colours are heard here in the service of Pachelbel’s devout and wide-ranging inspiration.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-b3ead535-ff72-4944-9468-8cc40004d177\" role=\"tabpanel\" aria-labelledby=\"tab-b3ead535-ff72-4944-9468-8cc40004d177\"\u003e \u003cdiv id=\"s-7d7796f7-2a2b-4988-9701-28ba325f295e\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/johann-pachelbel-organ-works-vol-ii\/1561290266?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-48bacc27-46a4-4b6d-99ce-5fa4dd54df2d\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-48bacc27-46a4-4b6d-99ce-5fa4dd54df2d\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6fd7723c-6f43-4b59-ac16-847dc8f09d20\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"No reservations at all about Matthew Owens's first-rate playing. His articulation and ornamentation are always stylistically appropriate and he has the knack of choosing tempi which feel exactly right.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-04db3863-7cfc-4e80-8fab-6f953022331d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"this is a pleasant listen and collectors of organ music will want to investigate further.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eCROSSRHYTHMS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-94dbe9a5-76ae-4564-9b70-44ffd660a609\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"\u003cspan class=\"s1\"\u003eOwen’s unaffected performances strike a pleasing and delicate balance between intellectual rigour and expressive insight.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"264\" height=\"75\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d7428e68-d4c8-4306-bf54-2c4680d98f01\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003eI recommend this disc most highly, both for the performances and the rich repertoire that, thanks to Owen and Delphian, we are now getting to know properly.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTHE ORGAN\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0638eb25-89e1-4654-966c-233c2a3e1f94\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003ePachelbel’s engaging and inventive music is performed on this disc by an organist who communicates both its lyricism and its ingeniousness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCHURCH MUSIC QUARTERLY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5b0d0d0b-41b9-41c0-b952-fd05bad2ad2c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"\u003cspan class=\"s1\"\u003eMatthew Owens is a very impressive player – and so he should be, given some of his teachers. He applies a clear articulation to individual notes and has a pleasing sense of pulse and rhetoric, applying a gentle lilt to key notes (avoiding mannered over-stressing of each barlline).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\" style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-48bacc27-46a4-4b6d-99ce-5fa4dd54df2d\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-cf45449b-0a78-48c9-9d69-9f1cc596f79b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 29 September 2008\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34031\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:12:01\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 13-14 October 2005 at Canongate Kirk, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296357335126,"sku":"DCD34031-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/pachelbel-organ-works-vol-ii-cd-delphian-records-988716.jpg?v=1606222137"},{"product_id":"dcd34036","title":"Gaspar Sanz: La Preciosa","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb0086331032300520e02b3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb0086331032300520e02b3\" data-shogun-page-version-id=\"64999f5ac352c400d5d1be8f\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"64999f97afc36e00ecd55384\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-abbeeb5e-9e04-4557-899c-1acb7bd97229\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-aa92ff7a-28af-49a2-815d-377a53ac0125\" role=\"tab\" aria-controls=\"panel-aa92ff7a-28af-49a2-815d-377a53ac0125\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ef3f8537-0821-48e4-8974-3d3a42a6f8bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eGordon Ferries visits the music of seventeenth-century Spain’s fiery streets. It was a time when the five-course guitar engendered a sense of abject horror in the morally inclined on account of its associations with popular ballads, taverns, criminality, sensuality and in particular with dancing. Ferries evokes the period with panache and breathtakingly virtuosic flair.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-aa92ff7a-28af-49a2-815d-377a53ac0125\" role=\"tabpanel\" aria-labelledby=\"tab-aa92ff7a-28af-49a2-815d-377a53ac0125\"\u003e \u003cdiv id=\"s-a28b7f34-0ae2-4a07-9066-ca8175e872dd\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/la-preciosa-the-guitar-music-of-gaspar-sanz\/1561289681\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-2a4a0e61-7a30-4633-9a89-f021087010e3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-2a4a0e61-7a30-4633-9a89-f021087010e3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d33495d1-3c8e-4250-b567-fa39add28f31\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cem\u003e\"Sanz’s music exudes Spanish fire from every pore, and it is this exotic but nebulous quality that Ferries captures to perfection\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1252aa0e-c76f-419e-9d28-a421fd6316b6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Ferries achieves an astonishing array of moods and emotions…at once crisp, stylish, and fun. This is a disc to listen to again and again\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eEARLY MUSIC AMERICA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d9486861-b1b7-427a-a9a8-2c6684513734\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Ferries’s richly detailed booklet-notes echo his recital by being a perfect blend of facts, intellectual speculation and gentle humour; indeed, the package gives you an insight into a cultural milieu where things weren’t so different from ours after all.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"320\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-edc46152-9131-464c-88ff-a0c7c2587fa5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"I found this disc both entertaining and enlightening for the window it provides on seventeenth-century music and musical practice. I think you will too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAUDIOPHILE AUDITION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f49ce31b-1723-44a5-831e-31c98cff3f29\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Gordon Ferries's brilliant disc on the Scottish Delphian label should win at least a few converts. Don't be put off, if you're not particularly a fan of baroque music, by the typical titles of the period that pepper this collection: Passacaglias, Sarabandes, Chaconnes, and so on. There is an unmistakable Mediterranean feel to the music, whether stately or solemn pieces; and the livelier numbers positively sizzle.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"134\" height=\"48\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2db12c8f-e1ba-44a5-8130-f6d30d3be29f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"The instrument has a distinctive timbre and Ferries, from Edinburgh, is a persuasive advocate on yet another offbeat issue from Inverness-born Paul Baxter’s enterprising label. Using his nails to produce a ringing tone, Ferries has a clean sound and a nimble style, playing this late 17th century music with a flourish and the occasional percussive rap on the body of his guitar.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eINVERNESS COURIER\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3c4aad94-0e80-4a21-b3c7-4d6c5aa7a43e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Every note is clearly defined throughout the compass, and this is enhanced by the resonant acoustic of the venue where the music was recorded. It seems almost incredible that on an instrument apparently limited in resources, the music sounds so satisfying. An object lesson to everyone, past and present, who has regarded the guitar with its re-entrant tuning as a poor relation of the lute. Definitely my disc of the year for 2005.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eLUTE NEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d5af21ee-b03f-441a-8060-286c3005890e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"As he expertly manoeuvres his way through the various dance forms, Ferries is obviously having the time of his life and his enthusiasm for the music shines through this disc on every track. Anyone who is not a particular enthusiast of this period of music could easily be swayed by listening to this superb disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCLASSICAL GUITAR MAGAZINE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-edf66540-5eb6-472e-85b1-1102b3a7dce6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"gives the music a spontaneous quality all by himself through his interpretations, where improvisation seems to shade seamlessly into performance from the score.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAMERICAN RECORD GUIDE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-2a4a0e61-7a30-4633-9a89-f021087010e3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e212005e-c376-415d-88bb-045d7e42c3d2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease Date: 1 October 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCatalogue No: DCD34036\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 1:06:17\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecorded on 2-3 January 2005 at Colinton Parish Church, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eDesign: Margareta Jönsson\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCover image: Matthew Hollerbush \/ CORBIS\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eSession photography: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296358318166,"sku":"DCD34036-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/gaspar-sanz-la-preciosa-cd-delphian-records-599023.jpg?v=1606215785"},{"product_id":"dcd34039","title":"Instruments from the Russell Collection Vol II","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb011111827560052acd521\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb011111827560052acd521\" data-shogun-page-version-id=\"6499a3bec352c400e9d26719\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499a3fcafc36e00ecd70241\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-141a8911-05f7-46b0-ade2-fe3ec7e15151\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-58f0241d-b6cc-42d5-8041-8eee4fae5d7c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEdinburgh University’s Russell Collection is one of the world’s finest collections of early keyboard instruments. The second volume in John Kitchen’s ongoing project to bring its musical exhibits to life matches music by Handel, Purcell, the Scottish composer Robert Bremner and others including Mozart’s son Franz Xaver with a gloriously vigorous menagerie of spinets, virginals, chamber organs, clavichords and harpsichords.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-daff995f-6958-4019-a8d8-4236560f43f6\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/instruments-from-the-raymond-russell-collection-volume-2\/1561271901?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-faf479ba-772a-4f69-bb1f-e33526481621\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-faf479ba-772a-4f69-bb1f-e33526481621\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1d24a315-31c5-492e-97fc-70137db4b58f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"a supreme achievement … Every one a gem, as are Kitchen’s stylishly bright performances\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"376\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-893d0795-a3db-41cc-b39d-67238ca55287\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The music has been well chosen to highlight salient features of the particular instruments and that, rather than particular profundity of expression, has been the guiding spirit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"202\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3c9f72b4-097c-420d-9f1a-a15736eab85e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Dr Kitchen's playing is idiomatic, insightful and fluent. This disc is an admirable introduction to this important resource.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d4081b9b-ea92-4093-a1e7-b62779fa1279\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"The versatility required to jump from instrument to instrument in this type of recording is remarkable enough but to do it with the musicality and assurance that Kitchen manages here is breathtaking.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC FORUM OF SCOTLAND\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9abc717d-9145-4d95-88eb-7fad09588a98\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Not the least of John Kitchen’s qualifications is his ability to record harpsichords, clavichords, pianos and organs to an equal level, especially on instruments hundreds of years old. Another virtue is that Dr Kitchen’s consistent manner of performance becomes a norm whereby the instruments themselves are shown to their best advantage.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eSOUNDBOARD\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-faf479ba-772a-4f69-bb1f-e33526481621\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-9c45a80f-998b-4f77-a4fa-eeecd414bb17\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 13 February 2006\u003cbr\u003eCatalogue No: DCD34039\u003cbr\u003eTotal playing time: 1:17:22\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eRecorded on 13-15 April 2005 at St Cecilia's Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: John Christ\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eInstrument photography: Dr Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eSession photography: Dr Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296358482006,"sku":"DCD34039-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/instruments-from-the-russell-collection-vol-ii-cd-delphian-records-576695.jpg?v=1606217583"},{"product_id":"dcd34041","title":"Michael Wise (c.1648–1687): Sacred Choral Music","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb024cff58f39004fff2425\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb024cff58f39004fff2425\" data-shogun-page-version-id=\"6499a9e6649ff300f3b3c77a\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6499aa4f649ff30101b008ff\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-244bfa8a-5fbd-40fd-b50d-7b136ac4fd13\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-254beb71-3201-4ef5-bf84-dc8247a5c587\" role=\"tab\" aria-controls=\"panel-254beb71-3201-4ef5-bf84-dc8247a5c587\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ea5e881e-5c37-4cf2-a16b-d3441d207e6b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eChastised for ‘excesses in his life and conversation’, Michael Wise lived a notoriously dissolute life which ended when he was hit about the head and ‘kill’d downright’ by the night-watchman of Salisbury Cathedral.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThus was St Paul’s robbed of its forthcoming Master of the Choristers, and history of one of the period’s most prolific and accomplished composers. Geoffrey Webber and his choir pay testament to the more respectable music-making that is Wise’s legacy.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlso features organ music by Matthew Locke and Christopher Gibbons.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-254beb71-3201-4ef5-bf84-dc8247a5c587\" role=\"tabpanel\" aria-labelledby=\"tab-254beb71-3201-4ef5-bf84-dc8247a5c587\"\u003e \u003cdiv id=\"s-2770ee7f-3be0-46f9-8398-d8e69dfa73c7\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/michael-wise-sacred-choral-music\/1561273885\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-4558e070-5cac-4b7f-b1fc-f7c0425336d6\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-4558e070-5cac-4b7f-b1fc-f7c0425336d6\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-42071f38-901f-4a2e-bca2-4f1ac139b39a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Invigorating and highly persuasive\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4482c58b-5840-4145-93df-141ad828e1bb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"This disc demonstrates that Wise's music is unjustly neglected, and one can only hope that more ensembles and choirs will include some of his compositions in their repertoire.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"232\" height=\"78\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-506022c8-51fa-4ccd-b00e-dc493b41cbb5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Wise was not the greatest composer of the Restoration period but he is too good to be forgotten and Geoffrey Webber and his team have done us a service in bringing him to the attention of CD buyers.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCROSSRHYTHMS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c74b6d27-dab8-4bca-8929-246b9efa03be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"The musical style is fairly simple with little in the way of compositional pyrotechnics, and the success of the enterprise rests on appropriate and convincing interpretation, together with an excellent choral ensemble. All these qualities are abundantly present; particularly impressive is the strength in depth of the singers.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5c3c9798-b215-4d63-9f13-441672125f72\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"They make a cool, crisp noise in their reverberant chapel\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"234\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0eb15f2b-7f8e-4c99-ae4d-5f58cbb094c1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"As usual, Dr Webber’s singers give performances of the highest quality; sympathetic but never apologetic since they know that this repertoire, performed well, needs no apology.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCHURCH MUSIC QUARTERLY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-4558e070-5cac-4b7f-b1fc-f7c0425336d6\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e2a713ef-d62b-4dae-addf-d3511c4d5d40\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease date: 26 May 2008\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eCatalogue No: DCD34041\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 1:10:15\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecorded on 30 June - 2 July 2007 at the Chapel of Pembroke College, Cambridge\u003c\/span\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEngineer: Beth Mackay\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003ePhotography: Paul Baxter \u0026amp; Dr Raymond Parks\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296358907990,"sku":"DCD34041-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/michael-wise-c1648-1687-sacred-choral-music-cd-delphian-records-443983.jpg?v=1606220084"},{"product_id":"dcd34046","title":"Francisco Guerau: Marionas","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb04a97108071005665b722\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb04a97108071005665b722\" data-shogun-page-version-id=\"67ab70bc27df71045c65e806\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab70bc27df71045c65e920\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-295d3607-80eb-4949-b2ab-e23b843ef18f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-98c07edf-165f-4f57-9bbe-7e105d27c2ff\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFollowing his much lauded disc of music by Spanish composer Gaspar Sanz, Gordon Ferries weaves his way through the seductive labyrinth of Francisco Guerau’s ‘harmonic poem’ – sensual ballads, sublime passacalles and the virtuosic dance music of baroque Spain’s fiery underbelly. Ferries’ playing brings this beguiling world to life with elegance and passionate vitality.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-8ca766e8-d13a-4523-9eff-2c92181f33dd\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/marionas-guitar-music-of-francisco-guerau\/1561276301?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-41b6f200-5bde-4071-a396-c49ac74f7666\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-41b6f200-5bde-4071-a396-c49ac74f7666\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-11f88d13-206c-455e-a44a-f9b200394589\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003e\"dispatched with artistry and supreme stylishness\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80d03767-3dde-4ff9-a1e2-b1f33d79c352\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Ferries exploits the instrument’s capacity for timbre and expression with inspired and impeccable technique\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eGOLDBERG\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ed58727e-df8a-49e6-9173-0127037bb395\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"this is another fascinating addition to the catalogue, offering fresh insight into the pungent world of the early Spanish guitar.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"287\" height=\"58\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c1b676f5-af57-4b9d-939c-d7e359d1c581\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"This is a fine collection of music for the baroque guitar, difficult to play, but enjoyable to listen to.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c77599e8-f799-4e58-9c91-7cce31252a4a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Ferries is more than equal to the demands of this music, and plays with assurance and conviction throughout. He cannot resist the temptation to add some strummed passages from Sanz and Santiago de Murcia to Guerau's villanos, and closes with a lively canario.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC MAGAZINE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-41b6f200-5bde-4071-a396-c49ac74f7666\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-de895bf0-800b-4b65-a48a-409003cea208\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRelease date: 29 October 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eCatalogue No: DCD34046\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eTotal playing time: 1:04:00\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRecorded on 9-10 April 2007 at Crichton Collegiate Church, Midlothian\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital editing: Adam Binks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003ePhotography: Paul Baxter \u0026amp; Dr Raymond Parks\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296359465046,"sku":"DCD34046-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/francisco-guerau-marionas-cd-delphian-records-646854.jpg?v=1606220684"},{"product_id":"dcd34053","title":"Handel: Overtures \u0026 Harpsichord Suites","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb14a85aead29005626240c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb14a85aead29005626240c\" data-shogun-page-version-id=\"67ab739d20be80a0c50244fd\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab739d20be80a0c502460f\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-928a7ddf-ab45-4f96-94a7-223c330db94d\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-a6c4cee5-1c52-49a5-8ae8-150967089ec0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eHandel’s overtures had an independent life almost from their inception, and the practice of performing them on keyboard instruments has a similarly long pedigree, beginning with a number of transcriptions made by the composer himself.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eJohn Kitchen virtuosically evokes Handel’s orchestral palette in the welter of timbres and colours which he summons forth from the Russell Collection’s 1755 Jacob Kirckman harpsichord, a classic instrument from the apex of the English harpsichord-building tradition. Interspersed between the overture transcriptions are two of Handel’s suites written for the harpsichord; these are played on a 1709 single-manual Thomas Barton instrument from the Rodger Mirrey Collection, one of very few extant early eighteenth-century English harpsichords. Its modest size and unpretentious appearance do not prepare the listener for the extraordinarily rich and characterful sound that emerges.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-55dc6fff-2996-4f27-bf9f-f987cae6aa11\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/john-kitchen-plays-handel-overtures\/1559652475?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-651df5ba-10e5-49b3-a42b-ec7f329c912e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-651df5ba-10e5-49b3-a42b-ec7f329c912e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ef4b7e76-1f3c-4184-8004-d181ea321b59\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 26px;\"\u003e\u003cem\u003e\"stylishly played … The music is universally glorious\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 26px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e9428ae7-2246-4c44-b535-603b7f4950ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"What emerges most strongly from these performances is the generous variety of these overtures, from the patriotic grandeur of the Occasional Oratorio to the lightness of Athalia, and from the public drama of Saul to the sheer sparkiness of Teseo. To separate these characters must be hard enough with an orchestra but to do so on a harpsichord is surely a creditable achievement, as is that of skilfully avoiding the ear-wearying clatteriness to which such transcriptions can be prone.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"313\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-651df5ba-10e5-49b3-a42b-ec7f329c912e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1e6c5711-b73a-49f5-a6ab-cce731fd8827\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 29 June 2009\u003cbr\u003eCatalogue No: DCD34053\u003cbr\u003eTotal playing time: 1:19:50\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 17-18 December 2008 at St Cecilia's Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Raymond Parks\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296359923798,"sku":"DCD34053-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/handel-overtures-harpsichord-suites-cd-delphian-records-200300.jpg?v=1606217512"},{"product_id":"dcd34057","title":"Instruments from the Rodger Mirrey Collection","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb153bdef27c400573eb200\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb153bdef27c400573eb200\" data-shogun-page-version-id=\"67ab7471172f7d27b565f54a\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab7471172f7d27b565f660\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-a269cb88-8f9e-45f2-a392-b277cb2c4cd4\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-e7041cda-11c0-4029-ab19-d6ff5fa04be2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe Raymond Russell Collection of Early Keyboard Instruments, housed since 1968 in St Cecilia’s Hall, the oldest purpose-built concert hall in Scotland, was further enhanced in 2005 when the University of Edinburgh received the extraordinary gift of twenty-two historic keyboard instruments from Rodger and Lynne Mirrey; as a result, the galleries at St Cecilia’s Hall now house one of the two most comprehensive collections of early keyboard instruments in the world.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-034250c4-c07c-47f2-8582-58203b12f2db\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/instruments-from-the-rodger-mirrey-collection\/1559034063?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-28f60854-4bc2-432d-bf0c-aaf8ad1693e2\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-28f60854-4bc2-432d-bf0c-aaf8ad1693e2\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2a400adc-9d63-45bd-bf50-3ab9cdb8eecc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"his playing is stylish and intelligent and the recording reveals the instruments’ different characters convincingly.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"313\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-afff355b-2f16-4856-a2a5-afe8404badeb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"this is a most fascinating disc which demonstrates the unique qualities of the keyboards in the Rodger Mirrey Collection. Listening to this disc one is struck by the variation in keyboard building during the 17th and 18th centuries. The booklet contains pictures of the instruments and concise but useful information about them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"202\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-83350b67-70e9-423a-9d47-5a8bf7069325\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003cspan style=\"font-size: 20px;\"\u003e...a genuine exploration of the essence of each instrument and at the same time a fascinating journey through the history of keyboard music with a reliable and inspiring guide.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-28f60854-4bc2-432d-bf0c-aaf8ad1693e2\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e068d3d7-0af0-4b4b-bcd2-64f5ba97edea\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 20 September 2010\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34057\u003cbr\u003eTotal playing time: 1:15:48\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 17 December 2008; 13-14 July 2009; 7-8 January 2010 at St Cecilia's Hall, Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Raymond Parks \u0026amp; Dominic Ibbotson\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296360087638,"sku":"DCD34057-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/instruments-from-the-rodger-mirrey-collection-cd-delphian-records-247926.jpg?v=1606222491"},{"product_id":"dcd34066","title":"Bartolotti: Di Chitarra Spagnola","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb198b7d8c15c006e74c959\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb198b7d8c15c006e74c959\" data-shogun-page-version-id=\"649ace500d804000cc5e8c79\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"649acf900d804000e2591768\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-cc50623a-f623-40e8-8173-f81cae2fe7a8\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-d16bd64b-9540-4360-be75-ec2b1bf76a26\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eItalian by birth, Bartolotti was employed as a musician at the enlightened court of Queen Christina of Sweden and in the opulent splendour of the Sun King’s Versailles. His elegant suites for guitar and theorbo fuse contemplation and virtuosity, distilling the melancholic beauty of the French Baroque. Largely neglected in modern times, this cosmopolitan composer’s music nonetheless occupies a seminal place in the early guitar repertory, and Gordon Ferries is an ideal exponent.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-0848c9af-0f6e-45e3-9b8b-94c820daff93\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/angiol-michele-bartolotti-di-chitarra-spagnola\/1561288519?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-2d5fa031-0d38-4b2d-b98c-72f6767ee356\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-2d5fa031-0d38-4b2d-b98c-72f6767ee356\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ee6a4efe-1265-48a8-a9d1-0bb9dfe57335\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"His imagination and commitment shine throughout the album, both in his technically assured performances and the informative, self-penned programme notes...The theorbo pieces - where the instrument's unfretted bass strings ring like a peal of bells - are particularly attractive\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-72045f6a-43db-4e1f-aa0b-45e7672fd4dd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"One finds Italian exuberance tempered by French grace; delicate plucking punctuated by fiery, percussive strumming...The wonderful Passacaglie in G minor...allow[s] Ferries to display the full range of both his and Bartolotti's artistry in one compact package.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-2d5fa031-0d38-4b2d-b98c-72f6767ee356\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-96c1562f-5a23-4054-8ff2-c59f3cf72a6d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 August 2010\u003cbr\u003eCatalogue No: DCD34066\u003cbr\u003eTotal playing time: 1:14:54\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 7-8 April 2009 at Crichton Collegiate Church, Midlothian\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer \u0026amp; Engineer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital editing: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover \u0026amp; Booklet design: John Christ\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: John Fallas\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCover photograph: Alan Rennie\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhotography: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296360546390,"sku":"DCD34066-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/bartolotti-di-chitarra-spagnola-cd-delphian-records-519013.jpg?v=1606215021"},{"product_id":"dcd34094","title":"Handel: Alexander’s Feast (2CD)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb9beeb8b58750050d720e5\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb9beeb8b58750050d720e5\" data-shogun-page-version-id=\"67ab8fc0773cc4604e4186dd\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab8fc0773cc4604e4187ff\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-b62a4f1c-9ba1-4550-9bf4-2b1771f1b8af\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-5fe49b18-4abf-4a16-b0dd-ecfe41e4cc82\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTwice a year, some of the UK’s finest Baroque players and young vocal soloists come together in Canongate Kirk, Edinburgh to give sell-out concerts of great and lesser-known works by Bach and Handel.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe chorus, hand-picked by Will Dawes, comprises a sensational selection of singers from Britain’s finest early-music consorts, including the Monteverdi Choir, The Sixteen, Polyphony and the Gabrieli and King’s Consorts. These appearances are unmissable events in Edinburgh’s musical calendar. Now, for the first time, listeners from further afield can experience the celebrated verve of these performances; Handel’s 1736 setting of a dramatic poem by John Dryden is the perfect showpiece for the vitality and abandon of Ludus Baroque and their rising-star soloists.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9aba7b47-fdab-41c7-8555-d549373a234a\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/handel-alexanders-feast\/1561282477?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-44521085-72f3-4033-a9dc-9586ddb9b9dc\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-44521085-72f3-4033-a9dc-9586ddb9b9dc\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-db38d2c6-dbfa-4669-82bc-d89e229bd82d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Richard Neville-Towle gets beautifully crisp playing from his orchestra: the jolly numbers bounce along nicely but the sombre passages are given their due weight...The chorus sounds young, fresh and enthusiastic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3782add6-8e95-4cf8-ab42-adf500c641c1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Vivacious youth leaps from this lively CD debut by Richard Neville-Towle’s group...The tenor Ed Lyons’s diction cuts through the resonant church acoustic: every word dances before us. The soprano Sophie Bevan needs a lighter touch, and the chorus greater clarity. But minor flaws fade before the sound of musicians bouncing with joy.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"160\" height=\"121\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-793ac1d7-7f84-4024-8745-5afefbae20bc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Richard Neville-Towle gathers some of Britain's best new talents on this recording – Sophie Bevan, Ed Lyon and William Berger are on dazzling form and there is some superb singing from the chorus. \"The many rend the skies with loud applause,\" they sing. And so they should.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"223\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-19651ab7-6b7b-4b2c-9346-4cfd3c2c3c85\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Energy and vigour are among the common properties radiated by the period instrument players and professional choristers of Richard Neville-Towle's Ludus Baroque...This exuberant performance, intensely focused in its second part, moves and inspires.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/8d65abc2-d2ec-4104-a140-8b5c03ceb789\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"187\" height=\"54\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80c2a722-94c4-49e6-9f97-50c70b1f526f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"This is a scintillating first commercial recording. The young soloists, Sophie Bevan, Ed Lyon and William Berger, are all first-rate\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"305\" height=\"86\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-611f60b2-0124-4072-bd6f-c5747e25737f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Sophie Bevan's shining soprano is always a pleasure to hear: the vocal equivalent of a fresh, bright spring morning...Capable of encompassing long-breathed phrases, [Lyon] has a bit of 'beef' in the voice, which serves him well in the more outgoing arias...the 18 voices produce a fine sound, as does the orchestra, well directed by Neville-Towle, who directs a spirited performance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-695d10c8-97c3-4986-bf78-d513bf18337d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-style: italic; font-family: 'Abhaya Libre';\"\u003e\"I particularly enjoyed the choruses which show the choir at its full strength. The delivery is excellent, and the treatment of dynamics impressive... lovers of Handel's music shouldn't miss this recording. It has many fine qualities; I have mentioned the choir, but the orchestra is of the same high level...The recording is outstanding: it is crisp and clear, and has great presence.\"\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-style: italic; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"269\" height=\"91\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9512ad26-8729-42f1-adf2-2cac552e50c5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The warm, shapely choral singing is in stark contrast to the Dunedin Consort's ascetic precision...Berger [is] particularly impressive in the B-section of \"Revenge, Timotheus cries\". Jan Waterfield's harpsichord concerto sets the tone for an exalted yet humane celebration.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"327\" height=\"56\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-bd537555-b089-44e1-a2e7-161c39630e90\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Orchestral details emerge with pristine clarity – the juddering lower strings as the tenor sings of beating drums in The Praise of Bacchus, or the braying natural horns in the chorus which follows. The libretto is barely necessary, so good is the diction of chorus and soloists...Music is described in the closing chorus as \"the greatest blessing\". Listen to these discs and dare to disagree.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\" width=\"170\" height=\"77\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-44521085-72f3-4033-a9dc-9586ddb9b9dc\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ec99f39a-e144-48d9-b1c3-737794eb0fb3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Canongate Kirk, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 26-29 August 2010\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 29\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eRelease date: 28 February 2011\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34094\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:22:26\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361562198,"sku":"DCD34094-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/handel-alexanders-feast-2cd-cd-delphian-records-605509.jpg?v=1606222916"},{"product_id":"dcd34101","title":"J.S. Bach: The Well-Tempered Clavier, Book II (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb41df8c456fa0051db396a\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb41df8c456fa0051db396a\" data-shogun-page-version-id=\"67ab975ae8fbd9a8f06ac762\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ab97b26c0aeb5076437afa\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6208a6fc-925f-4631-8bb4-ad6b0a14c91b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-7e96ceaf-78ef-4699-b5e4-de9131ce750d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA recognised authority in twentieth-century and contemporary music, Peter Hill turns for the first time on disc to another of his lifelong preoccupations: the music of J.S. Bach. On this new recording, Hill brings his customary scholarly acumen and crystalline musical intelligence to bear on Book Two of the ‘48’ – music of ‘unsurpassed inventiveness’.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a7d71360-4d7f-4dd1-9b6b-48b59b88a68a\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-well-tempered-clavier-book-ii\/1561287159?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9c0781b7-110c-4a3d-a8b5-1ca42f0b97a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill's technique is impressive, but he eschews flamboyant showmanship, bringing instead humility, poise and gravitas to these accounts. Tempos are thoughtfully judged and tend to underscore the reflective, meditative qualities that underlie many of Bach's later works\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-efa10505-9727-44bf-98f9-0ca93d75a885\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Hill is unfailingly musicianly in his approach, his playing full of the kind of insights that can only come from long acquaintance with the music. He lets Bach speak for himself - this is entirely unegotistical playing - the opposite end of the specturm from Gould's highly interventionist approach....What I miss in Hill's recording is an audible relish for the instrument itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d347f238-1dd0-4f3f-886a-c7e798eeedbc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Every performance here is quite audibly the product of careful consideration; every musical decision, whether over tempi, phrasing, or dynamics, seems utterly logical. Yet there's nothing didactic about the results, just a wonderfully natural unfolding of these pieces, in which Hill is never ashamed to make full use of the tonal resources of the modern piano. The crystalline quality of his quiet playing is a regular pleasure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"51\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b2f1b665-b409-4a89-95ad-99d30f66d86a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Peter Hill is an engaging, penetrating, thoughtful and entertaining guide to Bach’s flights of fancy and rigorous counterpoint. His touch, and the clarity of his finger work, is impeccable; he doesn’t over-ornament, he doesn’t rush the preludes, he weights the voices and balances the fugues with insight. And even though Hill’s playing is suffused with the meditative and spiritual qualities you’d hope to find, he still remembers that Bach likes the odd dance.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-51937093-8f8b-47aa-ba23-cf7a997f2f06\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Mentioning all the high spots would require too many words. Hill’s lyrical way with the preludes is a consistent joy, and the gentle, unobtrusive control of tempo makes some of them sound like baroque improvisations. He can play with delicacy and humility.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9abb4aa7-4b72-4347-8cbe-18dead7ae0af\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Too often pigeonholed as a 'Messiaen-pianist'...Hill here shows a natural and direct response to Bach's invention that makes a refreshing alternative to some of his starrier, flashier rivals on disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCLASSICAL MUSIC\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0a81dfe6-bde8-40f4-a968-c0cd93cf3346\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Even though Hill is not an 'official' Bach specialist, he has clearly lived with these pieces in depth, and his insights are meaningful...Delphian's recorded sound does his playing full justice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f528743a-4066-4e77-8718-e5ec9cefa6ae\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill’s approach is to capture the engaging balance between the crisp clarity of the music and its innate lyrical soul. He makes no apologies for the expressive potential of the piano, but simply uses that to harness the universality of the music, from its pre-echoes of early classicism to sparks of undeniable romantic mood-painting. Never once, though, does it sell out Bach’s stylistic integrity.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"327\" height=\"66\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1745e92a-ec00-4950-a1e3-41ae88579905\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Peter Hill is that rare musician: a virtuoso with an immaculate and comprehensive technique allied to unusual and practical scholarship of great depth of knowledge, which he brings to the imposing task of Bach’s TheWell-Tempered Clavier. His performances throughout Book II on these Delphian discs are immaculate in terms of realisation of the notation, but are also driven by an emotional, expressive range that at all times looks below the surface of the music to divine the depths of Bach’s creativity.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/98a77fbb-b163-4617-abad-569c0a85ddc6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"274\" height=\"74\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6e94ed6a-2d4c-48c5-992f-2dd46a4a914e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-15f7d5cb-bdb1-4f6e-8744-e30da41c5cb2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 11-13 November 2010 \u0026amp; 19-20 February 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 48\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 9 January 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34101\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:38:10\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296361922646,"sku":"DCD34101-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-well-tempered-clavier-book-ii-2-cds-cd-delphian-records-867738.jpg?v=1606215099"},{"product_id":"dcd34109","title":"Music from the Age of Louis XIV: the Baillon harpsichord","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebac14e4ca155004fc4f339\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebac14e4ca155004fc4f339\" data-shogun-page-version-id=\"67adf9e18c65d868d57204f3\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67adf9e18c65d868d5720601\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-77e9aec6-95ef-419e-a454-7e67d348cc15\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-dd2b9e4d-8aed-489e-807d-43e8accc0622\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eJohn Kitchen continues his much-lauded series of recordings of the world-famous keyboard collections in St Cecilia’s Hall with a programme specially designed to highlight the unique qualities of the 1755 double-manual harpsichord by Luigi Baillon.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBuilt in Cyteux, Burgundy, it has a very different sound from Parisian instruments of the time: cleaner and brighter in tone, and the perfect vehicle for Kitchen’s subtly nuanced playing, which brings the sophistication of the period to new life. The familiarity born of Kitchen’s daily experience with the Edinburgh collections and their setting shines through these performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-97373221-ccaf-4bcc-ad61-f555f5f917cd\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/music-from-the-age-of-louis-xiv\/1591921909?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3bf2600e-f189-4138-8aad-02e76dd10c57\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3bf2600e-f189-4138-8aad-02e76dd10c57\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4897c125-bdb7-409f-b538-6b9f7c7a8fa4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Vividly alert to the widest range of styles and moods, Kitchen’s survey of music from the age of Louis XIV is a delight from start to finish. The 1755 Baillon instrument form the collection at Edinburgh University sounds superb, especially in the dashing dance movements.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d2e12e38-6ab5-4351-a0a5-fecd0cfd3457\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"In both programming and performance , this can stand alongside some of the finest issues of this repertoire from its homeland. A fine achievement and an extremely satisfying release.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-576bc331-1639-4a2d-9800-ee0cb62d60a0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"the instrument's sound-world is an unadulterated pleasure to visit, and Kitchen remains an adept tour guide\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3bf2600e-f189-4138-8aad-02e76dd10c57\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-c6079331-ddad-4425-9403-774a2fe40eaf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Cecilia’s Hall, University of Edinburgh\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 9-10 January 2010\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 28\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 29 July 2013\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34109\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:17:34\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362184790,"sku":"DCD34109-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/music-from-the-age-of-louis-xiv-the-baillon-harpsichord-cd-delphian-records-259737.jpg?v=1606213193"},{"product_id":"dcd34110","title":"Handel: Song for St Cecilia’s Day","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebac4318b58750060e74cfe\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebac4318b58750060e74cfe\" data-shogun-page-version-id=\"67adfaa33dc89b7b93639c07\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67adfaa33dc89b7b93639d5c\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-f0fdc704-cc4c-482d-b97a-feafaff91177\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-2ccf21c7-f142-4e2c-8db7-a20af284b862\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eFollowing the widespread critical acclaim of their debut recording, 'Alexander’s Feast', Ludus Baroque brings their celebrated verve to Handel's 'Song for St Cecilia’s Day'. Coupled with his miniature cantata for tenor, 'Look down Harmonius Saint', which Handel wrote to supplement performances of 'Alexander's Feast', and with the Concerto Grosso in B flat, written in his fruitful autumn of 1739, Handel approaches the setting of this second text by John Dryden with the same extraordinary vividness of detail and metrical virtuosity as Alexander’s Feast.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"What passion cannot music raise and quell?\" - the answer is that it can raise and quell them all: martial, erotic, sacred … but as music had, in the beginning, been the divine principle of cosmic order, so, on the Final Day, it will be the force that dissolves the universe.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-f74c78aa-8146-409f-a2a2-d8e30747f378\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/handel-song-for-st-cecilias-day\/1591922247?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-60653e6a-37f7-4a37-8ca6-65eea798eaf2\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-60653e6a-37f7-4a37-8ca6-65eea798eaf2\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-065ec2a2-c847-4a56-af40-70ebb95665c2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Ludus Baroque presents its qualities with unusual vividness in this spacious and measured performance...the whole choral and orchestral tableau is marvellously realised here in an acoustic that combines richness with presence. Superb vocal solos, too\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8293ce0e-d980-438c-abf0-0ce6b487eadf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The ode receives an orderly performance. I wish there were double the number of string-players: the sonority of only six violins is insufficiently grand for the overture's opening...The unaffected 19-strong choir outweighs the slimline orchestra at times....but kudos to Delphian for the intelligent choice of cover art reflecting Dryden's first stanza discussing the creation of the universe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-49bf99cf-1625-48e4-b3de-c4a7b1212e50\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"I warm to the conductor’s big-boned, exhibitionist Handel style and the youthful-sounding vigour of the choir. The basses are wonderfully resonant...Mary Bevan’s bright, tangy soprano gets the lion’s share of the solos, especially radiant in “What passion cannot music raise and quell?” and “Oh, what art can teach\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9307e85e-a87c-4806-80cf-a072f8c68eec\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"a blaze of glory…The instrumental roster includes some of the UK’s leading baroque specialists and the results are every bit as elegant as one might expect in support of a responsive chorus and a pair of outstanding soloists...conveying Dryden’s text as though their lives depended on it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7396d03e-ad2d-4af4-af7a-cdefec01baf9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f6d6b228-5ba4-4e57-9625-aea483cc800e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Orchestrally and chorally, it has tremendous buoyancy. Solos for flute, organ and cello are artfully phrased, while soprano Mary Bevan and tenor Ed Lyon add zest to Handel's high-arching settings of Dryden's verse.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"212\" height=\"37\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-befdf44a-8526-44e2-b216-4750c70ac5a8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Ludus Baroque acquits itself admirably...with instrumental exponents stylishly playing, whether in a group or in single contributions. The choral side produces fresh sounds...Bevan and Lyon serve the music laudably. She has a clean, limpid tone, which sits well in Handel's arias, smooth but not pale, shining but not glaring...Among [Lyon's] positive points are his natural singing and enunciation, his clean articulation of rapid notes and a pleasing tone.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fe452472-a320-4ba2-a94f-69ba1d30ff07\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Radiant soprano Mary Bevan is in glorious form in \"What passion cannot music raise and quell?\", while the chorus is outstanding throughout, singing with beautiful diction and a light, springy edge. And exciting Ed Lyon confirms his place as one of Britain's top baroque tenors\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"251\" height=\"40\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b9588cb2-dd86-4f22-b6fd-5038a569e733\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Every ingredient here fuses in harmony: Handel’s marvellous tunes, the young performers, John Dryden’s crisply effective words, the friendly acoustics of Edinburgh’s Canongate Kirk. Memorable music, delivered without frills: that’s all you really need.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"115\" height=\"87\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-60653e6a-37f7-4a37-8ca6-65eea798eaf2\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-65316b39-568a-4009-bb99-026035a6ae3f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Canongate Kirk, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 8-10 August 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 17\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 30 July 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34110\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:19:55\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a570233f-c7f2-4893-949d-bc40ad9f8bcc\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-87696c1f-6404-44de-a862-572376e6c5be\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-87696c1f-6404-44de-a862-572376e6c5be\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-d6b2bbc1-d394-4513-a696-17160b7eb056\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/e668464d-7719-44ad-a3ae-52eb9b0e569c\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-d6b2bbc1-d394-4513-a696-17160b7eb056\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362217558,"sku":"DCD34110-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/handel-song-for-st-cecilias-day-cd-delphian-records-505896.jpg?v=1606215824"},{"product_id":"dcd34111","title":"La Royalle: Music for Kings and Courtiers","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebac62553f0700075b3e3d3\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebac62553f0700075b3e3d3\" data-shogun-page-version-id=\"67ae08a28c65d868d576a858\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae08a28c65d868d576a966\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-2023bf52-df31-4287-bdf4-8d11819c1d89\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-6d28cc60-240b-4012-a1ad-af7745b85fd7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePerformed on four instruments matched to the periods in question, and captured in sumptuous recorded sound, Gordon Ferries’s most recent solo recital spans two centuries of music with royal connections – from the chansons and elegant counterpoint of sixteenth-century France’s cultivated humanist courts and the exquisitely melancholy dance-forms heard in the private chambers of Versailles, to the extraordinary place of guitar music in the decadence, sexual intrigue and Baroque splendour of Restoration England. The Italian-born composer and guitarist Francesco Corbetta (1615–1681) served both Charles II and his cousin Louis XIV, and his music provides a common thread.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-99b861da-9080-4086-b24b-33aa5e528bb9\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/la-royalle-music-for-kings-courtiers\/1560949326?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-270328c4-1fda-4e80-a9b6-8cc60adb495f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-270328c4-1fda-4e80-a9b6-8cc60adb495f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c0834cfe-60af-47e5-8205-af9382a9e817\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"A beautifully-recorded selection...brought vividly to life by Scottish virtuoso Gordon Ferries.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-44d5fcf6-1d53-4d0e-855d-a1b0d5973c00\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"In these renditions on period instruments by Gordon Ferries of pieces by (mostly French) court composers, there is an elegance and poise that both soothes and satisfies\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/97ddf259-f956-4111-94d0-10dda35e7342\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cfc74456-8c4d-4331-9e9b-aa0727d113cb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"These are crisp, clean interpretations, warmed by Ferries’ naturally sensitive musicianship.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"205\" height=\"58\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ac06d4fc-6d1e-483a-a47d-18c1881aeb13\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"My IRR colleague and lute afficionado Christopher Price has been an admirer of the Scottish musician Gordon Ferries for some time; this is the first time I have heard him – and I am impressed. The disc is beautifully produced…Ferries’ playing is clean and unfussy and he has a particularly attractive way with trills … it is subtle, rich and probing…I am impressed and am confident other lovers of this repertory will be too.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"211\" height=\"65\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-19b46a10-8b0c-43dc-b0ac-95299077d6aa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Ferries is clearly a master of everything he puts his hand to, both technically and in his interpretation of the different styles of music. A delight to listen to from start to finish.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLUTE NEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-270328c4-1fda-4e80-a9b6-8cc60adb495f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-26d92c88-aa2e-4f9c-998f-0e95642de7c2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003cbr\u003eNumber of discs: 1\u003cbr\u003eNumber of tracks: 35\u003cbr\u003eRelease date: 5 November 2012\u003cbr\u003eAlbum ID: DCD34111\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:12:51\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362250326,"sku":"DCD34111-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/la-royalle-music-for-kings-and-courtiers-cd-delphian-records-219885.jpg?v=1606218577"},{"product_id":"dcd34112","title":"Music from the Age of Louis XV: the Taskin harpsichord","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebac8b64ca1550070c5a333\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebac8b64ca1550070c5a333\" data-shogun-page-version-id=\"67ae092aa554fadf72201966\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae092aa554fadf72201a78\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-867cda00-ffaa-4173-aca4-87c92721e694\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-ff8c1f90-2cf4-4a62-b822-22d0f680d7f3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eJohn Kitchen – uniquely familiar with Edinburgh’s internationally acclaimed collections of early keyboard instruments – turns his attention to the world’s most famous harpsichord, rarely recorded hitherto: the 1769 Pascal Taskin instrument now housed in the Raymond Russell Collection. It was during the reign of Louis XV that the harpsichord gained its greatest popularity in France, and this glorious 1769 instrument would have been a preferred choice for any composer of the epoch. Here its opulent lushness is captured in the ideal acoustics of Scotland’s oldest concert hall.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-7e4ce02c-ae6c-4b92-ba6a-85eda24a81eb\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/music-from-the-age-of-louis-xv\/1561065675?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-1d093353-3664-4a6f-ad63-9b49f8af376c\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-1d093353-3664-4a6f-ad63-9b49f8af376c\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-13bdd190-b6d8-44ec-9062-156d85f75287\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The 1769 Taskin harpischord, from Edinburgh University's Russell Collection, is a gem, resonant and entrancing. Unequal temperament pushes some intonation to its intriguing limit.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-53b30625-2278-4500-af54-1ae0a3ef1a13\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"If you are interested in French harpsichord music you should consider this disc…The main reason is the harpsichord, a splendid original instrument of 1769 by Pascal Taskin…It has a very beautiful sound, not as aggressive as some French harpsichords. This could also be due to the miking which is not too direct. John Kitchen is a sensitive performer…I have greatly enjoyed this disc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"242\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0653b7a9-2786-42c1-97be-9ba6bed63416\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The Edinburgh Taskin is just sumptuous, and it and the player and on top form in this recital, perfectly chosen to show it and its repertoire at its best.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-1d093353-3664-4a6f-ad63-9b49f8af376c\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-73a9a0f4-64b0-4ad8-be66-8951ec568a73\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording venue(s): St Cecilia’s Hall, University of Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording dates: 11-12 April 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of tracks: 19\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease date: 24 September 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 1:06:26\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAlbum ID: DCD34112 \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296362283094,"sku":"DCD34112-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/music-from-the-age-of-louis-xv-the-taskin-harpsichord-cd-delphian-records-991547.jpg?v=1606221911"},{"product_id":"dcd34126","title":"J.S. Bach: The Well-Tempered Clavier, Book I (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb42426c456fa0067de12ec\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb42426c456fa0067de12ec\" data-shogun-page-version-id=\"67ae188e724b0588796b7dae\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae188e724b0588796b7ee0\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-585af7c3-473f-465c-a38c-f8d863f65d5f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8a1d4238-4879-4483-91b1-bfc8168b2419\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePeter Hill’s recording of Bach’s Well-Tempered Clavier, Book II wowed critics across the board in January 2012, prompting The Guardian to write: ‘With luck this is the first in a series of Bach recordings from Hill, and let’s hope Book I of the “48” follows soon.’\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIndeed, throughout 2012 Hill was preparing Book I. His performances of Bach’s first volume of masterpieces exhibit all the qualities that were identified by reviewers of Hill’s previous traversal – ‘warmth, clarity and insight’ (Classical Music Magazine, Editor’s Choice), ‘vital communication’ (HiFi Critic), ‘impeccable’ (BBC Radio 3 CD Review, Disc of the Week), ‘shimmering’ (BBC Music Magazine), ‘liquescent’ (International Record Review).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-ad1f61dd-2daa-447d-9e23-3d99ddd8aee8\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-well-tempered-clavier-book-i\/1561275918?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-1e70b939-bc87-401c-806e-76834c718796\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-1e70b939-bc87-401c-806e-76834c718796\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07f9d346-3900-4924-9867-c316629f3640\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above all, painterly accounts.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6309450f-34d7-4331-8350-a0b9fa589c1d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"what emerges so clearly again in Hill's wonderfully thoughtful, lucid performances is the sheer range of these pieces, the myriad ways in which Bach varied the preludes to incorporate so many distinctive 18th-century musical forms, from dances to studies, arias to improvisations. Hill characterises every one of them vividly and individually\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-44c47668-adb0-4390-a1be-06272ceb4f95\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Bach’s music tests the pianist in many ways, but one of the most telling is that it asks how much or how little the performer should exert ego. Hill...gets the balance just about right in an intimate account of the first book of The Well-Tempered Clavier that nevertheless oozes authority\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-203691db-9441-47de-8631-d01b6dd2dd65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill plays Bach as if in one-to-one communion with the composer, while at the same time sharing it with you, the listener...It confides and reveals the genius of the composer rather than the brilliant musicianship of the performer, while at the same time keeping the notes singing and alive, the rhythms sprightly and filled with their essential line-fuelled but oft-restrained Baroque energy\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"188\" height=\"63\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f2cbbdca-7acb-4b87-b1d8-58e0355794fe\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Hill shows a particular sensitivity to the kind of touch required to play this music on the harpsichord...His restraint and intellectual approach throughout renders the performance wholly satisfying...Thank goodness we have Hill’s full account now, however, for it will provide a fantastic resource to delve into as well as many hours of enjoyable listening\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"236\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a6943dad-1d61-4400-ad91-9133107348aa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"utterly exquisite...Peter Hill has struck gold again...What Hill does is to capture the inner workings of Bach’s richly woven textures with clear-cut intellectual rigour, distributing the weight of piano tone to articulate every critical seam,yet somehow coupling that with a musicality so subtle and so teasingly flexible, there is never once a sense of academic dryness in the interpretations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"292\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-daf6452c-39f0-4b5d-8b62-830dacb1f9a7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"This is a delightful collection of discs and thoroughly captivating\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a8bb2185-e182-493c-b9fd-66360ba15083\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"233\" height=\"83\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-1e70b939-bc87-401c-806e-76834c718796\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-974dff6a-8924-4228-94dd-1005fdf8c3e6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 10-12 July \u0026amp; 17-18 December 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 48\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 3 June 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34126\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-9a4c12b1-7880-4ecc-aa18-bff096ef81db\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\n\u003cdiv id=\"s-8dafb0cc-8912-412e-908c-8095bc93446c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"106\" height=\"58\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRecord Review - Record of the Week\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296363266134,"sku":"DCD34126-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-well-tempered-clavier-book-i-2-cds-cd-delphian-records-399031.jpg?v=1606224605"},{"product_id":"dcd34135","title":"Handel: The Triumph of Time and Truth (2CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebc046a7f050500508046b4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebc046a7f050500508046b4\" data-shogun-page-version-id=\"67ae1ef82920e586f96f8905\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae1ef82920e586f96f8a4b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-17fa7a81-dbae-4fcf-9ec4-7ffa81c3aa7f\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8f68b85f-639e-44b3-87dc-bb230321a301\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eLudus Baroque and five stellar soloists bring to life Handel’s rarely heard final oratorio, a remarkable Protestant re-casting of a work written fifty years earlier to a text by the young composer’s Roman patron Cardinal Pamphilj.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCompelled by Time and Truth to accept the divine order of change and decay, Beauty ultimately gives way – as with the aging composer himself – to an assertion of redemption by good works, reflected in the incorporation of choruses Handel had written for the Foundling Hospital.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe resulting work, neglected by centuries of scholarship on account of its hybrid origins, here proves an extraordinary feast of riches, and the ideal vehicle for Richard Neville-Towle’s carefully assembled cast of exceptional soloists, vigorous, intelligent chorus and an orchestra made up from some of the UK’s leading period instrumentalists.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-3ba87b43-ceb1-43ba-bcd6-7113e8c56100\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/handel-the-triumph-of-time-truth\/1561282252?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-6ff4eb53-8391-4b32-bb05-8f2b9b41a416\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-6ff4eb53-8391-4b32-bb05-8f2b9b41a416\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5ba63333-544a-4c03-b130-3bb91ec0ee65\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Both Bevans sing with lustrous tone, natural agility and exquisite decorations, Lyon and William Berger (Time) with taut elegance and Tim Mead (Counsel) with immaculate poise. Though Neville-Towle's tempos sometimes waver, this is a performance of great warmth.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e2b76911-224d-4885-b15e-003158161449\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The small orchestra playing is stylish and characterful...Excellent, spirited singing from both choir and soloists throughout – Ludus Baroque's most valuable Handel recording so far confirms that this unclassifiable, peculiar work is well worth revisiting.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9e3c91e2-b38c-4a02-abd7-de7b96df2c79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan style=\"font-style: italic;\"\u003eGraceful singing from a fine British cast — Sophie Bevan outstanding...— reveal a work of profound beauty.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"119\" height=\"90\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cb594649-6e29-4674-b303-eba95b00b0e7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"the music of The Triumph of Time and Truth, Handel’s last oratorio before he died in 1759, is of such strength, freshness and radiance – notably so in this buoyant, scrupulously characterised performance by the early-music group Ludus Baroque and a glorious line-up of soloists.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/b05d0754-1529-40a0-8113-4d011968ec45\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"296\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-94d421de-b17a-4426-8ead-9f4d744d10ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"finely shaped, unflamboyant conducting from Neville-Towle, gracious playing and some very fine singing. Sophie Bevan plays Beauty in what is arguably her finest recording to date. Her sister Mary as Deceit sounds at once seductive and cunning, while Ed Lyon is all elegant bravado and swagger as Pleasure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"279\" height=\"45\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-466050bd-33c2-4f8a-92e4-e03dd081becd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Keep an eye on this Ludus\/Delphian partnership.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/e9cc411b-d8b7-45f6-b4e1-80c0a53b97ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fdcc8c39-e5e8-44b5-92d7-6799416e512b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Ludus Baroque under Richard Neville-Towle gives a fine account of the Overture…The singers taking the solo parts are excellent and the balance superb...There is so much first class music to be heard in this rarely-performed oratorio.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"248\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3b9c1a6c-bd49-4f0f-84eb-d7a1d9aa8b86\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"\u003cspan style=\"font-style: italic;\"\u003eA delight from start to finish. Instrumental contributions are crisp and stylish, the young cast are excellent (especially scene-stealers Mary and Sophie Bevan), and the production comes across with energy and panache.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-style: italic; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/83cd99b9-c184-4996-84ac-cea5673e80fe\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"239\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2a98f7f8-58ad-4171-9812-b8eb6707ad5c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"This new recording is an excellent one, with young singers not previously familiar to me.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAMERICAN RECORD GUIDE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-6ff4eb53-8391-4b32-bb05-8f2b9b41a416\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-075dede6-9fe1-405e-894b-b500f555470a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording venue(s): Canongate Kirk, Edinburgh\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording dates: 4-7 August 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of tracks: 57\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease date: 30 June 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 2:34:43\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAlbum ID: DCD34135\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-cd556d6a-2662-48f2-a93d-82ebab4560e6\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-328e0e02-9b37-4264-93c4-99f250465e3f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-328e0e02-9b37-4264-93c4-99f250465e3f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296365330518,"sku":"DCD34135-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/handel-the-triumph-of-time-and-truth-2cds-cd-delphian-records-745431.jpg?v=1606214821"},{"product_id":"dcd34150","title":"J.S. Bach: Suites for Solo Cello","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebc4fe63d899a00688b2831\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebc4fe63d899a00688b2831\" data-shogun-page-version-id=\"67ae2d18116cdb54aed8a024\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67ae2d18116cdb54aed8a142\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-52f5f5b4-c5ea-42bf-8031-9d1285f27927\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-bad4978b-cc3a-4386-98ac-72b255381155\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhilip Higham’s debut recording, a disc of Benjamin Britten’s three solo suites, won acclaim across the board, including Disc of the Month accolades from both Gramophone and BBC Music Magazine. He has chosen to follow it directly with the Bach suites which were Britten’s inspiration, and which remain pinnacles of the repertoire for any cellist. Higham has returned to Anna Magdalena Bach’s manuscript copy of the works, recently the object of some controversy.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFor Higham, however, the manuscript is a provocation not to speculation over authorship but to interpretations at once broadly and deeply conceived. Not afraid to question received wisdom, Higham’s thoughtful yet daring approach also leads him to combine elements of period and modern style both in his playing and in his choice of instruments – a 1697 cello for the first five suites and a 2013 five-string instrument to bring out the extraordinary range of colours with which Bach invested the crowning Sixth.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b1da63b9-0371-4159-9348-af575d09fb29\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/bach-suites-for-solo-cello\/1561073129?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9be37920-fe6d-4286-9f64-d3e99806a98b\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9be37920-fe6d-4286-9f64-d3e99806a98b\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b239ec05-aefb-4274-940d-1ea8ba8763b6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Here's a snapshot of a highly gifted musician in the midst of an exploratory process…he's gone back to Anna Magdalena's copy, finding a variant of the opening material in the D major Prelude which adds a piquant suspension to the pattern. Higham has also absorbed its asymmetric implied bowings, bringing a fascinating, fluid tension to the G major Prelude, in particular.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-94db07d5-35df-41d1-8498-0f503e6d5d9a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"an impressive account with much to teach us about the music...poised, thoughtful, exploratory and sometimes effervescent...another perceptive and rewarding traversal of the set\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"126\" height=\"69\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4a0664c0-8ff0-4dea-95b2-a2ce7d27d8a4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Higham plays his usual warm and fulsome Testore for Suites Nos. 1 to 5 but swaps to a clean and crisp modern five-string Roth cello for the filigree Sixth Suite. It is hard to imagine how Higham could have done better than choose these very different instruments to elicit the combinations of tone and colour that he is able to achieve across the Suites.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-db0570da-1837-4338-ab64-32d891ea520a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"What’s most impressive about these compelling readings is that Higham avoids the romanticist’s self-indulgently furrowed brow without sacrificing intensity\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a65a14d6-29d9-4402-a87b-45ddb991bad1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"There’s a beautifully meditative quality to these performances of Bach’s solo cello Suites by Philip Higham that is both soothing and questioning … the entire set displays a seamless flow of invention that takes us from the pragmatic virtuosity of the 1st to the heart-tugging emotion of the 6th as if on a life’s journey. Higham’s use of a 5-string instrument in the latter endows the finale of this 2-CD set with a prophetic, luminescent glow\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"209\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e8a2bebb-3ec6-4000-8397-59626878f4c0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The character he finds throughout this music is consistently revealing...unpretentious depths and organic, naturalistic flow: the highest possible recommendation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c0f77dce-18a5-4fd1-be46-74a8fbb7fc35\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6505cb73-16e0-4665-857c-dd22cb1b42ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"I reckon Higham could just have been handed a twig from a tree and he would have made beautiful music!…I will be impressed if he can better these renditions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e9a04399-3e8f-4f4f-8e4d-2f6b0eb2e346\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"The soloist's wise and daring approach also leads him to combine elements of period and modern style both in his playing and in his choice of instruments...A glorious addition to the Suites' catalogue and most certainly not one too many.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eS\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eOUND \u0026amp; VISION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-79ff4f4f-effd-499d-bc50-b97fc7100352\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"Comparisons should be invidious, but many great names of cello-yore are embarrassed by playing of such uncomplicated good taste and technical refinement.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eA\u003c\/span\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eMATI MAGAZINE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-9be37920-fe6d-4286-9f64-d3e99806a98b\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1b5199ee-c9d9-435f-81b5-4783bfa4d31b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): Church of St John the Evangelist, Upper Norwood, London\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 2-4 August 2014, 19-21 November 2014 and 2 February 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 36\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 31 July 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 2:10:37\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34150\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366182486,"sku":"DCD34150-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-suites-for-solo-cello-cd-delphian-records-679173.jpg?v=1606217951"},{"product_id":"dcd34166","title":"J.S. Bach: The French Suites (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5eb41c4d7f445400579ce72c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5eb41c4d7f445400579ce72c\" data-shogun-page-version-id=\"67af9babf3765cbb342023c2\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67af9babf3765cbb342024e0\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-4453a561-71d9-4d70-93d9-b29c8c34ac55\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-316aae5e-2e04-47e6-96b4-46724fb9e4d4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe French Suites have a special place among Bach’s keyboard works. Besides containing music as profound and poetic as any he wrote, their textures have a transparency and sparkle that reflect a move towards the galant style fashionable among Bach’s contemporaries. In this, the third instalment of Peter Hill’s acclaimed Bach series, Hill has chosen to follow the suites with his own completion of Mozart’s Suite in C, K399.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eWith Bach and Handel as his models, this work epitomises Mozart’s fascination with Baroque music. Hill’s celebrated return to the studio with Delphian four years ago continues to reap rich artistic rewards, with a ‘Diapason d’Or’ and a recent Gramophone Award nomination for his premiere recording of Messiaen’s rediscovered La Fauvette passerinette. Here in Bach, too, his abundant energy and passion are deeply informed by a lifetime of scholarship.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-05ab3947-4a4a-4517-a06b-a2570fd680c9\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-the-french-suites\/1561063511?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-091fc273-ce6d-4a7c-87c2-ce053d92a486\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-091fc273-ce6d-4a7c-87c2-ce053d92a486\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-924deb57-4ef7-4d1d-9802-0ce547626a5f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Peter Hill never underestimates [the] challenge, and there's a confiding wisdom sustaining his latest Bachian foray. Trademark unshowy integrity, too, articulated through a silky translucent tone and captured in an agreeably intimate recording\"\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-97f0e31d-3240-42c3-a2a6-d0beab7cc272\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Each line is beautifully clear, a perfect blend of the cerebral and the sensual...Delphian’s warm, natural-sounding engineering adds to the fun\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/d6f07c04-a336-44a3-9e19-d351f650550f\/\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-aa75937d-a4bd-4456-ad18-37b229ed3f79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"His amicable and unpretentious playing fills me with a warm fuzzy feeling and leaves me happy to be alive, and you can’t get much better than that.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"317\" height=\"107\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-db6dff95-6dd2-411e-b600-d9cf6bc66fbb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"there’s much to admire and enjoy here in considered and cogent playing perfectly attuned to the music’s modesty of expression while inking in its nuanced profundity and poetry with lightly-worn authority...Delphian’s sound is exemplary. For sheer, unalloyed pleasure, this will take some beating this year.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/3d9fa34c-09ea-43df-8469-fcfb095de7db\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"177\" height=\"108\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fd754ebb-5ee4-45b2-abfa-14c7e5f85b11\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"spiced with the most delicate ornamentation...enticingly inward...finesse over mere energy\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"350\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-091fc273-ce6d-4a7c-87c2-ce053d92a486\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-ca44d50f-2933-42fd-a66f-cc61491fde74\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 5-8 July 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case (slimline double)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 44\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 29 January 2016\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34166\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:54:16\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296366870614,"sku":"DCD34166-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-the-french-suites-2-cds-cd-delphian-records-609900.jpg?v=1606218767"},{"product_id":"dcd34182","title":"Antonio Lotti: Crucifixus","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5ebeb8e526681c005727b8a8\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5ebeb8e526681c005727b8a8\" data-shogun-page-version-id=\"67afa7d6f5701f8eb65b6d35\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afa7d7f5701f8eb65b6eef\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-63c6e8c0-59d5-457a-96c0-1835f41a2c66\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-1348adb6-cada-462f-a8b9-2dc0d44d58fa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDespite a hugely prolific output spanning a career of more than 50 years, Antonio Lotti is now known almost exclusively for his eight-part setting of the ‘Crucifixus’. It is not widely known that that motet is in fact drawn from a complete Credo setting, itself part of the Missa Sancti Christophori that receives its first recording here. Much of Lotti’s music was written for the Basilica of San Marco in Venice at a time when expense and extravagance were not spared, and it is at the cutting edge of the galant style that prefigures the Classical era.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRhythmic shock and awe, masterful variety, incessant invention and outrageous, luscious harmonies make this music over-ripe for revival. For their debut on Delphian, The Syred Consort and Orchestra of St Paul’s have collaborated with musicologist Ben Byram-Wigfield to bring this survey of Lotti’s music to life. Ben Palmer’s singers dazzle in their virtuosity, and the instrumentalists play with immaculately crisp ensemble.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-68ffa9cb-2538-4bfe-84be-4e030b0b99bc\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/antonio-lotti-crucifixus\/1596152659?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-fcbd32d9-b48d-425f-a4dc-22567afeb145\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-fcbd32d9-b48d-425f-a4dc-22567afeb145\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-24bbbfc6-1364-4c30-89ab-84bfb3ed0248\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"this disc is a particularly welcome unveiling of four rapturous sacred works…the music is a pleasant fusion of the rigorous Baroque idiom…and the then-fashionable style gallant, characterised by suave melodies and lighter textures. Conductor Ben Palmer draws alert responses from The Syred Consort, highlighting to dramatic effect moments of vivid word painting, expressive chromaticisms and dissonance. There are stylish solo contributions, too\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"64\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d8ec9d63-07b7-4aa2-8dcb-52b4d9460bf3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The Sancti Christophori Mass is full of wonderfully fresh ideas and it is here that the ensemble, peccadilloes aside, most persuasively demonstrate their admirable commitment and feel for Lotti’s kaleidoscopic nuancing, not to mention a superior level of performance in this work…Ben Palmer has irrevocably identified a dine craftsman who is rather more than a ‘one-piece wonder\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-82e3ea58-e90c-4180-bc2d-b967a83a70b2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Despite the title, Palmer’s forces explore far beyond the three deliciously crunchy Crucifixus settings for which the Venetian Lotti (1667-1740) is known...Both larger works reveal a rich style, as do a vivid Dixit Dominus and an expressive Miserere.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"293\" height=\"82\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2e82affa-17d0-41f0-926b-57a8fa163b3d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Lotti’s music is strongly profiled, solidly baroque, with an especially expressive fugue at the end of the Gloria, then re-used in the Benedictus. There are a good number of first recordings here, driven well by Ben Palmer\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp dir=\"rtl\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/47f614a8-8f81-47b1-b89b-f15cf887c737\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"202\" height=\"32\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f13df369-507e-44eb-8a72-bb17f3a20503\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"The recording lends a really nice halo to the voices, and it's great to hear more Lotti at last.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"149\" height=\"82\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ccf9a007-ca9a-4fe8-a251-1912fe464363\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The four works on this disc are sung by the Syred Consort with exemplary vitality…fans of Baroque and choral music will surely stand in their debt for the revelation of a musical personality who speaks with a directness that is both beguiling and compelling.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"251\" height=\"85\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-eaf8fedf-3f87-40bb-8abd-7e61934c6b68\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The immediate impression is of a rather Vivaldian style – not surprisingly, as the two were almost exact contemporaries. Yet at the same time the influence of Lotti's predecessor at San Marco – one Claudio Monteverdi – is clearly audible...This is clearly a labour of love for Palmer and his musicians...the superb musicianship on display shows Lotti in the best possible light, and I now feel I should get to know his music more.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"172\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d25026b6-f868-471a-b856-87783f413511\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"These are large-scale festal works of tremendous charm....Palmer's accounts are beautifully paced and articulated, aided by the extrovert contributions of the Orchestra of St. Paul's.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eLIMELIGHT\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-99e5808c-69d6-491a-aefc-6f94ac35c3f1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The performances are vigorous and bold for much of the time, with some slower sections that contrast well. This disc is a revelation, in terms of the composer and also of the ability of the performers–full marks!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-fcbd32d9-b48d-425f-a4dc-22567afeb145\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b996b632-0c04-4984-9d81-e255599d834e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording venue(s): All Hallows’ Church, Gospel Oak, London\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRecording dates: 7-8 October 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eNumber of tracks: 16\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eRelease date: 22 April 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTotal playing time: 1:19:30\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eAlbum ID: DCD34182\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-f7078ab3-ee82-4e1d-a107-5484cb8f799b\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-c6ddd73c-b19a-4c4b-b615-8523202cd63c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cspan style=\"font-size: 14px; font-family: 'Abhaya Libre';\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\"\u003eDisc of the Week\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-7c165f65-ef8c-4f0e-bddb-4c6020b710ae\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14px; font-family: 'Abhaya Libre';\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/i.shgcdn.com\/a7c5e7c8-74e7-450a-8052-7fa8689386ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"100\" height=\"84\"\u003eWinner 2016\u003c\/span\u003e\u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296368640086,"sku":"DCD34182-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/antonio-lotti-crucifixus-cd-delphian-records-818724.jpg?v=1606225158"},{"product_id":"dcd34194","title":"Giovanni Stefano Carbonelli: Sonate da Camera Nos 1–6","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e985a2e5c3fbd004f2c9cfd\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e985a2e5c3fbd004f2c9cfd\" data-shogun-page-version-id=\"67afbb5a9c640ccbff2b57c7\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67afbb5a9c640ccbff2b5989\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-cef4668f-bd27-4116-b928-21ce0c8141ca\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-f4108ec5-7271-46be-b987-625d99eeeae5\" role=\"tab\" aria-controls=\"panel-f4108ec5-7271-46be-b987-625d99eeeae5\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-cd99a1c7-335c-4ad7-a8bf-e373aeb45a33\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eIn certain respects, Giovanni Stefano Carbonelli does not quite fit the eighteenth-century mould. For a neo-Corellian, he is unusually fond of complexity, both technical and compositional, and also unusually open to other contemporary influences, such as those of Handel and Vivaldi.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eBut the quality of his music speaks for itself – virtuosic and joyously melodic, these six ‘chamber sonatas’ had a huge impact on Delphian producer Paul Baxter. Carbonelli’s difficulty has ensured that his work is seldom played, but early-music rising star \u003ca href=\"https:\/\/www.delphianrecords.com\/blogs\/artists\/bojan-cicic\"\u003eBojan Čičić\u003c\/a\u003e makes sure we have no sense of that as he and his Illyria Consort colleagues champion these groundbreaking compositions with exuberant confidence.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-d9bc5368-24a5-49af-adb5-febe45905a8d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/giovanni-stefano-carbonelli-sonate-da-camera-nos-1-6\/1561076976?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-f4108ec5-7271-46be-b987-625d99eeeae5\" role=\"tabpanel\" aria-labelledby=\"tab-f4108ec5-7271-46be-b987-625d99eeeae5\"\u003e \u003cdiv id=\"s-173022a7-4666-43fe-a6d2-f32210e8873c\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/hRRoeXoF3wU?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-695a4845-bf2f-47a2-8d70-5717185812c9\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-695a4845-bf2f-47a2-8d70-5717185812c9\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-79638679-303d-43c9-851f-71a2c16faa95\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Čičić's distinctive sound - sweet, slightly dry and exquisitely centred - is ideal for the taut beauty of Carbonelli's solo lines. Crucially, Čičić fleshes out the composer's ideas, filling rests and cadences with large dollops of his own making. His band helps him enormously, not least with their additions and sexy realisations. The future of the Illyria Consort is bright.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"213\" height=\"129\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-67d0b3c7-03fd-457c-8cd0-c0c1a2e5f306\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Given that the writing is not overtly flashy, Čičić’s easy, fluid perfection through their webs of double-stopped complexities merits mentioning…add tonal colour spamming the gamut from satisfyingly wiry to full and sweet, and it’s a full house of deliciousness, all of which is bolstered further by the varied palette of continuo colour on display from Čičić’s Illyria Consort colleagues…really, bravo to the whole\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4f87641c-0e0f-4fce-a276-30550af8590b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"\"[Carbonelli's] music is stately, taut and elegant in the hands of Bojan Čičić (a UK-based Croatian violinist) and his excellent Illyria Consort. They sound effortlessly stylish in these six chamber sonatas – Čičić makes even the high-wire showy stuff sing with a lyricism that is shapely, aerated and totally unforced.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"346\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-94d74aa4-ce4c-4c5e-b817-38a015ce370c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\"It’s testament to Čičić’s artistry that you’re never aware of the difficulties being surmounted – fistfuls of the most awkwardly-written chords are dispatched with immaculate intonation and voicing, whilst the contrapuntal sections in the elaborate fugues have a clarity to rival the finest keyboard-player. I’d wager a tidy sum that I won’t be the only one to come away from this beautiful disc itching to hear more from both composer and performers.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cstrong\u003ePRESTO EDITOR'S CHOICE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ca9c9f95-1831-486a-a87a-3e6eb855bb6d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"170\" height=\"83\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8c651c5c-47c7-4fd8-8cab-948fbc8d2f09\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"These performances are eloquent, engaging and really nicely ornamented. It's one of my favourite discoveries this week.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"169\" height=\"93\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-759ff10e-2e5b-43ae-b698-104b41013b44\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Although the Illyria Consort...are crisp and dynamic, this sparkling recording is a showcase for Croatian violinist Bojan Cicic...whose championing of Carbonelli is the real story here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c0f77dce-18a5-4fd1-be46-74a8fbb7fc35\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"191\" height=\"68\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fc3c7c7d-0c54-42b7-8a05-ee78e099ef1f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\"The music has a unique appeal – lively, restless, catchy and extremely well written. The long-forgotten Carbonelli is a major find by a boutique label, Delphian, a Scottish firm that rarely issues a dud disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eMUSICAL TORONTO\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-695a4845-bf2f-47a2-8d70-5717185812c9\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e95e8fab-dd9f-45cb-911f-11cf74dd50ff\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Martin's Church, East Woodhay, nr Newbury\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 24-16 June 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 23\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 73:46\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: May 19, 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34194\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-6edf84c9-e0eb-4ef2-8065-9e6492a5fb41\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-7 shg-c-md-7 shg-c-sm-7 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0a30e830-b175-4657-abaf-f9a0ceb80456\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-0a30e830-b175-4657-abaf-f9a0ceb80456\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-9659c081-04dd-48d4-9533-1928a4dafdc1\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/a7c5e7c8-74e7-450a-8052-7fa8689386ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-9659c081-04dd-48d4-9533-1928a4dafdc1\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370344022,"sku":"DCD34194-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/giovanni-stefano-carbonelli-sonate-da-camera-nos-1-6-cd-delphian-records-821237.jpg?v=1606223006"},{"product_id":"dcd34200","title":"JS Bach: Goldberg Variations","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e982e9a93c687005c1bfd43\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e982e9a93c687005c1bfd43\" data-shogun-page-version-id=\"67b0ab8d1bd282622b5a64db\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0ab8d1bd282622b5a65f1\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-49226dba-d349-4a68-b662-b0a2184e6d1b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-f0ec56d0-e971-4393-aa52-ec7d7f3f93d5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn the Goldberg Variations Bach answered a modest request – reputedly from an aristocratic patron who wanted music that was ‘soft and somewhat lively’ as a distraction from insomnia – with a work of immense scale and ambition, a great musical journey that traverses a dazzling kaleidoscope of musical styles.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe music’s wit and virtuosity is matched by the exquisite contrapuntal tracery of the canons that form the work’s backbone, and by the tragic grandeur of the minor-key variations, which contain some of the most poignant music Bach ever wrote; the homecoming, as Bach ends by returning to the opening Aria, is one of the most moving passages in all music. Peter Hill here continues his acclaimed series of Bach recordings with a searchingly imaginative performance, capturing the music’s zest and its depth of feeling in a reading that is as profoundly poetic as it is beautifully coloured.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eHill’s 6th recording for Delphian, captures the artist at the very height of his powers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-bad10655-5274-4e61-9809-1a2bc346716f\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/j-s-bach-goldberg-variations\/1596169976?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-f71f7a7d-6424-4617-8ac3-99bee455f442\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-f71f7a7d-6424-4617-8ac3-99bee455f442\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b9839d8d-2a2f-4794-a5f5-5908537b9168\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"He addresses that Everest on the landscape of Bach’s keyboard writing, and with characteristically unshowy yet compelling results. He’s up against stiff opposition of course…But there’s an honesty and intelligence that earns him a place at the top table if not quite at its head. He’s pondered the piece long and hard…overall Hill charts a pre-eminently lucid and illuminating course.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-88274108-027c-4484-8c2e-1614bb14ad8f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"His exposition of the opening theme is like a slow awakening, the melody unfolding with graciousness and relaxed inevitability, its underlying harmonies perfectly cushioning the eloquence. The 30 variations follow with crispness and delicacy, each capturing their relative complexity in a drama that unfolds with flowing logic and unrelenting good taste. Hill’s pacing captures that essential balance between action and reflection. It is a performance of enormous satisfaction and fulfilment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"312\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c8a54251-00d8-4381-b7e5-c11c38e481be\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The recorded sound is excellent, allowing every subtle nuance of phrasing and dynamic to make its point, while enhancing the sense of atmosphere which Hill sees as a priority...Hill makes a strong impression by under-stating it with a restrained dynamic and with phrasing of the utmost tenderness.The determinant of a fine performance is always whether the listener feels that the music could not possibly be otherwise and that is what Peter Hill achieves here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"302\" height=\"102\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2d8eae13-48c0-4988-8729-0e250f3b0d57\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Hill plays this music with a great deal of affection. While Bach’s pedagogical intent is always clear in the two- and three-voice counterpoint, Hill reaches further to find the beauty in every melodic fragment. He’s not the least shy about using the piano’s expressive potential to colour the main ideas.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/69be1bc9-25ca-4deb-8ef4-ae5735206099\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"296\" height=\"41\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-f71f7a7d-6424-4617-8ac3-99bee455f442\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3360cbe1-41aa-44f9-a26d-11599e98809d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: University Concert Hall, Cardiff, United Kingdom\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 6-8 November 2017\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 18 May 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34200\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:48\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296370638934,"sku":"DCD34200-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/js-bach-goldberg-variations-cd-delphian-records-212329.jpg?v=1606216383"},{"product_id":"dcd34206","title":"Music in a Cold Climate","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9822d122d16b0057f7fa2c\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9822d122d16b0057f7fa2c\" data-shogun-page-version-id=\"673724e69c7c90c23f1073b5\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"673724e79c7c90c23f107574\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6fdc9eef-2d07-4deb-9572-6dfe9cd97236\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tab\" aria-controls=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-8f6d694f-eb50-45d6-9fa9-b13bbe0375df\" role=\"tab\" aria-controls=\"panel-8f6d694f-eb50-45d6-9fa9-b13bbe0375df\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-2bead300-638f-416b-bd7e-50ef0272edea\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA new signing for Delphian, In Echo is made up of some of Europe’s finest young early-music specialists. Each a soloist in their own right, under director Gawain Glenton they have put together a fascinating snapshot of the musical landscape during the heyday of the Hanseatic League.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe seafaring nations of northern Europe have always been connected: London to Tallinn via Lübeck, Hamburg, Bremen and the ports of Holland, Denmark and Sweden. The sixteenth- and seventeenth-century composer\/musicians on this recording each looked beyond their own shores and toward a sense of shared European culture and understanding. Andrew Keeling’s new work Northern Soul was commissioned specially to complement this programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9575d29e-7666-40b5-8827-aa5da3a48ffe\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/music-in-a-cold-climate-sounds-of-hansa-europe\/1561287490?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tabpanel\" aria-labelledby=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\"\u003e \u003cdiv id=\"s-3b781066-60d2-4ebb-bc39-d5c0bb26f944\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3b781066-60d2-4ebb-bc39-d5c0bb26f944\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv 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18px;\"\u003e\u003cem\u003e\"The specific qualities of each early instrument have fired Keeling’s imagination, and the band put these qualities on display…Overall, a fascinating journey\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d6e022a3-4ac0-4ac6-9b55-92f4ec939a6c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Composers travelled the trade routes of the Hanseatic League seeking patronage. This fascinating disc, with full explanatory notes by director Gawain Glenton, introduces us to some dozen of them, new names allThe fashionable melancholy of the day...is offset by cheerful folk themes and dances, as well as a sympathetic and lively new commission, Northern Soul, from British composer Andrew Keeling.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"346\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-153174b2-7318-49a3-a506-4730ebecf941\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Glenton and White deliver impeccable divisions and a kaleidoscope of colours\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"323\" height=\"47\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2db06ce1-f8b6-4f4a-a463-e7894082208e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Paul Baxter’s East Lothian-based record label is surely the thinking early music aficionado’s first port of call for adventurous new recordings these day...authenticity here extends to Baxter having recorded the octet in Romsey Abbey in Hampshire which boasted a reproduction renaissance organ with manually operated bellows\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/cdde0f4e-0483-4c75-bac0-cbe85a5ce997\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"193\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9fd3947e-eab6-44a0-8d36-01bc3c71cf73\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The performances are outstanding. Johann Sommer’s five-part pavan on ‘Susanne un jour’ is particularly exquisite, as is Glenton’s solo turn in Johann Schop’s take on Dowland’s Lachrimæ. Andrew Keeling’s Northern Soul – commissioned for this programme – engagingly employs the myriad textures of the ensemble without straying into pastiche; however, it’s definitely the older repertoire that steals the show on the disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEARLY MUSIC TODAY\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5b5d6cfc-5cec-4aaf-b366-39a5d6a3cce3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"These are truly great performances of less familiar music, and all musicians featured are of the finest quality.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMUSIC \u0026amp; VISION\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-012655bb-0de0-4028-9a34-d7294f0be72e\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-8f6d694f-eb50-45d6-9fa9-b13bbe0375df\" role=\"tabpanel\" aria-labelledby=\"tab-8f6d694f-eb50-45d6-9fa9-b13bbe0375df\"\u003e \u003cdiv id=\"s-dacc2635-7acd-47bf-b2ec-5f082828158a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 19 January 2018\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34206\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:07:32\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-8eaf37b2-84e4-42ad-a096-028ea9486b7b\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-f9f36631-a620-4834-8123-67328b4f2cab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/a7c5e7c8-74e7-450a-8052-7fa8689386ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"139\" height=\"118\"\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371032150,"sku":"DCD34206-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/music-in-a-cold-climate-cd-delphian-records-344372.jpg?v=1606222800"},{"product_id":"dcd34214","title":"Carbonelli: Sonate da Camera Vol.2","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9724cfd5cafe005330089d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9724cfd5cafe005330089d\" data-shogun-page-version-id=\"67b0b3e4da33a28900970b42\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0b3e4da33a28900970c90\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-8caff35d-0a88-474b-80d1-3919475f8160\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-72731cd0-05c5-4ee4-8e47-c820a657ca99\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003ca href=\"https:\/\/www.delphianrecords.com\/products\/dcd34194\"\u003eWith their debut recording on Delphian\u003c\/a\u003e, Bojan Čičić and his Illyria Consort propelled the name of Carbonelli from obscurity into the classical charts, recapturing the excitement which the violinist-composer stirred up in eighteenth-century London.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNow they bring to Carbonelli’s other six surviving sonatas the same intelligence, sensitivity and sheer, exhilarating virtuosic brilliance with which they proved him to be so much more than just a ‘follower of Corelli’ or ‘contemporary of Vivaldi’. For good measure they add in a fine concerto by the latter that bears Carbonelli’s name, and which amply demonstrates the respect in which he was held in his native Italy before setting off to find his fame and fortune in England.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-3c01fabc-d3cf-4687-b3bf-6b60564eb9b3\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/giovanni-stefano-carbonelli-sonate-da-camera-nos-7-12\/1561073085?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3652ca9c-983e-46c1-ad14-b9dfbbccfa24\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3652ca9c-983e-46c1-ad14-b9dfbbccfa24\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-69915de7-3071-4a9d-a643-4328594622f5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003eČičić and his Illyria Consort play these Sonate da Camera with expressive warmth and sensibility. The continuo cade varies its colours and textures according to taste and perceived musical requirements, with rewarding results.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-03d28a15-daf0-4cc8-88fa-1e7053c6ebf1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 24px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"Having recorded the first six, the baroque violinist Bojan Čičić and his distinguished players give vibrant performances of the remainder, prefacing them with Vivaldi’s suave concerto Il Carbonelli\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"341\" height=\"96\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7ed2c1b7-7cb7-4325-9931-a414d672f94d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cem\u003e\"The first volume of Čičić’s survey of the Italian-born composer’s sonate da camera was a Presto Recording of the Year in 2017, and its successor is no less enthralling – if anything, these later works find Carbonelli in more adventurous form, with some unexpected harmonic twists and turns (No. 12 in particular is full of surprises) and plenty of rustic colour from the continuo group in the gigues and sicilianas\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ba4a6c11-cf6b-45d6-9091-2b8841934132\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"118\" height=\"118\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8025ecac-e6ca-41bd-b547-2df72c5c2348\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Throughout the six Čičic ́ (still on his c1680 Ruggieri) is as much a joy as last time for his superlative virtuoso technique and energetic poetry. Meanwhile, the continuo is also still constantly ringing the colouristic changes, David Miller switching between theorbo, archlute and Baroque guitar, and Steven Devine between harpsichord and organ, with the whole expertly underpinned by Susanne Heinrich’s seven-string bass viol. With such wall-to-wall elegant exuberance and excellence on show across both discs, you shouldn’t hesitate in adding them as a pair to your collection.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"309\" height=\"45\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-30fb6ea3-16bf-4961-a37e-fcc9994101ad\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"This is another ground-breaking and winning release from Bojan Čičić and his Illyria Consort.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"213\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cc74ba7a-1760-4e65-a9a9-d83c8abab92d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Čičić is a fine soloist, with a pure tone that reminded me on more than one occasion of a viol rather than a violin. Credit must also go to Delphian’s engineers, as the sound when listening on headphones is top-notch. It’s a tremendous pity that there’s not more of Carbonelli’s music, but at least he’s being well represented by Čičić and the Illyria Consort. A must-have.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eLIMELIGHT\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-024f700b-87e1-451a-8908-cb25fdc50520\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Bojan Čičić and his Illyria Consort play these Sonate da Camera with expressive warmth and sensibility. The continuo cadre varies its colours and textures according to taste and perceived musical requirements, with rewarding results\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eCLASSICA ARTE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7fa0a1f9-8969-48d7-85de-7a7d0c21d7fa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cem\u003e\"Immensely enjoyable from start to finish\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEUROPADISC\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-426254eb-ef2e-4456-8406-efafa8549806\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"I finished my review of the first Carbonelli CD with these words – “On so many levels, this is a must-have CD. Fascinating music by a little-known composer played with outstanding musical conviction by four excellent musicians”. I can do no more than repeat that with reference to this excellent recording.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEARLY MUSIC REVIEWS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0bf7ad21-04ea-4a8e-8c45-2ba73b5108f3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"s1\"\u003e\"The bad news is that with this release, he’s now recorded the complete Carbonelli – after these sonate da camera, there’s no more left! The good news is that, like C\u003c\/span\u003e\u003cspan class=\"s1\"\u003eicic´’s earlier album, this is an excellent recording, particularly if you enjoy the music of Corelli or Vivaldi ... Cicic´ is a fine soloist, with a pure tone that reminded me on more than one occasion of a viol rather than a violin. Credit must also go to Delphian’s engineers, as the sound when listening on headphones is top-notch. It’s a tremendous pity that there’s not more of Carbonelli’s music, but at least he’s being well represented by Cicic´ and the Illyria Consort. A must-have.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/2106cdd8-2624-4cff-88ad-a06246a3ef9d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"308\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3652ca9c-983e-46c1-ad14-b9dfbbccfa24\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-43cb9a3d-d164-4f5f-b80a-db8f97fb0852\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue(s): St Martin's Church, Berkshire\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 3-6 January 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: Jewel Case\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 27\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eFirst UK release date: 26 July 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34214\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:18:18\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-7c57f11c-2c91-415d-adf1-dcde0020d925\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-a2690354-92fc-4dc9-b7dd-0426faa540b7\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-a2690354-92fc-4dc9-b7dd-0426faa540b7\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371327062,"sku":"DCD34214-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/carbonelli-sonate-da-camera-vol2-cd-delphian-records-634045.jpg?v=1606221742"},{"product_id":"dcd34219","title":"Giovanni Giornovich 'London Concertos'","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e971fd9e1d070004fcf3a2a\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e971fd9e1d070004fcf3a2a\" data-shogun-page-version-id=\"67b0b671efb98f28d85b0143\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0b672efb98f28d85b02f5\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-7e138979-e81e-4a8e-b02d-f320940f6486\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-80fcd2b2-12bf-4793-a2dc-e9bdf85d26d7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eGiovanni Giornovich was one of the most colourful and popular violin virtuosos of his day. Apparently of Croatian descent, he was seemingly known by a different name in every country he toured (Ivan Jarnović and Giovanni Giornovichi, among some thirty variants), deliberately making the most of his mysterious origins.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eMore mysterious still is why these concertos – full of wit, charm and character, and redolent of the international musical life of Haydn’s London in the 1790s – should have waited so long to be recorded. Modern-day virtuoso Bojan Čičić and his Illyria Consort, fresh from their triumphant revival of the sonatas of Giovanni Stefano Carbonelli on Delphian, are ideal champions to bring this delightful music back to life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-78070eff-12b9-4a0e-8741-1bd1f0ebd547\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/giovanni-giornovich-london-concertos\/1561063780?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-23658e57-a2e9-42de-906e-7b8aee330b59\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-23658e57-a2e9-42de-906e-7b8aee330b59\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d30ff781-d18f-4d25-8695-91583ba3d9bf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cem\u003e\"Čičić acquits himself well in the tricky violin writing, and the lean-sounding Illyria Consort is on its toes.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b6c05640-3392-411c-8986-d6c3e4e89f89\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Čičić is a clean and assured soloist, well on top of the technical, often high-lying writing Giornovich puts his way. The tone of his period violin will sound thin to people used to modern-instrument Beethoven Romances, but it doesn’t take long to adjust. The Illyria Consort is a small orchestra without sounding particularly so on this recording … this disc is well worth hearing, especially for fans of the Classical period.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9288e25b-feec-459a-9ab2-af30b73cbdda\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"One of the year’s most enjoyable discs...\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"346\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9aef2ba2-17c9-4e56-ae45-48f7f2e9a756\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Giornovich himself may have been a troubled, volatile character, but these three works from the 1790s radiate sunny, open-hearted optimism, with whispers of his friend Mozart’s amiable A major concerto creeping in here and there; Čičič’s honey-sweet tone recalls Dittersdorf’s remarks about the composer’s own particular beauty of timbre, and the folksy Villageoises de Julie (based on an air from an opéra comique by Nicolas Dezède) which closes the album is a delight.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ba4a6c11-cf6b-45d6-9091-2b8841934132\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"145\" height=\"145\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e6f4056b-3270-4e3b-83e5-83fee472cc3e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Bojan Čičić proves a highly compelling and convincing soloist throughout, playing both with passion and real exhilaration, and, most importantly, with a seemingly innate empathy for Giornovich’s music, and especially the way it might have been played at the time. For their part, the Illyria Consort provides the perfect accompaniment, achieving an ensemble of the very highest order, and maintaining impeccable balance with the soloist at every dynamic level.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"213\" height=\"72\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-903f84ab-6302-4460-ae9f-97fbd1c22f05\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The performances are world class–especially impressive is the impeccable upper register, string crossing virtuosity. The modest band provides perky, upbeat tuttis and a warm, rich halo to the solos; they accompany, but not in some artificial, sempre piano way–they are as much part of the venture as the heroic soloist. The whole is captured by theDelphian engineers and editors with remarkable clarity and precision–somehow they have achieved presence without being invasive, the sound is immediate without capturing Čičić’s breathing. Playing of this calibre deserves nothing less!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eEARLY MUSIC REVIEW\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fe9cccca-0ec9-4b2f-8c22-a9331e170b05\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"A thrilling musical discovery…Bojan Čičić has this repertoire in his blood, and this shows in performances of exhilarating beauty. Indeed, his readings are consistently sophisticated and he never pushes things beyond what is really necessary to bring out the many gentle nuances of these pieces. The softly glowing Illyria Consort give sympathetic support. A thrilling musical discovery in superb sound quality and enriching annotations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eCLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-23658e57-a2e9-42de-906e-7b8aee330b59\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-27318279-0dca-4b3a-8637-5d48e22302f6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording dates: 20-22 June 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePhysical format: CD\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of discs: 1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNumber of tracks: 11\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease date: 22 March 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:05:46\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eAlbum ID: DCD34219\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-5068818e-4659-4931-ac51-c0c09a312839\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-12f01323-4d6d-4a9c-9ce1-c953d883a9b4\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-12f01323-4d6d-4a9c-9ce1-c953d883a9b4\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371458134,"sku":"DCD34219-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/giovanni-giornovich-london-concertos-cd-delphian-records-610034.jpg?v=1606222497"},{"product_id":"dcd34220","title":"17th Century Playlist","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e9445d3aadb5a006c76d942\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e9445d3aadb5a006c76d942\" data-shogun-page-version-id=\"67b0b7018f88cd96cd5b12b4\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"67b0b7018f88cd96cd5b1483\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-9e63912c-f280-4188-8085-2975eb8a06ec\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tab\" aria-controls=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-e19a4be4-84dc-46c3-8d89-74369cade75a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTenor Ed Lyon has been one of the UK’s most versatile and sought-after soloists for over a decade.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNow, for Delphian, comes his first solo recording project, inspired by the immediacy, joy and freedom found in seventeenth-century music.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eJoined by Theatre of the Ayre – a flexible and innovative ensemble led by the lutenist Elizabeth Kenny – he has conceived his very own ‘playlist’: a live mixtape of the songs, simultaneously catchy and sophisticated, which became earworms for the listeners of their day.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b2a2147e-9ce0-4fc3-b2b9-900947e6f024\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/17th-century-playlist\/1561291182?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tabpanel\" aria-labelledby=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\"\u003e \u003cdiv id=\"s-b863d6ea-cbaa-4a4b-8f1b-39e46a3a9aad\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/qdj8FvcXywU?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"lazy\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-96e9e40d-f53c-45c2-a0ad-e0fb04b8c460\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-96e9e40d-f53c-45c2-a0ad-e0fb04b8c460\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-41b62a6a-7a86-4e4e-8bb5-f3b1895573bb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"Ed Lyon sings all three languages with great clarity and alertness to the sense of the words, ornaments his line idiomatically and displays an appealing ease and evenness of voice production across all registers.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"78\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4605db38-35de-4d2e-a9be-36f361a83504\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"It’s a lovely concept – an album of the 17th century’s greatest hits, where only the catchiest, most irrepressibly infectious dances and the swooniest ballads need apply...There’s a real sense of musical camaraderie here – of spontaneous conversations and mutual enjoyment of skill...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"357\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-04355983-f377-40c7-8b9a-817aa7ed3a68\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"One of the year’s most enjoyable discs...\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 26px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/89e45637-4dcf-44c0-b752-fc0171988517\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"346\" height=\"60\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3576845b-9fe9-46c9-bfe5-ae9b08d16185\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"This lovingly-crafted debut album from the English tenor is easy listening in the most positive sense – though most of the material here was new to me, several of the songs wormed their way into my consciousness after a single hearing, and Lyon approaches them from a standpoint of sound historical awareness spiced with the odd audacious anachronism. Recommended for casual listeners and early music aficionados alike.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/ba4a6c11-cf6b-45d6-9091-2b8841934132\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"118\" height=\"118\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07bce1df-02a4-4b2b-995a-d1c48c87a3e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Ed Lyon has quite a vibrant voice, and one which he uses to colour the music. This is not a pale, bleached sound, but a rich one which is aptly complemented by the playing of the Theatre of the Ayre.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-size: 18px;\"\u003ePLANET HUGILL\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-518dcf5d-edab-4388-beb1-55d0873e2642\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cem\u003e\"Ed Lyon sings with a light and assured tenor voice, a lovely sense of lyrical flow, and a sensitivity to the wide range of moods represented. There are two instrumental Sonatas by Fontana, featuring the excellent playing of Rudolfo Richter and Jane Gordon, violins, and Reiko Ichese, viola da gamba. Impressive continuo playing throughout the CD come from Elizabeth Kenny, lute\/guitar\/theorbo, and Siobhán Armstrong, harps.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eEARLY MUSIC REVIEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-96e9e40d-f53c-45c2-a0ad-e0fb04b8c460\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-7a981be8-c76f-4274-864b-4df4e3d9cb6c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 30px;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 September 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34220\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:01:30\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-5e7a2971-094e-4651-9c1f-9ac78069338c\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-0f599cea-5ba5-4f2d-9638-2f39f7a6beb6\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-0f599cea-5ba5-4f2d-9638-2f39f7a6beb6\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-6889254b-8b29-47c5-8e0f-078f6a6e2cad\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/a7c5e7c8-74e7-450a-8052-7fa8689386ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-6889254b-8b29-47c5-8e0f-078f6a6e2cad\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":31296371490902,"sku":"DCD34220-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/17th-century-playlist-cd-delphian-records-298144.jpg?v=1606222503"},{"product_id":"bach-sean-shibe","title":"BACH | Sean Shibe","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5e96f2ef0154d1006721ed15\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5e96f2ef0154d1006721ed15\" data-shogun-page-version-id=\"62078ffd9f7c8400cd319b97\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62078ffd9f7c8400cd319e3d\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-165d1f7b-531e-4177-b6fe-f5d79f081595\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5de24c83-6dbf-4044-b77e-b21fd8051463\" role=\"tab\" aria-controls=\"panel-5de24c83-6dbf-4044-b77e-b21fd8051463\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-579ca8a9-49e7-4473-8c06-b5af315b6480\" role=\"tab\" aria-controls=\"panel-579ca8a9-49e7-4473-8c06-b5af315b6480\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tab\" aria-controls=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-376bf439-4e99-4432-b234-6df25c7298ab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThree years as a Delphian artist have seen Sean Shibe record music from seventeenth century Scottish lute manuscripts to twenty-first-century works for electric guitar, picking up multiple editor’s choices and award nominations for each release, as well as the Royal Philharmonic Society’s prestigious Young Artist of the Year accolade.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eNow he turns to the music of J. S. Bach, with three works whose obscure early performance history belies their status as repertoire staples for modern guitarists.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eThe musicological questions that have arisen over what instrument Bach intended for these works – questions encapsulated for Shibe by the phrase \u003cem\u003e‘pour la luth ò cembal’,\u003c\/em\u003e which appears in the composer’s hand at the head of the manuscript of the Prelude to bwv 998 – are here answered by the unshakeable assurance of Shibe’s performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5de24c83-6dbf-4044-b77e-b21fd8051463\" role=\"tabpanel\" aria-labelledby=\"tab-5de24c83-6dbf-4044-b77e-b21fd8051463\"\u003e \u003cdiv id=\"s-17717d67-7bad-4e4c-9bc3-3144dfb009a7\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/bach\/1561284624?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-579ca8a9-49e7-4473-8c06-b5af315b6480\" role=\"tabpanel\" aria-labelledby=\"tab-579ca8a9-49e7-4473-8c06-b5af315b6480\"\u003e \u003cdiv id=\"s-af2b0b59-949c-4d44-9775-c0c79beb13b2\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-af2b0b59-949c-4d44-9775-c0c79beb13b2\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-96a0e3cd-3cdb-454e-84e0-37624b03053c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Commandingly impressive in slower movements, like the improvisatory opening Prelude of the E-minor Suite, and the spacious Sarabandes of that work and the C-minor Partita ... the clarity in his articulation of the most complex counterpoints is as exemplary as his gloriously warm timbre is alluring\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"309\" height=\"87\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ef624d92-f57a-4eed-8dec-362899a1d344\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Few have recorded [Bach's Lute Suites] with such a thrilling combination of technical flair, finesse and blazingly evident musical sympathy. It’s almost as if this music was waiting for Shibe to come along, the results are that breathtaking ... Shibe’s playing throughout the disc marries chamber-music delicacy with a rapt and pliable spirituality that is deeply affecting ... the way that Shibe offers so much light and shade, so much loving delineation of the various strands, and a certainty of pacing that blossoms naturally (and excitingly!) into the concluding virtuoso Allegro.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCertainly it’s one of the finest Bach discs to come our way in a long time\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6b5ed406-937b-459e-b0fd-99cac98392ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"222\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review \u003ca href=\"https:\/\/www.europadisc.co.uk\/classical\/146606\/JS%20Bach%20-%20Pour%20la%20luth%20o%20cembal.htm\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-55f6db26-bcf4-473d-a262-f568dac754d2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"Bach's music for the lute has been something of a connoisseur's speciality, but this album could change that ... hear it played on a guitar with the intelligence, fantasy, and palpable love that Shibe brings ... Fugues are unfolded with faultless attention to line. But more importantly, they live and breathe, and everything glows under the rich light of discovery. Stunningly recorded, this collection is a memento of a young artist on the vertiginous ascent, offering music making that is utterly ravishing\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 18px; margin-left: auto; margin-right: auto;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"207\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9d4704d3-4aac-4c20-9904-040246220151\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"magnificent ... the flow of the E-minor Suite's Prelude is subtly arrested by expressively arpeggiated chords which throw into sharp relief a cut-glass Fugue that attunes the listener to rippling yet clearly defined semiquavers ... Has the Prelude, Fugue and Allegro ever sounded so contemporary in its nostalgic sweetness and, in the final movement, sheer unabashed joy?\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bf50e6ff-a44f-41ff-8481-84861b3891e0\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"268\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1afe0306-6942-475b-8f0f-537c81c832a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"through Shibe’s sensitive playing it’s possible to discern the distinct personalities of the relatively youthful composer honing his craft and the mature master at the height of his powers ... The guitar is not known for its breadth of dynamic range, but Shibe shows clearly that it is perfectly possible to achieve great sonic variety, both in volume and in texture ... he achieves the seemingly impossible by successfully recreating something of the spirit of an expansive keyboard prelude ... nothing short of triumphant.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"186\" height=\"91\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 8px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRECORDING OF THE WEEK \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 8px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review \u003ca href=\"https:\/\/www.prestomusic.com\/classical\/articles\/3288--recording-of-the-week-sean-shibe-plays-bach-lute-suites\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b39db99e-bca8-4a0e-9a49-29f2dac6e165\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"The tone is warm and rich, the playing astonishingly clean, the ornamentation delicately and imaginatively applied and Shibe's ability to voice Bach's separate lines borders on the astonishing ... I couldn't stop playing this recording - in fact it's some of the classiest and most compelling Bach playing I've heard on guitar ... It goes beyond the technique and that's astonishing in places... I'm learning things about the music I hadn't noticed before because of the way Shibe voices and inflects it with such intimate understanding\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"240\" height=\"132\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 12px;\"\u003eANDREW McGREGOR | Record Review\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ac151df3-1134-47b7-b80b-7ba8d170b2e0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"A disc I never wanted to end: Sean Shibe displays clarity, structure and an innate sense of elegance … Bach was constantly re-inventing his music on other instruments, and on this disc Sean Shibe gives us a masterly and elegant demonstration of how suited it is to classical guitar. Shibe's Bach has a lovely clarity and sense of structure to it, along with his own innate sense of elegant in the playing.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ ★ \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eROBERT HUGILL \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d38dade9-9e52-47a5-8def-33c1c2dd4e71\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003e\"J’ai entendu ces pièces des centaines de fois dans le passé. Et j’en ai pratiqué quelques-unes à la guitare en tant qu’amateur. Les retrouver ici par le guitariste écossais Sean Shibe c’est comme les redécouvrir pour la première fois. Son jeu est d’une grande douceur, nuancé et coulant comme une eau limpide, en modulation constante, improvisé de phrasés libres et gracieux.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cem\u003eLe Parnasse Musical\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e47fcb7a-b816-4fdf-9be9-addfa3397d75\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This astonishing guitarist born in Edinburgh to English and Japanese parents plays with such depth of tone, colour and intricacies of touch that it is as though he's at a harpsichord, not strumming or plucking fretted strings ... Shibe's music-making is masterful, beautiful and convincing in every way ... embellishments glint like jewellery ... How I panted for more\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"178\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3f459393-6955-4ce5-84d9-30d745fedd37\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"There are many performances of these works in the catalog. Vintage performances on guitar include Julian Bream and John Williams; a more recent and comparable release comes from Franz Halász, who plays the Suites in their original key for lute on modern guitar (see our review here). This new release is an essential addition to sit proudly alongside these formidable interpreters. Shibe is so successful here that another disc to complete the lute suites would be most desirable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/84b58f00-d0af-4e5b-a09d-9fb772a58f47\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"252\" height=\"81\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003ca href=\"https:\/\/theclassicreview.com\/album-reviews\/review-bach-lute-suites-sean-shibe-guitar\/?utm_source=Article\u0026amp;utm_medium=Internal_Link\u0026amp;utm_campaign=Editors_Choice\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRead the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv 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class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-af2b0b59-949c-4d44-9775-c0c79beb13b2\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-29a056ec-cb69-4732-8dff-66d26779dc8a\" role=\"tabpanel\" aria-labelledby=\"tab-29a056ec-cb69-4732-8dff-66d26779dc8a\"\u003e \u003cdiv id=\"s-7ce59cf0-f992-4a06-9b97-5fc7bf701953\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/Mad3tu2yW7g?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"eager\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-64239acd-1957-40ae-92d5-ea93bdc986cb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded: 20-21 May \u0026amp; 17-18 Dec 2019\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eVenue: Crichton Collegiate Church, East Lothian\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEditor: Matthew Swan \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-47d0814d-cf84-404b-9d11-5bc1667eb4da\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-4f9f466f-75c3-4887-b61d-1332815f9ea4\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript 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style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eBWV998 \u003c\/strong\u003eiii. 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Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-first.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-41ab4fee-ade4-4bf8-9329-758ab7559480\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-969f18b2-634a-49e0-95a9-8f6d28abc117\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-90818f5b-23c1-4b34-ba57-b5d373ff0253\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"high\" srcset=\"\/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=180 180w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=360 360w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=720 720w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=900 900w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083\" loading=\"eager\" class=\"shogun-image\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1802\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-969f18b2-634a-49e0-95a9-8f6d28abc117\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-90818f5b-23c1-4b34-ba57-b5d373ff0253\",\n            \"imageOffsetTop\": 642,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-969f18b2-634a-49e0-95a9-8f6d28abc117\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"4680229060694\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"tabea-debus-ohrwurm\",\n            \"productVariantId\": 32412848947286\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-969f18b2-634a-49e0-95a9-8f6d28abc117\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-969f18b2-634a-49e0-95a9-8f6d28abc117\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-eb0d153f-5b2e-403b-bf53-eafe179a0707\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e1. 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Of the new works, Freya Waley-Cohen’s suitably hyperactive Caffeine stands out as a peppy wake-up call\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/95a13aa4-726e-4727-b898-0a3fa088b85e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"162\" height=\"79\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f8e0859e-ef79-4109-bd84-763658416446\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Fine, flexible playing ... Debus is a brilliant recorder player on a variety of inst\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eruments, in these excellent adaptions and arrangements ... \u003c\/span\u003eI suspect some of these tunes will follow you around all day\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"169\" height=\"93\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-31617966-282b-49ba-9e4c-a4cc24ebb11a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e\"There isn’t a dull or uninteresting track anywhere on this CD ... Tabea Debus is the kind of virtuoso who makes you forget how superb she is technically, by the completeness with which she puts all her skill at the service of the music she plays, so that one’s attention is focused on the music, not on her. She is a genuinely exciting instrumentalist ... irresistible. \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 9px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eMUSICWEB INTERNATIONAL\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 9px;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRECOMMENDED - \u003ca href=\"http:\/\/www.musicweb-international.com\/classrev\/2020\/Sep\/Ohrwurm-Debus-DCD34243.htm\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e82e51e0-b21c-4b28-9b0f-59e4b4fa17cf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003ch1 class=\"ast-advanced-headers-title\" style=\"line-height: normal; text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; font-weight: normal; letter-spacing: normal;\"\u003e\"Recorder player \u003ca href=\"http:\/\/tabeadebus.com\/\"\u003eTabea Debus\u003c\/a\u003e has curated a wide-ranging and downright catchy compendium for her instrument. Yet this album’s most addicting quality may be her playing ... She turns some captivating fandangos, jigs, and other dances into outright toe-tappers ... the whole 70-minute CD goes by like an informal but fiery set at a jazz club\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/h1\u003e \u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre'; font-weight: normal; letter-spacing: normal;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/76630fdd-b363-4300-ac5c-a2dd02ee406d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"165\" height=\"76\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-46a0c6a0-eb97-4c42-80ae-d85ea8469464\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"Debus applies just enough vibrato, her leaps and slurs are so characterful. She judges the opening of an extract drawn from Marin Marais’ Les folies d’Espagne to perfection, the upward jumps immaculate but never mechanical. Debus approaches everything she tackles in the same thoughtful way, whether it’s a \u003ca title=\"handel on theartsdesk\" href=\"https:\/\/www.theartsdesk.com\/topics\/handel\"\u003eHandel\u003c\/a\u003e aria or Scots folk tune\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 16px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTHE ARTS DESK\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 16px;\"\u003e\u003ca href=\"https:\/\/theartsdesk.com\/classical-music\/classical-cds-weekly-beethoven-josquin-tabea-debus\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 9px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-f98210f8-445e-4cb9-86df-6dfe0a730dd5\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6f17505e-14f0-4692-8188-41697ca588b3\" role=\"tabpanel\" aria-labelledby=\"tab-6f17505e-14f0-4692-8188-41697ca588b3\"\u003e \u003cdiv id=\"s-d48ee25e-1c6d-4a32-8180-6e39f644826f\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video shogun-video-16x9\"\u003e \u003ciframe class=\"shogun-video-embed\" src=\"https:\/\/www.youtube.com\/embed\/BwgVHuurUKM?start=0\u0026amp;end=0\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;rel=1\" allowfullscreen title=\"Embedded Youtube Video\" loading=\"eager\"\u003e \u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b8be6355-c473-479b-9c6e-40f79a3bc3bd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 August 2020\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34243\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 70:28\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded 12-14 February 2020\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecording venue: St Mary's Broughton St. Edinburgh\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer: Paul Baxter \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 10px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eEditor: Matthew Swan\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-939a1e6f-7c9c-4a4f-b01e-a64faced2222\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-b8af1f28-58b9-46a3-92bd-846d9786e400\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9dacab89-3722-47ee-b9cb-1b4a49be5358\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-b8af1f28-58b9-46a3-92bd-846d9786e400\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":32412848947286,"sku":"DCD34243-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/tabea-debus-ohrwurm-cd-delphian-records-737850.jpg?v=1606217083"},{"product_id":"the-taste-of-this-nation-spiritato","title":"The Taste of this Nation - Pepusch | Corbett | Shuttleworth","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5f10238bc1eb630056672f01\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5f10238bc1eb630056672f01\" data-shogun-page-version-id=\"617173d81934bd00f2af32ae\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"617173d91934bd00f2af3405\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-614c8dca-4ebe-4d24-a60d-c90d1a114797\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9912fc80-297a-4a73-8f70-73150783eaf6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003ePeriod ensemble Spiritato’s Delphian debut transports us back to a decisive juncture in the history of English music. The Taste of this Nation is a picture of the rapid arrival and astonishing success of Italian styles, genres and indeed musicians in London in the early 1700s, showing that a vibrant, cosmopolitan scene had arisen in the capital even before the arrival of Handel on British shores in 1710.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eOne of the prime instigators of the Italianate tendency was in fact an immigrant from Prussia. Johann Christoph Pepusch composed for the Italian soprano Margarita de L’Epine (also based in London) what can be regarded as the first English cantatas in the Italian style. Spiritato are joined by mezzo Ciara Hendrick, on dazzling vocal form in four of these works, while the vigour and precision of the ensemble’s playing – led by violinist Kinga Ujszászi – comes to the fore in instrumental works by two native Englishmen which again evidence Italian connections. Obadiah Shuttleworth’s concerti grossi are inventive reimaginings of violin sonatas by Corelli, and William Corbett’s infectious Bizarrie Universali show how a composer who had spent extensive time on the Continent could trade on his Italian connections to win favour with audiences in his native land.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-58ad2cd8-ca0c-4968-8afb-4d1c53282b17\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/the-taste-of-this-nation-pepsuch-corbett-shuttleworth\/1561288663?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-7e50bcb6-a4f9-40dc-81da-e190b65c9d7f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-7e50bcb6-a4f9-40dc-81da-e190b65c9d7f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b818e53c-c6bf-497b-bba4-0e1f3c600923\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Reviving, ever-appealing music, expertly performed ... Hendrick is a fabulous singer, her sense of style superb, the emotion she brings to the texts immediate and fresh ... I can't praise the booklet highly enough: so much information, so readably presented. The cover illustration shows a bowl of fruit ripe for consumption, wholesome, appealing. Much the same could be said of the music here: reviving, ever-appealing (and expertly performed), and very much ripe for consumption\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eClassical Explorer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4d7764c6-4ff9-4844-9c6c-ce226934ed8b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"light, bright and competent enough to make this a release lovers of Baroque byways will surely find rewarding\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/28dece4f-f486-40a3-bd9e-5cbe4502aefb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"226\" height=\"33\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-7e50bcb6-a4f9-40dc-81da-e190b65c9d7f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-f4d2cfcc-52e1-4bf3-967f-eb13f8af6f44\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 12 February 2021\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue Number: DCD34236\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 17-19 February 2020 in All Hallows’, Gospel Oak \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter 2\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e4-bit digital editing: Matthew Swan \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-337ce560-fd4b-40e5-9499-8b2e01b37ef1\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-107c4c12-3ea2-4b43-a82c-b493824ed6d9\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-9f348eaf-b130-4c2f-ab9b-a86fce9fc8b8\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/the-taste-of-this-nation-pepusch-corbett-shuttleworth-cd-delphian-records-144955.jpg?v=1606222365\u0026amp;width=180 180w, 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type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-107c4c12-3ea2-4b43-a82c-b493824ed6d9\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"4813553205334\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"the-taste-of-this-nation-spiritato\",\n            \"productVariantId\": 33034412326998\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-107c4c12-3ea2-4b43-a82c-b493824ed6d9\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-107c4c12-3ea2-4b43-a82c-b493824ed6d9\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-4cc86ce2-9e71-4f2e-81fb-39edd77d9f4c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eJohann Christoph Pepusch: \u003c\/strong\u003e\u003cem\u003eRouse, Rouse Rouse\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-54a87548-a8c2-4388-b113-7e0d171b0c4a\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/06_Allegro__Rouse_rouse_rouse.mp3?v=1597240987\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":33034412326998,"sku":"DCD34236-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/the-taste-of-this-nation-pepusch-corbett-shuttleworth-cd-delphian-records-144955.jpg?v=1606222365"},{"product_id":"pelham-humfrey-sacred-choral-music","title":"Pelham Humfrey: Sacred Choral Music","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5f6b7aab41bd490064307d0e\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5f6b7aab41bd490064307d0e\" data-shogun-page-version-id=\"6207965ebab46b00c2da3bc7\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6207965ebab46b00c2da3cd1\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-da000907-c43c-4639-bf9f-6cb7da4effdc\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-badbf821-93c8-41f1-a281-6b7b99a59438\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eA protege of Henry Cooke, first director of the choir of the Chapel Royal after the restoration of the monarchy in 1660, Pelham Humfrey was part of a generation of musicians who enriched the musical life of their native England with influences drawn from continental Europe - from France, where Humfrey had studied between 1664 and 1667, and from the Italian musicians at work in the London to which he returned, succeeding Cooke in 1672. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eToday the same choir sings at St James's Palace, where the present recording was made by gracious permission of Her Majesty The Queen. Joined by a small instrumental ensemble led by Delphian regular Bojan Cicic, with an antiphonal layout inspired by records of the former chapel at Whitehall, this group of ten boy choristers and six adult singers revives the musical and devotional world of its former director, in intimate performances alive with its predecessors' improvisational flair.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-213f69ce-d812-4872-911e-ace35eafc48d\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/pelham-humfrey-sacred-choral-music\/1561279774?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003cdiv id=\"s-958f427c-ddbf-4f4c-913c-69c99280d260\" class=\"shg-c \"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-4749232a-668a-45a9-b568-e645ff70d6b3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-4749232a-668a-45a9-b568-e645ff70d6b3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ba9b9c69-83e8-48bb-83ba-23d549973642\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"A terrific new disc which brings out the French and Italian influences at the court of King Charles II with an exploration of the music of the talented, but relatively neglected Pelham Humfrey ... The ten trebles acquit themselves with aplomb, ably partnered by the six singing men of the choir. The small instrumental ensemble similarly stylish, and the whole, under Hardy's fine direction, brings a new sense of style to the music of this period\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e★ ★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 14px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eROBERT HUGILL\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 14px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003ca href=\"https:\/\/www.planethugill.com\/2021\/01\/pelham-humfrey-delphian.html\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-5b947bad-d57b-496c-944e-1f371153c0b1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"McHardy and the choir of today’s Chapel Royal, plus soloists and a small string and continuo group, give luxuriantly ornamented readings of the verse anthems O Give Thanks unto the Lord, By the Waters of Babylon and O Lord My God, separated by the rather more functional Service in E\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-cb941c48-b4df-41e6-8091-d2b68f7aa7d8\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Pelham Humfrey served as master of the Chapel Royal children and Charles II’s court composer from a precociously young age, after a transformative study trip to France. Joseph McHardy and the choir of today’s Chapel Royal, plus soloists and a small string and continuo group, give luxuriantly ornamented readings of the verse anthems O Give Thanks unto the Lord, By the Waters of Babylon and O Lord My God, separated by the rather more functional Service in E\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/www.news.co.uk\/s3\/newukwebsite-prod\/uploads\/2016\/07\/logo-the-times-sunday-times-1024x330.jpg\" alt=\"\" width=\"215\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-316042e4-49e7-4f05-85ef-0c0ace40b8f5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"Ten boy choristers and six adults, fresh and immediate, in sacred choral music by Pelham Humfrey (1647-74), on Delphian\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"206\" height=\"43\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0c1067e0-cc2f-4a72-9f7d-569f1a7be09b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003e\"The whole venture is a very impressive achievement by all concerned, an eye-opener which lets us into this rather precious and particular world\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eMUSICWEB INTERNATIONAL \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003ca href=\"http:\/\/www.musicweb-international.com\/classrev\/2021\/Feb\/Humphrey-choral-DCD34237.htm\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 12px; font-family: 'Abhaya Libre';\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-4749232a-668a-45a9-b568-e645ff70d6b3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-04693261-69ba-4d80-862d-1e980268a464\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRelease Date: 22 January 2021\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRecorded on 27-29 January 2020 in \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eHM Chapel Royal, St James’s Palace\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eProducer: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eEngineer: Matthew Swan\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital editing: Matthew Swan\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p1\" style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-9d3be196-5b78-465c-9fa9-a194fc293914\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-ddce06c2-1253-48df-a328-854cfd03dcba\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-7b37f678-29d7-4804-8a53-60f91d19f75b\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=180 180w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=360 360w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=720 720w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=900 900w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152\" loading=\"lazy\" class=\"shogun-image\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1889\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-ddce06c2-1253-48df-a328-854cfd03dcba\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-7b37f678-29d7-4804-8a53-60f91d19f75b\",\n            \"imageOffsetTop\": 1099,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-ddce06c2-1253-48df-a328-854cfd03dcba\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"4894610653270\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"pelham-humfrey-sacred-choral-music\",\n            \"productVariantId\": 33252507189334\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-ddce06c2-1253-48df-a328-854cfd03dcba\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-ddce06c2-1253-48df-a328-854cfd03dcba\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-2618223a-250e-45c1-8eac-f1e06ae2b917\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003ePelham Humfrey\u003c\/strong\u003e By the Waters of Babylon\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-8e7ccf30-daaf-416f-9744-702a8df46a27\" class=\"shg-c \"\u003e \u003caudio src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/08_By_the_waters_of_Babylon.mp3?v=1601461439\" type=\"audio\/mpeg\" controls\u003e I'm sorry. You're browser doesn't support HTML5 \u003ccode\u003eaudio\u003c\/code\u003e. \u003c\/audio\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":33252507189334,"sku":"DCD34237-CD","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/pelham-humfrey-sacred-choral-music-cd-delphian-records-998619.jpg?v=1606220152"},{"product_id":"pyrotechnia-fire-fury-from-18th-century-italy","title":"Pyrotechnia: Fire \u0026 Fury from 18th-century Italy","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"5fa15948bd4e4b005217a018\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"5fa15948bd4e4b005217a018\" data-shogun-page-version-id=\"61e8098a1e12a100e70aeb89\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"61e8098a1e12a100e70aed5b\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-0db54ee1-e87f-4229-8c94-cc4190ddeba5\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\" data-animations=\"\"\u003e \u003ch1\u003e GLOBAL RELEASE DATE: 29 OCTOBER 2021 \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2c27c079-679d-4ff1-bd4e-71d3f3ac6e8e\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-c8544f1e-db2d-4162-a6fb-6b40643b585e\" role=\"tab\" aria-controls=\"panel-c8544f1e-db2d-4162-a6fb-6b40643b585e\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e WATCH \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-d1324e43-110b-4139-9fb5-f02e6684e66c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eContemporary accounts of the violin playing of Antonio Vivaldi, the ‘Red Priest’, show the extent to which he raised the instrument to hitherto unknown extremes of soloistic virtuosity – able, in its spontaneity and sonorous brilliance, to hold its own against an orchestra in fiery and unforgettably dramatic confrontations.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThanks to Vivaldi’s pupils, eager to imitate the master’s wilder imaginings, several of his improvised cadenzas have been preserved. Here, they inspire typically white-hot performances from \u003ca href=\"https:\/\/www.delphianrecords.com\/blogs\/artists\/bojan-cicic\"\u003eBojan Čičić\u003c\/a\u003e and \u003ca href=\"https:\/\/www.delphianrecords.com\/blogs\/artists\/the-illyria-consort-bojan-cicic\"\u003eThe Illyria Consort\u003c\/a\u003e of four violin concertos by Vivaldi, Tartini and Locatelli which all have movements ending in a ‘capriccio’ – a sequence designed to show that the idea of a virtuosic display cadenza, usually associated with the classical concerto of a later period, had already developed during the first half of the eighteenth century. Fittingly, the album’s title is borrowed from John Babington, author of the earliest guide to fireworks published in Europe – \u003cem\u003ePyrotechnia\u003c\/em\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-a395d561-1873-4d05-b4d6-11669cec4eeb\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-e08a201d-d014-4c08-85f9-a78a5d006d08\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/a1924f3a-52ac-4cfe-8c15-559665e65db2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-e08a201d-d014-4c08-85f9-a78a5d006d08\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-1fb61bba-46bf-40eb-86da-a9cb00305ca4\" data-animations=\"\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/93dce535-0c79-430a-b210-f64cc2a3619f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"eager\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-1fb61bba-46bf-40eb-86da-a9cb00305ca4\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-416a8f85-1b01-4817-9ec3-d9f53187a6f6\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/pyrotechnia-fire-fury-from-18th-century-italy\/1585017113?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-e816297c-929b-4763-8b64-d230f8b933d0\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-e816297c-929b-4763-8b64-d230f8b933d0\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c1c0977f-4fa5-4aae-bdb1-fdde9d832442\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"Bojan Čičić and his Illyria Consort present a truly spellbinding collection of virtuosic violin concertos ... Vivaldi’s reported ability to bewitch crowds with a heady mix of raw virtuosity and well-judged flexible expressiveness recalls stories about the later Liszt, and Bojan Čičić shows himself to be more than equal to the music’s technical and interpretative demands ... Bojan Čičić’s approach – sensitive and fluid, while never less than technically immaculate – shows these unashamedly swaggering pieces in all their ostentatious magnificence\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"319\" height=\"47\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRECORDING OF THE WEEK -\u003cem\u003e\u003ca href=\"https:\/\/www.prestomusic.com\/classical\/articles\/4328--recording-of-the-week-baroque-fireworks-from-bojan-i-i-and-the-illyria-consort\"\u003e read full review here\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4a2dad53-a88c-4e54-bb5d-30bf526a2192\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003e\"Bojan Čičić and his Illyria Consort are absolutely on fire, and their vibrantly glowing renditions bring to light all the innovative features of these scores. Čičić in particular surmounts all the monstrous challenges with prodigious dexterity. This is hugely uplifting stuff that stimulates and inspires. Notes and sonics are first-rate\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\"\u003eCD SPOTLIGHT\u003cbr\u003e\u003cspan style=\"font-size: 11px;\"\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2021\/11\/pyrotechnia.htm\"\u003eread the full review here\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-23cf280f-ba47-4d9c-8468-0b67c520766d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003e'the recording of Vivaldi's Concerto in D, RV 213a is stunning. This is a vibrant piece, full of contrasts, performed with real understanding of its unpredctability by Bojan Čičič and the Ilyria Consort. Čičič's violin flies, full of imagination in the central Largo. The finale (Allegro) is brought to life by the sheer - yes - fire of this performance, while the concluding cadenza is a masterstroke'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\"\u003eCLASSICAL EXPLORER\u003cbr\u003e\u003ca href=\"https:\/\/www.classicalexplorer.com\/pyrotechnia-fire-fury-from-18th-century-italy\/\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 16px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-702f3bd7-37d9-4bc8-a7e1-659ea6d8b569\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 18px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'It is overt virtuosity - and more specifically the violin as an instrument to deliver it - which provides the real context for this programme, which gives it not just atmosphere, but historical perspective ... unashames showpieces, push-me-higher stratospherics, machine-like bariolage, wide leaps, and interchangeable cadenzas is to witness the violin really grabbing the stage as a concerto soloist for the first time ... Bojan Cicic sounds comfortable with the music's daunting technical demands, maintinaing its diginity and poise with virtuosity both controlled and humane\" \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 18px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"350\" height=\"51\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-e816297c-929b-4763-8b64-d230f8b933d0\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-1a35b179-2146-4c72-8742-4cff8f6076af\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 29 October 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34249\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:00\u003c\/span\u003e\u003c\/p\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 29-31 July 2020 \u003cspan style=\"font-size: 16px;\"\u003ein St Martin’s Church, East Woodhay, Hampshire \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eBooklet editor: Henry Howard\u003cbr\u003eCover photograph: Riccardo Chiarini\/Unsplash\u003cbr\u003eSession photography: foxbrushfilms.com\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-c8544f1e-db2d-4162-a6fb-6b40643b585e\" role=\"tabpanel\" aria-labelledby=\"tab-c8544f1e-db2d-4162-a6fb-6b40643b585e\"\u003e \u003cdiv id=\"s-45f644ae-3d58-4a87-a32b-93760af4474e\" class=\"shg-c \"\u003e \u003cdiv class=\"shogun-video 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Every time I play Bach’s Goldberg Variations I realise that something changes inside me, and as a consequence in my interpretation as well. The piece is a kind of mirror into which I can look and see what is inside me. Finally, after performing it many times in concert over several years, I felt ready to fix a version in a recording\u003c\/em\u003e.’\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTelari’s instrument is essential to his conception of this eternally fresh, kaleidoscopic work. The accordion’s bellows bring out and intensify dynamic contrasts in the slower variations, while the sparkling, faster ones are powered by a pure virtuosity that flows along the two manuals, imitating or chasing one another in resonant stereophony. Bach’s immortal masterpiece shines with new light here, keyboard dexterity meeting a string-like expressivity, both heightened by Telari’s interpretative subtlety and impeccable control.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-ae6c8276-2fcb-4159-8777-954f7b256af7\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/bach-goldberg-variations-arr-for-accordion\/1573949445?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ct=albums_bach%3A_goldberg_variations_%28arr._f\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-d6e15b06-d6d2-4587-b941-c1711d0a3ed3\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-d6e15b06-d6d2-4587-b941-c1711d0a3ed3\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7eb4bd4e-2aa8-4ac0-a834-8310707c89c1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"a performance that strangely works, the naturally abrasive wheeze of the accordion charmingly reminiscent of an antique portative organ, and Telari’s manipulation of Bach’s contrapuntal jigsaw as skilfully and artfully untangled as by any keyboard virtuoso ... High-speed Variation 20 goes like the clappers, and Variation 7, Al tempo di Giga, would go down a storm at any Scots Ceilidh. When the final recap of the opening Aria appears it seems less problematic – the ear has attuned and the spacious calm portrays a welcome destination\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"278\" height=\"56\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4108b06f-3ba4-4f6c-a1e9-5f2cd76d7786\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\"\u003e\"This whole recording is so joyful ... the clarity of the counterpoint throughout is really remarkable ... the way Telari handles the voices and the voice leading, it's like a lesson in voicing. You can't help smile throughout the joy of the virtuosity. ... What's most incredible is that it's not an instrument that Bach knew, and yet Telari's playing style sits very comfortably in the historically informed tradition ... Because of the clarity of the playing, and the assuredness of the technique, it really is a fantastic journey through the Goldberg Variations. Samuele also uses the various registration possibilities of the accordion really sensitively, so your ear is drawn in, but you're not distracted by changes of sound - and the attention to detail keeps your ear really alive, so you don't think you've been listening for a long time, because each variations has something exciting, new and silvery to offer...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"142\" height=\"78\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 16px; font-family: 'Abhaya Libre';\"\u003eRECORD REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-fccde020-24cb-4157-98dd-97dfaab724ca\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'\u003cspan class=\"s1\"\u003eThe \u003cem\u003eGoldberg Variations\u003c\/em\u003e seem to lend themselves naturally to being arranged for a wide variety of different solo instruments and ensembles. Last year, Parker Ramsay produced a wonderful recording of the \u003cem\u003eGoldbergs\u003c\/em\u003e for solo harp, and this new recording by \u003c\/span\u003e\u003cspan class=\"s1\"\u003eSamuele Telari performed on a solo accordion, while certainly not the first (there are already excellent recordings on accordion by Teodoro Anzellotti and Andreas Borregaard, to name two), this album is beautifully recorded and performed'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"289\" height=\"42\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cspan class=\"s1\"\u003eESSENTIAL NEW ALBUMS\u003cem\u003e August 2021\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3403cbbe-7aee-49a0-903a-848880aa017a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"There’s no questioning the suitability of the two-manual accordion in taking on the Goldbergs, given the work’s two-manual harpsichord origins, and Telari sticks closely to Bach’s musical expression. It’s quite a feast of solo accordion ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"249\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-d6e15b06-d6d2-4587-b941-c1711d0a3ed3\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-4a642df0-17d2-4ef2-bba7-37d6764a9e63\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 July 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34257\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: CD1 45:20, CD2 47:35\u003c\/span\u003e\u003c\/p\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eRecorded on 25-27 August 2020 in The Queen’s Hall, Edinburgh\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eProducer\/Engineer: Paul Baxter\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital editing: James Waterhouse \u0026amp; Paul Baxter\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e24-bit digital mastering: Paul Baxter\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eCover \u0026amp; session photography: foxbrushfilms.com\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eDesign: John Christ\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p1\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eBooklet editor: John Fallas\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"p2\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-b4afd61b-6cb4-4b6f-84d8-750b7ad903e4\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-c8ed6b79-0016-4b72-881f-f33ec0c21c80\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-4f4ece7d-d3d9-404b-9567-fcc4294a7962\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=180 180w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=360 360w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=720 720w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=900 900w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1258\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-c8ed6b79-0016-4b72-881f-f33ec0c21c80\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-4f4ece7d-d3d9-404b-9567-fcc4294a7962\",\n            \"imageOffsetTop\": 1013,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-c8ed6b79-0016-4b72-881f-f33ec0c21c80\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"6684762243257\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"j-s-bach-goldberg-variations\",\n            \"productVariantId\": 39909959958713\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-c8ed6b79-0016-4b72-881f-f33ec0c21c80\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-c8ed6b79-0016-4b72-881f-f33ec0c21c80\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-e1007b84-9a29-4fb9-8bd6-933b5ee1de1f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003e2. Variatio 1 a 1 Clav\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-ee8e20da-f8b9-4022-81ec-f8ceeed80f12\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/02_Variatio_1_a_1_Clav.mp3?v=1624011127\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-af4be2b3-9428-4943-b744-7f774f09750b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-9090885a-710a-40ab-a261-b20768633ea7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; color: #003366;\"\u003e\u003cem\u003e\u003cspan style=\"font-weight: 100;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003e'Telari belongs to a generation of artists whose overwhelming musicality goes beyond their instrument' \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: right; line-height: 22px;\"\u003e\u003cspan style=\"color: #000000; font-family: 'Abhaya Libre';\"\u003e— Il Sole24Ore\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":39909959958713,"sku":"DCD34257-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/j-s-bach-goldberg-variations-delphian-records-506902.jpg?v=1619694789"},{"product_id":"adriatic-voyage","title":"Adriatic Voyage: Seventeenth-century music from Venice to Dalmatia","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"60912cbc4294dd00e6fd5e17\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"60912cbc4294dd00e6fd5e17\" data-shogun-page-version-id=\"62064033a9b25200c437bff9\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"62064033a9b25200c437c171\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-ccfbd13a-fd17-4bfc-b5e6-e223c96de0d7\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-e4fa4fab-9d54-438f-a451-2762f166b871\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eIn March 1575, a party led by the Venetian diplomat Giacomo Soranzo set out on a mission to Constantinople. They sailed down the Istrian coast, along the length of present-day Croatia, and on to the Bay of Kotor. Much of the land they passed was the territory of the Serenissima – inhabited by both Italians and Slavs, and of strategic importance since it was exposed to constant Turkish threats from the Balkan hinterland.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTwo of Delphian’s most admired ensembles join forces for this imaginative programme of sacred and secular music by composers working along the Dalmatian coast in the decades after Soranzo’s expedition. It was a time in which constant movement of people and trade of goods created linguistic and cultural cross-currents, in contrast to the sharp distinctions encouraged in later centuries by the emergence of modern nation states. Much of this music would have been regarded as Venetian, but the journey points up intriguing differences between the composers and pieces presented, many of them in premiere recordings, while violinist and director \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=bojan%20cicic*\"\u003eBojan Čičić\u003c\/a\u003e’s interactions with cornettist Gawain Glenton – and the rich ornamentation contributed by all the musicians here – bring the period back to vivid, unforgettable life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a9b606d2-13fd-4fa5-8021-6f1cff994ab6\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/adriatic-voyage-seventeenth-century-music-from-venice\/1580101104?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *;\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3d35acb4-81d3-4266-912a-bbe04949a6d7\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-3d35acb4-81d3-4266-912a-bbe04949a6d7\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-270bb046-99ba-4bb4-9fa0-4095af9de8aa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\" style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"a constant movements of goods, people \u0026amp; arts in 16th-century Dalmatia, creating the cultural cross-currents so beautifully realised here by The Marian Consort and Bojan Čičić's Illyria Consort\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\" style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/a9ad135f-22a4-43e1-99cd-36be603b0f9f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"156\" height=\"86\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\" style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eANDREW McGREGOR - RECORD REVIEW\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f241565c-55dd-4104-9f02-722c6c68036f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"Throughout, singers and instrumentalists breathe and communicate as one, their rapport unbreakable. A recording, in short, packed with fresh discoveries at every turn; and a vivid snapshot of ‘La Serenissima’s ear-expanding outreach throughout its wider domains\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"272\" height=\"69\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e34b0cc3-e45f-4281-b6f6-8d2a9d4029f9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"A cornucopia of sacred and secular instrumental and vocal music, performed with arresting, period-evocative beauty, which highlights not just what a fascinating period this was for Italian-Slav cross-cultural blending but also how little most of us know about it\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"275\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-81f600ff-fcd4-4668-9623-27b2bb5ec589\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"There are many things to love about this collaboration between the Marians and Čičić's Illyria Consort, not least the way that ornate contributions from the solo violin and cornet weave organically into the already rich tapestry created by the singers (who impress jointly and severally throughout); the repertoire, too, is enormously attractive\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"311\" height=\"46\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-3d35acb4-81d3-4266-912a-bbe04949a6d7\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-d261e9b7-df48-41df-afab-898789cca575\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\" data-animations=\"\"\u003e\n\u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 24 September May 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34260\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:00\u003c\/span\u003e\u003c\/p\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; letter-spacing: normal;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003eRecorded on 22-24 September 2020 in the Chapel of Merton College, Oxford \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; letter-spacing: normal;\"\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Matthew Swan \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; letter-spacing: normal;\"\u003e24-bit digital mastering: Paul Baxter \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; letter-spacing: normal;\"\u003eDesign: John Christ\u003cbr\u003eBooklet editor: Henry Howard\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px; letter-spacing: normal;\"\u003eCover image: Austin Neill\/unsplash.com \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px; letter-spacing: normal;\"\u003eSession photography: foxbrushfilms.com \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-260cfa83-f106-4e03-a77f-a794808cc188\" data-animations=\"\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shogun-image-linked shg-align-center\" id=\"s-f75c4edb-336a-4726-aef7-1df861379f10\" data-animations=\"\"\u003e \u003ca class=\"shogun-image-link\" href=\"https:\/\/music.apple.com\/gb\/playlist\/the-a-list-classical\/pl.66c17ed5cc754856b944a9150483e375\"\u003e \u003cimg 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Jesu\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-7520d2a6-ac24-42fb-942f-8d87035e948e\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/05_Bone_Jesu.mp3?v=1621266455\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":39941373198521,"sku":"DCD34260-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/adriatic-voyage-seventeenth-century-music-from-venice-to-dalmatia-cd-delphian-records-988082.jpg?v=1620129503"},{"product_id":"battle-cry-she-speaks","title":"Battle Cry: She Speaks","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"61e183104a160e00c46a7656\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"61e183104a160e00c46a7656\" data-shogun-page-version-id=\"65a924f889c57a00dd7ffd36\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"65a924f889c57a00dd80009e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-1299716a-a752-4ef7-9731-2ea561fcb686\" class=\"shg-c \"\u003e \u003c\/div\u003e \u003cdiv id=\"s-7b612359-dca4-4821-aeb7-92df8209d74b\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-0a8994e8-f283-41eb-91f0-33839e784e68\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eThis powerful yet understated recital of modern and seventeenth-century works aims to revisit but also to re-balance the obsession of earlier music with female abandonment and lament. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eThe stories of women such as Dido and Ariadne have been told and retold throughout history. Mezzo-soprano Helen Charlston reconsiders the assumed helplessness of those often seen as being left behind by male adventure and success. \u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; letter-spacing: normal; font-size: 20px;\"\u003eA recent work commissioned for Charlston from the composer Owain Park further takes up the challenge of giving ‘abandoned women’ their own platform, as well as exploring new possibilities for an instrumental pairing – that of voice and theorbo – that remains little explored in contemporary music.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-9e99412f-4ed8-4d97-9312-12ec4aa089c1\" class=\"shg-c \"\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/battle-cry-she-speaks\/1618973617?app=music\u0026amp;itsct=music_box_player\u0026amp;itscg=30200\u0026amp;ls=1\u0026amp;theme=auto\" height=\"450px\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" allow=\"autoplay *; encrypted-media *; clipboard-write\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px; background: transparent;\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-9fc225a7-aa89-4f9a-b397-3cd629fe3773\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-9fc225a7-aa89-4f9a-b397-3cd629fe3773\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7a9d5983-e8aa-4fed-926a-4666bb56d2a1\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e'Characters come alive in Charlston’s flexible mezzo, surely one of the most exciting voices in the new generation of British singers. The intelligence of the programming is matched in that of her delivery – legatos always reaching beyond the individual phrase for the horizon, articulation that pulls us up short, swift shifts of tone and colour that catch the mercurial play of musical light through Strozzi’s monologues or the battling emotions of Monteverdi’s Arianna...' \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"309\" height=\"45\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRead more below... \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e4975336-1ee0-4a28-849f-98ac6cb45d7f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'How often do you hear new music involving the theorbo? A relic of the Baroque, this versatile lute features in the captivating highlight of this new album ... Park’s work, to evocative texts by Georgia Way, is a hugely powerful centrepiece, sometimes Britten-like in its gaunt transparency, its folk allusions, and monumentally dramatic in the lengthy final song, Marietta. Carr throws in solo theorbo numbers by de Visée and Kapsberger. Charlston’s emotive mezzo is heroic throughout, lustrous and arresting'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"312\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0f5fc00d-0d70-4d24-99de-77c2fd64afd5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'Charlston’s voice is distinctively bright-edged and clear, her words so finely projected and ‘felt’ that the booklet texts are hardly necessary to follow the drama of each item. She also has a rich lower register, and this combination of brightness and an enviably wide range makes a perfect match with the theorbo – a form of lute with an extended lower range and delicate, transparent tone more usually heard as part of a continuo group ... Park makes wonderful use of the surprising range of expression and tone offered by the voice-theorbo combination, and Charlston and Carr rise magnificently to the challenge, so that even when the music employs serial technique, it is thoroughly engaging ... Fine booklet notes by Jeremy Summerly, informed by quotes from the performers and Park, guide the listener through the programme, and the recording and presentation from Delphian Records do handsome justice to the performances themselves. In a year of many fine vocal recordings, this is one of the most outstanding we’ve yet heard'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6b5ed406-937b-459e-b0fd-99cac98392ee\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"263\" height=\"84\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8be362b3-8767-4230-bb51-20afbb24983a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'This album by the gloriously expressive, vocally utterly secure and dramatically aware mezzo-soprano Helen Charlston, in duo with Toby Carr’s theorbo, has to be seen already as a clear contender for vocal album of the year ... Something very special indeed is going on here ... The very best comes right at the end. Purcell’s “Evening Hymn” is sung as slow, as low, as dark, as warmly and as touchingly as you could ever wish to hear it. Listen to the diction and the understanding given to every single vocal syllable, the delicious pacing and the wonderful cumulative effect. And the last word of the song? Helen Charlston says: \"The closing Hallelujah could be heard in so many different ways, but mainly it’s trying to find an answer to all of the questions that we’ve asked throughout the recording\" ... . An exquisite anthology'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/7569e30c-eb59-45c0-85f4-b62222a818cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"186\" height=\"84\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-15f24f6e-d9c7-4c1f-b4a2-a6124b7c88ab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\"This recital, opening with Henry Purcell’s “\u003cem\u003eO lead me to some peaceful gloom\u003c\/em\u003e” and featuring works by Barbara Strozzi, Giovanni Kapsberger, Monteverdi and others, challenges the old platitude of the abandoned, hapless woman. Think Dido, Ariadne, Boudicca.\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003ca href=\"https:\/\/www.helencharlston.com\/\" data-link-name=\"in body link\"\u003eCharlston\u003c\/a\u003e’s take – to say argument would give the wrong impression; there is no rant, here – is that in their abandonment they also find strength. Several of the songs, such as Strozzi’s L’Eraclito amoroso and La Travagliata, have their own internal drama. Carr’s theorbo playing is sensuous and vivid, and works especially well in the sonic explorations of the four songs by Park. Charlston’s distinctive, expressive lower register, and the clarity of every word, contribute to an outstanding disc\"\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv class=\"dcr-139bh9t\" style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/31bd6589-6e2f-4379-9af4-692af6b97115\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"249\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-3132065f-d962-43a0-b2f9-e657e5bb8a63\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv class=\"c-product-block__header\"\u003e \u003cp class=\"c-product-block__subtitle\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'The grave beauty of Charlston's inky mezzo is a joy in itself, and the fierce directness of her delivery makes a formidable impact in this programme of laments by Eccles, Purcell, Strozzi et al, with a terrific new commission by Owain Park (which feels perfectly integrated into the framework of the recital) also making its mark; Carr, always completely attuned to his singer's imagination, conjures some magical colours from his theorbo throughout'\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"c-product-block__subtitle\" style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003ePRESTO MUSIC - EDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a8e7cae3-4622-4895-b163-f919b7c6754c\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"There's such a beautiful, rich darkness to Helen Charlston's tone....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eBBC RADIO 3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-26d34dc5-ba0f-4b43-8bcf-0dbea72a627a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'Helen Charlston and Toby Carr focus on the close relationship between voice and theorbo in their recital, scaling down several works to create the intimacy of a duet. Charlston's mezzo is as dark and full bodied as a good claret, and she offers highly expressive readings of the texts, plumbing their depths with glass-cut diction and a glorious range of colours ... wistful pieces, eloquentley played'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"205\" height=\"52\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-3c007af5-6938-4eb2-a3c5-a89586fabe44\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 27 May 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34283\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 57:20\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 29-30 October and 1 November 2021 in Crichton Collegiate Church, Midlothian \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003eTheorbo: Klaus Jacobsen, 2015\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover \u0026amp; Session Photography: foxbrushfilms.com \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-395d74a8-f981-496a-ac10-46a9ee977036\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-d61f50f3-4083-44d8-92b5-48a6c6754d3f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/efeeccf9-6584-4c2a-970e-a84f86f45ec6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-d61f50f3-4083-44d8-92b5-48a6c6754d3f\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-220fb860-9892-4dc5-9118-adca80ec25f1\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-220fb860-9892-4dc5-9118-adca80ec25f1\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-0de89a6d-a61e-4576-93d0-5d997140e828\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Aboreto; font-size: 10px;\"\u003eRECORDINGS OF THE YEAR 2022\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-e0da82c8-4838-4d14-8ffa-e5ab07f2572f\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" 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class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-543bd175-7a56-45b5-a280-a85c6400e1e1\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-dd501397-698a-4882-87a2-d6c97fe7d381\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Aboreto; font-size: 14px;\" data-fontfamily=\"Aboreto\"\u003eVOCAL AWARD WINNER\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2b02c05f-02af-4cad-a436-e0251fb0540e-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-2b02c05f-02af-4cad-a436-e0251fb0540e\" id=\"wrap-s-2b02c05f-02af-4cad-a436-e0251fb0540e\"\u003e \u003cdiv 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shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eShe Ventures, and He Wins: \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eRestless in Thought disturb'd in Mind\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-b9507666-a3fc-4a78-8684-c00a91b2a7a5\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/04_Restless_in_thought_from_She_Ventures_and_He_Wins.mp3?v=1644318643\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e 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id=\"s-7c04161c-6db5-4e68-b866-67e66b4d436a\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shogun-heading-component\"\u003e \u003ch1\u003e GLOBAL RELEASE DATE: 23 SEPTEMBER 2022 \u003c\/h1\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-14a79625-1377-4cf9-8535-a8d049b34e80\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-70dd73f9-340f-4eb5-abb3-f9e4d7db0037\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eBetween 1640 and 1720 the immigrant German Düben family produced three generations of Capellmeisters at Sweden’s wealthy and fashionable Royal Court, where they amassed a huge collection of printed music and manuscripts. \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eThe meticulous cataloguing of this collection at Uppsala University has allowed \u003ca href=\"https:\/\/www.delphianrecords.com\/products\/the-taste-of-this-nation-spiritato?_pos=1\u0026amp;_sid=a48cb278b\u0026amp;_ss=r\"\u003eSpiritato’s\u003c\/a\u003e Kinga Ujszászi to fulfil the ensemble's avowed aim of exploring a vast and little-known repertory. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003eOf particular interest to the group was music that appears to show the first collaborations of the royal Capelle with the separate trumpet corps, bringing trumpets into the context of courtly music and allowing the players to push the boundaries of their instruments and skills.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv 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class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b9503e03-67dd-4118-bade-b5f13d8106a0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'This rosy disc by early music ensemble Spiritato feeds off the legacy contained in the well-researched Düben Collection housed in Uppsala University, the fruits of which combine such known names as Buxtehude, but equally introduces us to such lesser-knowns as the smoothly efficient Clemens Thieme and Andreas Kirchhoff. The glossiest examples, however, are those pieces featuring trumpets – the Swedish Court had a separate trumpet core – by Albrici, Prentzel, Löwe and Melani. It’s in these that Spiritato’s easeful virtuosity under director Kinga Ujszászi gleams brightest'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"307\" height=\"62\"\u003e\u003cbr\u003e\u003cstrong\u003e★ ★ ★ ★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-136a7fca-f79b-4058-874f-7ca5bc26ba13\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Rich period string playing compliments dazzling performances from the boys on natural trumpets in this collection of sonatas compiled by three generations of Capellmeisters at Sweden's wealthy and fashionable Royal Court. As the professor of musicology at Uppsala University (where the Duben Collection is now housed) writes in his album booklet note, this collection of manuscripts shows unrivalled scope and ambition. From much-loved Buxtehude to less familiar names such as Clemens Thieme and Andreas Kirchhoff (both with premiere recordings), this is a real chocolate box collection full of delights and surprises\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eCLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv 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Albrici \u003c\/strong\u003eSonata a 5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-a375f56e-bd2b-48d8-ba7d-c3784884c903\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/06_Sonata_a_5_per_due_violini_e_due_trombetti_con_fagotto.mp3?v=16565977865\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":42415334588630,"sku":"DCD34276-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/17th-century-sonatas-from-the-duben-collection-cd-delphian-records-384681.jpg?v=1643118164"},{"product_id":"johann-jakob-walther-scherzi-da-violino-2-cds","title":"Johann Jakob Walther: Scherzi da violino (2 CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"6295fec7cb669500d419827b\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"6295fec7cb669500d419827b\" data-shogun-page-version-id=\"63b2d648da366d00cea8aa01\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"63b2d648da366d00cea8abc2\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-6bb77a8d-1576-4bad-b921-6c742a4520ba\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-cdc70110-3a25-4a98-bc99-3278ff82669e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eJohann Jakob Walther was one of the most significant violinists in Germany in the generation before J.S. Bach, and \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=bojan%20*\"\u003eBojan Čičić\u003c\/a\u003e believes his music should be essential listening for anyone seeking a fuller understanding of Bach’s polyphonic writing for the instrument. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eHaving built their reputation with a series of Delphian recordings focussing on ‘missing link’ composers, \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=bojan%20*\"\u003eČičić and his Illyria Consort\u003c\/a\u003e are passionate about bringing Walther’s collection of Scherzi da violino to the wider audience it deserves.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eThis first complete recording displays the sheer ambition of Walther’s opus, with highlights including his demonstration of the violin’s polyphonic potential in the D major sonata (No. III); the joyful playfulness of the end of No. IV; the inventiveness of the Imitatione del cuccu; and – Bojan Čičić’s personal favourite – the dramatic melancholy of the final Aria in E minor.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-21832a03-1e37-4eb4-9321-a7a218f8cb51\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/johann-jakob-walther-scherzi-da-violino-solo\/1632271211\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-5a641767-e1a5-4509-85a8-3225c5fdcf72\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-5a641767-e1a5-4509-85a8-3225c5fdcf72\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-8144abd6-6432-42da-a0a9-82cc1dc2683e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'Giovanni Giornovich to Giovanni Stefano Carbonelli, Bojan Čičić and The Illyria Consort have made a point of championing the under-sung ... Čičić makes light work of Walther’s virtuosic gauntlet, audaciously secure in the triple and quadruple stopping that punctuates passages drawing on elaborate bowing and left-hand techniques. And he enjoys a close rapport with his continuo of bass viol, theorbo and keyboards. The ‘phantasticus’ flights of fancy could sometimes sound a touch more fantastical perhaps, but Čičić’s clean, clearly-articulated playing reveals a composer who has languished in the shadow of Biber and Schmelzer for too long'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/985d4514-4567-4351-b8dc-f410b9d0d87e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"237\" height=\"60\"\u003e\u003cbr\u003e\u003cstrong\u003e★ ★ ★ ★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-052ee693-2376-45af-aff2-d75e06983d63\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"Walther offers satisfying opportunities for virtuosic display, technical prowess and improvised ornementation - at least for a player with Cicic's silky skills ... I love this excellent music from a 'missing link' composer before Bach, and fabulous playing - four first recordings as well\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"106\" height=\"58\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eRECORD REVIEW\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-c2a99e37-526e-4446-886a-95a83038eb69\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 22px;\"\u003e\"An immaculately played recital of music by a Baroque violin innovator\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"144\" height=\"48\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-556789ac-04ad-42df-abb1-2160b7b467f2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e \"Bojan Čičić takes everything that is thrown at him comfortably in his stride, seasoning his Tononi’s slender sound with tastefully varied vibrato ... His imaginative embellishments are a joy throughout this beautifully produced set, as is the kaleidoscopic realisation of the continuo by the Illyria Consort\"\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/437f43de-1f9e-44c0-ab09-e49d9c7c8016\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"245\" height=\"129\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9fd8bc6c-74b0-4799-a42b-b5f90de0cb88\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'Cicic makes it sound so easy: a boyish nonchalance characterises many of these performances, and this is mostly very attractive ... The \u003cem\u003eSarabande and Gigue\u003c\/em\u003e from the Suite in A are delightful: aerated and animated, and phrased with the uncluttered clarity of a Japanese garden. Cicic has mastered the illusion of musician as conduit - the music just seems to pour out of him, and his playing conveys that he has to do very little to make it work so well. Excellent and always stylish ornementation is the most obvious evidence of this - there's not even the trace of wet ink in these embellishments: rather, they are thrown out as corporeal gestures - a flick of the hair here, a shrug of the shoulders there - and it's enviously spontaneous and carefree ... Listen closer and the whole thing is electrified with a subtle spark, the harmonies fired through with an extremely clever level of tension ... This is the boldest and most heartfelt playing ... '\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"41\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d3b313cf-8276-4cdb-a10a-9989016a9b87\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e“What a range of musical invention is on display in this extraordinary set of twelve Scherzi, published in Dresden in 1676: mixing sacred and secular influences to great effect, Walther exploits the instrument's technical capabilities to the max, and Čičić rises to the challenge with his customary understated virtuosity and distinctive sweetness of tone. The playful '\u003cem\u003eImitatione del cuccu\u003c\/em\u003e' of No. 10 is especially beguilingly done\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"244\" height=\"36\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 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\u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-b78f55d6-9349-4a73-8d1d-213b70531f4e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 26 August 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34294\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time CD 1: 51:00\u003cbr\u003eTotal playing time CD 2: 49:48\u003c\/span\u003e\u003c\/p\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 26-30 July 2021 in St Martin’s Church, East Woodhay, Hampshire\u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eSession photography: foxbrushfilms.com\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-bf16fefc-b533-4e88-aafd-6f488d701a9f\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-bc10d695-7552-4bed-b60b-d3d88b47990f\"\u003e \u003cimg 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\"__shgImageElements\": { \"uuid\": \"s-dde4008f-8aa5-4e15-bdb7-ad89ba903c8a\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-7d9eba70-b86d-4e9c-87ec-4e7c5fe86271\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eEditor's\u003cbr\u003eChoice\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-60653454-ff76-41ea-a509-10e6ec73b833\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/f07fbd73-7114-44b1-9795-00e3fcdc636e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-60653454-ff76-41ea-a509-10e6ec73b833\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-424a228d-35e2-4604-b75e-1176693f7021\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre';\"\u003eTOP ALBUMS of 2022\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-69feb770-d963-486d-aa4a-f7961b6a7487\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-1024877a-ee6a-473f-9cab-d2de831aee55\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv 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18px;\"\u003e\u003cstrong\u003eSonata in C major\u003c\/strong\u003e: \u003cem\u003evi - Allegro II\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-5fa9a748-3ea3-4f98-be44-f0ece021ca64\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/DCD34294_PB_master_13_CD2.mp3?v=1653998390\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default 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class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-228b3649-63ba-4a3f-ae2e-fb866cea7ec2\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eBojan Čičić and the Illyria Consort’s latest Delphian recording revels in the great variety of musical styles and traditions that grew up around Christmas and its related feasts in Catholic Europe in the seventeenth century – a time when the introduction of ‘rustic’ effects into instrumental music changed the sound of Christmas forever. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eThe vivid theatricality of Baroque evocations of the shepherds and their milieu and the unusual combinations of instruments in much of this music, here given in performances brimming with energy and the joy of rediscovery, make this a Christmas album to reach for every year.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e 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id=\"s-ca39e66e-b941-4722-b554-d04dc58d2c18\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ca39e66e-b941-4722-b554-d04dc58d2c18\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07907919-70f3-4bbd-ae4b-66d68cfcac87\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eBojan Čičić and his band make their case for an [instrumental-only] Christmas album very persuasively indeed ... Čičić’s solo playing sparkles atop the texture. the closing movement of Johann Georg Rauch’s sonata for three violins is unhurried but lilting, while that of Biber’s for solo violin and continuo is positively boisterous and – with the addition of Čičić’s ornamentation – even folksy. The whole album sparkles; it’s a veritable box of delights.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" alt=\"\" width=\"277\" height=\"41\"\u003e\u003cbr\u003eRECORDING OF THE WEEK\u003cbr\u003e\u003ca href=\"https:\/\/www.prestomusic.com\/classical\/articles\/5013--recording-of-the-week-baroque-instrumental-music-for-christmas-from-bojan-i-i-and-the-illyria\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 11px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-e3745b87-3a5b-4012-acc9-54413c59f7ea\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e'This joyful album brings together 17th and 18th century music written for Christmas and its related Catholic feasts ... brought to energetic life by violinist Cicic and his skilled Illyria Consort ... \u003c\/span\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003eOne for every December!'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"248\" height=\"63\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cstrong\u003e★ ★ ★ ★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-ce0e572b-08f6-4374-8550-7790fdf69317\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'Bojan Čičić - the man whose fingers never rest - brings us a feast of 17th-century musical styles from Catholic Europe - a time when the introduction of 'rustic' effects into instrumental music changed the sound of Christmas forever. Brimming with joy and energy, the Illyria Consort's unusual combination of instruments in this recording bring to mind the vivid theatricality of shepherds and their milieu ... '\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCLASSICAL MUSIC DAILY\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-da5bbe0c-2718-41a8-a310-53ef94de8602\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003eBojan Čičić and the period instrumentalists of his Illyria Consort have put together a sparkling collection of Baroque chamber music from central Europe, and it’s sure to appeal to those who hanker after something other than the usual standard fare for this time of year. And you can forget the ‘Pastoral Symphony’ from Messiah, the Sinfonia from Bach’s Christmas Oratorio, and even Corelli’s ‘Christmas Concerto’. The programme is bookended by two Vivaldi concertos (although emphatically not ‘Winter’ from The Four Seasons!), but the rest is from largely Germanic, Catholic south-central Europe: Austria and the Habsburg lands. There are rarities aplenty, and even a couple of premiere recordings ... the whole work shimmers with a tender luminosity that is completely captivating ... Čičić and his colleagues deliver consistently assured, lively and polished performances, with bucolic edginess where appropriate, and a variety of continuo instrumentation including not just harpsichord and organ but also theorbo, Baroque triple harp and bassoon. They are vividly recorded for Delphian in a nicely focussed church acoustic by Paul Baxter, and there are detailed notes on the music by Robert Rawson. It’s an immensely enjoyable disc, fizzing with delights from start to finish, and a most welcome alternative to the carols and songs that seem to take over the airwaves and public address systems at this time of year. Recommended with all enthusiasm!\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/71c02b3b-8ba2-4ecb-86dd-fa05e807b5ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"238\" height=\"76\"\u003e\u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.europadisc.co.uk\/classical\/231453\/La%20Notte:%20Concertos%20and%20Pastorales%20for%20Christmas%20Night.htm\"\u003eread the full review here\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-07fa2f01-8e1f-4773-95a8-4b7ce55cf974\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"color: #333333; font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\"Quirky composers (Vivaldi, Biber, Schmelzer) run riot in \u003cem\u003eLa Notte\u003c\/em\u003e, a delightful album from Bojan Cicic’s spirited Illyria Consort ... \"\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/29ecf5b9-77fb-4f9c-9255-f36b0ceab25b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"126\" height=\"95\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b76defd9-f454-4b53-8415-eebb794eeebb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003e'a beautifully played and thoughtfully paced album with some gorgeous half-lights in slower movements and a natural unforced joy about the whole venture'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\"\u003eTHE ARTS DESK\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-1f8ad2d5-7b27-42c4-8f95-11ee3fe391a4\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e'For those, like me, who dread inevitable Christmas recording releases, this might be one to consider. The more obvious Christmas elements are rather light-touch, and it would make for generally relaxed listening at any time of the year. Bojan Čičić’s violin playing is a characteristic balance of extreme virtuosity and musical sensitivity and sensible restraint. The instrumentalists of Illyria Consort are top-notch, with particular highlights being Sally Holman’s bassoon playing in \u003cem\u003eLa notte\u003c\/em\u003e, Steven Devine’s harpsichord playing in the \u003cem\u003eMusikalisch Uhrwerk\u003c\/em\u003e, and Joseph Crouch’s cello contribution in \u003cem\u003eIl riposo'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eANDREW BENSON WILSON, EARLY MUSIC REVIEWS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9295c4db-79a3-42f3-b2a8-7cdb068bb0bc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\"I think this is one of my favourite new Christmas albums this year ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"138\" height=\"76\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eANDREW McGREGOR - RECORD REVIEW\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-836d89e4-22c9-4db8-8be2-5f5853ca7f2d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"color: #333333;\"\u003e\"A tremendously inventive Christmas album... very fresh and in the moment ... it \u003c\/span\u003e\u003cspan style=\"color: #333333;\"\u003ewill teach you things about Moravian Christmas music that you never knew - I can guarantee that. Excellent liner notes tell us about rustic music being introduced in this 17th Century and it’s a very fun disc. It’s very lively, very very appealing, but also - you learn a lot from listening to it ... There’s a joie de vivre about it [Vivaldi] and listen out for the bassoon and continuo cutting through the string texture. Absolutely irresistible, rustic and characterful and slightly comedic\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 20px;\"\u003e\u003cspan style=\"color: #333333;\"\u003eBBC RADIO 3 - Record Review\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ca39e66e-b941-4722-b554-d04dc58d2c18\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-dae0c34e-322b-4a92-9574-3a74f5353861\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"line-height: normal;\"\u003e\n\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 18 November 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34278\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:05:52\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 16-18 March 2022 in St Martin’s Church, East Woodhay, Hampshire \u003cbr\u003eProducer\/Engineer: Paul Baxter\u003cbr\u003e24-bit digital editing: Jack Davis\u003cbr\u003e24-bit digital mastering: Paul Baxter\u003c\/span\u003e\u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e \u003c\/div\u003e \u003cdiv style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover: Aaron Burden\/Unsplash \u003cbr\u003eSession photography: foxbrushfilms.com \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-4e10caea-1332-4e11-8524-5dc219f352e2\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-6e5c0ce2-eaa2-42a8-becb-a8563edbc7b7\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/a1924f3a-52ac-4cfe-8c15-559665e65db2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-6e5c0ce2-eaa2-42a8-becb-a8563edbc7b7\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-87fb6c2d-ada0-4d1a-be45-44b27bbd254e\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-87fb6c2d-ada0-4d1a-be45-44b27bbd254e\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-b3889554-6d85-46a6-8505-2ad2b5be6892\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Aboreto; font-size: 10px;\"\u003eEDITOR'S CHOICE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-5a108da4-adab-4919-bbf0-7b9c28401779\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/71c02b3b-8ba2-4ecb-86dd-fa05e807b5ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-5a108da4-adab-4919-bbf0-7b9c28401779\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-81454e5e-5b14-4eae-b7c4-5b3d5c38ad55\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Aboreto; font-size: 10px;\"\u003eDISC OF THE WEEK\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-b5b58247-ec3e-42ed-8013-2bb9ecfe1b3b\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-5ac7a5dd-ec1c-4dc7-a099-2c43f5a50f3e\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/72d1ecf0-18a3-47a1-b064-839c6711e4be\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-5ac7a5dd-ec1c-4dc7-a099-2c43f5a50f3e\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-85c149b2-8115-4b97-9916-e8b3a7914929\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Aboreto; font-size: 10px;\"\u003eBest Classical Christmas Albums 2022\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-4a49fa24-61bf-4348-87a9-790ce9c6e221\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-34dbeda4-7ba6-4481-9a23-c38e561daeb6\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b9bd04da-043e-4f1f-a7e4-352efa6b6cb4\" class=\"shg-c shg-product rca-product-view \" data-is-product-box=\"true\"\u003e \u003cdiv id=\"s-d66cd5c3-dd9c-4d5b-9253-69b9db17f640\" class=\"shg-c shg-align-left\"\u003e \u003cdiv class=\"shg-product-image-wrapper\" data-shg-product-target=\"product-image-wrapper\" data-shg-lightbox-switch\u003e \u003cimg fetchpriority=\"auto\" srcset=\"\/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=180 180w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=360 360w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=720 720w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=900 900w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=1080 1080w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=1200 1200w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=1920 1920w, \/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\u0026amp;width=2048 2048w\" src=\"\/cdn\/shop\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260\" loading=\"lazy\" class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1200\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-b9bd04da-043e-4f1f-a7e4-352efa6b6cb4\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-d66cd5c3-dd9c-4d5b-9253-69b9db17f640\",\n            \"imageOffsetTop\": 1202,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-b9bd04da-043e-4f1f-a7e4-352efa6b6cb4\",\n          \"platform\": \"shopify\",\n          \"currency\": \"GBP\",\n          \"productId\": \"7778901491926\",\n          \"staticVariant\": false,\n          \"hideIfDraft\": false,\n          \n          \n          \n          \n          \n          \n            \"productHandle\": \"la-notte-concertos-pastorales-for-christmas-night\",\n            \"productVariantId\": 43304847245526\n          \n        },\n        \"__shgProductCallback\": {\n          \"id\": \"s-b9bd04da-043e-4f1f-a7e4-352efa6b6cb4\",\n          \"callback\": {\n            \"cb\": \"box\",\n            \"data\": {\n              \"uuid\": \"s-b9bd04da-043e-4f1f-a7e4-352efa6b6cb4\"\n            }\n          }\n        }\n      }\n    \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-8 shg-c-md-8 shg-c-sm-8 shg-c-xs-12\"\u003e\n\u003cdiv id=\"s-b01e8c3a-bc4b-41a2-88f9-075910edf6d0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: Abhaya Libre;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eVivaldi:\u003c\/strong\u003e Concerto for violin and strings RV 104 '\u003cem\u003eLa notte'\u003c\/em\u003e: V. Allegro\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-a8781957-43d9-4f5f-a5d8-f66d2fe57f80\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/05_Concerto_for_violin_and_strings_RV_104_La_notte_V_Allegro.mp3?v=1659087334\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":43304847245526,"sku":"DCD34278-CD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/la-notte-concertos-pastorales-for-christmas-night-cd-delphian-records-965555.jpg?v=1659085260"},{"product_id":"bach-partitas-sonatas-bwv-1001-1006","title":"BACH: Partitas \u0026 Sonatas BWV 1001 - 1006","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"646b44a73c264c00e70aeba8\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"646b44a73c264c00e70aeba8\" data-shogun-page-version-id=\"654a0e92922ad90107ae3141\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"654a0e92922ad90107ae340e\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-32e6af27-a3b6-4265-957c-7c4611082caa\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-9b2f1332-f343-45e5-8705-1134ae1e88d3\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eHearing guitarist Sean Shibe’s Bach recital, recorded in Delphian’s fifteenth-century Scottish venue, Baroque violinist Bojan Čičić was inspired during the first lockdown to begin recording Bach’s iconic Partitas and Sonatas. Amid the gloom of the pandemic and restrictions on performances, Čičić travelled north – when allowed – to explore the intense rigours of Bach’s fugues and shining virtuosity of the Partitas’ fast movements. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 24px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eDedicated to his late violin professor and with a booklet essay written by Mahan Esfahani, for Bojan Čičić the making of this recording in the snowbound Scottish countryside has been his greatest career highlight – a journey for him from darkness into light.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-b205bb59-9a1a-464e-b7b3-7fc5d0040348\" class=\"shg-c shg-align-left\"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/bach-partitas-sonatas-bwv-1001-1006\/1695709769\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-723d3f17-0895-483d-9650-844e934fb489\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-723d3f17-0895-483d-9650-844e934fb489\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-de420e34-f946-4fb6-8b4a-1bed1899f520\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Bojan Čičić ' interpretations are both visceral and thoughtful, underpinned by a magisterial virtuosity. Disc one displays commanding immediacy in Partita one’s Allemande, breathtaking technique in the Double II, and thoughtful fluency in Partita two’s Courante and Gigue. Čičić gifts the monumental Chaconne with an authoritative spontaneity – the demisemiquaver section is thrilling and compelling. Partita three’s Prelude is timbrally bright and rhythmically arresting, and subtle ornamentation in the Gavotte and Rondo is stylish and never indulgent. On disc two Čičić portrays the breadth of the three sonatas with aplomb. His instinct for Bach’s textural innovation is superb, not least in sonata two’s fiendish Fugue. Cleverly utilising the medium of recording Čičić gives listeners, his and Bach’s, a chance to encounter fugue as a lived experience.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eČičić balances intimacy and the need for projection, always a challenge when recording. This release must surely become a reference recording, particularly for the next generation to whom Čičić is very deeply committed\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"264\" height=\"67\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eINSTRUMENTAL CHOICE\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e★ ★ ★ ★ ★ PERFORMANCE\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e★ ★ ★ ★ ★ RECORDING\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-21718c12-1e86-4f5f-9d73-765a975aab01\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cdiv class=\"Markup__ParagraphWrapper-sc-13q6ywe-0 Markup__ParagraphWrapperInews-sc-13q6ywe-1 kfcMmD gqFwNZ markup \"\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"If musical keys relate instinctively to specific moods, it’s important tobuild into that a composer’s own creative response to them, and the distinctive properties of any given instrument. What better way to test the ground in \u003ca href=\"https:\/\/www.scotsman.com\/whats-on\/arts-and-entertainment\/the-glasgow-bach-cantata-project-michael-bawtree-on-a-very-ambitious-concert-series-3806279\" data-vars-event=\"gaEvent\" data-vars-ec=\"navigation\" data-vars-ea=\"in article\" data-vars-el=\"plain links\" data-vars-aidclick=\"3806279\" data-vars-titleclick=\"Bach \" data-vars-urlclick=\"https:\/\/www.scotsman.com\/whats-on\/arts-and-entertainment\/the-glasgow-bach-cantata-project-michael-bawtree-on-a-very-ambitious-concert-series-3806279\"\u003eBach \u003c\/a\u003ethan in this probing survey of the solo violin Partitas and Sonatas performed on a period instrument by Croatian-born Bojan Čičić. Hear in the three Partitas a material shift from a sombre B minor and confidently stoical D minor to the bright-lit exuberance of E major; or in the three Sonatas Bach’s distinctive responses to the thoughtful melancholy of G minor, the pining instability of A minor, then a vibrant, safety-first C major. But the ultimate defining elements are Čičić’s gut-stringed instrument, gutsier in tone than a modern one and presenting a natural sense of danger in the higher registers; and his affirmative, if very occasionally over-confined, interpretations\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/62dc3adf-4e93-4184-b711-be4db82e115b\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"267\" height=\"54\"\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cstrong\u003e★ ★ ★ ★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003c\/div\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d284affa-b05e-466f-851e-6e8b72d57aab\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Čičić’s command of period style is second to none, the tuning immaculate, the tone attractive but with a pleasingly ‘grainy’ aspect (he uses an Italian instrument dating from 1701). His mastery of the frequent double- and triple- and quadruple-stopped chords is formidable ... there’s no lack of excitement, either: the Presto Double of the B minor Corrente goes at a cracking pace, every note sparklingly articulated ... Echo effects are deployed without exaggeration, and the E major Partita has a wonderfully buoyant feel without ever feeling pushed ... these are accounts of the Partitas and Sonatas (sic!) that stand out In a crowded catalogue against starry competition. We’ll certainly be returning to them again and again\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/71c02b3b-8ba2-4ecb-86dd-fa05e807b5ac\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"222\" height=\"71\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-9f1e9841-1811-42f2-8a57-5e65c4fc0afb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"This is not just yet another recording of the Partitas; it is \u003cem\u003ethe\u003c\/em\u003e recording ... What you are hearing is mastery on four strings created by Bach and executed to perfection with consummate playing from a player whose infectious, unassuming musicianship is laced with a finesse that makes each note communicate an ethereal and sensory presence ... There is a warmth to the playing that envelops the listener, creating an atmosphere where we are more than eavesdroppers on the performances; we are part of something special.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eČičić is a skilled interpreter and uses his baroque violin to great effect, especially contrasting the soundscape and paying attention to the technical demands and the details. The lines are perfected, and everything, from the double-stopped playing to the gut strings and range of colour, seeps out of the speakers. By the end, the imagery will have touched you ... Captivating and utter bliss\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 20px;\"\u003e\u003cspan style=\"font-size: 18px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"282\" height=\"59\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-573e76da-e45d-49ad-a8b1-a01a8f94c2fd\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"Bojan Čičić’s credentials are second to none ... His playing has all the brio required for Bach’s dance music, and that combined with marvellous articulation and a sensitivity to different key temperaments make his playing feel poised, elegant and true ... I enjoyed them greatly. I cannot imagine the Andante from the Sonata in A minor (CD 2.7) being presented more lovingly or the echo effects in the following Allegro being given a better light and shade. This is music-making to treasure\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eEARLY MUSIC REVIEW\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003ca href=\"https:\/\/earlymusicreview.com\/bach-partitas-sonatas\/\"\u003e\u003cem\u003eread the full review here\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-60153827-95c0-4de3-94af-1fecda1ef815\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"There is something both wonderful and scary about performing music for solo violin ... Now, the Croatian-born baroque violin specialist Bojan Čičić comes blazing in with Bach's magisterial sextet: three sonatas plus three partitas, magnificently played on an instrument almost 20 years older than the music itself ... Avoiding some violinists' febrile interpretations, Čičić likes to keep his dignity, though that doesn't stop his presto movements from being dizzying ... Every note is enhanced, moreover, by the friendly acoustic of Delphian's favourite Midlothian recording venue, Crichton Collegiate Church. I can't recall another recent recording where the lingering resonance of the music's final notes has been so magical. The end result is an album that splendidly showcases Bach's special pleasure: music that engages both heart and head, and leaves us humbled, disarmed, and uplifted\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"248\" height=\"67\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eCLASSICAL ALBUM OF THE WEEK\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-844a90e7-c5b2-4786-bd7b-1a84d6b081b6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e \"Čičić invests each [Partita] with brio, dash and spirit. Double 11 from Partita No. 1 has sparkle, brilliance and precision, with crisp articulation. I don’t think I’ve heard it done better. The Sarabande from Partita No. 2 is ardent and yearning with an underlying melancholy. The Gavotte en Rondeau from No. 3 has a foot-tapping buoyancy and grace, dressed in some delightfully improvised ornamentation. The mighty Chaconne of Partita No. 2 is a monumental account, enhanced by Čičić’s superlative technique. There’s a perfect balance between the dramatic moments and those that are more reflective and intimate ... To sum up, I enjoyed this Bach cycle immensely. If any recording of these masterful works ticks all the right boxes for me it’s this one. Intimacy, warmth, flawless intonation, beauty of tone, expressivity and eloquent projection, all informed by impeccable musicianship, come together in these probing accounts. Čičić’s violin is a G. Tononi, Bologna 1701 with a rich bloom to the tone, and the glorious acoustic of Crichton Collegiate Church in Midlothian adds to the allure. Mahan Esfahani’s intelligent, scholarly liner notes provide all the context one could wish for. These are deeply committed performances, informed by consummate musicianship\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eMUSICWEB INTERNATIONAL - Reccommended\u003cbr\u003e\u003ca href=\"https:\/\/www.musicwebinternational.com\/2023\/10\/bach-sonatas-and-partitas-for-solo-violin-delphian\/\"\u003e\u003cspan style=\"font-size: 16px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-73ade318-3183-4e08-b115-8defecf1a3ec\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\"this album does feel particularly special ... Bach’s famous D minor partita opens with an unfussy, easy forwards flow and softly introvert feel, articulation notably detached and a clean, vibrato-less tone which later lends a wonderful crisp clarity to the bariolage passagework. Elsewhere, its ‘climaxes’ are beautifully understated. Dynamics don’t rise much beyond \u003cem\u003emezzo piano\u003c\/em\u003e, which allows the notes and pure lyricism to do the talking. This all leads into the subtly wider, warmer legato beauty of the concluding phrase, its long final note coloured by some strikingly beautiful tremolo colour. It’s a story of intimacy, and an array of tone quality and articulation, exquisitely colouring a moment while simultaneously painting a larger dramatic arc. Take Sonata No 2’s Vivaldi-breathed \u003cem\u003eAndante\u003c\/em\u003e, radiating quietly worn profundity, its five-and-a-half minutes gliding forth from first note to last as a single musical rainbow – after which the ensuing Allegro brilliantly switches the dial with its pulse-quickening dynamic contrasts. Pause also to admire the subtly contrasting flavours of sweetness and radiance we’re treated to at the outer ends of Partita No 3’s \u003cem\u003ePreludio\u003c\/em\u003e, and the odyssey of expression betwixt them\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/17c421c6-c55a-41cc-acf1-fbf5e4e94a25\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"170\" height=\"108\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-723d3f17-0895-483d-9650-844e934fb489\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-e60f13cf-39fd-432c-8745-6809cc5fe9b0\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 18px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 28 July 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34300\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: CD1: 78:47 CD2: 67:14\u003cbr\u003e\u003cbr\u003eRecorded on 7-9 February and 29 April -2 May 2021 in Crichton Collegiate Church, Midlothian\u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: James Waterhouse  \u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet Editor: Henry Howard\u003cbr\u003eCover Image: Unsplash\/Carolina Pimenta\u003cbr\u003eSession photography: foxbrushfilms.com\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-e218a30e-5a8d-4bdc-ba38-070cf20e28b8\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv id=\"s-050c84f3-96b9-44d4-a585-168a92339bb3-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-050c84f3-96b9-44d4-a585-168a92339bb3\" id=\"wrap-s-050c84f3-96b9-44d4-a585-168a92339bb3\"\u003e \u003cdiv class=\"s-050c84f3-96b9-44d4-a585-168a92339bb3 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-050c84f3-96b9-44d4-a585-168a92339bb3 shogun-image-container shg-align-center\" id=\"s-050c84f3-96b9-44d4-a585-168a92339bb3\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/fbacead1-092f-4c6d-9961-b28cc4b1fed2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-050c84f3-96b9-44d4-a585-168a92339bb3\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv id=\"s-62eb31c2-40f5-41f7-af61-12fc83cb5949-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-62eb31c2-40f5-41f7-af61-12fc83cb5949\" id=\"wrap-s-62eb31c2-40f5-41f7-af61-12fc83cb5949\"\u003e \u003cdiv class=\"s-62eb31c2-40f5-41f7-af61-12fc83cb5949 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-62eb31c2-40f5-41f7-af61-12fc83cb5949 shogun-image-container shg-align-center\" id=\"s-62eb31c2-40f5-41f7-af61-12fc83cb5949\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/89466831-714c-4897-ad4a-84c047966474\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-62eb31c2-40f5-41f7-af61-12fc83cb5949\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-6\"\u003e \u003cdiv id=\"s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d\" id=\"wrap-s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d\"\u003e \u003cdiv class=\"s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d shg-align-container\"\u003e \u003cdiv class=\"shg-c s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d shogun-image-container shg-align-center\" id=\"s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/39dddc97-6a13-44ec-8d8a-d2f5857b12a9\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-68e69c0d-7cee-4a3a-9ad4-e8d6d638b71d\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-fa5821a3-6dbd-4a2c-8c07-800d7e2df548\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eNUMBER 1\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-92dc6088-9d96-48e7-ab2f-a2102cc18b7a\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-1 shg-c-md-1 shg-c-sm-1 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-5 shg-c-md-5 shg-c-sm-5 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-46982c84-22b1-45bc-b0c1-accb899688c4\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageElements\": { \"uuid\": \"s-46982c84-22b1-45bc-b0c1-accb899688c4\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-84e815ef-24e7-4973-b42f-a7d8f95b5492\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 14px;\" data-fontfamily=\"Abhaya Libre\"\u003eALBUM OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-3e0c3d06-14b1-4c7c-94de-bddf60934eb6-root\"\u003e \u003cdiv 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shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-6dbce03b-6100-40c8-9a8d-5a7bdb3996d5\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e \u003cdiv id=\"s-534b427c-6c8a-4db5-a8f7-f4095b758ed8-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-534b427c-6c8a-4db5-a8f7-f4095b758ed8\" id=\"wrap-s-534b427c-6c8a-4db5-a8f7-f4095b758ed8\"\u003e \u003cdiv class=\"s-534b427c-6c8a-4db5-a8f7-f4095b758ed8 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-534b427c-6c8a-4db5-a8f7-f4095b758ed8 shogun-image-container shg-align-center\" id=\"s-534b427c-6c8a-4db5-a8f7-f4095b758ed8\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1080x\/ 1080w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/d943c6a6-dbaa-45d4-be54-e0c18a29c02f\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-534b427c-6c8a-4db5-a8f7-f4095b758ed8\" }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44213549138134,"sku":"DCD34300-2CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/products\/bach-partitas-sonatas-bwv-1001-1006-cd-delphian-records-442333.jpg?v=1684770946"},{"product_id":"handel-complete-violin-sonatas","title":"Handel: Complete Violin Sonatas","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"652949c937fa4a00e02e8aa4\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"652949c937fa4a00e02e8aa4\" data-shogun-page-version-id=\"675325c759168f0caf184ce6\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"675325c759168f0caf184f54\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-af2d744b-57f2-4a0a-92b4-01559a607b27\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-3086733c-9e3c-415c-b74d-4670442614d7\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eThough better known as a virtuoso keyboard player, as a young man Handel also trained as a violinist. His works for violin and harpsichord, says essayist Donald Burrows, ‘do not attract attention by flashy virtuosity: rather, they are flowing and agreeable chamber music, in which the violinist is in musical conversation with the keyboard player’. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003eWho better to guide us in this conversation than two early music stars – \u003ca href=\"https:\/\/www.delphianrecords.com\/search?type=product\u0026amp;q=bojan%20cicic*\"\u003eBojan Čičić\u003c\/a\u003e, fresh from acclaimed solo recordings of Bach and Johann Jakob Walther; and Steven Devine, who has known the magnificent 1756 Kirckman harpsichord since boyhood and for whom, he says, it is a privilege and delight to record these Handel Sonatas on it.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-381983b4-2c49-48d9-bf6f-e46fb07e0be3\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/handel-complete-violin-sonatas\/1724869852\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-ada9c9f6-5303-4a9c-bbb8-1d5b36437a97\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-ada9c9f6-5303-4a9c-bbb8-1d5b36437a97\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-0348b106-4eb7-4795-906d-5a78af16495d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e'How many violin sonatas did Handel write? It's a thorny issue, ambushed by false attributions and the fluidity of the composer's instrumental intentions. Some 'complete' recordings aspire to eight or nine, Bojan Čičić settles for seven, interleaved with sundry single movements including the Sonatina from Handel's 1737 respray of his Trionfo del Tempo, plus a fantasia- like soliloquy HWV 407 for violin alone (delivered with compelling, introspective delicacy) ... From the scampering \u003cem\u003emoto perpetuo\u003c\/em\u003e of HWV 358's first Allegro to the wistful, statuesque gravitas of the D minor's Grave, the performances exude affectionate insight, improvisatory flair and technical aplomb. A serendipitous bonus is Devine's choice of harpsichord: a gloriously robust instrument by London-based Jacob Kirkman built just three years before Handel's death'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"217\" height=\"88\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f9c54c32-f05c-4f69-87b7-94c0131fa890\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\"The presence of this Croatian-born violinist is definitely a big attraction, particularly after last year's superlative album of Bach's solo sonatas and partitas. His keyboard partner, Steven Devine, is no slouch either, and both find innumerable delights in the seven sonatas, plus five bits and bobs, from a composer mostly known for his operas, oratorios and keyboard prowess, not for fiddling about with a bow and four strings. The opening D major sonata, dated about 1750, is especially splendid, featuring strong dancing rhythms and a first movement fully deserving the expressive marking \"affettuoso\" (with feeling). \u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eArmed with his 1703 baroque violin, Cicic's eloquent, gracefully ornamented delivery of Handel's melodic flights sits perfectly alongside the sprightly sounds of Devine's 1756 harpsichord - an instrument, we're told, that Devine has known since childhood. Listening to the results made me realise how much time I wasted twiddling with my mother's accordion and pushing Dinky toys across the floor\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"211\" height=\"57\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eCLASSICAL ALBUM OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-6efa47f5-274b-4428-aa5e-cf2adeea8efa\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"\u003cspan style=\"color: #333333;\"\u003eSo seductive I was drawn into it immediately. The improvisatory immediacy of violinist Bojan Cicic, his phrasing and ornamentation beautifully matching and responding to harpsichordist Steven Devine's communicative playing on a really nice mid-18th-century instrument ... A vital reminder of the joys and beauties of Handel's keyboard writing. He also seems to have trained as a violinist himself and that level of intimate understanding shines through in these performances. Well-balanced recording as well. Handel's Complete Violin Sonatas from Cicic and Devine. It's new this week on the Delphian label. Easy to spot - it's got a lobster on the cover ... \"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"color: #333333;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"197\" height=\"109\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cspan style=\"color: #333333;\"\u003eRECORD REVIEW \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d110b70c-45c6-4c32-8e49-d8158f6123ef\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"\u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eIt’s hard to imagine Handel's violin sonatas played with more dedication—you can feel the energy flying between violinist Bojan Čičić and his sparring partner, harpsichordist Steven Devine. For a taste of the straightforward, ebullient Handel, the Sonata in G Major, HWV 358 is a constant delight. The more mature D Major Sonata HWV 371 that begins this album, one of Handel’s last works completed nine years or so before his death, is the most celebrated of them all. Its second and fourth movements are Handel at his rollicking best, while its slow movements are simply ravishing.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f07fbd73-7114-44b1-9795-00e3fcdc636e\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"155\" height=\"39\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f5ac2bf1-cee1-4834-8f10-96294fd8b16a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"These are fully-formed pieces that breathe vitality and freshness, and offer a wealth of melody typical of this musical genius ... Bojan Čičić (violin) and Steven Devine (on a 1756 Kirckman harpsichord) interpret these masterpieces in miniature with infectious warmth and extraordinary dexterity, and the whole programme is not only a feast for the ears but also a joy for the heart ... Georg Friederich affectionately invites all music lovers to this most delightful musical menu that is as beguiling as it is compelling. Sound, booklet notes and presentation are state of the art\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003eCLASSICAL MUSIC DAILY\u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.classicalmusicdaily.com\/2024\/02\/cicic.htm\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eread the full review here\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-912bdc88-1a7b-448b-b13c-5497d1834ca9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"From two real specialists when it comes to Early Music ... [there's a ] gorgeously chrystalline sound of the Harpsichord on this brand new recording from Bojan Cicic and Steven Devine\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/368c7da2-bea5-4835-9252-b82bc6cf191d\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"169\" height=\"93\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eESSENTIAL CLASSICS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7cac2750-c58a-47ba-8e21-4a4d38d3a443\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e'those who enjoyed Bojan Cicic's recent solo Bach are likely to be very pleased here, because what remains constant is his warmly unfussy delivery - clean tone, phrasing gently and elegantly shaped, drawing out beautiful long lines via flowing articulation which injects just the tiniest bit of air between the notes-and intimate-feeling lyricism. There's also the draw for harpsichord lovers of Steven Devine's close partnering being from the glorious two- manual harpsichord built in 1756 by Jacob Kirckman of London, quilled throughout in real quill ... Čičić presents an array of single 'orphan' movements that don't turn up in every Handel collection, of which perhaps the most interesting of all is the single-stave Allegro in G, HWV407, penned in the leftover space on a discarded Haydn K Armstrong Serse violin part in 1738, and sounding much like an experiment in Bach-style solo violin-writing. This vignette sounds very lovely indeed under Čičie's fingers- notably more leisurely paced than Adrian Butterfield's reading (Somm, 2\/08) but still meeting the Allegro brief, and with a softly rubato'd spaciousness and intimacy that feels closer to Bach's more introspective beauty; and it's then a neat tip into the indisputably merry Allegro opening the G major Sonata, HWV358, typifying the thoughtful programming that sometimes follows key and sometimes period... There are so many other examples I could cite of the thoughtfulness and elegance, the range of colours and moods and the close musical conversation across this programme, all crisply captured in St Martin's Church, East Woodhay, Hampshire. If you like your Handel to come with its emotions and colourings a bit more theatrical or obviously extrovert at points, or with a more excited nip to some of its allegro movements, this may not be completely what you're after. Listen long enough, though, and you might find yourself being won over in spite of yourself.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"302\" height=\"44\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-ada9c9f6-5303-4a9c-bbb8-1d5b36437a97\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-7695ae19-ccd0-4a91-9195-99a652bdbb20\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 23 February 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34304\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:06:00\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 13-15 March 2023 in St Martin’s Church, East Woodhay \u003cbr\u003eProducer\/Engineer: Paul Baxter \u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital mastering: Paul Baxter \u003cbr\u003e\u003cbr\u003eHarpsichord tuning: Steven Devine\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eDesign: Drew Padrutt\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003e\u003cbr\u003eCover image: Charles Dessalines D’Orbigny \u003cbr\u003e(1806–1876), Crimson Crawfish (Palemon ornatum); digitally enhanced and supplied by rawpixel.com. \u003cbr\u003e\u003cbr\u003eSession photography and videography: foxbrush.co.uk \u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK\u003cbr\u003e\u003cbr\u003ewww.delphianrecords.co.uk\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: normal;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-c63f1624-d2cb-4d5d-bc35-82de005c1d0b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-hr-wrapper\"\u003e \u003chr\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e 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href=\"https:\/\/music.apple.com\/gb\/playlist\/classical-you-must-hear-this-month\/pl.c709cdc139444d95b84d64ab25cbcac9?i=1724870118\u0026amp;at=1000INCS\u0026amp;ct=classicalyoumusthea_bojaniistevendevin\u0026amp;itsct=cab_playlist\u0026amp;itscg=30200\u0026amp;ls=1\" target=\"_blank\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/fbacead1-092f-4c6d-9961-b28cc4b1fed2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/fbacead1-092f-4c6d-9961-b28cc4b1fed2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/fbacead1-092f-4c6d-9961-b28cc4b1fed2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/fbacead1-092f-4c6d-9961-b28cc4b1fed2\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/900x\/ 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class=\"shg-image-margin-container-s-da8ba5b1-e413-4393-8551-62530942f7cd\" id=\"wrap-s-da8ba5b1-e413-4393-8551-62530942f7cd\"\u003e \u003cdiv class=\"s-da8ba5b1-e413-4393-8551-62530942f7cd shg-align-container\"\u003e \u003cdiv class=\"shg-c s-da8ba5b1-e413-4393-8551-62530942f7cd shogun-image-container shg-align-center\" id=\"s-da8ba5b1-e413-4393-8551-62530942f7cd\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/39dddc97-6a13-44ec-8d8a-d2f5857b12a9\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-da8ba5b1-e413-4393-8551-62530942f7cd\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-eb67e6ff-82a9-4284-b316-58bf424192b5\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: 'Averia Libre'; color: rgb(17, 37, 106);\" data-fontfamily=\"Averia Libre\"\u003eNUMBER 2 -CLASSICAL\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-ff1940ca-45a5-4d44-bea4-638d2996aaeb\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-2 shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-4 shg-c-md-4 shg-c-sm-4 shg-c-xs-6\"\u003e \u003cdiv id=\"s-a81a337b-d878-436f-8acc-d3a48b7db14f-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-a81a337b-d878-436f-8acc-d3a48b7db14f\" id=\"wrap-s-a81a337b-d878-436f-8acc-d3a48b7db14f\"\u003e \u003cdiv class=\"s-a81a337b-d878-436f-8acc-d3a48b7db14f shg-align-container\"\u003e \u003cdiv class=\"shg-c s-a81a337b-d878-436f-8acc-d3a48b7db14f shogun-image-container shg-align-center\" id=\"s-a81a337b-d878-436f-8acc-d3a48b7db14f\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg srcset=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/180x\/ 180w,https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/360x\/ 360w,https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/720x\/ 720w,https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/900x\/ 900w,https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1080x\/ 1080w,https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/-\/resize\/1200x\/ 1200w\" sizes=\"100vw\" src=\"https:\/\/i.shgcdn.com\/bbe344a5-8891-4ffe-97ca-5769422d8318\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-a81a337b-d878-436f-8acc-d3a48b7db14f\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-191a28ac-2939-43a8-8ba2-8dba1775b52d\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 10px;\"\u003eCLASSICAL ALBUM OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e 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shg-c-md-2 shg-c-sm-2 shg-c-xs-6\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-bd4970b9-431a-45d2-8fa8-f96503870ce9\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-c-lg-6 shg-c-md-6 shg-c-sm-6 shg-c-xs-12\"\u003e \u003cdiv id=\"s-deddc467-1797-44b5-b425-57d00dd8d949-root\"\u003e \u003cdiv class=\"shg-image-margin-container-s-deddc467-1797-44b5-b425-57d00dd8d949\" id=\"wrap-s-deddc467-1797-44b5-b425-57d00dd8d949\"\u003e \u003cdiv class=\"s-deddc467-1797-44b5-b425-57d00dd8d949 shg-align-container\"\u003e \u003cdiv class=\"shg-c s-deddc467-1797-44b5-b425-57d00dd8d949 shogun-image-container shg-align-center\" id=\"s-deddc467-1797-44b5-b425-57d00dd8d949\"\u003e \u003cdiv class=\"shg-image-content-wrapper\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/4caaf980-c096-4bc0-9244-669f306e01d7\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgImageV2Elements\": { \"uuid\": \"s-deddc467-1797-44b5-b425-57d00dd8d949\" }\n    }\n  \u003c\/script\u003e \u003cdiv id=\"s-2f6e4084-1491-492e-84fe-d5a6ef5bc149\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eBEST CLASSICAL ALBUMS OF 2024\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-12\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv 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class=\"shogun-image\" alt=\"Singing In Secret: Clandestine Catholic Music by William Byrd CD Delphian Records\" data-shg-lightbox-image data-shg-product-target=\"product-image\" decoding=\"async\" width=\"1558\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgProductCallback\": {\n        \"id\": \"s-166b5374-c22e-4399-9757-df64d863dd33\",\n        \"callback\": {\n          \"cb\": \"image\",\n          \"data\": {\n            \"uuid\": \"s-9a254f59-d38b-47ca-8d2f-e2ad0fe3c7bc\",\n            \"imageOffsetTop\": 1544,\n            \"LAZY_LOAD_OFFSET_TOP\": 750,\n            \"LAZY_LOAD_ENABLED\": true\n          }\n        }\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n      {\n        \n        \"__shgProductInit\": {\n          \"uuid\": \"s-166b5374-c22e-4399-9757-df64d863dd33\",\n          \"platform\": \"shopify\",\n          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style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003e\u003cstrong\u003ePREVIEW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 20px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 16px;\"\u003e\u003cstrong\u003eSonata in D Major, Opus 1, No.3\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-2b7b5176-fe0e-4bc2-baa0-eb1c19248d4b\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/01_Sonata_in_D_major_Op_1_No_13_HWV_371_I_Affettuoso.mp3?v=1707220864\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default 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shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-8347312d-cd7a-433e-8e5c-cb8484d1a08f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan style=\"color: #333333;\"\u003eHandel Hendrix House in London’s Mayfair holds a substantial collection of keyboard instruments – spinet, organs, and harpsichords – both original from Handel’s own day and reproductions, representing a roster of some of the greatest names from Kirckman and Snetzler to Goetze \u0026amp; Gwynn and Bruce Kennedy’s copy of the Colmar Ruckers harpsichord. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; font-family: 'Abhaya Libre';\" data-fontfamily=\"Abhaya Libre\"\u003e\u003cspan style=\"color: #333333;\"\u003eFrom these instruments the acclaimed and ever-thoughtful keyboard specialist Julian Perkins has created a very special recital, conjuring a treasure trove of the timbres and sounds that would have been heard when Handel and his colleagues played music in these very rooms: original works and arrangements by the master himself and his contemporaries, with Carole Cerasi joining as duet partner for Handel’s sumptuous Suite in C minor.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-2e38cdea-2836-4226-bcd4-f34ee035f05c\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/from-handels-home-the-keyboards-of-handel-hendrix-house\/1725133889\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-09aa1fde-934a-4923-b232-846f7943f663\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-09aa1fde-934a-4923-b232-846f7943f663\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-63c7e2c5-3778-4d9f-9cda-58a865bf1cfc\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-size: 22px;\"\u003e\"Handel House contains many original and period items from Handel’s time, including a range of keyboard instruments. Six of them — three original, three copies modelled on 18th-century instruments — feature on this recording and the range of harpsichords, organs and spinet guarantees a varied programme ... \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eThe music mixes Handel’s own with that of contemporaries, such as Telemann and Scarlatti. Two Scarlatti sonatas, played on a 1754 double-manual harpsichord made by Jacob Kirkman of London, are a highlight ... \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eAmong the Handel items are the Suite No 2 in F Major, given a lively performance by Julian Perkins, and the Suite in C Minor for Two Keyboards, in which he is joined by Carole Cerasi. Handel’s Voluntary or a Flight of Angels chirrups brightly on a copy of a single-manual organ from 1749. \u003c\/span\u003e\u003cspan style=\"font-size: 22px;\"\u003eRare pieces include a captivating Toccata in G Minor by William Babell, getting its first recording, and a brief Sarabande from \u003cem\u003eIsolation Suite\u003c\/em\u003e by Rhian Samuel, a contemporary bonus that brings this historical disc bang up-to-date\"\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e \u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/c91647b9-39a0-4466-ab69-ef6af4aa8432\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"283\" height=\"81\"\u003e\u003cbr\u003e\u003cbr\u003e★ ★ ★ ★\u003c\/span\u003e\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f04c7970-469f-4dca-96be-e1ea31c22e6b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"This fabulous disc will simply delight. What a gem ... The repertoire is as wonderful as the instruments, and besides a number of Handel’s compositions, such as a selection of movements from \u003cem\u003eRodelinda\u003c\/em\u003e, a delightful, effervescent 1-minute \u003cem\u003eFlight of Angels,\u003c\/em\u003e and a lively \u003cem\u003eSuite in C minor for Two Keyboards,\u003c\/em\u003e with Carole Cerasi joining Perkins, there is a mixture from his contemporaries, which includes first recordings and rarities ... Perkin’s playing is superbly articulated; his virtuosic skill brings the varied instruments to life and it is a ‘treasure trove of timbres and sounds’. The dynamics, ornamentation, and colour illustrate magnificence in a superbly created programme performed in a room where Handel, his friends, and his contemporaries would have gathered to play, all captured by Delphian’s recording engineers\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e \u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/92864a7c-343f-4502-8b46-5c4ad628dbe9\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"349\" height=\"73\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-771f2ccb-5aa8-4e86-acb0-0bbec33fe4e9\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003e\"Harpsichords, organs and spinets: Oh my! A treasure trove of timbres that would have been heard when Handel and his circle played at home ...\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px;\"\u003eTHE SYMPHONIST on \u003ca href=\"https:\/\/twitter.com\/deeplyclassical\/status\/1760197284594135476\"\u003eX\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-06a67261-f488-4e16-819f-25c6e148ac9f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\"This recording provides an aural snapshot of the kinds of instruments that Handel interacted with during his time living at 25 Brook Street. Thus writes Olwen Foulkes, assistant curator of London's Handel Hendrix House. A fascinating snapshot it is, too, featuring a single-manual and two double-manual harpsichords, a spinet, a single-manual organ and a bureau organ, so called on account of its small desk-like case. This colourful keyboard spectrum is matched by a rewardingly varied roster of composers, led by Handel and including Telemann, his lifelong buddy William Babell, the blind organist and composer John Stanley, Thomas Roseingrave, Domenico Scarlatti and Rhian Samuel, a Welsh composer of our present time. Julian Perkins has given careful thought to compiling his programme. As already implied, there are splendid contrasts of colour-but also of style, with juxtapositions that provide food for thought. Each piece carries the identity of the instrument on which it is played and producer and engineer deserve praise for the fine sound quality. I found the bright sound of John Snetzler's bureau organ especially delightful\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6979997e-4268-4167-9b89-086eadf75ecb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"182\" height=\"74\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-a5338559-09c1-4b34-8d45-820170e96f54\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003eWhen the Handel (now Handel Hendrix) House opened in 2001, it could make use of only the top floors of the Mayfair property the composer had lived in from 1723 onwards, but when the late and much-missed harpsichord maker and technician Mark Ransom left the museum a generous bequest in 2020 it was at last able to begin work on opening up an extra floor downstairs, thereby making more room for its mouthwatering collection of original and replica keyboard instruments. This album, intelligently curated by Julian Perkins, is a happy celebration of that gift and of the enlarged museum's reopening in 2023. Handel is at the centre of it, of course, mostly played on a double-manual harpsichord by Bruce Kennedy inspired by the extended Ruckers 1624 instrument Handel is known to have owned. It's the same harpsichord Laurence Cummings used in his 2008 recording of the Eight Great Suites of 1720 (Somm, 8\/10), also made in the Handel House, and it presents much the same hard-edged, metal-tinged tone which, though clear and strong, can in truth wear the ear after too long in the hard-panelled rooms of Handel's home. That's not a danger here, however, as Perkins uses it only for the Second Suite, an arrangement of the Rodelinda overture, and a rather lovely early suite for two harpsichords (the lost second part here reconstructed), in which Carole Cerasi guests on the Kennedy while Perkins moves to a 1754 Kirckman, distinctively softer in sound as the two players swap parts in repeats ... Two fantasias by Handel's faraway friend Telemann and a harpsichord transcription of Rhian Samuel's nonchalantly bitonal- feel Sarabande (from her piano Isolation Suite of 2020) complete the recital, which is played by Perkins with exemplary taste, precision and love. Pick up a copy when you're next in the museum!'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"text-align: center; line-height: 22px;\"\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" alt=\"\" width=\"275\" height=\"40\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e 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\u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 30px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 9 Feb 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34314\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: 1:11:00\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRecorded on 8-10 May 2023 at Handel Hendrix House, London\u003cbr\u003e\u003cbr\u003eProducer\/Engineer: James Waterhouse\u003cbr\u003e24-bit digital editing: Jack Davis \u003cbr\u003e24-bit digital mastering: Paul Baxter\u003cbr\u003e\u003cbr\u003eDesign: Eliot Garcia\u003cbr\u003eBooklet editor: Henry Howard\u003cbr\u003eCover: Martin O’Neill, cutitout.co.uk\u003cbr\u003e\u003cbr\u003eSession photography: foxbrush.co.uk\u003cbr\u003e\u003cbr\u003eDelphian Records Ltd – Edinburgh – UK www.delphianrecords.com\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-c \" id=\"s-4b4335c0-45f2-4625-b340-00d0e52f5b7e\"\u003e \u003cdiv class=\"shg-row\" data-col-grid-mode-on=\"\"\u003e \u003cdiv class=\"shg-c-lg-3 shg-c-md-3 shg-c-sm-3 shg-c-xs-6\"\u003e \u003cdiv class=\"shg-c shogun-image-container shg-align-center\" id=\"s-ef4e3798-e574-4578-bd04-ec1ce2347724\"\u003e \u003cimg src=\"https:\/\/i.shgcdn.com\/2ec9c820-b62e-4358-a9aa-f20a8f2580cb\/-\/format\/auto\/-\/preview\/3000x3000\/-\/quality\/lighter\/\" width=\"\" height=\"\" alt=\"\" class=\"shogun-image \" decoding=\"async\" loading=\"lazy\"\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n 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id=\"s-ab16dd47-4552-40fd-8d80-9d053e6aa107\" class=\"shg-c \"\u003e \u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/02_Ouverture_to_Rodelinda_HWV_456_No_4_-_Presto.mp3?v=1707472681\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv id=\"s-84e07bd2-84ab-4488-bc8f-41504664d7ab\" class=\"shg-c \"\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Delphian Records","offers":[{"title":"Default Title","offer_id":44588268617942,"sku":"DCD34314-CD","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/2741\/9990\/files\/from-handels-home-the-keyboards-of-handel-hendrix-house-cd-delphian-records-353874.jpg?v=1699917471"},{"product_id":"heinrich-biber-violin-sonatas-1681","title":"Heinrich Biber: Violin Sonatas — 1681 (2CDs)","description":"\u003cdiv class=\"shogun-root\" data-shogun-id=\"66c73bfac5efa5675fa0164d\" data-shogun-site-id=\"468c768e-35bb-479f-ba0e-f747acd0b134\" data-shogun-page-id=\"66c73bfac5efa5675fa0164d\" data-shogun-page-version-id=\"6a071c571cc7d45df9c0b8c1\" data-shogun-platform-type=\"shopify\" data-shogun-variant-id=\"6a071c581cc7d45df9c0bb7a\" data-shogun-page-type=\"product\" data-shogun-power-up-type=\"\" data-shogun-power-up-id=\"\" data-region=\"main\"\u003e \u003cdiv id=\"s-85142399-89bd-4acf-9dbb-356445db7563\" class=\"shg-c \"\u003e \u003cdiv\u003e \u003cul class=\"shogun-tabs shogun-rounded\" role=\"tablist\" data-vthemes='{\"default\":\"shogun-rounded\"}'\u003e \u003cli class=\"shogun-tab shogun-tab-active\" id=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tab\" aria-controls=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" aria-selected=\"true\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" aria-controls=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e INFO \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"shogun-tabs-body shogun-rounded\"\u003e \u003cdiv class=\"shogun-tab-content shogun-tab-active\" id=\"panel-573030cc-5fb9-46ac-ad58-20ed5df58f19\" role=\"tabpanel\" aria-labelledby=\"tab-573030cc-5fb9-46ac-ad58-20ed5df58f19\"\u003e \u003cdiv id=\"s-4e0f4f1b-a9f8-40ec-9076-d131b1fd6aaf\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\n\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal;\" data-letterspacing=\"Normal\"\u003eFollowing the chart-topping success of his \u003ca href=\"https:\/\/www.delphianrecords.com\/products\/bach-partitas-sonatas-bwv-1001-1006?_pos=1\u0026amp;_sid=27eda33ca\u0026amp;_ss=r\"\u003eBach Sonatas and Partitas\u003c\/a\u003e and equal acclaim for his recording of \u003ca href=\"https:\/\/www.delphianrecords.com\/products\/johann-jakob-walther-scherzi-da-violino-2-cds\"\u003eWalther’s Scherzi da violino\u003c\/a\u003e, Bojan Čičić now turns to Heinrich Ignaz Franz Biber’s collection of sonatas from 1681 – among the most ambitious and inventive violin works of the seventeenth century. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal;\" data-letterspacing=\"Normal\"\u003eUsing unorthodox tuning and bold harmonic invention, Biber expands the instrument’s capabilities, and his improvisatory style, layered textures and intricate counterpoint demand of the player not only virtuosic technical brilliance but an acute sensitivity to affect and sonority. \u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-size: 22px; letter-spacing: normal;\" data-letterspacing=\"Normal\"\u003eWith his Illyria Consort, Čičić brings a clarity and depth to this music, uncovering the sonatas’ rich interplay between intellect, devotion and instrumental theatre. Restless in imagination and profound in expression, the sonatas – here recorded complete – are illuminated by Čičić’s unmistakable artistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-e91c7607-5fea-4b7d-b6fb-68f6e1cb13e2\" class=\"shg-c \"\u003e \u003ciframe allow=\"autoplay *; encrypted-media *;\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/gb\/album\/biber-complete-violin-sonatas-1681\/1808907915\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-83115768-0837-4e5e-8f1c-30cf6f84257f\" class=\"shg-c \"\u003e \u003cdiv id=\"slider-s-83115768-0837-4e5e-8f1c-30cf6f84257f\" class=\"shg-sld\"\u003e \u003cdiv class=\"shg-sld-content\"\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-left \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1203 544q0 13-10 23l-393 393 393 393q10 10 10 23t-10 23l-50 50q-10 10-23 10t-23-10l-466-466q-10-10-10-23t10-23l466-466q10-10 23-10t23 10l50 50q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-slides shg-sld-slides-padded\"\u003e \u003cdiv class=\"shg-sld-item animate__animated shg-sld-active \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-80d07c6a-428c-4667-87a6-ed5dc2186fb6\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/436df914-4843-41e9-8ef6-21abc400e6c7\/\" alt=\"\" width=\"845\" height=\"1059\"\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-4d11004c-7485-455c-8349-8b26b8662583\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\"Throughout, the music, and Čičić’s playing, continually underline why the 17th century is often called the Golden Age of violin-playing; there’s a great combination of subtle nuance, bold contrast and sheer technical dazzle. ... For me, this release is a triumph and pretty much everything about it speaks of an artist entering the golden phase of his career. If it doesn’t win awards, I’ll be astonished ...\"\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/1e23db42-c1fe-4a7c-9887-89fa14fc1bd6\/\" width=\"226\" height=\"33\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: calc(18px * var(--proportional-font-size) \/ 100);\"\u003eRECORDING OF THE MONTH\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100);\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-2254c8da-a086-4f1d-816d-f917376cd88b\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"text-align: center; font-size: calc(21px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cbr\u003e\"It was Manze’s recording of some 30 years ago that first inspired Čičić to specialise in Baroque violin, and his new recording for Delphian – closely-focused, and with plenty of ‘grain’ – was made in the same venue of St Martin’s Church, East Woodhay, Hampshire. A former leader of the Academy of Ancient Music, Čičić has already won acclaim for recordings ranging from Bach and Handel to Carbonelli, Giornovich and Walther. Here, together with his colleagues, he achieves an ideal blend between dazzling technical prowess and penetrating musicality ... Čičić and his colleagues respond brilliantly to the mercurial changes of affect with great inventiveness and sensitivity ... These are demanding yet constantly absorbing works that are open to more than one approach (not least in their more free-form movements), but for those wanting the complete set, Čičić and the Illyria Consort are now the ones to go for. It’s another wonderful addition to their Delphian \u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003ediscography\u003c\/span\u003e\"\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/6b5ed406-937b-459e-b0fd-99cac98392ee\/\" width=\"219\" height=\"70\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.europadisc.co.uk\/classical\/244856\/Biber_-_Complete_Violin_Sonatas_(1681).htm\"\u003eREAD THE FULL REVIEW HERE\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-f98ad98b-62e7-44dd-99af-3d5e97417c29\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\"The music’s structural threads – not golden; more silver – with which Čičič never once loses touch, quietly demand nuance and rumination, both of which these outstanding performances unostentatiously extend to them.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eThis is not a recording to be missed, even though you may own one or more of the other ‘front-runners’. Čičič and his continuo prize intimacy and delicacy, which they are happy to expose to the closest of gazes. Indeed, the instruments are closely miked without risking an over-rhetorical aura. At times, there is also something of the ‘masterclass’ to the pacing of these performances. That is not to say that you sit expecting interruption; they are definitely uninterruptible. Rather, there is so much of moment and satisfying breadth for it not to matter that not everything is given up on a single reading. You are left feeling that, each time you listen to these performances, you’ll glean something fresh.\u003c\/span\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: justify; line-height: 19px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/i.shgcdn.com\/746fe81d-2ce7-4040-a13b-83319a7c9e0a\/\" width=\"353\" height=\"120\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(14px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 19px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003ca href=\"https:\/\/musicwebinternational.com\/2025\/07\/biber-complete-violin-sonatas-1681-delphian\/\" target=\"_self\"\u003eREAD THE FULL REVIEW HERE\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-7fe1bdab-9157-44e4-9f0b-4ba8908c0e05\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 24px;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\"Bojan Cičić is an athletic virtuoso who is comfortably able to communicate the myriad expressive subtleties of Biber's music, sometimes gently and alluringly expressive, at others exuberant and extrovert. He embraces the rhetoric more fluently than some of his rivals as readers will quickly find in pieces such as the elegiac C minor Sonata, perhaps the least unfamiliar of the eight.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); text-align: center; line-height: 19px;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/431fa041-983d-4bc7-84d0-a764a69b8168\/\" width=\"233\" height=\"59\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-d010d268-c718-4e53-a9de-3b4b10507e5e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 24px; text-align: center;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\"It’s the aural equivalent of top-tier gymnastics or ballet. Čičić is unafraid of sounding a bit gritty at times - in the brief but vaguely rustic-sounding Presto of the first sonata, for example, and indeed even in the very first track, the opening Praeludium. That's not to say that he's all attack and no sweetness - there's a beautiful lightness in the Aria of the second sonata, and the lyrical simplicity of his playing in the Adagios of both the sixth and seventh sonatas especially stands out.\"\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 20px; text-align: center;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/9442a5f8-8c8b-4812-82bb-1faf8a026d58\/\" width=\"256\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(14px * var(--proportional-font-size) \/ 100); line-height: 2px; text-align: center;\"\u003e\u003cspan style=\"font-family: inherit; font-weight: 400;\"\u003eRECORDING OF THE WEEK\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-item animate__animated \"\u003e \u003cdiv\u003e \u003cdiv id=\"s-b98da2d1-db8b-4173-ab15-8a60006b305a\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\n\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e'Croatian-born Baroque specialist Bojan Čičić has distinguished form when it comes to adventurous single composer albums. His complete Bach Partitas and Sonatas (2023) and complete Handel Sonatas (2024) for violin were exceptional, and so is this latest explorative immersion, the complete 1681 Violin Sonatas of Heinrich Biber, a composer whose radically inventive use of scordatura (retuning the violin), improvisatory freedom and out-of-the-box expressiveness are just some of the distinctive hallmarks of his extraordinary style. Čičić is joined by The Illyria Consort (theorbo, harp and organ), whose flexible, inventive intimacy over two discs makes for a heavenly and fascinating match. The opening - Sonata 1, the playlist is chronological - emerges over a drone in the way a folk band might open a pub set, teasing the listener with false starts, countering momentary flamboyance with soulful repose. Such tricksy spontaneity and stylish virtuosity persist throughout. It’s compulsive listening.'\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cstrong\u003e★★★★★\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100); line-height: 22px; text-align: center;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/i.shgcdn.com\/f42ce9bb-b65b-4e0d-ab4a-d35e68c99ab2\/\" width=\"219\" height=\"62\"\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-nav-button shg-sld-right \"\u003e \u003csvg width=\"1792\" height=\"1792\" viewbox=\"0 0 1792 1792\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"fill: rgba(113, 113, 113, 1);\"\u003e \u003cpath d=\"M1171 960q0 13-10 23l-466 466q-10 10-23 10t-23-10l-50-50q-10-10-10-23t10-23l393-393-393-393q-10-10-10-23t10-23l50-50q10-10 23-10t23 10l466 466q10 10 10 23z\"\u003e\u003c\/path\u003e \u003c\/svg\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shg-sld-dots\"\u003e \u003cdiv class=\"shg-sld-dot shg-sld-active\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003cdiv class=\"shg-sld-dot\"\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cscript class=\"__SHG_DATA__\" type=\"application\/json\"\u003e\n    {\n      \"__shgSlider\": {\n        \"id\": \"#slider-s-83115768-0837-4e5e-8f1c-30cf6f84257f\",\n        \"intervalTime\": 5,\n        \"autoplay\": false,\n        \"pauseOnHover\": false,\n        \"transition\": \"animate__noAnimation\",\n        \"interval\": null\n      }\n    }\n  \u003c\/script\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-191c602c-25d8-4e88-977a-0826a892d15e\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content\"\u003e\u003cp style=\"line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eRelease Date: 20 June 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eCatalogue No: DCD34334\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px;\"\u003eTotal playing time: [2:01:02] - Double Album\u003cbr\u003eRecorded on 24-28 March 2024 in St Martin’s Church, East Woodhay, 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class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e SUMMARY \u003c\/span\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-border\"\u003e\u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tab\" aria-controls=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e TRACK LISTING \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tab\" aria-controls=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" aria-selected=\"false\"\u003e \u003cdiv class=\"shogun-tab-box\"\u003e \u003cspan class=\"shogun-tab-title\"\u003e REVIEWS \u003c\/span\u003e \u003c\/div\u003e \u003c\/li\u003e \u003cli class=\"shogun-tab\" id=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tab\" 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His twelve Concerti Grossi, published in 1738 and long overlooked, reveal music of colour, imagination and distinctive charm, poised between Roman tradition and London brilliance – graceful, quirky and irresistibly tuneful.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"font-size: calc(22px * var(--proportional-font-size) \/ 100); line-height: 22px;\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eViolinist\/director Kinga Ujszászi and Spiritato, acclaimed for their vivid revivals of neglected Baroque repertoire, bring these works freshly to life in stylish, energised performances. This is the first recording of the complete set of concertos, restoring a missing – and delightful – voice to its place in the musical story of eighteenth-century London.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\" role=\"tabpanel\" aria-labelledby=\"tab-4ef084e4-1ab8-4af3-9ef6-abb1b6b5a388\"\u003e \u003cdiv id=\"s-a12b5a62-13c2-4e8a-acbe-67fd71cc000f\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"font-size: calc(20px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003eComing Soon....\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-5b6a119f-2795-48ab-857f-fb44b2469591\" role=\"tabpanel\" aria-labelledby=\"tab-5b6a119f-2795-48ab-857f-fb44b2469591\"\u003e \u003cdiv id=\"s-3a7dabfb-dd60-474d-8314-50ba04dacfdb\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 24px;\"\u003e\u003cem\u003eReviews will appear here following release date\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv class=\"shogun-tab-content\" id=\"panel-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\" role=\"tabpanel\" aria-labelledby=\"tab-6c597a25-c9d3-4c60-ad62-fcadcc31cc9f\"\u003e \u003cdiv id=\"s-02a2f3a0-d442-478c-ab2c-dacfdded8a79\" class=\"shg-c \"\u003e \u003cdiv class=\"shg-rich-text shg-theme-text-content shg-proportional-font-size\"\u003e\u003cp style=\"line-height: 20.2px; font-size: calc(16px * var(--proportional-font-size) \/ 100);\"\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-size: 18px; font-weight: 400;\" data-fontfamily=\"Abhaya Libre\"\u003eRelease Date: TBC\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; font-weight: 400;\"\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eRecorded on 14-17 January 2025 at St Mary's Church, Walthamstow\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\" data-fontfamily=\"Abhaya Libre\"\u003eProducer\/Engineer: Paul Baxter\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Abhaya Libre'; 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